Category Archives: A & B WRITINGS

The Other Daughter

Re new fictional publication, The Other Daughter in Adda, an online publication of the Commonwealth Writers organization in the UK. Thought I’d blog the journey to publication of this particular piece as part of my blog’s mission to share the ins and outs of #TheWritingLife *** I’m always writing. The Other Daughter is one of […]

via Adda Mi Seh: Journey to Publication (The Other Daughter) — jhohadli

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Wadadli Pen 2017 Challenge Patrons

Wanted to take a minute to bump this up, because we couldn’t do anything we do without the support of our patrons. So we want to say thank you and encourage you to support the individuals and businesses that support the arts. This 2017 cycle that list includes (but is not limited to):
Art. Culture. Antigua
The Best of Booksthank-you

the Cushion Club of Antigua and Barbuda
the Eastern Caribbean Amalgamated Bank (ECAB)
Frank B. Armstrong/Seven Seas
Jane Seagull (artist)
Joanne C. Hillhouse (author)
Juneth Webson
Paperclips
Raw Island Products
Sweet Dreams

More about all named patrons and their relationship to Wadadli Pen after the jump.

And, yes, there’s still time to get on board if you are an individual or business wishing to support the Wadadli Pen 2017 Challenge Season. Just email us at wadadlipen@gmail.com

Wadadli Pen

UPDATED! to add ECAB

“Did You Know?  With its anthro- root, philanthropy means literally “love of mankind”. Thus, philanthropy is giving money for a purpose or cause benefiting people who you don’t personally know. Individuals have often set up their own permanent philanthropic organizations in the form of foundations. The greatest American philanthropists have included Warren Buffett, Bill Gates, Andrew Carnegie, and John D. Rockefeller, but tens of millions of us could be considered philanthropists on a much smaller scale.” – Merriam-Webster
 
This page is our acknowledgment and thanks of our philanthropists right here in Antigua and Barbuda, and its diaspora, who continue to show their love during the season of giving which always precedes the Wadadli Pen Challenge season (which launches in January) by pledging to support our efforts. At Wadadli Pen, when it comes to our annual Challenge, we’ve always operated by the principle that likkle likkle…

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February 9, 2017 · 6:53 pm

Wadadli Pen Deadline Approaching!

Are your entries in?

wadadli-pen-2017-flyer

Remember to check the Wadadli Pen 2017 tab for submission details.

And big up to our 2017 Patrons::support the businesses that support the arts.

For more about Wadadli Pen, go here.

 

 

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A & B Arts Round-up January 20th 2017 —>

Updated January 27th 2017

March 11th 2017 – Soothe16114617_1821137648146082_1427462733952277420_n

February 7th 2017 – the Literacy Festival that forms part of Education Week, this year with a focus on expressive literacy at the Secondary and Tertiary levels. The students will be engaged in an impromptu speaking activity and a dramatization of an extract from a text of any genre. In addition, there will be a display of original writings by teachers as well as local and regional authors as models of literacy.The event will take place at the Multipurpose Cultural Centre beginning at 9:30 a.m.

Relatedly, congratulations to Desryn Collins on her appointment as Education Officer, Language Arts, (Ag.) as of January 3rd 2017.

Wadadli Pen 2017 flyer.jpgFebruary 6th – Wadadli Youth Pen Prize Annual Challenge deadline. Must be Antiguan and Barbudan and 35 or younger to participate. See details at Wadadli Pen 2017. Teachers, youth workers, parents encourage the young people in your lives to create and submit; young people, we, at Wadadli Pen, look forward to reading your efforts.

January 28th – 10:30 a.m. – Antigua Dance Academy will be hosting a Creole Headtie Workshop at the Red Cross Headquarters on Old Parham Road. It is part of their year-long 25th anniversary celebrations.

January 23rd – Start of 12-week sculpting and painting workshop. Register at the Cultural Development Division on Nevis Street.

January 21st – Tanya Evanson will be hosting a special master class ‘Bothism’ for poets, spoken word poets and creatives during the one Day Just Write Writers’ Retreat on Saturday, January 21, 2017, upstairs Museum of Antigua and Barbuda, Long Street 10 am to 5pm – EC$150 (22 and over). Young writers 21 and under PAY ONLY EC$100 AND scholarships are available.

 

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Reading Room and Gallery 22

The Reading Room and Gallery is a space where I share things I come across that I think you might like too  – some are things of beauty, some just bowl me over with their brilliance, some are things I think we could all learn from, some are artistes I want to support by spreading the word, and some just because. Let’s continue to support the arts and the artistes by rippling the water together. For earlier iterations of the Reading Room and Gallery, use the search feature to the right. This is the 22nd one which means there are 21 earlier ones (can’t link them all). Remember to keep checking back, this list will grow as I make new finds until it outgrows this page and I move on to the next one.

