Category Archives: A & B Lit News Plus

News of what’s happening literally in Antigua and Barbuda

Antiguan and Barbudan Author and Wadadli Pen Founder/Co-Ordinator on Young Adult Literature Panel at the Sharjah International Book Fair

“Sharjah 24: Young adult literature dominates bookstores these days. While the genre only began to gain momentum in the 1970s and ‘80s, but it has definitely gone through a growth spurt since then.

Deliberating on the topic was Science Fiction Writer Noura Al Nouman, and author of Ajwan, and Antiguan and Caribbean writer Joanne C Hillhouse whose penned several books in this genre like, The Boy from Willow Bend.

While the discussion reflected on concerns surrounding the current reading patterns among children and young adults, it also touched on the overriding influence of the digital media. While today’s teens have come of age with smartphones in their pocket, compared to teens a couple of decades ago, its equally true that the way they interact with traditional media like books and movies is fundamentally different.

Sharing her thoughts on the issue was Joanne who said, “Internet to video games, there is a lot more that’s pulling children’s attention now. If you find the right story, then any young person would be inclined to sit there and take it in, because film, television, movies, video games they are all stories and I am yet to meet a child who doesn’t like stories”.

(Read the full article at Sharjah24.ae Also read at the official SIBF websiteGulf  News and UAE News).

Joanne also visited the Gulf Model School (pictured below first with the principal then with the students) and participated in a panel on the New Daughters of Africa book with editor Margaret Busby and co-contributor Ella Wakatama Allfrey (third picture below):

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The Wedding Project (a prompt response)

Because we have to practice, here’s my response to a writing prompt from Tammy at Writing Wednesday.

The Wedding Project

Receive the wedding invitation.
Settle on the spread for the marriage bed as your gift. You will make it.
Buy the thread, one spool to start.
Dig up the needle Tanty taught you to crochet with.
Try to remember what she taught you.
Remind yourself what the short hand means (sc, tr, dc, sl st).
Remember only some of it.
Start crocheting anyway.
Unravel and start again.
Unravel and do not restart.
Go to the wedding. Promise yourself to re-start (which you do not manage to do before the divorce).
When you hear of a possible reconciliation, contemplate restarting the unfinished wedding project.

The prompt was to write 12 steps of something and my brain ended up going with 12 steps of making something unmade. Where does your brain go? Write something.

As with all content on Wadadli Pen, unless otherwise indicated, this is written by author and Wadadli Pen founder and coordinator Joanne C. Hillhouse. All rights reserved.

 

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On Bill Burt, the Burt Award (for Caribbean Literature), and the 18 teen/young adult Caribbean fiction titles it produced

Burt-Award-winners-book-covers

Home Homethe beast of kukuyoThe Art of White RosesThe-Dark-of-the-SeaMy-Fishy-StepmomA-Dark-Iris

The-Unmarked-Girl-Jeanelle-Frontin

You may not know the name Bill Burt. After all, he was a Canadian commodities broker. But you may know some of the titles above (all Code Burt award titles from the Caribbean). That seal on all but the newest of the pictured titles (This year’s titles are not yet published but the original edition of the winning 2019 title The Unmarked Girl is pictured) is the Oprah’s Book Club seal of teen/young adult Caribbean literature, that little edge, that extra endorsement to help them stand out and perhaps be picked up. It is an endorsement. It indicates that these titles have been tapped by writers, editors, and other literary professionals from the Caribbean and elsewhere who served as judges (refreshed every year), as being among the best new writing from the region in the teen/young adult genre.  It is Bill Burt putting a ring on it.

Accepting Burt Award trophy

That’s Bill Burt, left, above presenting me (Joanne C. Hillhouse) with the first runner up trophy for the inaugural Caribbean Code Burt award, for my then unpublished manuscript Musical Youth, at the 2014 Bocas literary festival in Trinidad.

A trophy. The most substantial single cheque of my creative writing career to that point. An opportunity to be published and to select the publishing house I would be working with from among several options in the Caribbean. A guaranteed order of the books. That was my prize. It was an amazing boost at the time.

Musical Youth and all of the pictured books benefited from someone, who, with the funds he made through this stock market investments, helped amplify stories from typically marginalized communities of which the Caribbean was only one.

