Tag Archives: Barbara Arrindell

Carib Lit Plus (Mid to Late May 2021)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here)

Wadadli Pen News

Our annual awards were held on May 30th 2021. Read all about it here or catch clips on our YouTube channel.

It’s a family affair: Meet Wadadli Pen’s first father-daughter winners.

Events

New Writing

Moko: Caribbean Arts and Letters has dropped a new issue with writing from John Robert Lee of St. Lucia, Lisa Allen-Agostini of Trinidad and Tobago, Lawrence Scott, also of TnT, and art from Nadia Huggings, among others. Read the full issue here.

Congratulations Due

Winners of the Antigua and Barbuda Halycon Steel Orchestra 50th anniversary facebook competition: soloist Emmanuel Joseph of Trinidad and Tobago and 5-piece Pantastick Music out of St. Lucia. View also this retrospective, also on facebook, on Petra-The Spectator’s page. It explores the birth and growth of the band, second only to the oldest continuous steelpan orchestra (Hell’s Gate) in panorama titles, and one of the prides of the Grays Green community.

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To the regional winners of the 2021 Commonwealth Writers short story prize. The Caribbean winner is the amazing Roland Watson-Grant of Jamaica (author of the novel Sketcher) for his short story ‘The Disappearance of Mumma Del’. Namibian Rémy Ngamije is the Africa winner; Sri Lankan Kanya D’Almeida is the Asia winner; UK writer Carol Farrelly is the Canada-Europe winner; and Australian Katerina Gibson is the winner from the Pacific.

One of the judges, fellow Jamaican Diana McCaulay (whose latest book is Daylight Come) said of Roland’s submission: “A wiseass, pitch-perfect teenager tells the story of a pear tree near to the rail tracks of a bauxite train in a rural Jamaican district – no one will eat from this particular tree – but why? ‘The Disappearance of Mumma Dell’ teems with lightly but perfectly sketched and familiar characters – a hellfire preacher, a scammer, community elders and shadowy politicians. Promises are broken, warnings are ignored, and the now power of social media supersedes the then magic of obeah. Rich, funny and deeply rooted in the Jamaican countryside, this story reverberates with the drumbeats of the ancestors and delivers an incisive commentary on what gets protected, by whom and why.”

Commonwealth Writers reports that they received a record 6, 423 entries from 50 Commonwealth countries this year, making judging very challenging. The overall winner will be announced on June 30th 2021, online for the second year in a row. This is the 10th year of the Commonwealth short story prize. And if you – like me – are from a small island, and wondering if you’ll ever crack this nut, here’s a bit of trivia: this is Namibia first time making the short list and they ran all the way to the head of the class as regional winner. (Source – Commonwealth Writers email and website)

Opportunities

Writing for Children with Joanne C. Hillhouse • Bocas Lit Fest

Capturing the attention and imagination of young readers can be challenging; join prize winning author Joanne Hillhouse for a workshop in writing for children.

For intermediate and advanced writers! Details here. (Source – Bocas)

Click for other Opportunities. ETA: This workshop has been postponed as a result of a surge in COVID cases in Trinidad and Tobago where Bocas is based. An announcement will be made at some point re the rescheduling.

New Books

As a fan of Kei’s last essay collection and his writing generally, I’m looking forward to reading this one, Jamaican writer Kei Miller’s Things I have Withheld, which Rebel Women Lit describes as a great artistic achievement and a work of beauty which challenges us to say the unsayable. Connect here to attend Kei’s upcoming launch event. (Source – initially, the author’s facebook page)

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Michael Joseph, pharmacist and former president of the Antigua and Barbuda Red Cross and governing board member of the international Red Cross body, has a chapter in a the World Dream book project.

The editors are Taichi Ichikawa and Ibun Hirahara who conceived the idea of gathering dreams from across the globe after attending the One Young World global summit for young leaders. The book is published, in Japanese, by Iroha Publising. (Source – Michael Joseph’s facebook page)

Celebrating Books

The May 23rd issue of Lit Hub’s This Week in Literary History newsletter had a really cool story about John Steinbeck, his dog, and his iconic novella Of Mice and Men. But I’m really sharing because of its shout out to Antigua-born writer Jamaica Kincaid whose birthday week it reminds us is this week. Here’s the quote:

“One of the things that young people need to know when they go into writing is that they ought to stop writing these stupid books that please people. They should write as if they might fail at it. To succeed at something mediocre is worse than to fail at something great.”

It being Jamaica Kincaid birthday week, I’ll list my faves, top to bottom, from her bibliography in the order of my love for them (this list will obviously be limited to what I’ve read and will clearly disagree with how others might order them – hence, my list):

Lucy
Annie John
See Now Then
A Small Place
My Brother
Mr. Potter
The Autobiography of My Mother

*I linked some of the places I’ve shared my thoughts about Jamaica Kincaid and/or her named books – anything unlinked was read before I started sharing my book thoughts online.

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The National Public Library of Antigua and Barbuda has for a while now been celebrating books via its Author of the Month series. The most recent guest of the series has been Turtle Beach author and bookstore manager Barbara Arrindell who spoke about her own books, the role of libraries, and why Antiguans and Barbudans should be building their library of local books.

Previous guests in recent months have included self-help and business guru Janice Sutherland who was in October 2020 the first online/virtual Author of the Month when the series returned after the COVID lockdown began; Floree Williams Whyte, author of three books beginning with Pink Teacups and Blue Dresses, who made a return trip to the platform; the first author of the month for 2021 Joanne C. Hillhouse, author of seven books and more; Shawn Maile whose book How to work Six Jobs on an Island the library describes as “a most interesting read”; another non-fiction author (of three books and counting) T. Lerisa Simon; and Jo-Ann Carr, author of Broken to be Blessed: My Life Story. For these and more library content, including their Career and Entrepreneurship: Tips and Tricks series, visit their facebook and youtube platforms.

The National Public Library of Antigua and Barbuda has a very storied history. The building above (by Mali A. Olatunji), on lower High Street, was destroyed during the 1974 earthquake and eventually torn down in the 1990s while the library continued to operate from upstairs a store front on Market Street, in the main commercial district of St. John’s City. The cramped space meant that the country was without full library services for at least two generations as the new library building project didn’t reach completion until 2014. The new library, pictured below, is at Hailes Promenade, near the East Bus Station, just outside of St. John’s City.

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The Brooklyn Caribbean Literary Festival celebrates Trinidad and Tobago writer Lisa Allen-Agostini’s The Bread the Devil Knead.

Lisa will also be participating in an event at Books and Rhymes on May 21st 2021. Virtually, of course. Here’s where you register.

(Source – Lisa Allen-Agostini’s facebook)

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ireadify.com, a new platform for diverse, including Caribbean, audio and ebooks has announced its top April 2021 reads. We can’t promise we’ll be sharing these every time (or any other time, really) but we’re sharing it this time in order to celebrate these books:

Black Girl Magic Sprinkles is by a mother and daughter duo, Chaunetta and Trinity Anderson, who founded the publishing company Black Girl Magic Books out of their home base in Maryland. The illustrator is Nana Melkadze.

Munna and the Maharaja, by Fawzia Gilani Williams with illustrator Deepa Balsavar, is a product of India’s Tulika press.

Abigail’s Glorious Hair (see image below from ireadify’s twitter), a book by veteran Jamaican children’s book author and blogger Diane Browne, with illustrator Rachel H. Moss. Publisher is Jamaica’s Blue Banyan Books.

(Source – ireadify.com email)

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, The Jungle Outside, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on AmazonWordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Wadadli Pen Diary – Three Interviews

How are you doing out there? You okay? It is the kind of time you read about but never imagine you’ll live through  but here we are, and all we can do is hang in there, resolved that this too shall pass.

Meantime, if you’re looking for a bit of distraction, you’ve come to the right place. Not the 2020 Challenge results, not yet; though we hope you’ve checked out the short list to see who’s still in the running.

What we have here though is three recent media interviews with three members of the Wadadli Pen family. In case you missed it.

First up, D. Gisele Isaac, co-founder of Wadadli Pen and a long time patron. She got some really good news this past week after a 6 year legal ordeal; we’re hoping this means she can turn her attention to more literary works. Because her underrated Considering Venus was groundbreaking for its time – a 1990s Caribbean book that was really progressive on love, sexuality, and gender in its telling of the story of love between two women. She went on to pen Antigua and Barbuda’s first and second feature films, The Sweetest Mango and No Seed. Her interview is from her visit to ABS TV’s Tuesday series, the Book Reading Corner.

Second, Barbara Arrindell, manager of the Best of Books which has supported the Wadadli Youth Pen Prize from the earliest years, but, in addition, she has become a core team member/Wadadli Pen partner. But did you know she was also a writer – a playwright of one of the most produced staged plays (Dreams…Faces…Reality)  in Antigua and Barbuda, and of two books for children (Antigua My Antigua and The Legend of Bat’s Cave and Other Stories), among other things. The Listen to Me club leader, former Caribbean Optimist leader, and founding member of Trees Inc 2020, among other community activities, is also a recent Women of Wadadli awardee as a change maker. She talks about some of this (plus the contract she just signed for her first publisher-issued book, a huge milestone in #TheWritingLife) during her appearance on ABS TV’s Book Reading Corner (in this repeat-posting).

Third and last, me, Joanne C. Hillhouse. I appeared on Antigua Today to discuss my Women of Wadadli Award for literature, my career as a writer (of books like The Boy from Willow Bend, Musical Youth, Dancing Nude in the Moonlight, Oh Gad!, With Grace, Lost! A Caribbean Sea Adventure, among other things) and as the founder and coordinator of literary projects like the Wadadli Youth Pen Prize.

Videos shared under fair use terms. No copyright infringement is intended.

 

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Most Influential Antiguans and Barbudans

This list is not scientific.

But that’s not the point. The point is….there is no point just an opportunity to acknowledge some of the people who’ve helped shape life in Antigua and Barbuda over the last hundred years or so according to … a very small group of people …with internet access … and a facebook presence … who had time today (not today) … and were aware that there was a poll being run by a random person on the internet.

Like I said, it’s not scientific.

But it was fun and educational, and culturally-relevant; all reasons I thought sufficient to bring the top 10 here to the Wadadli pen blog. My primary interest was in seeing how many of our artists made the list but it’s an opportunity for us to reflect (especially as the year winds down, and as we lose more and more) on the people who have shaped life in Antigua and Barbuda.

 So, here we go.

Top 10 Most Influential (in Antigua and Barbuda) of the last 100 years … (according to some people on facebook):

10 – tied – Elvira Bell, Christal Clashing, Samara Emmanuel, Kevinia Francis, and Junella King (i.e. Team Antigua Island Girls – first all Black, all female team to row the Atlantic), Baldwin Spencer (former Prime Minister and former leader of the Antigua-Barbuda Workers’ Union),

 

 

 

 

Jamaica Kincaid (celebrated international author of fictionalized memoirs like Annie John, Lucy, and See Now Then whose newest book is a children’s picture book based on one of her early short stories), Lester Bird (former PM and officially designated National Hero who published his autobiography The Comeback Kid in 2019), Prince Ramsey (Doctor/HIV-AIDS awareness activist, calypso writer and producer who died in 2019) – one social media commenter said of Dr. Ramsey “I think he’s the most inspiring of them all”

9 Short Shirt (most decorated Antiguan calypsonian; the Dorbrene O’Marde penned biography about him Nobody Go Run Me was longlisted for the 2015 Bocas prize)

8 –  Obstinate (undefeated calypso icon)

7 – tied –

Edris Bird (former resident tutor of the UWI Open Campus who in 2019 also became a Dame), Andy Roberts (bowler, first Antiguan and Barbudan to play for the West Indies Cricket team, knighted),

Winston Derrick (deceased host of Observer Radio’s Voice of the People and co-founder of Observer Media Group which transformed the media landscape and broadcast media especially after a legal battle for the right to broadcast that went all the way to the privy council and with its victory opened up the broadcast media door for others to enter)

6Alister Francis (late former principal of the Antigua State College, a groundbreaking tertiary institution of its time for Antigua and Barbuda and the eastern Caribbean)

5George Walter (Antigua and Barbuda’s second premier and former leader of the Antigua-Barbuda Workers Union; officially designated National Hero)

4  Nellie Robinson (late former educator, founder of the TOR Memorial school which is credited with breaking down class/social barriers in Antigua and Barbuda, and officially designated a Dame and our only female National Hero)

3 V. C. Bird (deceased; second president of the Antigua Trades and Labour Union, which is credited with boosting the voice and fortunes of Black and working class people in late colonial era Antigua and Barbuda, first Chief Minister, Premier, and Prime Minister – Father of the Nation, and first officially designated National Hero)

2  Tim Hector (late pan African political activist; media pioneer – founder of the Outlet newspaper and writer of the Fan the Flame column; fighter for press freedom through his investigative reporting, and battles in and out of court including the privy council, arrests, and alleged arson; award winning journalist;  commentator on politics, culture, sports; and political candidate)

1Viv Richards (second Antiguan drafted to the West Indies cricket team, the only Windies captain never to have lost a Test, one of Wisden’s top five cricketers of the 20th century, and officially designated National Hero)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

So a handful of artists made the top 10 which is always good to see. But I did wonder who were the top 10 artists in the poll overall, hence this second list. According to the same poll – but in reverse order – and highlighting only the arts side of their life – these are the top 10 artists among the Most Influential in Antigua and Barbuda of the  last 100 years or so…according to the voters in this particular social media poll:

