The Bocas Prize is the only annual Caribbean-specific major book prize; it has become, in the few years of its existence, the one to aim for – as much for the size of the purse as the prestige (the prize having been won by the likes of Derek Walcott and Olive Senior). Only one Antiguan and Barbudan book/author has made the long list to date – Nobody Go Run Me/Dorbrene O’Marde in the non-fiction category. But while we keep aiming and striving, let’s celebrate the ones who have broken through in 2017. Some, like Jamaican Kei Miller, have made this list before, but for Trinidadian Kevin Jared Hosein it’s his first time in this company – as a fan of both (as you would have seen in my postings in the Blogger on Books series of some of their previous books) and of the way Beckles makes history accessible and connective, and of some of Ann Margaret Lim and Ishion Hutchinson’s poetry though I haven’t yet read their full collections. Congratulations to all who made the cut. Here are the details in a mailing from the people administering the prize:
Books by nine writers, the majority under the age of forty, have been announced on the longlist for the 2017 OCM Bocas Prize for Caribbean Literature, sponsored by One Caribbean Media.
Now in its seventh year, the Prize recognises books in three genre categories — poetry, fiction, and literary non-fiction — published by Caribbean authors in 2016.
In the poetry category, the judges have named books by three younger Jamaican writers. Ishion Hutchinson’s House of Lords and Commons is a meditation on home and abroad, personal and communal history, with a rich verbal register and intense engagement with the past literary canon. Ann-Margaret Lim’s lyrical Kingston Buttercup has a deep grounding in the landscape of Jamaica, whether the penetrating poems address the persistent legacy of slavery, Lim’s relationship with her mother, or the complications of contemporary Kingston. And Safiya Sinclair’s debut Cannibal is haunted by the character of Caliban from The Tempest, as it explores Jamaican childhood and womanhood, and otherness in a strange place that may be the United States where the poet now lives, or language itself. “We were delighted to read a set of poetry collections remarkable for their range of focus and poetic method,” write the prize judges. “Each entry made its own claims on us in terms of originality, appeal, and ambition. Throughout our discussions, all the collections impressed upon us the vitality of today’s voices in contemporary Caribbean poetry.”
The fiction category includes novels by two Jamaicans and one Trinidadian. Marcia Douglas’s magical realist novel The Marvellous Equations of the Dread is set at one of the bleakest moments of Jamaica’s recent history, after the deaths of Bob Marley and Emperor Haile Selassie, and coveys a sense of both history’s dread and the hope born of human creativity. In his debut novel The Repenters, Kevin Jared Hosein tells a transgressive, almost gothic tale of violence and punishment, exploring the darkest side of Trinidadian society and family history. And in Augustown, Kei Miller offers a historical epic ranging over sixty years of Jamaican history, with its complexities of class, ethnicity, religion, and language. “Due to the excellence and range of so many of the works, selecting a shortlist was extremely difficult,” remark the fiction judges. “We were impressed by the high quality of the entries drawn from a range of new and established writers across the region and beyond. The immediacy of their respective concerns for their culture and their pride in the richness of its history are obvious. They’re digging deep.”
The final longlisted books, in the non-fiction category, are all historical studies. Barbadian Hilary McD. Beckles’s The First Black Slave Society: Britain’s “Barbarity Time” in Barbados, 1636–1876 is a compelling history of the first 140 years of the colonisation of Barbados, “with great resonances for contemporary debates about reparatory justice for the crimes of history,” say the judges. Angelo Bissessarsingh’s twin books Virtual Glimpses into the Past and A Walk Back in Time, considered by the judges as two volumes of a single work, collect vignettes from the history of Trinidad and Tobago, offering an effortless read for those for whom the past is a forgotten country. Bissessarsingh, a self-taught historian who passed away in early 2017, during the judging period, won a devoted following among Trinidadian readers for his enthusiastic style and passion for research. And in Inward Yearnings: Jamaica’s Journey to Nationhood, Colin Palmer tells the story of Jamaica’s struggle to define an identity that embraces both its African heritage and its Anglophone western past. “Palmer’s prose immediately immerses you in sympathy for the people, events, and organisations that make this history,” the judges note.
The winners in each genre category will be announced on 27 March, 2017, and the Prize of US$10,000 will be presented to the overall winner on Saturday 29 April, during the seventh annual NGC Bocas Lit Fest in Port of Spain.
The 2017 judging panels for the OCM Bocas Prize bring together distinguished Caribbean and international writers, academics, and publishing professionals. David Dabydeen, the celebrated Guyanese writer based in the UK, chairs the poetry panel, which also includes Cuban poet and translator Nancy Morejón and London-based agent Peter Straus. On the fiction panel, chair Susheila Nasta, founder and editor of the journal Wasafiri, is joined by New York–based agent and editor Malaika Adero and St. Vincent-born, Canada-based writer H. Nigel Thomas. And Jamaican Kim Robinson-Walcott, editor of Caribbean Quarterly and Jamaica Journal, chairs the non-fiction panel, which includes scholars Aaron Kamugisha of Barbados and Patricia Mohammed of Trinidad and Tobago.
The overall chair of the 2017 cross-judging panel is the eminent Jamaican poet and scholar Edward Baugh.
Wadadli Pen 