Winners ...and #MusicalYouths in their own right ... members of the AGHS winning cast from the secondary schools drama festival collecting copies of Musical Youth.
(above and below, me presenting copies of Musical Youth at local schools)Musical Youth copies 2014 3

The Burt Award, named for Bill Burt and administered by CODE, a Canadian non-profit, stimulated the production of teen/young adult fiction specific to communities whose voices are not often heard in the vast publishing world. He presented the first Burt Award (for teen/young adult African literature), in Tanzania in 2009. The programme subsequently expanded to Ghana, Ethiopia, Kenya, Canada (specifically among First Nations, Inuit, and Metis people), and the Caribbean.

The initial guaranteed order of the winning books was/is distributed to teens and young adults through individuals and institutions that work with youth. If you appreciate that funding is a major hindrance for working artists and for independent publishers, you will appreciate how significant this prize is; if you can appreciate that this was about producing books teens and young adults in the region would WANT to read, you would see how impactful this prize was or could be.

I entered that first year (October 2013 submission deadline), after they had adjusted initial proposed guidelines to accept unpublished manuscripts. I had to print, bind, and FedEx the manuscript from Antigua to Trinidad. I believe the guidelines were adjusted the following year to allow for online submissions but submissions had to be professionally bound in 2013. It wasn’t cheap but it was one of those invest in yourself moments and it was worth it because, thanks in great part to this programme, the book that manuscript birthed, Musical Youth, placed with Caribbean Reads publishing, out of St. Kitts, has become one of my best performing books. I can’t imagine Musical Youth even existing in a Burt-less world, especially given that two weeks out from the deadline I started writing something to submit (which is not the advised way to approach competitions of this nature but is the way this book came to be). Future Burt finalist Shakirah Bourne (of Barbados) who wrote her title (My Fishy Stepmom) in less than a month, blogged recently about how this bit of foolhardiness on my part inspired her (after some disappointments that made her consider not submitting at all):

“Five months later, on October 7th 2017, Antiguan author, Joanne Hillhouse shared the invitation to submit to the 2018 CODE Burt Award on Facebook. Initially I dismissed it. The deadline was October 31st, 24 days later. But Joanne is an amazing blogger and so I checked out her post ‘The BURT Blog – Memories to Keep and a Trophy’ and was amazed to read that she wrote her award-winning book Musical Youth in less than two weeks!”

When I heard this year ahead of the announcement of the last Burt finalists at the Bocas lit fest which administered the prize regionally, that this would be the last year, I wrote back to them “Congrats to the shortlisted writers. Sorry to hear it’s coming to an end. Sorry as well to learn (as I just did in this email) of the passing of Bill Burt. He did a great thing.”

That’s why I’m writing this because Bill Burt did a great thing and we need more people within and without the region to replicate this kind of philanthropy – in fact, one of my dreams for Wadadli Pen is that someday it has the resources to support a writer now and again in the region or maybe even the sub-region, maybe just Antigua and Barbuda, for completion of a project – just give them a financial break for a bit so that they can focus on creating. It’s the kind of help I need and as with Wadadli Pen itself, started because of a void in my experience of anything to nurture and showcase the literary arts in Antigua and Barbuda, I want to be in a position someday to support other artists in the ways that I don’t feel supported today.

Bill Burt’s life at least from his 40s onwards (I think) is a reminder that there is great value in giving if you can, where you see the gaps, simply because it needs to be done.

I know this is running long but I wanted to run through the books and some developments (re the authors’ professional trajectory) certainly in the Caribbean since winning the Burt award. Starting with 2019 (via bocaslitfest) and working back to the inaugural year, 2014, with the hope that you will consider purchasing (sharing, reviewing, recommending) these specifically Caribbean books, which wouldn’t exist as they do (as exciting new titles from Caribbean publishers for the teen/young adult market) without Bill Burt.

The Burt Award will not be accepting submissions from 2020 on; it will be interesting to see if any philanthropic entity steps in to the gap.

2019 titles:
Winning title – The-Unmarked-Girl-Jeanelle-FrontinThe Unmarked Girl by Jeanelle Frontin (Trinidad and Tobago), published by Mark Made Group Ltd (which is a Caribbean-based company providing arts and entertainment services of which publishing is only one component) – a quick google suggests that Frontin submitted the first of three ebooks in her YaraStar trilogy; self-published, according to Looptt (which suggests to me that Mark Made is not a traditional publisher but either a vanity or hybrid, paid for their services by the author). That book (already awash with five star reviews on Amazon) and the entire series just got a boost.