1 –  Obstinate

2 –  Short Shirt

3 – tied – Prince Ramsey, Jamaica Kincaid

4 – tied – Swallow (who with Obsinate and Short Shirt make up the Big Three of Antiguan calypso, known especially for his road march hits), D. Gisele Isaac (writer, cultural critic, author of Considering Venus, The Sweetest Mango, No Seed), Burning Flames (iconic jam band)

5Barbara Arrindell (writer)

6Reginald Samuel (sculptor, national flag designer)

7Ralph Prince (writer)

8 – tied – Oscar Mason (musician, masquerade artist), Yvonne Maginley (musician, composer, Community Players), Dorbrene O’Marde (playwright, cultural critic and activist, calypso writer, novelist), Roland Prince (musician), Joseph ‘Calypso Joe’ Hunte (calypsonian), Marcus Christopher (calypso writer), Alister Thomas (mas designer and builder), Robin Margetson (pan composer, Panache founder – pan school and orchestra)

9 – tied – Stachel Edwards (musician), Rupert Blaize (singer), Wendel Richardson (musician, one of the founding members of Osibisa), John S. Laviscount (musician, founder of the island’s oldest band Laviscount Brass), Isalyn Richards (director of the combined schools choir), Winston Bailey (musician), Althea Prince (writer), Oliver Flax (writer, playwright), The Targets (music group), The National Choir, Shelly Tobitt (calypso writer known for many Antiguan and Barbudan top calypsos of the 70s and early 80s especially through his collaborations with Short Shirt e.g. classic albums Ghetto Vibes and Press On), Ivena (calypsonian, Antigua and Barbuda’s first and to date only female calypso monarch), Bertha Higgins (musician, involved with Antigua Artists Society, Hell’s Gate), Veronica Yearwood (Afro-Caribbean dancer and choreographer, founder of the Antigua Dance Academy), Zahra Airall (writer, award winning dramatist and playwright – Zee’s Youth Theatre, Honey Bee Theatre, Sugar Apple Theatre plus her work with Women of Antigua, poet, arts event producer – notably Expressions Open Mic, photographer), Hilda McDonald (writer)

10 – tied – Novelle Richards (writer), Conrad Roberts (actor)

*

Apologies if I’ve offended anyone or breached protocol by leaving off all honorifics; that was a choice I made to leave off all instead of forgetting some as I am likely to do (better to have you mad at me for something I chose to do than for something I didn’t mean to do). All honorifics are, however, of course, acknowledged. Also acknowledged is that the named people have done much more than captured in my mini-bites. Some books are pictured in this post but remember to check our listing of Antiguan and Barbudan literature for books on or by any of the named influential Antiguans and Barbudans – if you’re looking specifically for biographies/autobiographies, scroll through the non-fiction list. Also, if someone’s picture is not included it’s because they’re not in the Wadadli Pen photo archives and time constraints didn’t allow for scouring the internet. Hopefully, that covers it – this is just FYI and for fun and I would encourage you to continue the conversation by sharing your picks for most influential Antiguans and Barbudans of the last 100 years or so (the or so is really 20th century forward to this year – I think those were the parameters).

As with all content on Wadadli Pen, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure/Perdida! Una Aventura en el Mar Caribe, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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A & B Artistes Discussing Art

Primarily, in this space, I’ll be sharing discussions, in Question and Answer format, of craft, and insights to not only the author/artist’s journey but the story of the arts in Antigua and Barbuda. This is a Work in Progress. The main criteria, so far, for inclusion, apart from the Q & A structure and the arts/art history focus, is that these are interviews not conducted by someone who is part of the artistes’ publishing and/or promotional team, and are interviews that are in the public sphere on a platform independent of the artistes and/or their publishing and promotional team. Beyond that, it’s what I come across and you can also link me interviews that fit the very broad stated criteria by emailing wadadipen at gmail dot com

A

“One of the early writings I did was a play called Dreams…Faces…Reality…and that play was actually performed over 25 times in Antigua and Barbuda… it was used as a tool to help students in the schools understand everything concerning HIV/AIDS.” – Barbara Arrindell with ABS TV (2020)

“Nellie Robinson, Dame Nellie Robinson is listed somewhere in our history as being the first chairperson of the artists association of Antigua and Barbuda, but so is a lady named Elizabeth Pickney…back in 17something… I found one in the 18th century too… we’ve had an artists association here many times and it’s been so far apart that each person thinks of themselves as the first chairperson of… in terms of history, there’s a book called A Brief History of Antigua written by Brian Dyde. Brian Dyde wrote brief histories for about four or five islands around the Caribbean, if it was five, four of them are still in print, guess which one is not in print, the other four were taken on and used in the school systems in the other islands, guess which one they couldn’t even sell one print run for…?” – Barbara Arrindell in conversation with Dorbrene O’Marde, Heather Doram, and Joanne C. Hillhouse on Observer Radio (2017). Read a transcription of the (2017) interview or listen to the interview.

“I don’t really have a routine, I just take advantage of times when I don’t have anything to distract me, when I can get stuck into writing for as long as I want. I like to write with my feet cocked up on a comfortable sofa, and a good view in front of me. We have a small apartment in the old walled city of San Juan, Puerto Rico, which looks out onto a plaza with trees, a few birds singing, passing salsa music, and sounds of people chatting and relaxing. That’s my spot. When I am researching, of course, it’s different: if I’m not working online on the above-mentioned sofa, I’m usually sitting at a table in a research library somewhere in the Caribbean, or in Cornwall.” –  Sue Appleby, author of The Cornish in the Caribbean (2019) 

“If I was to specify what path I’m on and what matters to me the most I think it would be inspiring people…I have a reservoir of information that I could then pass on.” – Sonalli Andrews, graphic designer in conversation with Joanne C. Hillhouse for her column CREATIVE SPACE (2020)

“At the time we did not know we were doing pioneering work in film. There was no pressure to get everything right. It was only after we began doing the film festival circuit did we learned it was not only the first indigenous feature film for Antigua and Barbuda but in fact the Eastern Caribbean. Some intellectuals thought our first film should have had more ‘grit’ dealing with social issues.” – Mitzi Allen in discussion with Karukerament about The Sweetest Mango, written by D. Gisele Isaac, directed by Howard Allen, with Allen as producer and Joanne C. Hillhouse as associate producer. The Sweetest Mango was Antigua and Barbuda’s first feature length film. 2020.

‘I was literally born into the theatre. My parents met each other through the Antiguan drama company “Harambee Open Air Theatre”… and since then they have both always nurtured the love and appreciation for the arts, exposing me to varying types of performances, including visiting ensembles to the island, and performances whenever I traveled. I remember my father taking me to see Cats on Broadway at a young age…it was exciting, and just cemented the fact that that was what I wanted to do with my life … perform and create productions that would make people feel the way I felt as a child sitting in that theatre. My mom then enrolled me in a drama programme called Child’s Play, under renowned Jamaican dramatist and storyteller Amina Blackwood-Meeks.’ – Zahra Airall talking to The Uncaged Phoenix (2018)

Glenroy Aaron participating in a virtual roundtable chaired by issue guest editor Joanne C. Hillhouse on Tongues of the Ocean along with Heather Doram, Emile Hill, Mark Brown, and the now late X-Saphair King (October 2014): “To be honest, I have learned a lot more about the Antiguan aesthetic from this conversation than from my years of observing art in Antigua. I say this because there is so little indigenous Antiguan art to observe, and historic recording of it is also quiet faint. My art is basically an attempt to capture the beauty around me and the moments in which they occur. My techniques and methods continue to evolve as exploring New continues to excite. Forays outside my comfort zone to explore deeper emotions have produced interesting results; with some apprehension as to the commercial viability of such ventures. The balance between creativity and viability is tricky but can be done, as others have found ways to make it work. Themes and scenes indigenous to an artist’s place of birth will ultimately make its way onto an artist’s canvas but considering the fusion of influences and cultures that have existed on the islands for some time now, an Antiguan aesthetic may be a bit difficult to define. Further, holding that many view art as a visual expression of the artist’s thoughts and emotions, we can appreciate that some of these ideas and emotions may not be “local” in scope.” Read in full.

B

“When I climbed down into the landing craft, my sketchbook was out, I was sketching men climbing down the ladder. And when we were on the beach I was drawing the men in the foxholes.” – Ashley Bryan talking about being an artist while doing active duty during World War II on The Story on American Public Media. 2013.

“When I was growing up there was the WPA…a programme the government set up for free schools in art and music for all the communities throughout the United States and my parents with six children…sent us all out to the free classes, so we were all painting and drawing and playing the piano… I was not able to get a scholarship (to art school) because they said it would be a waste to give a scholarship to a black person.” – Ashley Bryan talking to BBC Sounds about his early development as an artist.

Tammi Browne Bannister talking to David DaCosta (December 28th 2016):
“When I was little, I loved reading Aesop’s Fables and was attracted to the humor, the lessons, and the tragedies and of course the way these tales made me think about the characters long after reading. I’ve written a few.” Full interview.

“It took coming here to see that my voice was a voice that needed to be heard.” – Brenda Lee Browne, Real Talk with Janice Sutherland at Phenomenal Woman. 2018.

Mark Brown participating in a virtual roundtable chaired by issue guest editor Joanne C. Hillhouse on Tongues of the Ocean along with Heather Doram, Emile Hill, Glenroy Aaron, and the now late X-Saphair King (October 2014): “I view art making as a human activity which cannot be defined as mine or yours, and this is based on the type of work which I engage in. My work, in my mind, is about responding to stimuli, that act of engaging with my feelings about my environment, religion, identity, sexuality, all of which most, if not every human being faces at some point in life. As a result, for me Antiguan Art, like Art elsewhere, is individual voices singing their own tune. Of course we may use objects specific to our culture [that have] distinct meaning but many times these same objects may have a different name in another culture and [be] used in different contexts, but then it is also specific then to that locale. How else do we explain lending your voice in paint or any other medium to a specific issue in a way that you deem visceral and then later on somewhere else, Google for instance, you discover another artist on the opposite side of the globe exploring the very same idea in very similar ways. To me it is just the act of discovering, in visual format, that which is buried deep within with the ultimate aim of finding out the real reason for my being “here” and at this time.” Read the full discussion here.

Mark Brown (2015) on Popreel, Swedish TV: “The main aim of the Angel in Crisis series was to bring a sort of humanness to people like her (the nun), priests, people who have to bear that burden of conforming to what society expects of them.” Interview begins at 7:35.

Jazzie B. talking with Chris Williams for Wax Poetics (May 14th 2014): “’Keep On Movin’ actually came about lyrically because we were at the Africa Center in Covent Gardens, and we were being put under a lot of pressure by the police. It was due to the fact that other clubs in the area were empty and ours kept being full. Every so often, we would get the squeeze put on us. At one particular moment, they threatened to close us down. The whole concept of this song came from there.” Full interview.

C

A CREATIVE SPACE discussion on the domestic book market looks at which books are selling well and why.

D

“In my current creative phase, I feel so invigorated, so inspired, so playful, and so expressive. As both an artist and a woman, I am exploring new spaces, taking on new challenges, transcending my past, and shaping my future.” – Heather Doram (2020 interview with findyello.com)

Heather Doram on Observer Radio in a discussion which also included Joanne C. Hillhouse, Barbara Arrindell, and Dorbrene O’Marde (October 2017): “My feeling is that I have lived under several administrations and I really do not get the feeling that there is that widespread support for the visual and performing arts…you just use them when you need them…we do not even have a national gallery in Antigua and Barbuda so we the artists are there producing work in sort of isolation. I’ve seen it in many other countries where the national gallery would commission work; this sort of spurs the whole generation and activity of work and then the artists start to feel that sense of involvement and that their art work can actually support them…the same thing I’m sure applies to the literary artist…something like the cultural development division should be that nexus of that sort of leadership, this is where the cradle is…I would really like to see more support for the arts generally.” Read a transcription of the (2017) interview or listen to the interview.

Heather Doram participating in a virtual roundtable chaired by issue guest editor Joanne C. Hillhouse on Tongues of the Ocean along with Mark Brown, Emile Hill, Glenroy Aaron, and the now late X-Saphair King (October 2014): “They were reactive and passionate. They were not satisfied with the realistic interpretation of the Antiguan landscape. They wanted to push boundaries, they wanted to produce work with the visual language of engagement with their audience. Many of their works responded to and explored social, political, gender issues and self. The younger generation sought to explore their roles as messengers in their visual language. I think artists like Mark [Brown], Emile [Hill], and Zavian [Archibald] can be included in this group. They are much more open to expressing themselves and exploring a range of media and techniques in their work.” Read the full discussion here.

E

“Art is not just a commercial transaction. When an artist shows you their work, they’re showing you their soul, their heart, and what’s important to them.” – Debbie Eckert on Sweden’s Popreel (2018) – beginning roughly at 4:30

F

Cray Francis talking with Good Morning Antigua Barbuda (April 5th 2016):
“I felt like I had to write my own stories.”

