Blogger’s bio

Me and artist impression early 2000s

Me, early 2000s (which is when I started Wadadli Pen); photo and artist impression – by Ken Maguire and Lyndell Benjamin, respectively.

I am Joanne C. Hillhouse, an Antiguan and Barbudan writer. The Wadadli Youth Pen Prize is a passion project I launched back in 2004.

21 Random* Facts (Of My Choosing) About Me

*Fair warning, some of these illuminate my writing life and some are just really random

  1. I graduated the University of the West Indies (Mona, Jamaica), class of 1995, with a degree in Mass Communications.

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    As much time as I spend running workshops for children, teens, and adults maybe I should have taken an education elective, no? This is during a workshop in 2015 at the Public Library of Antigua and Barbuda.

  2. My Story ‘Amelia at Devil’s Bridge’, short-listed in 2013 for the Small Axe Fiction Prize, published in 2014 in Peekash’s Pepperpot: Best New Stories from the Caribbean, has been studied by students at LaGuardia College (NY) and University of Belize, and is now excerpted in the Collins Concise Revision Course CSEC English (Harper Collins, UK, 2017).

    Aye Write Festival April 2014

    I had the opportunity to read ‘Amelia at Devil’s Bridge’ and discuss during  the 2014 Aye Write! literary festival in Scotland.

  3. My manuscript Musical Youth placed second for the inaugural Burt Award for Teen/Young Adult Caribbean Fiction in 2014 and was subsequently published by Caribbean Reads Publishing later that year.

    Here I am reading from Musical Youth.

    The Musical Youth launch.

  4. I love Carnival and Calypso, as evidenced by my poem, Children Melee, published in Moko: Caribbean Arts and Letters.
  5. I am known for my writing, but I’ve also worked in TV and film production, and was actually involved as associate producer and production manager, respectively, in Antigua and Barbuda’s first and second feature length films (The Sweetest Mango and No Seed). I was not, however, involved in the production of the documentary The Making of the Monarch, no matter what IMDB says.
  6. I love to walk and think and explore wherever I am. It’s good for clarity of mind and creativity as well.

    joanne at mount tabor

    Exploring, at Mount Tabor.

  7. I studied and played guitar for years as a teen, and though I’m no Zahara, my experience with and love for the instrument helped me write the Musical Youth character.
  8. I am a self-described gyal from Ottos, Antigua. Its funny how the community that nurtured you remains part of your DNA, no matter where you roam.
  9. My first children’s picture book was Fish Outta Water (my second is With Grace). I wrote it initially so I’d have something to read when reading to kids too young for the books I had written. I test read it to them and to the kids at the Cushion Club, with which I volunteered, and kept re-fining it. Initially published by Pearson (UK) in 2013, I inked a deal in 2016 to re-issue it with Caribbean Reads.

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    Cushion Club Saturdays.

  10. My most travelled poem is probably ‘Ah Write!’ – initially published in The University of the Virgin Islands’ Caribbean Writer, it has also been published in the PEN America Journal and performed on and off island (e.g. at the 2012 Nature Island Literary Festival in Dominica). Depending on when and where you hear me perform it, it may reference past US president Barack Obama or past Antigua Calypso Queen Ivena but never both at the same time. It is the only one of my poems I’ve ever been able to recite by heart.

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    Me reciting Ah Write! at a local open mic.

  11. I am thrilled to have had the opportunity to recommend and work with Antiguan and Barbudan artists on several of my projects (Glenroy Aaron did the Musical Youth cover, Zavian Archibald did the cover and illustrations for the first edition of Fish Outta Water, Heather Doram did the cover for the second edition of The Boy from Willow Bend and the art for my story The Other Daughter published in Adda). I always try to think of which local artist might be a good fit for a project, and from there, Caribbean.
  12. I freelance – writing articles for magazines (like this one for Caribbean Beat), and providing writing and editing services for ALL types of projects, in addition to coaching and facilitating courses/workshops. And because the freelancing life (and #TheWritingLife when you’re from a small place) is all about creating and accessing opportunities, I think of myself as being #onthehustle

    Barbuda boat trip 2015

    Well, except for the times when I’m chilling.

  13. As I said in this interview, “Jamaica Kincaid is a favourite writer of mine. In fact, discovering her book Annie John years ago was one of those steps on my journey to accepting that it wasn’t so crazy to want to be a writer.” It wasn’t just that she was from Ovals, Antigua, neighbor to my Ottos, Antigua and was doing this thing I didn’t dare dream about doing, but also that the physical and emotional landscape of the book were so intimately familiar and opened up this idea in me that our lives were also worthy of great literature. No, disrespect to the literary heroines – Fern, Jo, Margaret, Mike, etc. – I grew up reading and loving.

    jamaicajoanne 2015 at V I Lit Fest

    With Jamaica Kincaid at the USVI lit fest in 2015.

