Jumbies all around

Went tonight to the Youth Enlightenment Academy here in Antigua to attend the launch of Mali Olatunji’s book and exhibition. The books are now available for sale and the exhibition remains open for a month.  I quote below from the launch booklet.

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Painterly Photographer
The Artwork of Mali Olatunji
Antigua and Barbuda Youth Enlightenment Academy
July – September, 2015

A Note from Artist, Mali Adelaja Olatunji (excerpts)
“This body of photographs, ‘Woodist Jumbie Aesthetics’, is for me an assemblage of abstract speculative conjectures.
“…their strident nature allows for a re-examination of Spirit and the aesthetics of departed souls – Jumbies.
“Each photograph is of two or more images that are inter-layered by inter-penetrating optical images of people, places or object onto silver halide salt (film), in a camera. This process is exceedingly improbable to replicate. Thus each is unequivocally an original.
“(in ‘pure photography’) …exactitude in physical replication: lines, color, form, texture and so on, is your aim. Having mastered this for a long twenty-one years, I deserve the space to make ‘my Art’!
“I made the decision to concentrate less on making photographs that were primarily instantiation of factual accuracy…more on picturing ideas of unreliability as an imaginative activity.”

A Note from Author, Paget Henry, the Art of Mali Olatunji (excerpts)
“In addition to bringing fresh support for the fine arts possibilities of photography, Olatunji brings to this visual practice a new technique and an original vision. This new technique is that of using the lines and textures of wood, tree bark, and leaves to enhance the symbolic capabilities of photography. It is this enhanced symbolic capability that gives his photography its painterly qualities and its power to engage the spiritual, and social themes that run through this exhibition.
“The original vision derives from Olatunji’s attempts to imagine how our world would look if seen through ‘the eyes’ of a Jumbie or a departed soul that has taken up residence in a tree now that it has lost its body. It is on account of this new woodist technique that this original vision that Olatunji’s photography will surely generate a lot of interest and debate.
“His photography is sure to raise questions about the long and tense relationship between painting and photography, as the painterly possibilities of the latter are developed in his work to a heretofore unprecedented degree.”

A Note from the Exhibition Curator, Karen Allen Baxter (excerpts)
“This exhibition, The Painterly Photographer, the Artwork of Mali Olatunji, the first in the Sir Reginald Samuel Gallery, also marks the formal opening of this important arts space. The work of Mali Olatunji is meaningful, engaging, explorative, poignant, sometimes humorous and perfect for this inaugural exhibition!
“These photographs invite the viewer to look again, view with intent, examine closely to realize more or realize something else and to appreciate differently.”

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So, this book has been many years in the making. I’ve had many discussions with both Mali and Paget about it over the years. I now look forward to reading it. I’m (insert indescribable emotion here) to be included among the images. Ha! me, a model! From all my discussions with the creators of this book over the years, I know it’s more than just pretty pictures, that there’s technical experimentation and exploration of ideas, and of a particular idea very much rooted in our (maybe more once upon a time than actual these days) African Antiguan belief system. I know books like this are important in grounding us in Self; as Mali said at the launch, there is too much of the Antiguan Self slipping away with this dressing up in other selves that we do, losing our Self in the process. As he said, this book is not just for us; it is Us. Thanks, Mali. Thanks, Paget, for pushing Mali (I know he didn’t go easy …but here it is for the record). Finally, congrats to Hansib for, in this weird time in publishing where even Big publishers aren’t taking risks, being outside the box not only in taking on an unconventional project like this but for quickly becoming an MVP when it comes to taking on book projects from this small place. Think about it, Hansib is responsible for the publication of several Antiguan and Barbudan books in recent years, from my own  The Boy from Willow Bend, to the Art of Mali Olatunji, and including Paget’s V. C. Bird book and Dorbrene O’Marde’s Bocas Short Listed Short Shirt book Nobody Go Run Me and Send Out You Hand. Which other publisher Caribbean or not would have taken a chance on those ideas, simply because they felt they were voices that needed hearing, stories that needed telling, and not rushing and skimping on the quality in the process. No relationship is perfect but jack his jacket on all that and look forward to more. Now go get Mali’s book. In fact, get all those books while you’re at it.

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Fish Outta Water, Musical Youth, and Oh Gad!).  All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about WadadliPen and my books. You can also subscribe to the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, are okay, lifting content (words, images, other) from the site without asking is not cool. Respect copyright.

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Filed under A & B Lit News Plus, A & B WRITINGS, Caribbean Plus Lit News, Literary Gallery

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