G

“It’s always a burning passion but it’s not a fruitful burning passion. You do the arts cause you love it and you have something you want to say.” – Gayle Gonsalves (2020) on ABS TV

“I’m a Caribbean poet foremost, I was not born in the BVI. I was born in Trinidad to a BVIslander father and a Trinidadian mother. His mother is Antiguan, her mother is Grenadian. He grew up in Guyana, and I grew up in the BVI. Because of that chain of connections, I think that the vibrations that drive my work are deep in the currents of this sea, those currents that touch each island – I would invoke that famous image of Brathwaite’s from ‘Calypso’, ‘the stone had skidded arc’d and bloomed into islands’.” – Richard Georges in Pree. 2018.

“As far as my poetic horizons go, I try to let the tides tug me along, and trust that they will take me where I’m meant to go. I thought I’d write a book of poems and then move on to spend some time experimenting with fiction, but poems seem to keep coming. I think I have to trust that.” – Richard Georges in Caribbean Beat. 2017.

Linisa George reads and talks about ‘In the Closet’, which was the Antigua and Barbuda Poetry Postcard  for the UK series featuring works from the Commonwealth in time for the 2012 Commonwealth Games. “I’ve always been a poet…” she says, then explains the journey toward stepping in to that power. Link.

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“I wanted her to be blacker, I wanted her to be on the dark-skinned side of the spectrum and I wanted her to be natural, have natural (hair) …because part of it for me …in the world of children’s picture books we don’t see enough people at the darker end of the spectrum, especially as characters that children can feel affection for and love and recognize themselves in.”

Joanne C. Hillhouse in conversation with Trinidad writer-artist Danielle Boodoo Fortune in a World Book Day chat that involved audience questions.

“The Boy from Willow Bend is by any measure growing up in abject poverty and in an abusive situation, and yet there is laughter and yet there is love and yet there is hope and yet there is dreaming and fancifulness because that is life. Life is not just one thing. It’s a myriad of things, and so that’s what I try to capture of this young boy coming of age in Antigua in this particular time.” Joanne C. Hillhouse is the first National Public Library Author of the Month in January 2021

“For me they were people first and, of course, I had to research just how the world of the underwater would move, what I would need to know about arctic seals, what I would need to know about jellyfish, what I would need to know about sea turtles. So there was a lot of research in that regard. But in terms of the voices of the characters, they were children. They wanted to play and explore the ship, and, of course, Dolphin the Arctic Seal wants to get back home so he can tell his own adventuring grandmother about his own Caribbean sea adventure.” Joanne C. Hillhouse in 2020 self-made video on her own platform but with audience submitted questions for the #Catapultartsgrant (specifically a Catapult Caribbean Creative Arts Online grant). She answered questions submitted via social media about story, craft, theme in Lost! A Caribbean Sea Adventure and all her books

“Songs are universal and you don’t even have to know the lyrics sometimes to feel it.”  –  Joanne C. Hillhouse discussing Musical Youth with gender advocacy group Intersect (2020)

“The first storytellers I knew were the calypso writers the Shelly Tobitts of the world,these were the people that taught me how to tell a story and how to tell Antiguan stories in particular.” – Joanne C. Hillhouse, ABS TV (2020)

Joanne C. Hillhouse interview on Caribbean Literary Heritage (June 2018): “Honestly, the first thing that flashed in to my mind is Antiguan and Barbudan calypso and Paul Keens Douglas – especially Tanty and Slim at the Oval – on the radio. Neither of which qualify as reading but which were foundational to my introduction to Caribbean literature. It’s there in Antigua and Barbuda’s King Obstinate’s Wet You Hand – a song which was fun and funny to me as a children and which I’ve used as an example of scene building and character description in my workshops, or in the way he knits the story of Anansi stealing the birds’ feathers into another of his songs – songs that did what Calypso did which was be bold-faced and satirical and reflective of our lives and our truth (especially the truths we didn’t dare speak) while bearing our unique brand of humour and matter of factness about life’s tragedies. It’s there in the writings of Shelly Tobitt – named for Romantic era poet Percy Bysshe Shelley; though I wouldn’t see the connection until college. A romantic idealist in his own right, or so his lyrics would suggest, as a child Shelly, the calypso writer and frequent collaborator of Antigua and Barbuda’s best calypsonian and inarguably one of the best the region has ever produced the Monarch King Short Shirt (who Dorbrene O’Marde writes about in his Bocas longlisted biography Nobody Go Run Me), was to me a poet who used the frustrations of the people to comment on economic, social, and political issues in a way that was deeply and enduringly philosophical, with melodies that captivated. So, the calypsonians and the oral tradition (including the jumbie stories) would have been my first reading of Caribbean writing.” Full interview.

“When Heather was culture director…I remember her starting a national collection where she commissioned pieces featuring Antiguan and Barbudan icons…what has become of that? What has been the continuity with respect to that national collection?… things like that, like you can have someone with a good idea start something… but there was no continuity, so if there’s no continuity it’s like you’re starting from scratch every time someone gets fired up and passionate about something so that’s the whole point…if you have that continuity then this person’s efforts will connect with that person’s efforts and we’ll have progression instead of starting from scratch every time…one of the things I do on the Wadadli Pen website is I have a project where I record the books that are put out and the plays and the songs that are put out by Antiguan and Barbudan creatives and there’s no shortage of stuff in the last 10 or so years, there’s a lot of people just feeling inspired and doing their own thing… there is stuff happening independently by artistes who feel inspired and creative but not by any system that’s giving them foundation or supporting their efforts.” – Joanne C. Hillhouse in conversation with Heather Doram, Dorbrene O’Marde, and Barbara Arrindell on Observer Radio (2017). Read a transcription of the (2017) interview or listen to the interview.

Joanne C. Hillhouse talking to The Culture Trip (July 2017): “in The Boy from Willow Bend, Vere’s mother leaves Antigua for better economic and personal opportunities in the U.S., and Vere himself leaves at the end; in Dancing Nude in the Moonlight, Selena and her sisters move to Antigua from the Dominican Republic for better opportunities, and at some point one of the sisters moves away from there as well; in the story, ‘The Other Daughter’, the title character moves to the US for educational purposes. I don’t know if it holds significance to me (there are many stories in which people don’t leave) so much as being a reflection of the reality that movement is a part of the Caribbean existence—whether it’s to seek higher education, economic opportunities, or a different kind of life—the Caribbean diaspora (i.e. the number of Caribbean people no longer resident in here or in the Caribbean country of their birth) is significant. We are a region of small islands with intelligent and talented people, sometimes the desired opportunities to recognize our full potential or even the cover needed to brave the economic storms stirred up in bigger places isn’t there. So, it’s just a reflection of the reality, I think (but just one part of the reality that I write).” Full interview.

Joanne C. Hillhouse in the Meet the Writer series at Grab Life by the Lapels: “I just enjoy experimenting within the story writing form, short and long. Much of what I write is character driven and distinctively Caribbean with (I like to believe) universal resonance – because I do believe the stories that are about the human condition can cross over without having to be diluted.” Full interview. 2016.

Joanne Hillhouse in conversation with book blogger Geosi Gyasi (2015): “I don’t think about it like that. I just tell the story. Sometimes the protagonist is a child, sometimes a teen, sometimes an adult, sometimes an old person, sometimes a jelly fish named Coral. The writing is always character first, not audience. During the editing process that’s when I’m challenged, often by the assigned editor, to think about things like can the target age group for this picture book understand abstract thinking, do I maybe need to be more literal, more detailed, more specific, provide clearer resolution, like that.” Read the full interview.

Joanne C. Hillhouse on Popreel, Swedish TV (2015): “The characters come to me; they don’t always reveal their stories fully, so for me writing is a journey of discovery. I can’t always see where it’s going but I’m kind of wandering my way through it and trying to figure out what is it all about.” Interview starts here at 8:50.

“When I was growing up, I didn’t know any writers from here, from Antigua, until I discovered Annie John, Jamaica Kincaid; the writers from here that I knew, and I have great respect for them, were the calypso writers, people like Shelly Tobitt and Marcus Christopher, because when I was coming up, calypso was the literature that I would hear that had some relevance to my community, the other literature that we read was mostly from America or from Britain. So it was a while before I could wrap my mind around this idea that this was what I was called to do.” – Joanne C. Hillhouse (2015) on Bookworm, Swedish radio 

Joanne C. Hillhouse talking to M. J. Fievre at the Whimsical Project (November 21st 2014): “Calypso, the calypso at that time, sang the things people were afraid to say and reflected the concerns and reality of the folk, authentically, in their voice, in a way that stirred spirits. I think there’s a part of me that strives for that in my writing.” Full interview.

Joanne C. Hillhouse talking to Commonwealthwriters.org (2014): “I use a lot of detail, a lot of specificity in rendering the world, and I write from a very character-driven place – Who are they? What do they want? What is their truth (don’t compromise on telling their truth)? Why should we care?” Full interview.

Joanne C. Hillhouse is interviewed by Jamaican publisher-writer for Susumba (2013): “Honestly, I think it comes down to the material. I see publishing as the end game not the first step. Develop your craft, read a lot, experience life, write; these are more important. And when you’re ready do your research… take your shot, and don’t give up.” Full interview.

Emile Hill participating in a virtual roundtable chaired by issue guest editor Joanne C. Hillhouse on Tongues of the Ocean along with Heather Doram, Mark Brown, Glenroy Aaron, and the now late X-Saphair King (October 2014): ‘Ok so I’m a bit of a texter (cell phone, social media etc.) and on more than one occasion I’ve found myself engaged in several conversations, all completely different subject matter and all requiring a different “Emile” to deal with each of them. And I think, in this day and age, this happens to most persons at some point in time. The series I’m working on presently deals with the “multi-sidedness” of human interaction and relationships. It’s caused me to ask myself some questions, looking at whether this is a means of masking the true self and why? Is Survival a reason? What makes us accommodate each other so, switching faces? Is the face we see real, fake (and sometimes, does it even matter)? With regards to the Antiguan and Barbudan aesthetic, I think that every artist’s contribution is one that continues to make up the grand tapestry of who we are and so I think it fits simply as a local artist’s perspective on things… another thread in the tapestry.’ Read in Full.

73297806_1482817935189902_5047018221308215296_n“I wanted to bring the element of sound to my piece. If you saw my design in a room (by itself), I wanted you to hear the waves crashing on the shores…that’s why I did the ruffles on the bottom (and the peplum at the waist).” – Nicoya Henry, winner of the 2019 A & B Independence fashion competition, interviewed for CREATIVE SPACE

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‘Fortunately, I have had the opportunity to tell other types of stories. For HaMa Films I wrote “No Seed”, which is a political drama (set on the fictional island of St. Mark) that mirrors the political reality of Antigua & Barbuda. It shows the dark side of “paradise,” where money, greed, manipulation, self- interest, and even murder are played out. I have also written “Considering Venus”, the story of a relationship between two women – one gay, the other straight – that is set in New York and Antigua. It acknowledges what was taboo (in 1998): not only same-sex love but same-sex love among Caribbean people. It speaks to how the relationship affects the families of each woman and what people are prepared to sacrifice – or embrace – to find emotional fulfillment. It is my absolute best work!’ – D. Gisele Isaac being interviewed by the Karukerament website about writing The Sweetest Mango, one of two films produced by HaMa Films Antigua, which she wrote, the other being No Seed – Antigua and Barbuda’s first and second feature length films. 2020.

“No it was not difficult getting started because I was always writing” – D. Gisele Isaac on ABS TV. 2020. Full interview below.

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Clifton Joseph talking with Andy Williams: ‘…the first person to really encourage me into the writing/performing arts was an older man in my village of New Winthropes in Antigua, Mr. Murray, probably, visually, the most black, blackest person in “Blizzard” as we called our home on the northern coast of the island. I think I was around ten years old and in addition to singing the Antiguan calypso songs we heard on the radio, Mr. Murray would actually pay me a penny, or sometimes two-pence (we were still using the British colonial currency at the time) to make up my own “calypso” verses. The only snippet I remember from then are three lines: “in January they called me clinky, then in February they start to call me sebassie, and in June they start to call my cousin boone”…I have to give Mr. Murray maximum props for sparking that early interest in writing and performing.’ Full interview.

Clifton Joseph talking with Ian Ferrier (2007): “Hip Hop, Dub Poetry, Dancehall, Reggae all sort of come out of the same African inspired, Caribbean, American, emphasis on words, rhythm, repetition; all of those things pull from the same pool of stylistic influences.”

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Tameka Jarvis-George interviewed about her comic series August by Jump magazine: “I wrote to escape everything I didn’t like and anything that made me uncomfortable. I love my fictitious world.” Full interview. 2018.

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Shabier Kirchner’s Love Letter to Antigua, an interview with Penelope Bartlett on Criterion Collection: “We are very proud people and yet we are so underrepresented on-screen by ourselves. I think Ousmane Sembène said it best: If we continue consuming images solely from abroad, and telling the stories of other people or absorbing others’ perspective of us, we will eventually lose our identity—and I truly believe that. The Caribbean is my home. Our people are the most interesting to me, and I just want to share the truth of who we are through local eyes.” Full interview. 2020.

Shabier Kirchner talking to Caribbean Beat magazine about his film Dadli: “While I was shooting this test footage, there was no agenda. I wasn’t looking for a main character. We weren’t recording sound, so there weren’t any interviews. I was just walking around shooting things that were interesting. It wasn’t until many months later that we realised there was this boy who kept appearing in the footage. So Tiquan became the force behind the narrative. After we had an idea of what we wanted the film to be, we tracked him down and interviewed him.” Full interview. 2019.

