Category Archives: A & B WRITINGS

Kyle Christian Wins Wadadli Pen

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Kyle is pictured, back row standing, second from right, with five honourable mentions (Back, left to right: Rosie Pickering, Andre Warner, and Andrecia Lewis; and front, left to right: Chloe Martin and Ava Ralph) and Wadadli Pen founder Joanne C. Hillhouse (back, centre) holding the Alstyne Allen Memorial plaque. (photo by Glen Toussaint)

Kyle Christian, 28, author of ‘Creak’, is the winner of the Wadadli Youth Pen Prize Winner Take All Historical Fiction/Poetry 2018 Challenge. He’s pocketed almost EC$3000 – thanks to contributions from Art. Culture. Antigua, Carol Mitchell, Frank B. Armstrong, International Women’s Club of Antigua-Barbuda, Juneth Webson, Pam Arthurton, and one other donor who prefers not to be named. His takeaways, during the April 21st award ceremony at the Best of Books, also included gifts and gift certificates contributed by Barbara Arrindell, Brenda Lee Browne, Cedric Holder for the Cushion Club, Danz’s Sweet Dreams, Jane Seagull, Joanne C. Hillhouse and the Jhohadli Writing Project Creative Writing Workshop Series, and Monique S. Simon and the Caribbean Folklore Project.

‘Creak’ which tells of a young local woman in a sexual ‘relationship’ with an officer from the US army base in Antigua in the early part of the 20th century was found to encompass the theme “perfectly” in addition to being “well written”.

Kyle, in his winners’ response during the awards, said he first entered the Challenge in 2004; this is his first trip to the finals though he noted that after the 2006 awards Wadadli Pen founder/coordinator Joanne C. Hillhouse told him “I really enjoyed your story…keep on writing” and so he has.

The Wadadli Youth Pen Prize, started in 2004 to nurture and showcase the literary arts in Antigua and Barbuda, has always been about giving young people the opportunity to explore stories and ideas of interest to them, while telling tales from a specifically Caribbean space, and challenging them to grapple with the craft of writing as much as appreciating the art of it. Twenty eighteen, a year in which almost 70 entries were received, was a rare year for Wadadli Pen in that a specific sub-genre (historical fiction/poetry) was put in place and rather than winners/prizes broken down by age or other categories, it was ‘Winner Take All’.

That said, there were some honourable mentions – one very creative and singled out as the best example of creative fiction but edged out by the winner due to the quality of the writing, others thought to be thought-provoking, creative, or compelling but falling short due to clichés or other flaws. The honourable mentions received certificates and books from the Best of Books, and a two-hour training session (Presenting: Telling Your Story Orally) sponsored by Barbara Arrindell & Associates. The named honourable mentions were Andre Warner, 20, Rosie Pickering, 14, Andrecia Lewis, 18, Chloe Martin, 14, and Ava Ralph, 17 – a mix of past finalists (Ralph and Lewis) and totally new voices.

Wadadli Pen remains committed to unearthing those new voices and, as such, also gave a prize to St. Andrew’s Primary School for its efforts to encourage student participation and, as a result, having the most grouped submissions from any educational institution. Educator Marissa Walter accepted the prizes on behalf of the school. The prizes are books and other gifts contributed by authors Barbara Arrindell, Floree Whyte and Moondancer Books, and Joanne C. Hillhouse, and by the Best of Books bookstore.

The Best of Books also sponsored all certificates plus the emblazoning of the winner’s name on the Alstyne Allen Memorial Challenge Plaque.

The Wadadli Pen team expressed thanks to all participants and patrons both of whom have made this Challenge possible for 14 years. For more on Wadadli Pen and to find out how you can support its efforts, visit https://wadadlipen.wordpress.com or contact wadadlipen@gmail.com

See also Who Won What in 2018? and Creak by Kyle Christian

This release has also been disseminated to Antiguan and Barbudan media.

Also, no timeline (or promises) but stories by the honourable mentions in the 2018 Challenge may be added; so check back.

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Creak by Kyle Christian (Wadadli Pen Winning Story, 2018)

kyleCreak, creak, creak.

