READING ROOM VII

Like the title says, this is the seventh reading room. Use the search feature to your right and the term ‘reading room’ to find the others. Six came before, pack-full-0 good reading: poetry, fiction, non fiction, and some visuals too. Good reading makes for good writing. So use the reading rooms like your personal library and enjoy. And remember, keep coming back; they’re never finished. As I discover things, things get added. And don’t be shy about sharing your thoughts re not only what you read here but also possible additions to the reading room.

BLOG

Monique Roffey (Trinidad and Tobago), author of The White Woman on the Green Bicycle -a book I recommended in my Blogger on Books a while back – shares writing advice and recommended reads in this post. I also want to mention that another Roffey post sparked a most interesting discussion re Caribbean literature – check out this post (also this) and this one from Vladimir Lucien (St. Lucia) for more on that.

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Have you read any of these Caribbean women writers?

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Love everything about this post and Shakirah Bourne’s gushing nervousness and excitement over meeting her literary hero. READ MORE.

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“Make no apology for your language, and nobody will expect one.” Bajan Shakirah Bourne speaks about the write to use our natural, our mother, our heart language in life and on the page. Sidebar: that bit about Dickens struck me about him training his ear and his hand to write what people said, and how they said it; as a reporter, who writes what some people think is short hand but is actually Joanne-warp-speed-hand, I’m beginning to see how my life tracking down stories and interviewing people shaped and shapes the stories I tell and how I tell them. Still figuring it out, but yeah, that resonated with me. Plus I love Dickens. Sidebar over. Substantively, Bourne writes about Scottish author Irvine Welsh and what we can learn about how he uses dialect, unapologetically. Read the full here.

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I was tempted to put this art-heavy Althea Romeo Mark post in the visual category but it’s an art blog,  in which she reminds us that “art is part of our everyday life” and shows us too. Read and see here.

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Food for thought: 5 Reasons to Wait and Slow Down when it comes to Publishing your Book.

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In this post, Jamaican writer Diane Browne wonders, what is it about Calabash, the literary festival that leaves us all a little bit drunk on words. Dr. Carolyn Cooper also had some musings about the magical festival.

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What Makes a Writer ‘Caribbean’? asks Lisa Allen-Agostini

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Creative people can be oddities…but that’s a good thing…really…and daring to be a little odd can be good for anyone. Embarrass Yourself. It’s Good for the Heart by Elaine Orr.

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“I think you have to work hard, and you have to place yourself in the light somehow – whether it is at readings, by writing online, by submissions, by reaching out to people as you have just done – and if you stand there long enough and nicely enough (i.e. as part of a bigger picture, not as the star of your own show!), then good things do happen.” – RU FREEMAN RESPONDS TO A ASPIRING WRITER

FICTION

I’ll confess I haven’t fully read Gateway – a Caribbean Sampler in the Missing Slate as yet but somehow I have no qualms about recommending it. When you’re done, check out the first issue of Susumba’s Book Bag.

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“You wake to see the sunrise exactly once a year. The cock’s crow which normally signals the start of the day alerts you that you are late.

Kadooment Day is here.” READ MORE OF THIS BARBADOS FESTIVAL FROM THE UNIQUE PERSPECTIVE OF SHAKIRAH BOURNE’S PEN IN ‘THE FOOT IS MINE’

INTERVIEWS

Elizabeth Nunez being interviewed on NPR about my book Oh Gad!

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Kei Miller interview.

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John Robert Lee’s interview with the ARC has some interesting insights about the arts scene in St. Lucia which some may find also mirrors the scene in their territory. Read the full here.

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Audio interview – my girl, Belizean writer Ivory Kelly on the BBC.

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“The IDEA is key. Get your IDEA straight and you can execute it in a thousand ways. But the IDEA must always be singular and original.” – Read more of Jamaican Roland Watson-Grant’s interview with Annie Paul.

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“There’s been a kind of amnesia,” he says, “or not wanting to focus on this, because of it being so painful. It’s kind of crazy. We can deal with the second world war and the Holocaust and so forth and what not, but this side of history, maybe because it was so hideous, people just do not want to see. People do not want to engage.” More from the director of 12 Years a Slave here.

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“My father recited poetry all the time, spasmodically and loudly in the house. But there was a method to his madness. He read with a compelling rotundity: Neruda’s ‘United Fruit Company’, Wilfred Owen’s ‘Exposure’, Martin Carter’s ‘This is the Dark Time My Love’, Derek Walcott’s ‘As John to Patmos’, Dylan Thomas’ ‘Do Not Go Gently Into that Good Night’. He also wrote and was very modest about doing so.” – Read more of the Arc’s interview with St. Lucian poet Vladimir Lucien.

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“In a way Island Princess in Brooklyn celebrates my father’s family and their journey. Interestingly enough, Cordelia Finds Fame and Fortune celebrated the fact that fame and fortune can be found here at home (no need to migrate). However, Princess is forced to migrate and forced to make a new life or return home. Is this back story then part of the journey, a journey in which I am now able to look outwards from our island to our people overseas? This circle of family, of story, fills me with wonder.” – Diane Browne, Read the full interview at the Brown Bookshelf.

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“My greatest fortune has come from the people who believed in me who have allowed my writing to flourish, and from the many individuals who I’ve come into contact with during the creative process of writing. However I have yet to walk into a bookstore and see my books there, that remains a dream!  So – a mixed life, and at the age of 60 I know I have much to be thankful for and hope when and if my writing is read, that it will bring inspiration to others.” – Read more o Arc magazine’s interview with Commonwealth short story prize winner for the Caribbean region.