CREATIVES ON THE BUSINESS

“Mastering other things taught me that one becomes something not by wishing to be, but by learning to be. Mastery is the result of hard work. And ardor.  And the slow accretion of knowledge that comes from study and from practice.”- Mary Jo Bang

VISUAL

tpa-islandEric Fischl’s A Visit To/A Visit From/The Island uses two adjoining large canvases to contrast vastly disparate groups of people seemingly in the same setting. On the left he depicts what appears to be a white upper-middle-class American family of four vacationing at a sunny, holiday resort. The second panel portrays a frantic scene in which a group of black men and women, who appear to be refugees, try to pull themselves from a bluish black churning sea. Rendered in much darker, ominous hues than those of its counterpart, the frenzied image was based on a photograph of Haitian refugees arriving on the Florida coast. While the two canvases depict jarringly different scenes, the similarities between the images also emphasize their polarity. For instance, both depict foreshortened naked bodies lying diagonally in the foreground, highlighting the stark shifts in color and context between the panels. The relaxed laziness of the tourists pitted against the desperation of the Haitians emphasizes the inequalities between the two groups and the irony in the choices that racial difference and privilege allow—the whites are paying to visit an island that the residents risk their lives to leave.
Artist: Eric Fischl
Image: “A Visit To / A Visit From / The Island,” (1983)
Source: The Whitney Museum of American Art, New York website

CREATIVES ON CREATING

“You have to learn how to interpret and not just imitate” – Jake Gyllenhall, breaking down his process

***

“Don’t tell anyone the story until you’ve written it.  At least this is advice I wish I’d heard and listened to, early on.  I’ve found that if I tell my friends about any story or book I’m working on, I begin to lose enthusiasm for it – not because of their reaction or anything they’ve said but because, having said it, it’s like I feel less need to actually write it.  That’s difficult to explain but perhaps other writers will understand.” – Eugenia O’Neal blogs ‘My Top Writing Tips’

***

“A slight girl with fawn’s eyes offers a plastic cup of water-angels to my mother. A fallen bamboo ceiling swallows the moon whole. There is so much wonder, awe and terror in every gesture, every movement. The moon washes the dust from her face, becomes her true self in the forest. Then it solidifies, comes together…” – Danielle Boodoo Fortune blogging on her Moon Water series of paintings

***

“Here I was trying to get my daughter to stick to a specific formula for writing, and she was forging her own path. What worked best for her was writing by the seat of her pants, starting on the computer and editing as she wrote. The funny thing is, it is the same method I use.” – from One Size Fits All by Jewel Amethyst

***

“On my way home from work tomorrow, I will bring myself to stop at Kinko’s and print out all one-hundred and seventy pages of my crappy first draft. I will hole-bunch the pages, stick it into a three-hole binder and get up Saturday morning, procrastinate a lot, curse out my editor, and then bring myself one step closer to the sweet pain of publication.” – Kara Stevens on what you need to know if you’re serious about becoming an author

POETRY

“Unexpectedly,
The street light began
To malfunction,
Coming on and off,
Plunging me into bouts of
Darkness and light.

Buzz, crackle, darkness,
Buzz, crackle, light.” – From Kimolisa Mings’ Dark Warrior

***

***

“What if I told you
I’d never made love before” – from What the Spirit Knows by Soyini Ayanna Forde at SX Salon

***

“I was left there, tutu shredded,

I couldn’t dance

anymore.” – This did not happen by Thylias Moss

INTERVIEW

“Many of my poems start with an image, but these started with language and weaved through images bringing me places I hadn’t been in a while.” – Angela Voras-Hills at the KR Conversations

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“One thing that I went in to Yale with was to make to sure I left exactly how I came in, because that’s who they accepted. Take what you need, get what you need for your tool belt, but don’t lose the essence of who you are. I think I did it.” – Atlanta’s Bryan Tyree Henry (aka Paper Boi)

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“The revolution for all Black lives starts in the mind and manifests in the physical, so I hope this book that contains so much true history mixed in with fiction can help people understand that nobody gets free unless we’re all free.” – Brooke Obie

FICTION

“She had looked him down, vaguely surprised and annoyed, with the air of those who are never asked where they are going.” – from Le Silence de Chagos by Shenaz Patel

***

“Sometimes I’d stare in the mid-darkness at how white he was. If I pressed his skin, he’d bruise deep fuchsia and you’d be able to see it even in the dark. I was very dark compared to him. He was so white it was freaky, sometimes. Othertimes it was kind of cool and beautiful, how his skin would glow against mine, how our bodies together looked like art.” – from Gideon by ZZ Packer

***

“You’re in this together now, and some part of you hopes you die together for the sake of simplicity.” – Last Chapter on Hotel Stationary: a Short Story by Ursula Villarreal-Moura

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A & B Artistes Discussing Their Art

Primarily, in this space, I’ll be sharing discussions, in Question and Answer format, of craft and insights to not only the author/artist’s journey but the story of the arts in Antigua and Barbuda. This is a Work in Progress. The main criteria, so far, for inclusion, apart from the Q & A structure, is that these are interviews not conducted by someone who is part of the artistes’ publishing and/or promotional team, and are interviews that are in the public sphere on a platform independent of the artistes and/or their publishing and promotional team. Beyond that, it’s what I come across and you can also link me interviews that fit the very broad stated criteria by emailing wadadipen@gmail.com

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Tammi Browne Bannister talking to David DaCosta (December 28th 2016):
“When I was little, I loved reading Aesop’s Fables and was attracted to the humor, the lessons, and the tragedies and of course the way these tales made me think about the characters long after reading. I’ve written a few.” Full interview.