(Shabier) Kirchner: That’s Antigua’s old sugar factory. It’s been abandoned for many years; I used to go there as a kid. It was like Tarkovsky’s Stalker. You could completely lose yourself there, let the imagination would run wild. I always loved that place. Visually, I’ve been shooting it for years, and I knew I had to shoot it on 16. It’s a coincidence that Tiquan was talking about running away from home and finding a place where he could just let loose. It wasn’t that specific place for him, but I’m assuming it was similar. What he described was what the sugar factory was for me.” Full interview. 2018.

JamaicaJamaica Kincaid talking with the BBC (in an interview which also included Jacob Ross and Claire Adam, 2018): “I didn’t know I wanted to tell stories. I knew I wanted to write and I thought I wanted to write about my mother and me, and a lot of my writing is about mother and daughter. But really I could early on see before any critic, I may have pointed it out to critics, that I was really writing about imbalance of power. And the mother country and the domestic mother is quite intertwined. If you really give a cursory and then thoroughly investigation into colonialism, you will see how much the colonial world has to do with the domestic and the domestic is almost always the female domain.” Full programme.

Jamaica Kincaid talking with Mother Jones (January/February 2013): ‘I think I was trying to understand how, short of an accident—you know, you pick up the phone, he says, “Your mother is dead. Her car. The Earth fell”—I never expected the everyday to suddenly become an accident. Suddenly you go downstairs and the pine floor is a gravel pit. I was trying to understand how the everyday suddenly becomes the unexpected.’ Full interview.

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Natasha Lightfoot talking with Renee Goldthree for Black Perspectives (April 4th 2016): “In the UWI archives, there was an almanac for the West Indies in the nineteenth century, and it contained an entry in the year 1858 for Antigua. The entry mentioned that there had been a riot and that the island’s jails were completely full, but it also claimed that the riot was nothing of any political significance. The entry suggested that the rioters were basically rabble in the streets causing trouble—and not at all political. That entry raised my antenna so to speak. I thought that the way the entry was written was a sign that whatever had occurred was very political: there had been a riot in the streets for several days and the jails were full of rioters. I wanted to figure out what happened and why.” Full interview.

JoyLapps1Joy Lapps talking with Joanne C. Hillhouse (December 2nd 2012): “I think that my strengths lie in composition and writing lyrics for music composed by others and by myself. My inspiration comes from my lived experience and some things I read about or see on the news, my spirituality and love of God, falling in love with my husband, the everyday challenges of life…etc.” Full interview.

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Jelani ‘J-Wyze’ Nias, author of Where Eagles Crawl and Men Fly, talking about following his path to publication: “The biggest wall I encountered, not that there weren’t others, but the biggest was my own fear. And once you get through that fear/feeling of will people understand this, will people accept this, are people gonna see my vision, once you go through that then everything else tends to be a lot more easy to deal with.”  – Watch the video.

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Dorbrene O’Marde in conversation with Heather Doram, Joanne C. Hillhouse, and Barbara Arindell on Observer radio’s Big Issues (2017): “We’re definitely not doing enough…you talk to groups today and mention Tim Hector …in schools, the name is not know; what he does has not been heralded…my interactions with young people…points to this particular void…history clearly is the subject of interest here, that we know who we are…the decisions about where we’re going will be made on the basis of that knowledge…if you understand the history of how we came to own these lands…then we wouldn’t behave the way we’re behaving, for example, with our land…” Read a transcription of the (2017) interview or listen to the interview.

Dorbrene O’Marde talking with Judd Batchelor at Batchelor of Arts Theatre Online (2016): “And one of the comments I made -which seemed to rattle some of the young writers, was the total absence of socio political concerns in this region, at this particular point in time when there is so much need for concern and there is so much need for understanding the post-colonial independence bind that we find ourselves in, that our leaders find themselves in that we as persons trying to inform leadership have not really clarified for ourselves. And my view of the role of the artist is to help in that clarification.” Full interview.

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Rupert Littleman Pelle, final interview, with the Cultural Development Division Research Department (2021): “I never believe I write a good song until I hear somebody criticize it. If I write a song and we can’t sit down in a group and discuss the song, and add and subtract, something wrong with the song, something definitely have to wrong with the song. And you can’t just change a line in a song like that. You write a song and somebody take it and they change a line can destroy the whole song. Because you na know what is leading up to the second verse or the third verse that have to do with the line in the first verse that you interfere with.”

Althea Prince talks about her research and her writing with A Different Booklist bookstore in Canada: “We need to hear from women about their experiences, their creative journeys, so The Black Notes brought together older and younger women. The contributors include some young girls who are just reaching the age of maturity. The book seeks to bring together the two generations. We have then the viewpoint – not a complete cross-section of those, but as far as I was able – of those women and girls from the African-Canadian community. So the same objectives: the same business of giving equity, giving voice, allowing space for these voices to express their creativity. Some of it is non-fiction, some of it is fiction and some of it is poetry.”

Rowan Ricardo Philips talking with Deadspin about his tennis themed book The Circuit: a Tennis Odyssey: “Carribeans love racket sports. My dad played a lot, so I started out going to his matches and serving as a terrible ballboy. The only thing we watched as a family on television was tennis, Breakfast at Wimbledon was big in my house. I had forgotten about those days, but I am fond of them. I never would’ve written the book without it. Here’s a good example: My dad rarely calls with breaking news, but one day he rang me up and said, ‘Turn on the TV, there’s a tennis poem being read on the air.’ It was Jon Wertheim of Sports Illustrated encapsulating his time at one of the big tournaments. Dad wanted to make sure I saw my personal Venn Diagram becoming one circle.” 2019.

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Paul ‘King Obstinate’ Richards: “We’re prophets; a lot of things we write about comes true.” (King Obstinate on calypso, September 2013)

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“One of our goals was to have the Cultural Division of Government fully support this organization and work alongside us and our artists. A fraction of that goal has been achieved as the Festivals Division recently came on board to sponsor our signature event, The Ink Project.” – Spilling Ink, for CREATIVE SPACE. 2020.

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“What I’d like to see really is, to be honest, is not just for Halcyon but steelband in general, especially at Carnival time apart from panorama, the bands, they not that important. …You know before time steelband used to dominate the road and be an integral part of the whole Carnival thing. Now apart from panorama, after panorama, nobody waan here no pan again. …steelband will have to move to a next level, they will have to amplify the bands an’ dem.” – George ‘Scenty’ Thomas, former captain of Halcyon Steel Orchestra, on the occasion of the Grays Green band’s 50th anniversary, 2021

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Amber Williams-King talking to the Toronto Arts Foundation: “The reality is that the voices, experiences and identities of those who are not a part of the dominant culture are often erased and disappeared away. As a Black femme who grapples with suicidal ideation, disability and the medical industrial complex, imagining myself in the future has, at times, been almost impossible. Art offered me the space to name these parts of myself, connect with others, and help build a world that does not thrive on the absolute destruction of me and my people.”

PHOTO credits: Pictures of Joanne C. Hillhouse and Joy Lapps are from the 2011 event Telling our Stories at the University of Toronto – event photo; of Tameka Jarvis George is from the 2006 Wadadli Pen/Museum literary showcase Word Up! – event photo/Laura Hall; of Jamaica Kincaid is from the 2014 University of the Virgin Islands literary festival – event photo; of Jelani Nias is a screen grab from a televised interview.

As with all content on Wadadli Pen, except otherwise noted, this is written by Wadadli Pen founder and coordinator Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Musical Youth, Fish Outta Water, and With Grace). All Rights Reserved. If you enjoyed it, check out http://jhohadli.wordpress.com Please note that, except otherwise noted, images on this site also need to be cleared if you wish to use them for any purpose. Thanks.

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Summer Reading List – Wadadli Edition

I’ve been stumbling over summer reading lists like…like…potholes in Antigua. And I thought, well, if everybody’s doing it!

But first, I wondered, what makes a good summer read. I mean, we have summer pretty much year round in Antigua but I imagine the summer read means something different to people from other places, the ones we see lying out on our beaches during their summer. What are they reading? Is it what’s hot, what’s new, what’s easy …the kind of book you read and discard? My parents worked in hotels when I was growing up, I got some of those left-behind books …but for the life of me I can’t remember a single one. Is that a criterion that it entertain but then go away…like a clown? No that couldn’t be it. I turned to the book blogs for a definition and found one that I decided to let guide me in creating my own Summer Reading List of Antiguan and Barbudan books. This blog broke it down to books that are escapist, interesting, fun to read – not haha fun necessarily but it should have some popular appeal and not be so ponderous it feels like a chore to read. It’s summer time after all and the reading should be easy – but hopefully NOT disposable.

Other things to keep in mind before you curse me about why your favourites – or your book – isn’t on the list: I have to have read the book and I have to be able to back up my pick with one other recommendation (which will err on the side of reader recs because it’s that kind of list); if there is more than one author, the primary author/s must be from Wadadli and/or Wa’omani; Availability – so available you can walk in to a book store or order it online without having to special order it and cross your fingers hoping it’s not out of print; I know e-readers are the lick but my picks must not only be a physical copy but one that can travel easily in your beach bag, in keeping with the whole summer reads theme; quality can be subjective but I’m not reccing anything that feels slapped together and unedited; finally, I’m a novelist – I have books too and I’m going to mention the ones I think fit the criteria (yes, it’s a conflict of interest, but this is a fun summer reading list nothing here is binding and you are free to leave your own picks and recs in the comments).

Here now are my picks for your Summer Reading List – Wadadli Edition

1. Lucy by Jamaica Kincaid – Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. Lewis and Mariah are a thrice-blessed couple–handsome, rich, and seemingly happy. Yet, almost at once, Lucy begins to notice cracks in their beautiful facade. At the same time that Lucy is coming to terms with Lewis’s and Mariah’s lives, she is also unravelling the mysteries of her own sexuality. Gradually a new person unfolds: passionate, forthright, and disarmingly honest.
LucyWhy I picked it: Of all Jamaica’s books, the ones I’ve read, this is the best fit for this particular list – though you are encouraged to check out her extensive and extensively important, acclaimed, and awarded catalogue. Jamaica Kincaid is a bona fide literary star – her words have both heft and poetry – but in Lucy, a girl (not unlike characters in shows like Girls) is a young woman trying to figure her life out in New York City (after relocating there from a small island).  If another Kincaid favourite, Annie John is about growing up, Lucy is about finding yourself and coming out of your girlhood into your young-woman-hood. I read it for the first time over a few days during a summer in the city, and not only did the poetic flow of her prose seduce me, because of that time, reading it in the park, on the train, in an apartment in Harlem, I will always identify it with summer in the city…and clearly it travels well.

Back-up rec:  “This is a very simple story which starts off with several conventional plot twists but ends on a poignant, and somewhat surprising, note.” – reader review Amazon

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2. Dancing Nude in the Moonlight by Joanne C. Hillhouse – Young Dominican single mother Selena Cruz is trying to make a new life for herself in Antigua, dealing with prejudice, poverty, and her interfering sister. When she meets handsome cricket coach Michael Lindo, her world is turned upside down. The course of true love is never smooth, and Michael and Selena’s story is no exception as they try to bridge the gap between their two cultures and their personal expectations of love. Romantic and delightful, this novella by Joanne C. Hillhouse looks at immigration and cross-cultural relationships in a warm and very human way. This anniversary edition includes a part two filled with selected poems, stories, and fan fiction.

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Why I picked it: One word: romance. It was, also, the Best of Books’ summer read pick of 2008, six years before this 10th anniversary edition was published.

Back-up rec: “Engaging account of the complications of Caribbean life and a cross-cultural, inter-racial romance.” – Fiona Raye Clarke, critic, writing in Broken Pencil: the magazine of zine culture and independent arts

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3. Considering Venus by D. Gisele Isaac  – Lesley, an African-American, is straight, recently widowed with three children, and looking for a friend, while Cass is Antiguan, gay and looking for love. They meet again 25 years after high school. What happens when girlfriends becomes more than friends?

ConsideringWhy I picked it: Released back in 1998 it was ahead of its time in its exploration of love between two women – one of whom happens to be Caribbean. What’s boundary pushing is not so much the idea and reality of lesbian love but the now topical fluid love – that sexuality is not fixed, but more about person to person connection. That this book is also about grown woman love not young love is also still sadly boundary pushing.

Back-up rec: “Isaac has written a lovely book, with just the right fusion of prose and poetry make it a joy to read.” – at Sistahs on the Shelf blog where it’s tagged “mature lesbians” and “romance” and given a 4-star review

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4. Time to Talk by Curtly Ambrose with Richard Sydenham – Sir Curtly Ambrose is one of the most famous cricket players of all time. He is also notorious for his silence. Now, for the first time, he tells his story. From his colourful upbringing in Antigua, through to the turbulent politics of both nation and dressing room, the book takes the reader behind the scenes to give a fascinating insight into the career of an iconic sportsman, and his take on the extreme highs and debilitating lows of international cricket.

Time to TalkWhy I picked it: I’ve only just started reading it but I’m liking it, as sport biographies go. I think actual cricket fans will too. I was walking with the book in my hand the other day when a man asked me about it, said he didn’t realize such a book existed AND asked me where he could get it. And that right there tells me it needs to be on this list.

Back-up rec: “a series of insightful opinions” – ESPN cric info

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5. Through the Window by Floree Williams – Anya is a 23 year old, complex and often complicated, woman who has to navigate through a maze of friendships, love, a dysfunctional family and finding love for herself.