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Carib Lit interviews Ezekiel Alan, a self published Jamaican novelist who claimed the Commonwealth book prize. Now that’s inspiring. How’d he do it?

“Get honest feedback, from people not too close to you. Do as professional a job as possible — get your book properly edited and proofread.”  Alan also encourages writers to develop and stick with a writing routine and to think outside the box in selecting story ideas. “It is tougher to compete by producing what everyone else is producing.”

Read more.

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Writer-colleague and Burt Award Winner A-dZiko Gegele told me on facebook “Your ‘Island SisStar’, Jamaica Kincaid was at Calabash Jamaica this year – what a fabulous soul – she was witty, and full of humility and grace – highly rated by the audience.” Here’s Susumba’s coverage of that interview.

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So much inspiration to pull from in this interview, it was hard to excerpt just one but in the end I went this: “Whatever work we do, we must work from the heart.” Dena Simmons is an American educator and activist with Antiguan and Barbudan roots. I know because I was at a literary conference in the USA where among the very few black people there, there was one other Antiguan or so she introduced herself to me and I’m happy to have made the connection. Read up.

NON FICTION

Zadie Smith’s 10 rules for writing.

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“I write because the island I live in is small, and I feel a sting each time the people who ask where I am from, then cut short their attention when they realize just how small it is, cut short their attention because the island is not on the radar of much-of-the-world, unless one sharpens the gaze.” – Jonathan Bellot. Read more.

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I hardly know where to excerpt, there’s so much wisdom here but…how about this:

“If you like fantasy and you want to be the next Tolkien, don’t read big Tolkienesque fantasies — Tolkien didn’t read big Tolkienesque fantasies, he read books on Finnish philology. Go and read outside of your comfort zone, go and learn stuff.”

Incidentally, I remember a professor making a similar point about being a journalist, he suggested that we needed to spend less time in the bubble of learning about media and communications and more time just learning about…well, everything.

Read more from Neil Gaiman here.

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“As a child being educated in Guyana, English Literature was an invitation to other worlds, an invitation which has never lost its appeal…” read more of Maggie Harris reflecting on a literary journey which most recently spiked with her 2014 win of the Commonwealth Short Story prize for the Caribbean region.

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If you’re thinking of publishing especially in the children’s market and you live in the Caribbean, you should read this article by Kellie Magnus.

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“In the first draft I sometimes found my characters being mouthpieces for me and my good intentions, and that made the writing weak and bland. In the second draft, I shut up and let the characters do their own talking, and the story improved considerably. The struggle of the protagonist to come to an understanding of herself beyond victimhood was also much clearer when I didn’t try to impose a social justice agenda on her. She became not merely a representative of all children and adults who have survived child sexual abuse, but a real character, with hopes and fears and wants and needs she tries to meet in the way she knows how to, and I had to let her speak for herself in order to give her the agency her history had denied her.” – READ MORE OF LISA ALLEN-AGOSTINI’S ATTEMPTS  TO NAVIGATE THE TERRAIN BETWEEN NON FICTION HORROR AND FICTION WITH BOTH A SOCIAL CONSCIENCE AND A REAL HEART BEAT.

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“I want to write poetry that is alive, fresh, vibrant, contemporary in feeling, readable, thought-provoking, playfully subversive, powerful, and yet still tender. I want it to be full of the energy, culture, history, music, natural beauty, spirituality, and social struggles of Puerto Rico, and other islands of the Caribbean where I have visited or lived… I don’t write love poetry, and I don’t rhyme. I write because I want to communicate with readers in a way that matters, makes an impact, or makes some kind of beneficial difference in the reader’s thoughts and in the society. Can poetry do that? I still believe in the power of the word…If there is any “must” for a poet, from my perspective, it is to widely read other poets and thus develop the ability to sort out your own place as both an innovator and a member of an ongoing literary community and tradition that you will nourish and be nourished by.” READ MORE INSIGHTS FROM PUERTO RICAN POET LORETTA COLLINS KOBLAH

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Plagiarists, Muses and ‘Stalk-home’ Syndrome by Farzana Versey.

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Never give up…plus, yay, supernatural gifs: Jennifer L. Armentrout on Why I’m not the Person to ask about self-publishing.

POETRY

Antiguan and Barbudan Linisa George’s Poetry Postcard on the BBC, In the Closet.

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St. Lucian Vladimir Lucien’s Poetry Post Card on the BBC, Ebb 1.

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“In Carnival season, he is Lord and often Monarch, but at his day job, he is a squire at White Knight Laundry, where hotels and restaurants hire linens for special occasions, and employees wash, iron, mend, pick-up, and drop off.” This line captured for me that split between real life and the larger than life calypso persona of the Carnival season. Read the full poem – What He Brought For Me by Loretta Collins Koblah – in the July 2014 edition of Caribbean Beat.

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“Tonight I want to offer you
this moonlight cupped in a purple
flower …” sigh, right? Swoon to the rest of this Esther Phillips poem, And Yet Again, here.

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Do Not Stand at My Grave and Weep by Elizabeth Frye

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Poetry Parnassus – “verse from each Olympic nation

VISUAL

Calypso is storytelling… check out this Sparrow classic for a brief lesson. Don’t forget to dance.

Other calypso video posts on this site include: the Latumba post, the King Obtinate post, and the Short Shirt post.

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Something I’ve long wanted to do with the Wadadli Pen stories.

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Fish Outta Water, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about WadadliPen and my books. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. Respect copyright.

 

 

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