The Accidental Prize by Tamika Gibson (Trinidad and Tobago) – Tamika, a returning finalist, submitted a manuscript which puts this in the to-be-published category. Gibson, also a 2016 finalist for Dreams Beyond the Shore, published by Jamaica’s Blue Banyan Books, and named one of 2017’s best contemporary teen reads by Kirkus, said, “What’s phenomenal about the Burt Award is that it’s a direct path to getting your books into the hands of readers. Entering the competition has freed me to focus on writing the best novel that I can, without having to worry too much about the business aspects that come after the book is finished.”

Daylight Come by Diana McCaulay (Jamaica), also a manuscript – Diana is also a previous winner for 2015’s Gone to Drift which has since had an American edition published (2016) with Harper Collins after its initial release with Dominica’s Papillote Press. McCaulay was already an award winning and critically acclaimed author and activist when she first triumphed at Burt and hasn’t missed a step with another non-Burt book published in 2017 (her fourth novel) and Daylight Come forthcoming with, I believe, Peepal Tree press (which is UK based but publishes primarily Caribbean fiction and has been a favourite of the main Bocas prize).

2018 titles:
Winning title – The-Dark-of-the-SeaThe Dark of the Sea by Imam Baksh (Guyana) – also a repeat winner this is his second previously unpublished manuscript to find a home with Jamaica’s Blue Banyan Books after 2015 Burt title Children of the Spider which was published in 2016.  He explains in this linked article how the increased visibility positions him to do more to boost literature in his country even as he continues to work on his next novel and embraces opportunities to travel and present his work (most recently featured at the Edinburgh literary festival)

My Fishy Stepmom by Shakirah Bourne (Barbados) – manuscript, the Caribbean edition since published by Blouse and Skirt which is an imprint within Blue Banyan. Bourne is an independent filmmaker and self-published author now with a literary agent (I mention that this is the Caribbean edition of the book for just this reason as she also landed the book with an international agent right around the time it was shortlisted for the prize, as she blogs here). For her, there are loads of emerging opportunities (of which being a featured presenter at the 2019 Edinburgh festival is only one).

A Dark Iris by Elizabeth J. Jones (Bermuda) – manuscript, since published by Blouse and Skirt (Blue Banyan Books). You’ll see Tanya Batson-Savage’s Blouse and Skirt and/or Blue Banyan Books on this list a number of times as it has published more Burt Caribbean titles than any other imprint. Specifically, The Dark of the Sea and Children of the Spider by Imam Baksh, My Fishy Stepmom by Shakirah Bourne, The Beast of Kukuyo by Kevin Jared Hosein, Girlcott by Florenz Webbe Maxwell, Dreams Beyond the Shore by Tamika Gibson, Dancing in the Rain by Lynn Joseph, and the very first Burt Caribbean winning title All Over Again by A-dZiko Simba Gegele. This means that this independent Caribbean publisher’s list has grown by almost 10 (maybe more by the time this year’s winning books are published) because of this prize’s investment in the region and in the process new voices from across the region (Guyana, Barbados, Trinidad and Tobago, Bermuda, and Jamaica just from this list alone) are being either heard or amplified. I have had the opportunity to work with Blue Banyan as an editor of one of the named books and can attest to how seriously Tanya takes the job of shepherding these books in to the marketplace.

2017 titles:
Winning title – The Art of White RosesThe Art of White Roses by Viviana Prado-Nunez (Puerto Rico) – this previously self-published novel was described by Kirkus as “An emotional coming-of-age story posed against the backdrop of the Cuban revolution.” It is one of three Burt titles issued by Dominica’s Papillote Press. What’s interesting to me is that Papillote, while not publishing Dominican books exclusively, had, certainly in my mind, been branded as a distinctively Dominican press (a press primarily concerned with stories out of Dominica) – with the publication of three Burt books out of Jamaica, Trinidad, and Puerto Rico in a short three year span, it emphatically broadened its brand to include the wider Caribbean.

Home Home by Lisa Allen-Agostini (Trinidad and Tobago) – this too is a Papillote book. I actually couldn’t find a lot from Lisa re the publication of the book but she did say this about its genesis on her blog: “The manuscript I first wrote a decade ago and rewrote while in hell in an airport in Suriname in 2016 is now being published as Home Home by Papillote Press, after being named third place in the CODE Burt Awards for Caribbean Literature in 2017. We’re hoping to do a launch at the 2018 NGC Bocas Lit Fest.