The small, wooden bed, in the small bedroom at the back of the Lenny’s Bar, rocked back and forth. As Agnes lay there, Bobby on top of her, her mind wandered. It was her little escape to make the task easier.

“What am I doing here, lord?” she asked herself. “I young. I don’t have no pickney to feed. At least other woman have their reasons.”

Agnes thought of her mother now and her disapproving eyes surveying Agnes’s body as she left the house this afternoon.

“Wey you a go?” Mrs Margaret George asked.

“Mother, I tell you already, I get a little work at the shop over dey by the army base.”

“Hmmm,” her mother made that judgmental sound birthed from the base of her throat. Margaret was not one to vocalise her thoughts. She was confrontation-averse but knew how to make her displeasure known.

Agnes knew her mother knew what she was doing. Ever since the American bases opened, bars popped up to service the needs of the servicemen; and women who worked at the bars were seen as suspect.

But Agnes, at 21 years, needed to make her own money. She told herself she would only do it for a short time.

“Mommy cut cane, daddy cut cane, granny cut cane. Everybody cutting blasted cane! Well not me,” she said. It was how she stayed motivated when doubt crept in.

When the Bendals sugar factory closed in 1940 both of Agnes’ parents lost their jobs. Things got harder in Antigua and her father had considered migrating to Cuba to cut more “blasted cane” to support the family.

The two American bases opened up at Crabbes and Coolidge and things changed. People got new, different jobs which paid better than the sugar factory ever did. Even her brother Tinny got carpentry work to build barracks at the base.

Thump, thump, thump.

The sound brought Agnes back to the present.

“He nuh done yet?” she thought to herself. Lost in her thoughts, she had almost forgotten he was there.

Robert Weismann from Crawford, Alabama was a private at the base. Agnes had hoped for a higher ranked officer, like a Colonel, who would have had the privilege to take her back to his quarters. She had never been on the base and wondered what it looked like. It would have meant that she didn’t have to suffer the indignity of the rackety bed.

Bobby, as Robert liked to be called, was nice enough. He was kind to Agnes and maybe even a little shy. They met two weeks ago when Agnes, and the other girls, wearing pretty dresses and lipstick, sat at the bar waiting for the rowdy army officers to approach them.

“How d’you do, missy?” Bobby asked her. She smiled at him and allowed him to buy her a drink. That’s was how it started.

Creak, Creak, Creak!

“Arrrhh,” with one long breath Bobby exhaled. He was spent. He rolled over, pulled a Raleigh cigarette from his shirt pocket and lit it.

“Thanks,” he said.

Agnes smiled, barely; amused that he would thank her. She slid down to the edge of the bed and began dressing herself. She picked up the folded dollar bills on the side table and walked towards the door.

“See you next week?” Bobby asked.

She turned and looked at him. “I don’t think you will see me again. This is the last time I doing anything like this.”

With a look in his eye he said, “Okay missy.”

They both knew she was lying.

***

ABOUT THE AUTHOR: Kyle Christian, 28, considers himself the consummate student and views life as a big university. A lover of words and language, Kyle is a writer and communicator. He has worked in media as a journalist and radio news presenter and currently works in public relations. With a Bachelor’s degree in Economics and Finance, Kyle has a rare love of numbers and words. His favourite things to do on vacation are to cook and read. Kyle was a Wadadli Pen regular in the early years (between 2004-2006) and though he didn’t place in those early years, he recalled a word of encouragement that fuelled his determination to keep writing. Wadadli Pen founder, Joanne C. Hillhouse, he said, told him after the 2006 awards ceremony, “I really enjoyed your story…keep on writing.” He did and claims the main prize in 2018.

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Kyle with Hillhouse and the Best of Books sponsored Alstyne Allen Memorial plaque which bears the name of every Wadadli Pen winner since 2004. (Photo by Glen Toussaint)

 

ABOUT THE STORY: “This story encompassed the theme perfectly and was well written.” – judge

The story is about the economic choices Antiguans (specifically women) were forced to make in the post-slavery era when sugar began to lose its dominance. It was inspired by slice-of-life literary works such as Fences, the Mighty Sparrow’s Jean & Dinah calypso classic, and the realization that American army bases had similar cultural and economic impacts on Antigua.