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Why I picked it: Pink Teacups and Blue Dresses is still my favourite Floree Williams book but this one, all about young love and the drama it brings, is made for easy beach reading.

Back-up rec: “I found this to be a very thoughtfully written book, a very enjoyable read.” – Amazon reader review

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6. Ladies of the Night and Other Stories by Althea Prince – Women’s loves and lives are the focus of these stories, filled with dramatic twists and turns: some humorous, others shocking and disturbing, all leaving a haunting melody behind. The Toronto stories capture the issues women face as they walk the ground of intimate and family relationships in that city. The Antiguan setting of some of the stories are reflective of Prince’s insight into relationships, captured in her novel and essays. The characters reveal their different ways of managing a range of struggle, pain, rage, love and pure unadulterated joy. The humour of some stories complement the plaintive sadness and emotionality of the strings some other stories pluck.

Ladies

Why I picked it: These women’s stories may make you sad, though if you keep digging you’ll see they are fighters, survivors not victims for the most part. Because of the (heavy) subject matter I considered holding this one back but that (matter of fact with a side serving of humor) tone tipped the scale.

Back-up rec: “Enjoyed the prose and dialogue. The story itself though made me sad.” – reader review on goodreads

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7. Gilly Gobinet’s Cool Caribbean series – Books in the series includes the Cookery Book, the Cocktail book, the 20 Place in Antigua book, the book of hot spices-luscious fruit-and-herb all illustrated  in full colour by the artist, using her classic watercolour technique as well a her humorous cartoons. Each is less than 50 pages – making for a quick read that you’ll come back to again and again as you explore the flavours of the Caribbean.

top20Why I picked it: These are actually handy to carry around and beautifully illustrated (in fact one of the books won the Gourmand award for best illustrations) – there’s one for your cocktails, one for your meals, one for your fruit and spices, one for all the places (well 20 of them anyway) you’ll want to see while in Antigua.

Back-up rec: “… classic watercolours interspersed with humorous cartoons… small but functional” – Search Antigua

***

8. Unburnable by Marie Elena John – Lillian Baptiste fled Dominica when she was fourteen after discovering she was the daughter of Iris, the half-crazy woman whose life was told of in chanté mas songs sung during Carnival—songs about a village on a mountaintop littered with secrets, masquerades that supposedly fly and wreak havoc, and a man who suddenly and mysteriously dropped dead. After twenty years away, Lillian returns to her native island to face the demons of her past—and with the help of Teddy, a man who has loved her for many years, she may yet find a way to heal. Set in both contemporary Washington, D.C., and post-World War II Dominica, Unburnable weaves together West Indian history, African culture, and American sensibilities. Richly textured and lushly rendered, Unburnable showcases a welcome and assured new voice.

unburnable

Why I picked it: I’m of two minds about this one. It’s a really good read and there’s no way I could leave it off any list of essential Antiguan and Barbudan reading (though it is set largely in Dominica) – but that’s not what this list is – so the other mind is reminding me that it’s a thick book that deals with weighty issues – there are traumatic scenes and shifting timelines – a lot to keep track of, a lot to absorb – but a good, page turner of a read; so it will stay.

Back-up rec: “Strong writing and interesting supporting characters should keep readers occupied through the end” – Publisher’s Weekly

***

9. To Shoot Hard Labour: the Life and Times of Samuel Smith, an Antiguan Workingman, 1877 – 1982 by Keithlyn and Fernando Smith – Sections cover THE FAMILY: Planting Sucker Follow the Root;  ESTATE LIFE: Planter Kill King and Rule Country; VILLAGE LIFE: It Wasn t Just the Doctoring We Have To Do for Ourself; THE POWERFUL: Massa Was King and King Do No Wrong; LIFE S UPS AND DOWNS : God Was With Me All the Way; HARD TIMES: Nega Even Though Them Right, Them Wrong; FIELD AND FACTORY: It Was Work Like a Bull
ShootWhy I picked it: Well, if we’re going to wade in to heavier territory no reason not to include this (oral/folk) history which really ought to be required reading if you want to understand the nature of the Antiguan and Barbudan. It set the template for folk histories locally, reversing the trend of all histories being written by people elsewhere in a way that held us as objects (acted upon) not subjects in our lives. Coming in its wake have been the writings of by Joy Lawrence and Monica Matthew, notably. And let me just say that though the terrain is pre and post emanciption, a dark time for black/island people…when is it not, right?… but you won’t regret giving up some of your sunshine to this. You’ll feel like you’re talking to Papa Sammy Smith, a man who lived long and told us a lot about ourselves.

Back-up rec: “What a rich read, nicely written with well assisted footnotes.” – Amazon reader review

***

10. The Road to Wadi Halfa by Claudia Elizabeth Ruth Francis – In 1998 London born Roosevelt Mohammed Lion is chairman of a property empire in the UK. While overseeing a hotel project in his father’s native island in the Caribbean, he is kidnapped by Islamic extremists. He learns that Brayton- Harper, a former Cabinet minister in the British Government is using his ordeal to further his own ends in Africa. Roosevelt struggles to survive life in a training camp and to understand the philosophy of his colleagues in the Sudan. He must be seen to cooperate or risk the life of his precious wife Venus, and his devoted twin brother, Washington, both left in London, to mourn his loss. Washington’s marriage is on the brink of collapse, but it is Roosevelt who meets the Sudanese beauty, Allaya, on the road to Wadi Halfa. Will he learn to trust her or is she plotting her own agenda? Will Al Qaada succeed in their mission to avenge western missile attacks by bombing foreigners in Khartoum? Will Roosevelt be in a position to prevent such an atrocity? Lennox Lion sets out to find his father, but will he rot in jail? The Road to Wadi Halfa is the sequel to Tides That Bind and continues the lives of the Lion brothers and their families.

Wadi Halfa

Why I picked it: Another summer staple is the action-spy-thriller, i.e. international intrigue; am I right? You can have a go at the whole Lion series if you wish but this one makes for a good standalone read for the kind of reader who enjoys a cross-continental (spy-ish) drama wrapped in political intrigue.

Back-up rec: “The story draws you into the world of the ‘Lion’ family and examines class, culture and gender while creating romance, suspense and mystery.” – reader review on Amazon

***

But what about the children, you say…?

Age 3+ (younger if adults make it for bedtime reading)

Beautiful Blackbird by Ashley Bryan – Long ago, Blackbird was voted the most beautiful bird in the forest. The other birds, who were colored red, yellow, blue, and green, were so envious that they begged Blackbird to paint their feathers with a touch of black so they could be beautiful too. Although Black-bird warns them that true beauty comes from within, the other birds persist and soon each is given a ring of black around their neck or a dot of black on their wings — markings that detail birds to this very day. Coretta Scott King Award-winner Ashley Bryan’s adaptation of a tale from the Ila-speaking people of Zambia resonates both with rhythm and the tale’s universal meanings — appreciating one’s heritage and discovering the beauty within. His cut-paper artwork is a joy.

Blackbird

Why I picked it: Good for readalong with little kids and if you can’t read along because you’re deep in your own summer read, there are lots of pretty pictures to keep them distracted…I mean stimulated. The Sun is so Quiet and the Dancing Granny (for slightly older kids) are also great Ashley picks.

Back-up rec: “Bryan’s lilting and magical language is infectious.” – Publisher’s Weekly

***

7-ish+

How the East Pond got its Flowers by Althea Trotman – A young girl Tulah, born with a caul, is thought to be destined for great things and learns important lessons from Mother Sillah.

Pond

Why I picked it: A read for the mid-to-upper primary schooler in your life – a young female protagonist, historical without being dated.

Back-up rec: “literature that represent(s) the range of cultural experiences and histories that make up the national and international communities that touch all of us.” – from Frontiers of Language and Teaching (recommending How the East Pond got its Flowers as an example of this type of literature)

***

Age 11-ish+

The Legend of Bat’s Cave and Other Stories by Barbara Arrindell – a glimpse of Antiguan history through three engaging stories set in three distinct periods of time. See the Kalinago through the eyes of Antigua’s first Governor’s wife. Meet a priest who was almost defrocked after allowing two former enslaved Africans to get married in an Anglican church. Meet the boy who would become a legendary doctor in St. Kitts.

Bat

Why I picked it: History made accessible. Adults will enjoy it too  as they do her colouring and activity book Antigua My Antigua, which also will keep your child engaged and informed. My book, The Boy from Willow Bend is a good fit for this age range as well but I don’t have it listed as a summer pick given that some of them are already reading it in school – for those who aren’t though, have at it. For this age group you might also want to check out S E James’ adventure books especially Tragedy on Emerald Island and Forest Fever – I had a time finding links to them online but I believe there are still physical copies in local bookstores.

Back-up rec: “I love it! Wish the stories were a bit longer though” – reader on Smashwords

***

Age 13+

Musical Youth by Joanne C. Hillhouse – Zahara is a loner. She’s brilliant on the guitar but in everyday life she doesn’t really fit in. Then she meets Shaka, himself a musical genius and the first boy who really gets her. They discover that they share a special bond, their passion for music, and Zahara finds herself a part, not just of Shaka’s life, but also that of his boys, the Lion Crew. When they all get roles in a summer musical, Zahara, Shaka, and the rest of the Lion Crew use the opportunity to work on a secret project. But the Crew gets much more than they bargained for when they uncover a dark secret linking Shaka and Zahara’s families and they’re forced to confront some uncomfortable truths about class, colour, and relationships on the Caribbean island of Antigua. Musical Youth placed second in the 2014 Burt Award for Caribbean Literature.

Musical Youth

Why I picked it: My teen pick is one of mine – there are not a lot of teen-specific books in the Antiguan and Barbudan bibliography – or Caribbean for that matter – one reason why the Burt Award giving it a push by encouraging and rewarding books in this genre is a good thing. Musical Youth was first runner up for the Burt Award in its first year 2014. It’ll appeal to all teens and young adults but especially those with a love affair with music and love.

Back-up rec: “The story is modern; the teens are technology savvy.” – Amazon reader review

***

What? No Poetry?

I don’t know…does poetry make for good beach/summer reading? (Don’t all come for me at once…pace yourselves)

If so, of the ones I’ve read, my top (5) picks would probably be Motion in Poetry by Motion, I am that I am by Tameka Jarvis-George, then Tameka’s Thoughts from the Pharcyde and Motion’s 40 Dayz, then She Wanted a Love Poem by Kimolisa Mings – probably in that order, too.

motion-40-dayz-cover poem

I can’t speak to their availability but I will say that I had difficulty even sourcing pictures for some of them. But, true confessions, it’s late, I’m tired, I’ve been at this way too long, and I’m posting.

You’ve read the list and my reasons…you’re up.

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, Fish Outta Water, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on  WordPress and/or Facebook, and help spread the word about Wadadli Pen, my books and writing, and/or my writing-and-editing services. You can also subscribe to the site to keep up with future updates. Thanks.

 

 

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Unearthing the ROOTS of the Antiguan and Barbudan System of Education

By Barbara Arrindell

“At an important historical gathering in 1813, Elizabeth Hart Thwaites and her husband met with teachers and five hundred children from neighbouring plantations on the estate belonging to the Lyon family and instituted a plan to teach the children to read.

Halfway between English Harbour, where the Thwaiteses lived, and the Lyons’ estate, slave volunteers built a schoolroom within six weeks to house this project. Elizabeth Hart Thwaites named it Bethesda and daily taught some two to three hundred children and adults there.” (Page 15, The Hart Sisters, Edited by Moira Ferguson, Published by University of Nebraska Press).

hart sisters
Long before the Antigua Grammar School was established. Long before attempts by the Roman Catholics to start their own system of education. There was Bethesda: a place of mercy.

Sketchy records suggest that one of Antigua’s early schoolrooms, certainly the first schoolroom built for the purpose of educating the masses, “the black population”, both free-blacks and slaves, was located in the area that we now refer to as Bethesda.

Constructed by volunteers, most of whom were enslaved Africans, the wooden schoolroom is said to have sat on a hillside near the old town of Bridgetown where the winds rolling off the waves of Willoughby Bay could keep the students cool and comfortable. The location appears to have been chosen as a half way point between Lyons’ Estate and English Harbour where the two Hart Sisters, the school mistresses, lived.

This schoolroom and its spin-offs afforded an unusually large portion of the slave population in Antigua the opportunity to receive some level of education. Some Historians believe that it might have been as a result of this more widespread education that full emancipation was granted in Antigua in 1834 compared to the partial emancipation that slaves in almost all other territories received.

Who were the Hart Sisters?

Ann Hart Gilbert and Elizabeth Hart Thwaites were referred to at that time as free “coloured” women. Their father, was among a handful of black plantation owners, and was himself an enslaver. He owned and operated Popeshead Estate not far from St. John’s.

Black massa Barry Conyers Hart was a poet who wrote for a newspaper in Antigua in the late 1700’s. He was considered to have been different: a humane slave master. This is in contrast to the typical black slave owners who were labelled as exceptionally cruel, perhaps as a way of stamping authority over ‘property’ whose faces so resembled theirs and their children’s.

Mr. Hart’s willingness to stand apart was apparently inherited by his eldest daughter Ann. She created quite a stir in all quarters of Antiguan society when she agreed to accept the proposal of Antiguan born John Gilbert. John Gilbert was white; she was not. Such a union was considered “illegal” or at least immoral. His family, though religious, opposed the marriage to the point of instructing every clergyman and all ship-captains not to perform the ceremony. In 1798, John and Ann left the island and returned as Mr. and Mrs. Gilbert. They found that the door to John’s place of business had been symbolically repainted, one half was painted white and the other was yellow.