Yay!!!”

For a manuscript 10 years in the making, I suspect that “Yay!!!” is only the half of it. And that’s the other thing, some of us write new things, some find a home finally for that manuscript gathering dust because of an industry that makes very little room for voices like ours. ETA: Home Home has landed a deal with Delacorte (Penguin) for release of a US edition due in 2020.

The Beast of Kukuyo by Kevin Jared Hosein (Trinidad and Tobago) – Kevin was actually on quite a roll (with several Commonwealth short story wins, Bocas long listing)  when he placed in Burt so perhaps for him this didn’t change much but it certainly added to his coffers and his publishing credits.

2016 titles:
Winner – Dreams Beyond the Shore Dreams-Beyond-the-Shore-front-lr-190x300by Tamika Gibson (Trinidad and Tobago)

Girlcott by Florenz Webbe Maxwell (Bermuda) – who, per this article, dreamed of being a writer since her days reading the Bobbsey Twins and then of working in publishing, then a librarian only to find that she couldn’t work as a librarian in Bermuda because of segregation. With this book, the first dream is fully realized and she finally gets to tell the little known tale of segregation in Bermuda – and telling our under-told and unknown stories in a way that can enlighten generation now about the past is not a small thing. This is just one review I came across on booktube which contrasts segregation in the US and in Bermuda via Girlcott, indicating that this is a book primed for social studies discussion.
Beautifully Bookish Bethany, who seems to be American, said “(Girlcott is) super interesting… because I actually had never heard anything about Bermuda during the civil rights era… this is from an indie publisher but I really recommend it.”

The Protectors’ Pledge by Danielle Y C Mclean – published by Caribbean Reads
It’s worth noting here that one of the interesting elements of the Burt titles is that they underscore that the Caribbean story is not one thing; we write in different genres of different times and different futures, we have lore that is primed for exploration and expansion, and imaginations not constrained by the perceived tropes of Caribbean literature. There are many other non teen/young adult books that do this of course but if you’re looking for your teen reader you can find romance, adventure, crime, fantasy, coming of age, history, and so much more; just google them (I haven’t linked every book because I don’t feel like linking to Amazon but I have linked to the reviews I’ve written of the ones I’ve read).

2015 titles:
Winner – children of the spider 001Children of the Spider by Imam Baksh (Guyana) – Anansi as you’ve never seen…ze?

Gone to Drift by Diana McCaulay (Jamaica) – a book that draws on the author’s career in environmental advocacy as it weaves a tight rescue tale.

Dancing in the Rain by Lynn Joseph (Trinidad and Tobago) – I haven’t read the published version of this one yet though it is on my book shelf but I did read it when it was a contender for the prize as I was a judge that year. And speaking of telling different stories, this was is not only a Caribbean story but is another story that can be added to the library of books (if such a thing exists) about the fallout from 9/11, existing as it does at the intersection of Caribbean and American life. It’s also about grief as Home Home is about depression, as such tackling the still fairly taboo issue of mental health. These books (the Burt books generally) go there and really should be read not just by Caribbean teens but beyond.

2014 titles:
Winner – all over again - cover FAW 05JUN2013All Over Again by A-dZiko Simba Gegele (Jamaica) who has recently been announced as a Musgrave medal recipient (the equivalent of national awards) for her contribution to the literary arts. She said in the  linked article, “We are still in the very early stages, but there are a lot of fantastic writers right here in Jamaica. Unfortunately, most of them get on a plane and leave in search of greater opportunities for income and exposure. With technology moving the way it is, the good thing is that that is not even necessary any more as we can stay here and enjoy the benefits of these markets. But at a certain level, our work has to be recognised, we need to be taken seriously and it must be recognised that behind every great movie, song, radio or television programme is a good writer.” No lies detected and the Burt award – in fact other Bocas prizes are among the very few opportunities for writer development and reward in the Caribbean. That’s another reason why it’s sad to see it go- especially before another Eastern Caribbean small island writer could come through.