PRIZES WON: As the 2018 winner of the Wadadli Pen Challenge, a ‘winner take all’ year, Christian pockets EC$2,937.65 (from contributions by Pam Arthurton, International Women’s Club, Frank B. Armstrong, Juneth Webson, Art. Culture. Antigua, Carol Mitchell, and one other). His name will be on the annual Challenge plaque, sponsored by the Best of Books. His other prizes are books – Antigua My Antigua (1), The Legend of Bat’s Cave and Other Stories (1), With Grace (1), Lost! A Caribbean Sea Adventure (1), Just Write Writers Journal (1), London Rocks(1), and other books – Donors: Barbara Arrindell, Brenda Lee Browne, Joanne C. Hillhouse, and the Best of Books; a gift Certificate for books ($100) – Donor: Cedric Holder for the Cushion Club; a custom Journal – Donor: Jane Seagull; custom gift cards – Donor: Monique S. Simon; scholarship Jhohadli Writing Project Creative Writing Workshop Series  (EC$300) – Donor: Joanne C. Hillhouse; and a gift certificate (EC$225) – Donor: Danz’s Sweet Dreams. His name has also been emblazoned on the Alstyne Allen Memorial plaque and he takes home a winner’s certificate sponsored by the Best of Books.

ABOUT WADADLI PEN 2018: The Wadadli Youth Pen Prize launched in 2004 with a writing Challenge that continues 14 years later. The project was launched by Joanne C. Hillhouse with D. Gisele Isaac and the Young Explorer publication. Today, its core team is Hillhouse with past finalists Devra Thomas and Margaret Irish, and writers and long time patrons and partners Floree Whyte and Barbara Arrindell. The name of each winner is emblazoned on the Alstyne Allen Memorial plaque, named for one of the project’s earliest volunteers (and sister-friend of founder, Joanne C. Hillhouse) who died in 2015. The Challenge is Wadadli Pen’s pilot project, in keeping with its mandate to nurture and showcase the literary arts in Antigua and Barbuda. The Challenge has encouraged young writers in Antigua and Barbuda (35 years and younger) to write on any topic, within a Caribbean aesthetic. It doesn’t often prescribe other limitations, but this year it did request specifically historical fiction/poetry. Normally, prizes are broken down by age categories but this year it’s winner take all with only one winner and a handful of honourable mentions (Andre Warner, Rosie Pickering, Andrecia Lewis, Chloe Martin, and Ava Ralph). Congratulations to them all. Thanks to the patrons and to partners – Floree Whyte, Barbara Arrindell, Devra Thomas, and Margaret Irish. To find out how you can continue to support the work of Wadadli Pen contact wadadlipen@gmail.com

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Oh Gad!, Musical Youth, With Grace, and Lost! A Caribbean Sea Adventure). All Rights Reserved. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. Respect copyright.

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BA & A – Writing and Public Speaking Workshops, JWP – Creative Writing Workshop Coming Up

Barbara Arrindell & Associates has offered toward the 2018 Wadadli Pen Challenge prize package a workshop entitled ‘Presenting: Telling Your Story Orally’ which will be gifted to the honourable mentions.

As for its wider community offerings, BA & A’s next set of courses come up in May. Given their support of Wadadli Pen, it seems fitting to share the registration information for their upcoming workshops. The first of the four week courses will be held in May and then in June registrants will get the opportunity to do the corresponding course and collect a certificate of completion. The goal is to empower participants to be competent communicators in the workplace.

 

Download the form to register:

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Yes, I am one of the facilitators. This written communication course is different from my creative writing workshops as it emphasizes communication – purpose, strategies, and more as relates to the written word. Though creative writing is my passion, I do have a degree in Communications and have taught it, locally, at the college level at three different institutions.

For more on my Creative Writing workshop, see the flyer below (and contact the posted email address to register) – the winner of Wadadli Pen, incidentally, will be gifted a spot in this workshop.