F

Cray Francis talking with Good Morning Antigua Barbuda (April 5th 2016):
“I felt like I had to write my own stories.”

H

joanne26

Joanne C. Hillhouse talking to M. J. Fievre at the Whimsical Project (November 21st 2014):
“Calypso, the calypso at that time, sang the things people were afraid to say and reflected the concerns and reality of the folk, authentically, in their voice, in a way that stirred spirits. I think there’s a part of me that strives for that in my writing.” Full interview.

Joanne C. Hillhouse talking to Commonwealthwriters.org (2014):
“I use a lot of detail, a lot of specificity in rendering the world, and I write from a very character-driven place – Who are they? What do they want? What is their truth (don’t compromise on telling their truth)? Why should we care?” Full interview.

J

TamekaJTameka Jarvis-George talking with SheRox:
“I initially did not start out with the intention to write a whole book. I started writing what I thought was a short story, but it just wouldn’t end.” Full interview.

Jazzie B. talking with Chris Williams for Wax Poetics (May 14th 2014):
“’Keep On Movin’ actually came about lyrically because we were at the Africa Center in Covent Gardens, and we were being put under a lot of pressure by the police. It was due to the fact that other clubs in the area were empty and ours kept being full. Every so often, we would get the squeeze put on us. At one particular moment, they threatened to close us down. The whole concept of this song came from there.” Full interview.

Clifton Joseph talking with Ian Ferrier (2007):
“Hip Hop, Dub Poetry, Dancehall, Reggae all sort of come out of the same African inspired, Caribbean, American, emphasis on words, rhythm, repetition; all of those things pull from the same pool of stylistic influences.”

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JamaicaJamaica Kincaid talking with Mother Jones (January/February 2013):
‘I think I was trying to understand how, short of an accident—you know, you pick up the phone, he says, “Your mother is dead. Her car. The Earth fell”—I never expected the everyday to suddenly become an accident. Suddenly you go downstairs and the pine floor is a gravel pit. I was trying to understand how the everyday suddenly becomes the unexpected.’ Full interview.

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JoyLapps1Joy Lapps talking with Joanne C. Hillhouse (December 2nd 2012):
“I think that my strengths lie in composition and writing lyrics for music composed by others and by myself. My inspiration comes from my lived experience and some things I read about or see on the news, my spirituality and love of God, falling in love with my husband, the everyday challenges of life…etc.” Full interview.

Natasha Lightfoot talking with Renee Goldthree for Black Perspectives (April 4th 2016):
“In the UWI archives, there was an almanac for the West Indies in the nineteenth century, and it contained an entry in the year 1858 for Antigua. The entry mentioned that there had been a riot and that the island’s jails were completely full, but it also claimed that the riot was nothing of any political significance. The entry suggested that the rioters were basically rabble in the streets causing trouble—and not at all political. That entry raised my antenna so to speak. I thought that the way the entry was written was a sign that whatever had occurred was very political: there had been a riot in the streets for several days and the jails were full of rioters. I wanted to figure out what happened and why.” Full interview.

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Dorbrene O’Marde talking with Judd Batchelor at Batchelor of Arts Theatre Online (2016):
“And one of the comments I made -which seemed to rattle some of the young writers, was the total absence of socio political concerns in this region, at this particular point in time when there is so much need for concern and there is so much need for understanding the post-colonial independence bind that we find ourselves in, that our leaders find themselves in that we as persons trying to inform leadership have not really clarified for ourselves. And my view of the role of the artist is to help in that clarification.” Full interview.

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Paul ‘King Obstinate’ Richards:
“We’re prophets; a lot of things we write about comes true.” (King Obstinate on calypso, September 2013)

PHOTO credits: Pictures of Joanne C. Hillhouse and Joy Lapps are from the 2011 event Telling our Stories at the University of Toronto – event photo; of Tameka Jarvis George is from the 2006 Wadadli Pen/Museum literary showcase Word Up! – event photo/Laura Hall; of Jamaica Kincaid is from the 2014 University of the Virgin Islands literary festival – event photo.

As with all content on Wadadli Pen, except otherwise noted, this is written by Wadadli Pen founder and coordinator Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Musical Youth, Fish Outta Water, and With Grace). All Rights Reserved. If you enjoyed it, check out http://jhohadli.wordpress.com Please note that, except otherwise noted, images on this site also need to be cleared if you wish to use them for any purpose. Thanks.

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People are reading…

Thanks for sharing, Dawn. Do you have a picture of you and your little one reading With Grace? Would you like to share it? Send to jhohadli at gmail dot com if you don’t mind me sharing. – signed thankful writer p.s. Don’t forget to post a reader review p.p.s. Thanks to the sites who’ve […]

via People are reading… — jhohadli

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