Musical Youth by Joanne C. Hillhouse (Antigua and Barbuda) – that’s me (the previous Eastern Caribbean small island writer that came through) and I would be remiss if I didn’t speak a bit on the opportunities I’ve had to work with the Burt Award and/or Code since being short listed for this prize. I organized and facilitated a workshop in 2014 (in addition to assisting with distribution and promotion of all three Burt titles here in Antigua and Barbuda)

my gift1.jpg

presentation of Colleen Smith-Dennis’ Inner City Girl at Clare Hall Secondary school

Gift to Library

copies to the Public Library at the official launch of Musical Youth

; I was recruited as a judge for the 2015 Caribbean Burt prize; and I was hired in 2017 as a mentor for one of the finalists of the Burt Africa prize. Thanks to Caribbean Reads’ hustle, my book Musical Youth (added to the schools reading lists in Antigua and Barbuda in 2018 and to a reading list in Trinidad before that, with its second and hard cover editions published in 2019)

MUSICAL_YOUTH_Cover_FRONT_Final

new edition released 2019

continues to find new readers (I’ve personally presented it at readings in New York, St. Martin, Anguilla, St. Croix, Barbados, and here at home).

with Muntsa Plana Valls and Auntie Janice and the staff at one of three schools visited

after a school presentation in St. Croix

It has earned accolades from the likes of Oonya Kempadoo (author of Buxton Spice) who said, “I first recognized the weight of her work by the response of the teens to her book, Musical Youth , in the Grenada Community Library. It remains one of the most popular books with teens, despite their tendency to shun Caribbean literature when they have a choice because they are required to read it in schools.”

Inner City Girl by Colleen Smith-Dennis (Jamaica)

Bocas 5

Bocas Photo of finalists panel at the inaugural Code Burt award for Caribbean teen/young adult fiction (photo by Marlon James/original Bocas photographer)

If you’ve never heard of the Code Burt Award, I hope this post helps fill in the blanks and underscores the need for arts philanthropy. Per the Bocas press release announcing the wrapping up of the prize, “This unique literary award programme has inspired Caribbean writers to create fantastic stories; publishers have been supported to build young adult literature into their lists; teachers and librarians have been given fantastic resources; and young readers now have access to more books than ever before.”  I would say that we have always been telling fantastic stories and Burt gave us a platform to get them published while building the publishing infrastructure in the region and targeting the desired audience, ensuring that they, Caribbean teens, have stories they can relate to which also fire their imagination.

As with all content on Wadadli Pen, unless otherwise indicated, this is written by author and Wadadli Pen founder and coordinator Joanne C. Hillhouse. All rights reserved.

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Antigua & Barbuda Literary Works Reviewed X

This picks up where the previous installments of Antigua and Barbuda Literary Works Reviewed pages left off (use the search feature to the right to dig them up). As with those earlier pages, it features reviews about A & B writings that I come across as I dig through my archives or surf the web. You’re welcome to send any credible/professional reviews that you come across as well. They’re not in any particular order, I just add them as I add them; some will be old, some will be new. It’s all shared in an effort to underscore, emphasize, and insist on Antigua and Barbuda’s presence in the Caribbean literary canon.

“In reality, however, much like “Girl,” Party has layers. It functions as a subtle message about what it means to witness horror to such a degree that we lose our language for it; it is a quiet story about coming of age, suddenly, as a young black girl because of what the world shows us. It is about the many words our silence can hold, the way our absences can ring as loudly and discordantly as the words we do feel able to say.” Party review at Lit Hub

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“Published in 2017, the short story ‘The Other Daughter’ by Joanne C. Hillhouse fits the literary movement we call Postmodernism. Postmodernist works can be recognised through themes, context, and narrative techniques. In ‘The Other Daughter’, we notice that the author explores the theme of feeling like an outcast, isolated from the world one lives in, which is often explored in postmodernist stories.

In terms of postmodernist narrative techniques, ‘The Other Daughter’ plays around with the distinction between fact and fiction by letting the narrator tell two different versions of the same story, but at the same time letting the reader know that one version is fictional. Playing around with the ordinary rules of storytelling like this is very typical for postmodern works.” – this is not a review, it is, however, a summary, analysis, themes and messages, and perspectives of elements of the story and its structure at studienet.dk (related: Denmark has included the story as a question in its national assessment for secondary school); read the original story at Adda

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Joanne C. Hillhouse (author and Wadadli Pen founder, coordinator, and blogger) reviews Asha Frank’s Dreamland Barbuda: in her scripted Blogger on Books series

Excerpt: “Dreamland Barbuda is a quick read (very quick, with roughly 2/3s of it being taken up by the bibliography and appendices), and for this time in the history of Antigua and Barbuda, an essential one.”