April 2018

I have trained in fiction writing and editing, facilitated fiction/creative writing workshops, have edited for other writers, and, of course, write creatively – books, short stories which have been published in the Caribbean and beyond, won acclaim, been taught in educational institutions, and more. Plus, I am the founder and coordinator of Wadadli Pen. My goal is always to help participants access their best writing in a collaborative environment.

There’s still time to register for both.

Joanne C. Hillhouse

 

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Built on Faith

Updated (April 19th 2018)

“Lots of little bits is still a lot.” – from Antigua & Barbuda (gift cards, The Caribbean Folklore Project by Monique S. Simon)

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A set of these gift cards were the first contribution I received from a patron for the 2018 Wadadli Youth Pen Prize Challenge season. It seems like a good lead-off for a post on this year’s patrons, not just because this card is one of the gift items to be taken home by our winner when the winner is announced on April 21st, but also because this likkle likkle full basket approach has been the Wadadli Pen model since we first launched in 2004. We didn’t – and don’t – have big bank and as we are still a project, not a non-profit with the infrastructure to do our own fundraising and bank the profits. Our prize packages have always been about pulling together whatever we get (sometimes a little, sometimes a lot) in to something that can tangibly serve as a satisfying incentive and reward for those who dared. We are still very much dependent on the generousity of people I’ve come to think of as Friends of Wadadli Pen – new friends, old friends, friends we haven’t met yet…

mock logo

Of course, in 2004, all I had when I stepped out to ask people to give was faith – faith that my community would support this fledgling project, faith that our newness wouldn’t make them think twice, faith that they would trust that their money would be used for its intended purposes. One of the ways I sought to reassure them and myself, a practice that continues to this day, is that no cheque is written to Wadadli Pen or to me (or any of the other partners I’ve drawn to the project over the years). What I’ve always sought from our patrons before each launch is the promise to give – a pledge. So, I have to have faith that when time comes they’ll deliver exactly what they promised (and for the most part they have). Once the winner has been determined, the patrons who’ve pledged money are supplied with the name so that they can prepare the cheque specifically for and to the intended recipient. Only more recently have we from time to time received (and accepted) cash which we then pass on to the intended recipient. But I think by this point – 14 years on  – they have some confidence that we are who we say we are and will do what we say we will do. Evidence of that, I think is the way patrons have come through with pledges in 2018, in spite of us not having our ducks in a row before the launch (that’s right, for the first time ever we launched with a set of gift cards and no other confirmed pledges…stepping out on faith) because for a protracted period of time we debated doing a Challenge this year at all or taking the time to put our energies in to getting our status together.

SIDEBAR One of the reasons I am and have been concerned about our non-status is my desire to create continuity long term and to expand what we do in the medium term. For example, if our status was solidified, we could – whether through seeking grants or through fundraising projects – raise money that belongs to Wadadli Pen to do more: development projects such as workshops year-round, projects showcasing the arts – such as short films inspired by one or more of our winning shorts, and more. But that is still in the dreamscape. I tell you what I’d like right now is a lawyer who does pro bono work for non-profits to assist us with getting set up – I feel like I’ve been reading through the legalese for some time now and am still turned around; up is down (lol). Also, I feel like I need a break and (if I’m being honest) Wadadli Pen might be due for another hiatus until I can get myself sorted out. SIDEBAR OVER

But with a date (April 21st), time (6:30 p.m.), and venue (the Best of Books on St. Mary’s Street) set for the awards, we are pressing on for this year at least and the finish line is in sight. And so we pause to give a shout out to the people who continue to act on faith by pledging to support our project and who, by so doing, are (along with the young writers who dare each year) the wind behind our backs. Much love and respect to them (and to any business or individual) who continues to bet on the arts and our young people.