  14. The title of my novel Oh Gad! was inspired by the clay coal pots (also a visual and thematic motif in the book) that my family on my father’s side has been involved with for generations and generations before that. In fact, my aunt, who is still keeping up with the art and craft of pottery making has earned a national award for her contribution to culture. If you come through Antigua, go through Sea View Farm and stop by Elvie’s Pottery (named for my late grandmother) for one of her keepsakes.

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    With late legendary Antiguan calypso writer Marcus Christopher, who came out to the launch and called to tell me how much he liked the book.

  15. I mentioned that I love calypso. Well, I also love soca. Actually, you’d be hard-pressed to find a genre of music I won’t at least nod my head too. I’ve got the music in me.
  16. When I started Wadadli Pen, I had no idea what I was in for and I’ve felt like tapping out a time or two – and in fact did for a three year period – but the more it continues, the more invested I feel in making this a permanent part of our culture, a vehicle through which writers and non-writers from Antigua and Barbuda can begin to find their voice.

    Most of the awardees of Wadalipen with Joanne Hillhouse

    In 2012, with Wadadli Pen finalists.

  17. I’ve learned that if you knock you never know what door of opportunity may open to you, but you’ve got to wedge your foot in the door and risk it getting snapped off. In addition to my books, and the opportunities to travel and represent that it’s presented to this gyal from Ottos, Antigua, I’ve done what I love best (write) on the pages of international publications like Bookbird (Journal of International Children’s Literature), Writer’s Digest, and (the mothership!) Essence. Essence
  18. Dancing Nude in the Moonlight, my second book, an inter-cultural romance I began writing during/after (one or the other) a visit to the Dominican Republic, was re-issued as part of a collection (Dancing Nude in the Moonlight 10th Anniversary Edition and Other Writings) that includes stories and poems that were previously published in various journals and at least one new story. It’s re-issue and that of The Boy from Willow Bend a reminder that each end is just another beginning (it just takes time).

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    Just wait.

  19. Though I’ve never lived in Canada, my story ‘Man of Her Dreams’ is published in In the Black: New African Canadian Literature (Insomniac, 2012). The editor was Antiguan-Canadian writer Althea Prince.
  20. Short Shirt is my favourite calypsonian. Having grown up on his music, it’s still kind of trippy to me that I’ve had opportunities to interview him. My Short Shirt articles include this one for ZING

    Caribbean Fiction Writers Summer Institute

    This 1995 Caribbean Fiction Writers Summer Institute, at University of Miami, was my first workshop, and it was facilitated by Olive Senior. I was recommended for this workshop by Mervyn Morris who was my mentor at UWI. I don’t know if I appreciated how lucky I was then; but while I have been fortunate to meet and learn from lots of people who are masters of their craft over the years, it was at this workshop that I started working on my first book The Boy from Willow Bend.

  21. Once in the long ago, when letters were written on paper and sent by mail (not on the back of a snail but it might as well have been), I had a pen pal in America; wish I could remember her name so that we could re-connect on facebook.

My Books are
Books most recent editions to May 2017

With Grace (picture book; Little Bell Caribbean, US) – 2016
Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings (fiction; Insomniac, Canada; original edition – Macmillan, UK) – 2014
Musical Youth, 2nd placed for the Burt Award for teen/YA Caribbean Literature (fiction; Caribbean Reads, St. Kitts & Nevis/USA) – 2014
Fish Outta Water (picture book; Pearson, UK) – 2013
Oh Gad! (Fiction; Strebor/Atria/Simon and Schuster, USA) – 2012
The Boy from Willow Bend (Fiction; Hansib & Macmillan, UK) – 2002 & 2009
Read more about my Books and the books I’m in.

For more on me (not everything; some stuff is STILL personal), here are my interview links. Also, on the freelance side, here’s where you go for my online portfolio.

With other fellows from the 2008 Breadloaf Writers conference

 

Joanne C. Hillhouse, centre, pictured with Caribbean writers Ramabai Espinet, Angela Barry, Danielle Boodoo-Fortune, and Curdella Forbes; also 2008.

 

With kids from the Cushion Club and Montserrat writer (guest reader) Chadd Cumberbatch, and fellow CC volunteer Cedric Holder

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