There are no records to show how the Hart Sisters obtained their education, but, at that time and continuing into the early part of the 20th century, it was not uncommon for estate owners to employ a teacher to privately educate their children. Although their work touched the lives of people throughout Antigua, the sisters spent a great deal of their time in the English Harbour area, working under the banner of both the Methodists and Anglican churches. Both ladies, having prepared much of the slave population for emancipation and having agitated for it in many ways, died in 1833, a year before the educated slaves of Antigua became free educated men and women.

Post note: John Gilbert was the son or nephew of Nathaniel Gilbert, one of the founders of Methodism in Antigua and Barbuda.

As with every thing else printed here, do not reproduce in whole without permission nor re-post in part without linking and crediting.

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A & B Writings in Journals, Showcases, and Contests (A – M)

This page has grown fairly quickly, so I’m breaking it up in to two pages. For N – Z, go here. For books, go here. This is exclusively for creative pieces by Antiguans and Barbudans accepted to established literary journals, festivals (and other notable literary platforms), and contests (not pieces posted only to personal blogs) as I discover (and in some cases, re-discover) them. Primarily, the focus is on pieces accessible online (i.e. linkable) because those are easiest to find; but it is not limited to these. It is intended as a record of our publications and presentation of creative works beyond sole authored books. Naturally, I’ll miss some things. You can recommend (in fact, I welcome your recommendations), but, as with all areas of the site, additions/subtractions are at the discretion of the admin.

AARON, GLENROY‘Summer One’ and ‘Coconut Man’ (visual art – painting) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

ADAMS, RILYSFictional Reality (fiction, 2011 award winning Wadadli Pen story) – Anansesem (Wadadli Pen special issue) – 2011

AFLAK, ALLAN – (visual art – photography – also published in Alexis Andrews’ book Images in 2007) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

AIRALL, ZAHRA – Island Expressions in St. Kitts – 2016

AIRALL, ZAHRAThe Looking Glass (fiction) – in Theorizing Homophobias in the Caribbean – Complexities of Place, Desire and Belonging – 2012

Excerpt: “They’d met at a conference in Mexico, she was from Dominica, and Laurie was instantly drawn to that thick French accent when Marie spoke.”

ANDREWS, ALEXIS – (visual art – photography) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

ANTONIA, MAKEIDA/WADADLI WRITERInner Child (poetry) – in intersectantigua.com – 2020

ARMSTRONG, VEGA – Legend of the Sea Lords (fiction, 2012 award winning Wadadli Pen story) – Anansesem – 2012 + Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

Excerpt: “Suddenly Freya dove under the water, the others quickly followed her. When they caught up with her they too saw the mysterious creature.”

ARRINDELL, BARBARABelonging to Barbuda (fiction) – Caribbean Feminist Stories, intersectantigua.com – 2020

ARRINDELL,  BARBARA – Scholarship Child (fiction, from her book The Legend of Bat’s Cave and Other Stories) – Interviewing the Caribbean (Caribbean Childhood: Traumas and Triumphs Part 2) edited by Opal Palmer Adisa – 2020

ARRINDELL, BARBARAA LIFE, a spirit…a name  (fiction, subsequently published in 2017 anthology The Black Notes edited by Althea Prince) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

ARRINDELL, BARBARA – How Snake Stories became Anansi Stories (fiction, fable) – Womanspeak: A Journal of Writing and Art by Caribbean Women, Volume 7 Womanspeak 7– 2013

ARTHUR, ADEPraying for her Nadleehi (fiction) – in intersectantigua.com – 2020

AUGUSTUS, CARLIsolation (visual art and poetry) – in intersectantigua.com – 2020

AUGUSTUS, CARLLive Free (visual art) – in intersectantigua.com – 2020

AUGUSTUS, CARLTake Flight (visual art and text) – in intersectantigua.com – 2020

BARNES, SYLVANUS – Harp of Gold (poetry, from his book Barney’s Wit and Wisdom) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

BARTON, SHARON – ‘Evolution’ (visual art – designer gown, worn by Antigua Carnival Queen first runner-up Kimmorna Otto, which, in 2005, won best evening gown; it attempts to capture the colour and flow of reggae and calypso) and ‘Wild Orchid’ (visual art – designer gown worn in 2006 by Antigua Carnival Queen runner-up Charmaine Morgan) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

BATSON, NADIA – Expose (song lyrics, the Trinidad and Tobago singer/songwriter penned the tune for Antigua-Barbuda soca band El A Kru) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

BEAZER, CHATRISSEThe Legend of Banana Boy (fiction, 2011 award winning Wadadli Pen short story) – Anansesem (Wadadli Pen special issue) – 2011

BENJAMIN, AKEILE – The Adventures of Mr. Coconut (fiction, 2012 award winning Wadadli Pen story) – Anansesem – 2012

BENTA, VERDANCI – Boysie’s Fixed Account (fiction, 2005 award winning Wadadli Pen story) – Anansesem – 2012

BROWN, MARK – ‘Jumbie’ and ‘Queen of the Band’ (visual art – painting) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

BROWNE, BRENDA LEE – Granny Cecelia’s Travelling Handbag – Womanspeak: A Journal of Art and Writing by Caribbean Women Volume 8 Womanspeak 8– 2016

BROWNE, BRENDA LEEexcerpt from London Rocks (fiction, published as a novel in 2017) in Moko: Caribbean Arts and Letters – 2015

Excerpt: “Dante’s mother asks if he is getting married as he smells as sweet as a bride and he had been getting ready since about 5pm – well since midday when he went to the barbers for a trim and a shape.”

BROWNE, BRENDA LEEFor my Father & Untitled (poetry) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

BROWNE, BRENDA LEE – Betty Sope – Womanspeak: A Journal of Writing and Art by Caribbean Women, Volume 7 – 2013

BROWNE-BANNISTER, TAMMI – Wee Willie Winkie (fiction, winner of the 2016 Marguerite Cobb-McKay Prize) – The Caribbean Writer Volume 29 – 2015

BROWNE-BANNISTER, TAMMI – Stabs in the Dark (fiction) – Akashic’s Mondays are Murder series – 2014

BROWNE-BANNISTER, TAMMI – Strange Fruit (fiction) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

BROWNE-BANNISTER, TAMMI – No Frills, No Lace (fiction) – Poui: Cave Hill Journal of Creative Writing – 2014

Excerpt: “The director’s walk was ceremonious not in haste, perhaps from years of practice. He carried one hand lying in the other at the back of his buttocks and he went along with his head bowed.”

BROWNE-BANNISTER, TAMMI – Coo Yah (fiction) – Moko: Caribbean Arts and Letters (online Virgin Islands journal) – 2014

BROWNE-BANNISTER, TAMMICocks, Hens, Dogs and Swine (fiction) – in St. Somewhere (online literary journal) – 2013

BROWNE-BANNISTER, TAMMIThe Bird who saved his Food (fiction) – Anansesem (online Caribbean Children’s Literary Journal) – 2013

Excerpt: “Once upon a time an albatross got caught in a fisherman’s net that was spread out at sea.”

BROWNE-BANNISTER, TAMMI – Mango Belly and Mango Belly Part 2 (fiction) –  Anansesem (online Caribbean Children’s Literary Journal) – 2011

Excerpt: “He ate each and every kidney, tantalizing his classmates with every suck, pick, slurp and lick. Their mouths watered and their eyes followed the golden juices that gushed down his hands.”

BUTLER, LORINDA T.Antigua Me Come From (poetry) – The Caribbean Writer, Volume 8 – 1994.

CADOGAN, DAVID – ‘Rasta Pan’ (visual art – painting) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

CHARLES, KENNELLA – Awaken to the Night – (fiction, 2005 award winning Wadadli Pen story) – Anansesem (Wadadli Pen special issue) – 2011

CHRISTOPHER, MARCUSLyrical Sampler (calypso lyrics) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

DIXON, S A – (visual art – illustration for Market Day by Latisha Walker-Jacobs, award winning art and story in Wadadli Pen 2011 Challenge) + Cocos Nucifera (fiction, 2011 award winning Wadadli Pen short story) – Anansesem (Wadadli Pen special issue) – 2011

DORAM, HEATHERIsolation 1 – in intersectantigua.com – 2020

DORAM, HEATHER ‘Fusion’ (visual art – 20 x 36 inch mixed media on canvas, cover art w/The Other Daughter by Joanne C. Hillhouse) – Adda (Commonwealth Writers online literary platform) – 2017

DORAM, HEATHER‘Moonlight on Butterflies’, ‘Serenity’, and ‘Rightful Place’  (visual art – painting) –  Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

DORAM, HEATHERcarnivalmag‘Spirit of Carnival’ (visual art – mixed media painting on felt, cover art capturing the colour, glitter, and masking of the Carnival season, and illustrating the mythical connection with the inner self that happens during Carnival) and ‘Mama Looka Mas!’ (visual art – painting); and ‘Genesis’ (used a metaphor for Carnival and life, worn in 1994 by Lesley-ann Brown) and ‘CARICOM Woman’ (exploring the concept of “us coming together as a people, as a region” worn in 1992 by Diana Horsford) and ‘Spirit of Africa’ (worn by 1993 Antigua Carnival Queen Charmaine Bailey) and ‘Lady in Red’ (worn by 1988 Antigua Carnival Queen Irma-Marie Senhouse) – (visual art – costumes with builder and husband Connie Doram). Additional costumes for Vitus mas troupe (a highlander costume, 1997’s ‘Cocks Crow’, 2000’s ‘Folktales’ including characters like Anancy in his spider’s web, and 2003’s ‘Peace and Love’ (the stiltwalker section High High High)) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

D’ORNELLAS, ANNALISA -Toes in the Sand (poetry, national contest selection) – 2009

Excerpt: “I was once a girl
that played on these shores.
I gathered the shells
in  bundles and scores.
I wore them on my neck
and strung some as bangles
I  noticed their twinkling
and delightful angles.”

ECKERT, DEBORAH – ‘Lornette and Oriane’ (visual art – painting) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

EDWARDS, GEORGE W. (AS TOLD TO JOHN H. JOHNSON) – Folklore from Antigua, British West Indies – Journal of American Folklore Vol. 34 No. 131 pp. 40-88 – Jan – March, 1921

Excerpt (from Johnson’s introduction): “The stories, riddles, and proverbs given in this collection were recited by George W. Edwards, a native of Greenbay, Antigua, British West Indies…George Edwards is a man fifty years old. In giving the bulk of this material, he exhibited unusual memory-power. Aside from prompting, suggestions, and riddles Nos. 34, 39, 42, 45, and 47, he alone is responsible for the entire collection. He has lived in New York for the past ten years. His greatest aid in recalling the stories has been his wife, who is about thirty years of age and also a native of Greenbay, Antigua. She is the informant of the five riddles mentioned above.”

EDWARDS, GEORGE W. (AS TOLD TO JOHN H. JOHNSON)The Chosen Suitor from Folklore from Antigua, British West Indies, Journal of American Folklore Vol. 34 No. 131 – as reproduced in Bluebeard (ed. D. L. Ashliman) – 1999 -2014

Excerpt: “Dere’s a woman had one daughter an one son. Dis boy coco-bay, boy, an’ he was an’ ol’ witch too.”

EDWARDS, SHAKEEMADiaspora & That Laugh (poetry)- Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

EDWARDS, SHAKEEMAThe Curse of the Kumina (fiction, 2011 award winning Wadadli Pen story) – Anansesem (Best of Wadadli Pen Special Issue) – 2011

EVANSON, TANYA – Poetry Africa (Durham, South Africa) – 2018

EVANSON, TANYA – performs at the 8th Word N Sound International Youth Poetry Festival in Newtown Johannesburg – 2018

EVANSON, TANYA@ Ubud Writers and Readers Festival – 2016

EVANSON, TANYA – Temple Exercises as feature poet at Vancouver Slam – 2016

EVANSON, TANYA – GRIOTS OF ALL TIME – live spoken word @ The Club, The Banff Centre, Banff AB Canada / 2014 Spoken Word Program

EVANSON, TANYA – Word Aloud Festival (Durhan, Canada) – 2014

EVANSON, TANYAMundo Gumbo – Canadian Festival of Spoken Word – 2013

EVANSON, TANYA – Apocalypsiata (poetry) – Womanspeak: A Journal of Art and Writing by Caribbean Women, Volume 7 – 2013

Excerpt: “Soon there’ll be nothing left to burn/books, beds, bodies on the Barbie”

EVANSON, TANYA – reading/performing at Calgary Spoken Word Festival – 2013.

EVANSON, TANYA – reading/performing (including “An-teee-ga”) at the Calgary Spoken Word Festival – 2012

Excerpt: “Let me tell you bout that place/in Caribbean/clear blue water/sand sat between your toes/in hot sun/and the people/my people/and not my people/Antigua” (An-teee-ga)

EVANSON, TANYA – Zamizdat Scat at Calgary Spoken Word Festival – 2011

EVANSON, TANYADervish Weaponry (poetry, from the 2008 CD Memorists) – on Badilisha Poetry X-Change – 2008

FARARA, JAN – ‘Steel and Sparkle’, ‘Rhythm at Sunset’, ‘Carnival Pride’, and ‘Carnival Stilts’ (visual art – paintings) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

GEORGE, GEMMA – Stray Dog prepares for the Storm – (fiction, 2004 award winnin g Wadadli Pen story) – Anansesem (the Wadadli Pen special issue) – 2011

GEORGE, LINISAThe Rebellion (poetry) – intersectantigua.com – 2020

GEORGE, LINISA – In the Closet (poetry) – BBC Poetry Postcards series – 2014.