And in her new vlog series #BookChat #Unscripted

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A & B Arts Round Up – October 11th 2019 —>

October 20th 2019 –

October 27th 2019 –

October 20th – November 2nd 2019 –

*note: at a glance, the Independence programme does not, with the possible exception of the theatrical presentation, include any literary arts activities. This has been touch and go over the years (some years there’s an independence writing comp, some years not, some years a showcase of some sort, sometimes not – no consistency). Again, we would like to direct the ptb to the open letter read in 2011 at the lit arts competition awards by the then coordinator and shared on this site re what’s needed for more consistency re lit arts out of Culture and would add only that to propel action, consistent or otherwise, more than lip service, there would need to be the will to prioritize lit arts.

November 20th 2019 – 10 a.m. – 12 noon – 69483545_10157334105159373_8559521413180948480_n

*Note. I reached out to the library for more information on its Author of the Month series which I will also be adding to the Opportunities page. But, in a nutshell, this series is part of the Public Library’s aim to introduce the local community to its authors. Selections are done based on availability of the authors during the months of January – November. The authors are invited to display their books and read excerpts from their work. There is a Q&A segment and the audience is encouraged to purchase these books or they are informed where the purchases can be made. For more information or to be booked, contact the library directly: publib287@gmail.com https://www.facebook.com/NPLAntiguaBarbuda

October 26th 2019 – 72167513_1003758986630904_8622994007544299520_o.jpg

November 16th and 21st, December 12th, 14th, and 19th 2019 – 71498258_2222054817898821_4518888641497399296_n

November 30th 2019  -7 p.m. – English Harbour Town – 

December 14th 2019 –

January 18th 2020 – 71044434_1093389037533426_6214732503815553024_n

Independence activities lifted from the Culture Department facebook page; plus see Best of Book’s, Halo’s, and Spilling Ink’s facebook for more information on their activities.

As with all content on Wadadli Pen, unless otherwise indicated, this is written by author and Wadadli Pen founder and coordinator Joanne C. Hillhouse. All rights reserved.

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Carib Plus Lit News (Early October 2019)

This article on homework is part of the Plus in Carib Plus Lit News. It caught my eye because it’s a conversation I’ve been having with a parent (frustrated at the amount of homework children are being given) lately…more than one person actually, but not all of them, parents. The article on salon.com calls for a ban on homework, especially at the elementary (or in our case pre-k and primary level):

“When homework comes prematurely, it’s hard for children to cope with assignments independently—they need adult help to remember assignments and figure out how to do the work. Kids slide into the habit of relying on adults to help with homework or, in many cases, do their homework. Parents often assume the role of Homework Patrol Cop. Being chief nag is a nasty, unwanted job, but this role frequently lingers through the high school years. Besides the constant conflict, having a Homework Patrol Cop in the house undermines one of the purported purposes of homework: responsibility.

What works better than traditional homework at the elementary level is simply reading at home. This can mean parents reading aloud to children as well as children reading. The key is to make sure it’s joyous. If a child doesn’t want to practice her reading skills after a long school day, let her listen instead. Any other projects that come home should be optional and occasional.”

Pictured: children reading right here in Antigua and Barbuda – one at home, and two at the Cushion Club reading club for children.

Read the full salon.com article here.

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“I was astounded when I got the call. It was very unexpected and, as astounded as I was, I was at the same time equally grateful as I never expected to be honoured in this way, considering that very often our artistes are not recognised by their fellow Jamaicans. What it says is thank you and that my work has not been in vain. It also says, despite how rough it gets, people appreciate the time and effort I have put into my work and it has touched their hearts” – Burt Award winning Jamaican author A-dZiko Simba Gegele on becoming one of 10 2019 Musgrave Award winners – the Musgrave Award dates back to 1889 and is the oldest award of its kind in the western hemisphere, according to the Jamaica Observer

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Booker Prize winner Marlon James is no stranger to winning and being in contention for major literary prizes. He’s up for another one: his latest epic novel – the first part of a planned fantasy trilogy – Black Leopard Red Wolf is up for a National Book Award in the fiction category. National in this case is the US and the Jamaican stands a good shot at copping another prize with the critically acclaimed work. red wolfAll nominees listed here.