OUR 2018 PATRONS (CONFIRMED*)

best

Challenge Plaque/Certificates

  • The Best of Books

Art_Culture_Antigua-logo fa

Cash  (EC$2900+)

  • Pamela Arthurton (EC$500)
  • Art. Culture. Antigua (EC$300)
  • Carol Mitchell (EC$100)
  • *Unnamed (EC$500)
  • Frank B. Armstrong (EC$500)
  • International Women’s Club of Antigua (EC$500)
  • Juneth Webson (US$200 = EC$537.65)

ba  Moondancer

danz

Gifts

  • Barbara Arrindell (Books: Antigua My Antigua & The Legend of Bat’s Cave and Other Stories -1 each)   bat's cave best-of-books-colouring-book-1
  • Barbara Arrindell & Associates (Two hour training session to a group of the top writers – session will focus on “Presenting: Telling your story orally”)
  • The Best of Books (Books)
  • Brenda Lee Browne (Books: Just Write Writers’ Journal and London Rocks)
  • Cedric Holder for the Cushion Club (Gift certificate for books valued at EC$100)
  • Danz’s Sweet Dreams (Gift Certificate valued at EC$225)
  • Floree Whyte/Moondancer Books (Book: The Wonderful World of Yohan -1)  Yohan book
  • Jane Seagull (personalized writer’s journal)
  • Joanne C. Hillhouse (Books: With Grace – 3; Lost! A Caribbean Sea Adventure – 2 & scholarship to participate in the Jhohadli Writing Project Creative Writing Series – series 3)    with_grace-3d-standingLost Cover Front 4
  • Monique S. Simon (Gift cards from her Caribbean Folklore Project)

*Patron unnamed, by choice.

To all, for stepping out with us on faith, we say thankyouthankyouthankyouthankyou!

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Oh Gad!, Musical Youth, With Grace, and Lost! A Caribbean Sea Adventure). All Rights Reserved. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. Respect copyright.

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Craft Matters

I’ve held two workshop series (four weeks each) since the start of the year and I’m now planning the third (to begin later this month).

April 2018

I recently wrote this reflection on the last series.

The purpose is to jump start writing, enhance understanding of craft, get projects started, move projects forward, expand awareness of creative writing, yours and others, and to just write. I’ve tried to keep the price reasonable with several payment options, focused themes so that it doesn’t feel rushed and scattered, and avenues to participation for people resident in Antigua and Barbuda and elsewhere.

I’m hoping to keep this going all year long as long as there is even one person who’s interested. It gives me the opportunity to engage with the written word and, hopefully, also give writers or writers in the making or anyone who’s just looking for a creative outlet, even students looking to improve their understanding of literature or ability to express themselves, the opportunity to improve confidence and competence with the written word. The focus is on the creative (fiction, specifically) and on craft, each series focusing on a particular aspect (setting 1, plot 1 in the first two series; the third, by request, likely focusing on character – which is my favourite in to a story as a writer; so I look forward to it). A workshop on character should prove useful for those trying to write compelling characters or understand how characterization works. My approach is a mix of presentation, interaction, creation of your own, and examination of the works of others.

As I write this, I’m reminded of a running debate on whether craft matters – this or that critic might question its quality but if people like it, isn’t that what really matters? For my part, I won’t deny that reader engagement matters but I prefer to engage the reader with good writing (it’s why I’ve taken writing courses and workshops over the years). But isn’t ‘good writing’ subjective? What is ‘good writing’ meant to do if not engage? Job done.

I’m not the final word on any of this, but as creatives we want to grow and move, right? In my opinion – while like or dislike for something is subjective (with a few exceptions because some things are just objectively bad and some things are good whether or not they’re personally to your or my taste as a reader, listener, or viewer), there are deliberate choices you can make as a writer, if you understand what you’re doing, that can elevate the quality of the work. Can an untrained writer write a great book out of the gate? Of course. Can a writer with all the letters behind his/her name signaling accomplishment write a trash book? I think so. But as with anything, with writing, with art, while there is that je ne sais quoi, there are what Stephen King refers to (in his book On Writing) as the “toolbox” of skills from which a competent writer can draw. I don’t necessarily think you have to have those letters behind your name to have it – lots of independent study, reading, and practice practice practice can help a determined writer hone his/her skills. I think of creating as talent + inspiration + life (both observing and participating in it) + sitting and putting in the work + craft, and I think craft matters. It matters to me as a reader; sloppy writing will turn me off and may make me quit a book – even though my instinct is to fight through, finish what I start.