GEORGE, LINISA – Brown Girl in the Ring (poetry, theatrical monologue) – performed during the CARA Festival, Antigua – 2009 + published in the World Record (a publication of global artistes invited to perform at the 2012 Poetry Parnassus staged to coincide with the 2012 Olympics) +  Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014 + featured in the Charlotte Caribbean Festival, and, 2015, in the Shakespeare festival in the Bahamas.

GONSALVES, GAYLEMiss Ellie (fiction) – Tongues of the Ocean – 2014

Excerpt: ‘Ellie points to England, a land that is far from the Caribbean Sea, and smiles at her daughter, “This is where it all started.”’

GORDON, CAROL – ‘Ancestral Call’, ‘Dance’, ‘Friend’, and ‘Nubian’ (visual art – painting) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

GORDON, ORIQUE – The Lost Coin (fiction, 2011 award winning Wadadli Pen short story) – Anansesem (Wadadli Pen special issue) – 2011

GRANT, DEBESHA – Blue Mountain Hike (fiction, 2005 award winning Wadadli Pen short story) – Anansesem (Wadadli Pen special issue) – 2011

GREGORY, JAMILA – ‘Bird of Paradise’ (visual art – costume design intended as a play on the word ‘Bird’, depicting the flower ‘Bird of Paradise’ and also the bird ‘The Great Bird of Paradise’. It was the first costume to ever to be presented on stilts in the pageant’s history. It was built by Johnson Browne, Jamila Gregory, and the Vitus Mas Troupe. Gregory, the 2006 Carnival Queen, won the costume segment of the Antigua Carnival Queen competition) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

GRESHAM, SARAH-ANNEGeneration Cry (non-fiction) – in intersectantigua.com – 2020

HECTOR, LEONARD ‘TIM’ – Excerpt from The Art of Carnival and the Carnival of Art (non-fiction, previously published in The Outlet newspaper) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

HENRY, E.T.Christmas Stringband GreetingCardChristmas Stringband (visual art – greeting card),

Calypso dancers

‘Calypso Dancers’, and John Bull painting (visual art – painting) John Bull – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

HILLHOUSE, JOANNE C.Antigua, at Night (poetry) – in BIM: Arts for the 21st Century Volume 10 – 2021

antigua-at-night

HILLHOUSE, JOANNE C.Carnival Hangover (fiction) – in intersectantigua.com – 2020

HILLHOUSE, JOANNE C.  –   reading excerpt from Rhythms (poem, Vol. 18, The Caribbean Writer) and Ode to the Pan Man (poem, Vol. 27, The Caribbean Writer) – (virtual) lit conference and journal launch of The Caribbean Writer – 2020

HILLHOUSE, JOANNE C. – reading excerpts from award winning teen/young adult novel Musical Youth as part of St. Lucia’s Caribcation Caribbean Author Series – 2020

HILLHOUSE, JOANNE C. – Lost! A Caribbean Sea Adventure read during the Read2Me virtual series out of Trinidad and Tobago  – 2020

HILLHOUSE, JOANNE C. – Grandmother and Child, Waste Not, Weather Patterns (poetry) – Skin Deep magazine Is this the End? (UK) – 2020

HILLHOUSE, JOANNE C. – readers sharing an excerpt from With Grace at the Barnes Hill Reservoir Park Black History Month event (fiction) – 2019

HILLHOUSE, JOANNE C. – Development and Summer One (poetry) – Angles of Light series on Chapel FM (UK) – 2019

HILLHOUSE, JOANNE C. – Ode to the Pan Man during Antigua and Barbuda Independence literary arts showcase (poetry) – 2019

HILLHOUSE, JOANNE C. – excerpt from Musical Youth during Antigua and Barbuda Independence literary arts showcase (fiction) – 2019

HILLHOUSE, JOANNE C. – The Night the World Ended (fiction) – The Caribbean Writer Volume 32 – 2018

HILLHOUSE, JOANNE C.A Life in Mas (non-fiction) – Moko: Caribbean Art and Letters – 2018

HILLHOUSE, JOANNE C. Papa Jumbie (flash fiction)- Akashic Books’ Duppy Thursday series – 2017

Excerpt: “… he choops to heself. Only picknee believe in jumbie. Dead na speak an’ Papa dead long time.”

HILLHOUSE, JOANNE C.The Other Daughter (fiction, included in a test question in the Denmark Ministry of Education’s 2019 English Evaluation Written Exam for upper secondary and higher preparatory students. Plus there’s analysis and breakdown on the Danish version of study net – 2019) – Adda (the Commonwealth Writers online literary magazine) – 2017

Excerpt: “The day we went uphill, my corn-rowed head level with Mom’s melon-sized chest, my inquiries about where we were going were met with silence and a determined tug on my arm as I dragged my feet.”

HILLHOUSE, JOANNE C.Little Prissy Palmer (flash fiction) – The Machinery – 2017

HILLHOUSE, JOANNE C. – The Bamboo Raft and Election Season (poetry), and Zombie Island (fiction) – Interviewing the Caribbean Vol. 2 No. 1 – 2016

HILLHOUSE, JOANNE C. – Game Changer (fiction) – Moko: Caribbean Arts and Letters, Vol. 9 – 2016

HILLHOUSE, JOANNE C. – When we Danced (also winner of the Caribbean Writer’s 2014 Flash Fiction Prize) (flash fiction) and Election Season ll (poetry) – The Caribbean Writer Volume 29 – 2015

HILLHOUSE, JOANNE C. – What’s in a Name? (fiction) – BIM: Arts for the 21st Century Volume 7 – 2015

HILLHOUSE, JOANNE C.Children Melee (poetry) – Moko: Caribbean Arts and Letters Issue 3 – 2014

Excerpt: “Peanuts roasting
 Music pumping
 Obsti prancing about in pigtails”

HILLHOUSE, JOANNE C. – To Market, Snapshot (flash fiction) – Susumba’s Book Bag Issue 1 – 2014

HILLHOUSE, JOANNE C. – Civi-li-za-tion (poetry) – Artemis Volume XXl- 2014

HILLHOUSE, JOANNE C.Summer 1 (poetry, also published in Tongues of the Ocean) & Something Wicked (fiction, Story of the Week) – The Missing Slate – 2013/2014

Excerpt (from Something Wicked): “Essie is flamboyant as ever; her full and curvy frame hugged up by a red bustier straight out of a burlesque show, black leather pants, and dangerously (sexy, she would say) red heels that still only bring her up to Claudette’s chin. Claudette is also in black, tall and svelte in a black strappy ankle-length maxi dress, black combat boots and a black beaded cloche hat someone like Louise Brooks might have worn during the jazz era; her red-red lip stick and the red beading in the fitted cap, the only pop of colour. Essie had given the whole get-up an eye roll when she’d picked her up. Claudette had done her own mental eye roll at the way her friend, enviably comfortable in her own skin, still doesn’t get the concept of size-appropriate clothing.”

HILLHOUSE, JOANNE C. – Carnival Blues (fiction, also published as Something Wicked in The Missing Slate), Is Like a Like It (screenplay excerpt), Music and Ode to the Pan Man and On Seeing Euzhan Palcy’s Rue Cases Nègres  (poetry) – The Caribbean Writer Volume 27 – 2013

HILLHOUSE, JOANNE C. – All Fall Down (fiction) and Feather in Her Ear, Another Garden, Prison for Two, and Corporal Punishment (poetry) – Womanspeak: a Journal of Art and Writing by Caribbean Women Volume 7 – 2013

HILLHOUSE, JOANNE C.The Cat has Claws (flash fiction) – Akashic Book’s Monday’s are Murder online noir series – 2013

HILLHOUSE, JOANNE C.  – Caribbean Woman (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – The Columbia Review – 2013

HILLHOUSE, JOANNE C. – She Works (national contest selection 2009), She Lives There, and Development (also published in Tongues of the Ocean) (poetry, all subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Womanspeak: a Journal of Literature and Art by Caribbean Women Volume 6 – 2012

Excerpt (She Works):
“A thin row of cane stalks marks
The boundary of the land
She carries a bath heavy with clothes in her hands”

HILLHOUSE JOANNE C. – Mango Season (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – The Caribbean Writer Volume 26 – 2012

HILLHOUSE, JOANNE C. – Differences (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Theorizing Homophobias in the Caribbeean: Complexities of Place, Desire, and Belonging – 2012

HILLHOUSE, JOANNE C.Teacher May (fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Poui: Cave Hill Journal of Creative Writing Number XII – 2011

HILLHOUSE, JOANNE C. – At Sea (flash fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Munyori – 2011

HILLHOUSE, JOANNE C. – Ghosts Lament (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – SX Literary Salon – 2011

Excerpt: “…as someone beats a pan; a skanking Marley jam…”

HILLHOUSE, JOANNE C. – Somebody (fiction; subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – St. Somewhere – 2010

HILLHOUSE, JOANNE C.Scenes from a Caribbean Childhood (poetry) – Anansesem – 2010

HILLHOUSE, JOANNE C. – Country Club Kids (fiction) and Tongue Twista (poetry,  both subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – The Caribbean Writer Volume 24 – 2010

HILLHOUSE, JOANNE C. – AfterGlow (fiction) – Tongues of the Ocean – 2009; subsequently published in So the Nailhead Bend, So the Story End – 2012 and Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014

HILLHOUSE, JOANNE C. – Venus Ascending (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Mythium: the Journal of Contemporary Literature and Cultural Voices – 2009

HILLHOUSE, JOANNE C. The Arrival , Prospero’s Education , and Da’s Calypso (poetry, all subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Calabash – 2008

Excerpt from Da’s Calypso:

“He na min school pon
Shakespeare,
but he understan’ well
de ingenuity o’
wan pun,
weave imagery o’
everyday life
inna song –”

HILLHOUSE, JOANNE C. – Friday Night Fish Fry (fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – published in Sea Breeze and read at the Breadloaf Writers Conference – 2008

HILLHOUSE, JOANNE C. – Cold Paradise and Portent (fiction) and Benediction before the Essences: A Prayer, Caribbean Sunset, Caribbean Spirit, The Sea (poetry, all subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Women Writers – 2008

HILLHOUSE, JOANNE C. – Soca Night (fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) and excerpt from Oh Gad! (fiction, a novel subsequently published by Simon & Schuster, 2012) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

HILLHOUSE, JOANNE C. – Rhythms (fiction) and Ah Write! (poetry, later published, 2010, in PEN America: a Journal of Writers and Readers) (both subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – The Caribbean Writer Volume 18 – 2004

HILLHOUSE, JOANNE C. – Martin, Dorie, and Luis: a Love Story (fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Jamaica Observer Literary Arts – 2004

HILLHOUSE, JOANNE C. – Philly Ramblings 8 (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Ma Comère: Journal of the Association of Caribbean Women Writers and Scholars Volume 3 – 2000

HILLHOUSE, JOANNE C. – Bitter Memories (fiction) and Hope Springs Eternal and Old People (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Collective Soul – 1998

HILLHOUSE, JOANNE C. – reading excerpts from unpublished manuscript Closed for Repairs (fiction) and Second Middle Passage and Apocalyptic Dance (poems) while a participant in the Caribbean Fiction Writers Summer Institute at the University of Miami – 1995

Excerpt: “A sister pimping her soul
A baby with a gun in his hand
Love gone cold”

HOLDER, ZURI – The Scary Night (fiction, 2011 award winning Wadadli Pen story) – Anansesem (the Wadadli Pen special issue) – 2011

HUNT, SIENA K. MARGRIE – Nuclear Family Explosion (fiction, 2004 award winning Wadadli Pen story) – Anansesem (the Wadadli Pen special issue) – 2011

HUNTE, JOSEPH ‘CALYPSO JOE’ – Bum Bum (calypso lyrics – 1970 Carnival road march tune)  – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

ISAAC, D. GISELE – Excerpt from In Search of a Road (fiction, unpublished-in-progress novel) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

ISAAC-GELLIZEAU, DOTSIE – Home (poetry) – national contest selection (no word of announced publication) – 2009

Excerpt:”Her soul and heart rejoiced
Upright and locked position”

JACKSON, ANNETTAUnlearning Anti-Blackness – in intersectantigua.com – 2020

“It is Sunday, May 4th, 2014 and I am in my bathroom with blue handle scissors cutting off 6 years’ worth of permed hair from my head. My afro is like a mushroom and my face looks like a boy. I had been growing my hair out for a few months and my biological mother had been washing my scalp with red stripe and aloe. I got tired of battling with the two textures, so I cut it off.”