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University of Belize and East Carolina University are teaming up for an international Caribbean Studies Forum to be held in Belize October 10th to 12th 2019. Venue is the University Center in Belmopan.

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Lulu’s Book Journey is a mother and daughter book blog. Their September Reading Journey (a monthly series on their blog) included Caribbean-themed A Likkle Miss Lou: How Jamaican Poet Louise Bennett Coverley found her Voice. Their October list, meanwhile, has former Melody Makers member Cedella Marley’s Get up, Stand up, inspired by her dad, reggae superstar, Bob; and her brother Ziggy’s – lead singer of the aforementioned Melody Makers back in the day – I love you Too. The Cuba themed book All the Way to Havana is also in the mix. Speaking of lists, be sure to check out and weigh in on our post about which Caribbean books released in the last 10 years will people still be reading 10 years from now, and the global (America-centric) list that inspired it.

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Barbados-based Montserratian writer, Yvonne Weekes, whose latest release is Nomad, will be speaking at the Norwich Science Fair in the UK later this month at the invitation of the University of East Anglia. Catch her on October 26th 2019, 1:30 – 2:30 p.m. She will be reading from both Nomad and earlier book Volcano. A special exhibition on the Montserrat volcano will be unveiled. Open to all.

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Observer 05 07 19 2

This is a July 2019 newspaper clipping from Antigua and Barbuda, but I think it’s still worth posting for the tribunal information.

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Don’t forget to take part in the two just for fun quizzes currently running on the blog – which Caribbean book released in the last 10 years do you think people will still be reading in 10 and the Antigua and Barbuda Independence arts and culture trivia quiz.

Remember, everything on this blog belongs to the blog (Wadadli Pen) or to the respective authors and photographers, no problem with sharing or reblogging but give credit and do not re-post in full. This blog is written by author Joanne C. Hillhouse who is the founder and creator of the Wadadli Youth Pen Prize. For more on her visit jhohadli.wordpress.com 

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Shall We Play A Game? (Arts Independence Quiz 2019)

This is just for fun (and, if we get them, prizes) but mostly just to test how much we know our own culture or maybe learn something we didn’t know. We did it before (2017) and as I was digging through some information recently, I thought why not do it again. So, here we go – participate from anywhere but prizes (if we get them) will be local only; and post will remain active until Independence (if you don’t know when Antigua and Barbuda Independence is, then this game probably isn’t for you). So, here we go (for real this time). Same format – connect the name to the fact, leave your answer in the comments.

The Names

Julian Marcus Christopher
Ulanda
Deborah Eckert
E. T. Henry
Mali Adelaja Olatunji
Brute Force
D. Gisele Isaac
Hilda McDonald
Mico
Antigua Grammar School

The Facts

-This Buxton Grove School always came first in examination results and is considered central to the development of the nonwhite middle class in Antigua. Its property was sold to Antigua Girls High School in 1914.

-The first female member of the Antigua House of Assembly and grandmother of the famous Guyanese author of a Caribbean classic book. Bonus if you can name the book.

-This author wrote Antigua and Barbuda’s first (The Sweetest Mango) and second (No Seed) feature films.

-This Antigua-Barbuda born artist was the full-time fine arts photographer at New York’s Museum of Modern Arts for 21 years; plus taught at NYU and facilitated photography workshops at Frederick Douglass Creative Arts Center in NYC.

-This was the first Antiguan steel orchestra to record an album; they recorded in the 1950s on Cook label – the recording is available through the Smithsonian Global Sound.

-This school opened in 1884 and for much of the 19th and 20th century barred entry to a majority of students for financial and social reasons.

-Artist known for her children’s portraits; also conductor of Expression acapella singing ensemble.

-Heather Doram, celebrated Antiguan and Barbudan artist, once owned an art gallery by this name. Bonus points if you can identify the location and what makes that location historically significant.

-This calypso writer wrote Antiguan classics like Technical School, Slapping Hands, and Under the Carpet.

-Artist who co-founded the Environmental Awareness Group was winner of international art competitions sponsored by Alcoa Steamship Co. and Benson and Hedges and a 1978 OBE recipient.

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Burt Award finalist Musical Youth, With Grace, and Lost! A Caribbean Sea Adventure). Check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about WadadliPen and my books. You can also subscribe to and/or follow the site to keep up with future updates.

 

 

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