When the judge’s report for this year’s Wadadli Pen indicated that one story had edged out another “because of the quality of writing”, having read both stories, I understood the point.

I’ve had people tell me – more than once as it happens – that they felt like throwing my book – more than one of my books (!) – across a room, but, so far, it was because they were so caught up in this or that plot or character point; not, knock on wood (though I have had my share of bad, mixed, and lukewarm reviews), because they thought the writing was trash.

I remember when I knew I wanted to be a writer having a very clear thought at one  point that I wanted to write the kind of books that could be studied in a school, college, or university but that people would choose to read even if it was not on their assigned reading list in an institution. I mean I’d be lucky to have either right? #greedy Clearly I wanted my books to not only be subjectively popular but objectively (in as much as such things can be assessed objectively) good. I write because it is my passion and because the characters draw me in and because it is how I process life (how I breathe). But I also have a drive to keep improving; it’s the reason I read (well, I also read because I love how a good book can pull you in and take you away) and study other writers, and take workshops when I can. It’s the reason why I try to teach what I know.

Contact me to participate in this workshop if you, too, believe craft matters.

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Oh Gad!, Musical Youth, With Grace, and Lost! A Caribbean Sea Adventure). All Rights Reserved. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. Respect copyright.

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A & B Arts Round Up – April 10th 2018 —>

This page or series of pages is specific to arts and/or cultural events being held in Antigua and Barbuda.

May 20th 2018 – Call for papers – 13th Annual Conference and Distinguished Lecture (August 16th -17th 2018) – the University of the West Indies Open Campus Antigua and Barbuda, the Antigua and Barbuda Studies Association, and the Antigua and Barbuda Youth Enlightenment Academy. Details re Call for Papers: UWI-ABSA Conference 2018 Call for Papers

April 28th 2018 – Jhohadli Writing Project Creative Writing Series continues – must register at least one week in advance – can participate from anywhere – several payment options – April 2018

April 21st 2018 – 6:30 p.m. mock logoThe Wadadli Youth Pen Prize 2018 Challenge Awards Ceremony at the Best of Books, St. Mary’s Street.

April 16th – 18th 2018 –  3:00 – 5:00 p.m. – Teenagers’ Artistic Expressions In Writing and With Cell-phone Photographs – Instructor, Mali Adélàjà Olatunji Dip. photo, BSc, M.A. The_Art_of_Mali_Olatunji_-_Full_Size_RGB_m– at The Museum Of Antigua and Barbuda (Long and Market Streets, St. John’s, Antigua) – exploring the simplicity of photography with the use of a cell-phone to make pictures of any subjects or objects with the intention to produce images of artistic pictorial expressions; also articulating  intentions in words in the manner of photojournalism to provide a documentary or a visual account of specific subjects and events, literally re-presenting objective reality rather than the usual subjective discourses of everyday life.

April 14th & 15th 2018 – Antigua Opera Society’s first ever performance at Catherine’s Café and the National Sailing Academy. Read more at Antiguanice.com

April 14th 2018 –  the official launch of Brenda Lee Browne’s first novella, ‘London Rocks’, at Cedars Pottery, Buckley’s Main Road, 6pm – 8pm. There will be a reading,  Q&A and book signing – copies of  ‘Just Write Writers Journal’  will also be on sale. An art exhibition featuring original pieces by Browne will be on display. About the Book: New Book from Hansib – London Rocks[1789]
London Rocks

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Oh Gad!, Musical Youth, With Grace, and Lost! A Caribbean Sea Adventure). All Rights Reserved. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. Respect copyright.

 

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Pepperpot – New Review****

Date Read: November 10th 2017 Published: 2014 Publisher: Peekash Press / Akashic Books Pages: 224 The Blurb Akashic Books and Peepal Tree Press, two of the foremost publishers of Caribbean literature, launch a joint Caribbean-focused imprint, Peekash Press, with this anthology. Consisting entirely of brand-new stories by authors living in the region (not simply authors […]

via Pepperpot: Best New Stories from the Caribbean edited by Olive Senior — African Book Addict!

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