JACOBS, OGLIVIER ‘DESTROYER’ – Message from Gorkie (calypso – from his album The King and The Patriot) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

JAMES, S. E. – (fiction) Excerpt from the chapter Carnival in her book Tragedy on Emerald Island – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

JARDINE, AKILAH – (fiction) Excerpt from the chapter Blue Devils in her book Living Life the Way I Love It – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

JARDINE, ARTHUR ‘BUM’ (youngest member of Brute Force, the first recorded steelband) – The Man and His Pan and My Travels with Brute Force (non-fiction from memoir in progress The Man, His Pan, and The Conflict), Pan Rhapsody and Song for Fundu (poetry) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

JARVIS-GEORGE, TAMEKA Woman to Woman (fiction) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

JARVIS-GEORGE, TAMEKA Ugly (poetry) – featured in/providing narrative structure for film of the same name

JARVIS-GEORGE, TAMEKA – Dinner (poetry) – featured in/providing narrative structure for film of the same name

JENNINGS, HUDLE – (visual art – illustration for Shakeema Edwards’ The Curse of the Kumina and for Devra Thomas’ Sand and Butterflies (2011 Wadadli Pen art and fiction) – Anansesem (the Best of Wadadli Pen special issue) – 2011

JOSEPH, CLIFTON – That Night in Tunisia  – performed in the documentary Dark Arts in the Plastic Hallway – 2009

JOSEPH, CLIFTONI Remember Back Home & Slo Mo (poetry) – performed at the Words Aloud 4 Spoken Word Festival in Canada – 2007

Excerpt: “It wasn’t all bright smiles, sea sand, sun and
fun/Back home had its share of oppression in the sun/
Back home had its share of dreams burnt in the sun”

JOSEPH, JAMALReturning to Natural Roots (visual art) – intersectantigua.com – 2020

KING, X-SAPHAIRTurmoil Within and  Strength through Pain (visual art – painting) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

KINSELLA, MARIE – ‘Drum Man @ Boy’, ‘Two Pan Drummers’, and ‘The Joy of Pan’ (visual art – painting) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

LAKE, EDGAR O. – Little Richard’s Second Coming (poetry) – Calabash – 2007

Excerpt: ‘But, the Faithful wait for the King of Pommade, Tuti
The Monarch of Mascara, pre-Pink Floyd, Tuti-Fruti
He’s turned his back on Hollywood – protesting!
He’s the King of Rock-and-Roll – will take it back –
“This Little Light of Mine – Say What?”
The tired Daughters of the Carolinas toss their curls
Little Richard’s seen the fork in the road – and took it

Praise his name!’

LAKE, EDGAR O.Walcott Reads to Brodsky’s Godmother (poetry) – Calabash – 2007

LANGLEY, CHARLESBlack Woman Cry (poetry) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

LAWRENCE, LISCIA – The Day I saw Evil (fiction, Wadadli Pen award winning story) – Anansesem (the Wadadli Pen special issue) – 2011

LAVELLE, ARDIS – PreSchool Days (poetry, 2011 Wadadli Pen award winning story) – Anansesem (the Wadadli Pen special issue) – 2011

LI, DENISE – Carnival 1988 (visual art – drawing) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

LI, SARAH ANN – Lucky Dollar (fiction, 2005 Wadadli Pen award winning story) – Anansesem (the Wadadli Pen special issue) – 2011

LIBURD, EDISON – ‘Mysteries and Contradictions’ – Caribbean Writer 29(visual art, cover art) – The Caribbean Writer Volume 29 – 2015

MARTIN, COLIN ‘WANGA’ – selected images (visual art – costumes: Bush Doctor, reminiscent of the old time medicine; Calabash and Can Cup, one time household utensils; Cane Cutters, referencing the sugar plantations that once dominated; Can Can and Hot Pants, referencing past fashions; and Perry Grey Ghost, referencing an old time folk character) from Reveller’s Mas Troupe’s 2003 presentation ‘Ole Time Something Come Back Again’ and ‘Spirit of Carnival’ (designed for 2005 Antigua Carnival Queen finalist Kimmorna Otto, to her ReggaeSoCalypso theme) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

MCDONALD, HILDA – Dawn and Evensong – KYK-OVER-AL No. 22: Anthology of West Indian Poetry, edited by A. J. Seymour (p. 47) – 1957

MEADE, SHANNONI, Atlas (fiction) – intersectantigua.com – 2020

MEADE, SHANNONMy Old Foe (poetry) – intersectantigua.com – 2020

MEDICA, HAZRADiscretely Antiguan and Distinctly Caribbean  (non-fiction) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

Excerpt: “Near twenty years ago and entirely by chance, I discovered my first Antiguan novel.”

MEDICA, HAZRA – The Greeting (fiction) – Poui: Cave Hill Journal of Creative Writing XIII- 2012

MEDICA, HAZRA Ode to a Night in Ale – finalist in the Wergle Flomp Humor Poetry Contest – 2010

MEDICA, HAZRAThe Banana StainsHighly Recommended in the Commonwealth Broadcasting Association Short Story Contest – 2008/9

Excerpt: “I see my father motioning for me to come to him. His face is grim- the inspector had not been kind to him. On the drive home I think of Mr. Massiah and his stained clothing. Mr. Massiah has calloused hands. His hands make me think of the banana trunk in my dream.”

MENTOR, KEILLIA Mongoose in a Hole (fiction, 2011 award winning Wadadli Pen story) – Anansesem (Wadadli Pen special issue) – 2011

MERANTO, JENNIFER – ‘Carnival Mask’ (visual art – photography) – originally shot 1996; silver prints  – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

MINGS, KIMOLISALittle Red Hoodie (fiction) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, Oh Gad!, With Grace, Lost! A Caribbean Sea Adventure). All Rights Reserved. Please do not repost artist images without permission and credit. If you enjoyed this post, check out my Jhohadli  page and/or Facebook, and help spread the word about Wadadli Pen, my books, and my freelance writing-editing-coaching-workshop services. You can also subscribe to the site to keep up with future updates. Thanks.

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An Audience with Elaine Spires

Elaine seated, with copies of Singles Holiday, its sequel Sweet Lady, and first book What's Eating Me? laid out before her and from left, me, Marcella Andre and Barbara Arrindell standing alongside.

Elaine seated, with copies of Singles Holiday, its sequel Sweet Lady, and first book What’s Eating Me? laid out before her and from left, me, Nia Comms founder Marcella Andre and Best of Books manager Barbara Arrindell standing alongside.

“I think as a writer, that’s all you can hope for, that you brought something alive for somebody.” – Elaine Spires during a conversation with other writers and book lovers at an event Saturday 7th June 2014 at the Best of Books on St. Mary’s Street.

I think we got caught up, put bibliophiles in a room and say talk books and it be like that. Elaine is a Brit who began her relationship with Antigua as a tour guide for tourists from the UK and now has a home here. Write what you know…her stories explore that terrain. I look forward to reading the first of the Antigua series, Singles Holiday, but Elaine is already readying book three which she says will be out in November.

The discussion went to some interesting places, beyond plotting, characterization, writing techniques and strategies (particularly interesting to me, strategies for writing humour that feels unforced), reading habits, editing, and publishing, to the challenges of writing the Other without stereotyping and of writing fiction that draws from real life without being too literal. I don’t think Elaine anticipated quite so many questions though I believe she rightly took it as a sign that we were all engaged, and certainly handled them well. Her readings, meanwhile, hinted at the humor to be found in situations where you take people out of their natural habitat and let them wander around and bump into things for a while. It also hinted at the allure of Antigua.

Elaine is a patron of Wadadli Pen, her gift, one of time to the winning writer, time to review works in progress and offer advice and direction, a mentorship which assists in fulfilling the Wadadli Pen mandate of assisting with the development of the literary arts. This year’s winner, Asha Graham, has already benefited from her session with Elaine.

It’s been a busy few weeks in Antigua for Elaine who has spent her time here at work on her forthcoming short story collection and the pilot of a TV series based on characters first seen during stagings here of When a Woman Moans, Maisie and Em. She returns to England where she continues work on the adaptation of Singles Holiday for the stage.

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Fish Outta Water, and Oh Gad! – also a freelance writer, editor and writing coach and instructor). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about WadadliPen and my books. You can also subscribe to the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, are okay, lifting content (words, images, other) from the site without asking is not cool. Respect copyright.

 

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Playwrights and Screenwriters (the Antigua-Barbuda connection)

I wanted to create a separate page for playwrights and screenwriters. You won’t find these in the listing of Antiguan and Barbudan writers or any of the genre listings, unless they’ve written books. This list refers specifically to contributions as writers for screen and stage, and specifically to productions which have had a public viewing. It is a work in progress, so please inform me of any errors/omissions/oversights. T’anks.

Antiguan & Barbudan Theatre – a brief background (source: The Cambridge Guide to Theatre edited by Martin Banham) – “A party of amateurs opened Antigua’s first theatre in 1788…visiting companies came for a week’s run, their performances reinforced by local actors. The West India Sketchbook (1835) mentions a theatre in Antigua with amateurs performing Goldsmith’s She Stoops to Conquer along with a PANTOMIME called Harlequin Planter, or The Land of Promise. This latter – containing ‘aboriginal savages’, their evil spirit Maboya, white settlers, black slaves [edit: enslaved Black people], Astraea, the goddess of justice, members of the Anti-Slavery Society, HARLEQUIN and Columbine – might count as one of the earliest pieces of native Caribbean theatre, dealing as it does with the local scene…Antiguans recall, from the 1930s, the OPERETTAS and MUSICALS presented by one Nellie Robinson of the TOR Memorial High School. In 1952 the Community Players were formed, causing a stir in local circles when, led by the drama tutor of the University of the West Indies, they created the village play Priscilla’s Wedding using local dialect…in 1967 the Antigua University Centre was established, with a 400-seat open-air theatre. Several short lived theatre groups sprung up at this time.” (p. 319) – bold and italics mine.

This list has several sources (cited as much as possible), including: Windies_drama_bibliography_master_Aug_2013

PLAYWRIGHTS

(Playwright?)           – Rising from the Ashes (toured to Dominica, 1988). Performed by Popular Theatre Movement (“…started in village communities, where role-playing, discussion and creative play-making help to identify issues and suggest solutions” – The Cambridge Guide to African and Caribbean Theatre).

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Eleston Nambalumbu Nambalala Adams b. 1954. Founder, in 1979, of the Rio Revealers, which according to the World Encyclopedia of Contemporary Theatre, Volume 2, the Americas Volume 2, his plays, referred to as “slapstick drama, have been taken to the islands of Montserrat, St. Martin, and St. Thomas.” The bibliography of drama in English by Caribbean writers, to 2010
compiled by George Parfitt and Jessica Parfitt indicates that he is believed to have authored 14 plays but could not confirm. Adams has been a teacher, reporter (Daily Observer newspaper), and minister of government, including a stint as culture minister. (listing lacks itemization of individual plays and year of first production – help fill the gaps if you can)

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Zahra Airall – Airall has founded, written, and directed several theatre companies. Her  Zee’s Youth Theatre produced the well-received School Bag (2009). In 2015, her adult company, Sugar Apple Theatre, teamed up with Dorbrene O’Marde for a revival of Harambee’s Tangled Web (read my reaction post). Sugar Apple Theatre returned with Eve Ensler’s Vagina Monologues (previously staged in Antigua by Women of Antigua of which she was a founding member and co-director) in 2019 (my review here). It’s worth noting that Airall, a teacher, also took the winning local team (Antigua Girls High School) to the 2015 Caribbean Secondary Schools Drama Festival where she served as writer and director for their performance of her play The Forgotten. Read review/coverage of that outing here. She followed up this production with Whispers in Wallings which netted her and her Antigua Girls High School students best production, best direction, and a number of other prizes (8 overall) at the 2015 National Secondary Schools Drama Festival. She’s also taken youth theatre to other Caribbean countries e.g. in 2018, AGHS’ Honey Bee Theatre went on a UN sponsored tour to Turks and Caicos with her play Light in the Dark which was also performed domestically.34866707_10216231041392992_5275010203664777216_n51570598_2280465188855414_7601810432784859136_n In 2019, Honey Bee Theatre presented The Long Walk (reviewed here) in Antigua and again, that summer, at the Caribbean Secondary Schools Drama Festival, winning a plethora of prizes including best production, direction, and screenplay. Also in 2019, Honey Bee Theatre took on Derek Walcott, while Sugar Apple Theatre, after a triumphant 2019 outing with the revival of the Vagina Monologues, announced plans for an original production and its take on Shakespeare in 2020. Zahra Airall, a multi-National Youth Award winner, and Woman of Wadadli awardee for fine arts, was born in the theatre, figuratively speaking, as her parents were performers with Dorbrene O’Marde’s Harambee; and she won her first prize in 1992 at age 9 as the youngest person to submit to the Rick James Ensemble One Act Play Competition.

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Antigua Community Players – This group was inaugurated in 1952. Musical dramas written and performed by the players include Priscilla’s Wedding (groundbreaking for its time as a benchmark in local theatre), Night Must Fall, Guest in The House, Outward Bound, See How They Run, Charley’s Aunt, A Christmas Carol, and Celebration in the Market Place – all collaborative pieces written by the Players. The group eventually morphed into a choral group well known for its folk music presentations and musical productions. Dame Yvonne Maginley (deceased as of 2019) was instrumental in this aspect, taking on the role of musical director in 1957. The Antigua Community Players’ first operetta was Betty Lou; annual concerts followed, and, in 1972, the Players produced Ballad Antigua, written by well known composer of Caribbean songs Irvine Burgie,  and presented it in  Antigua, Montserrat and in Guyana.  Following the success of Ballad the Community Players produced Gilbert & Sullivan’s Mikado (in 1973), HMS Pinafore (in 1975 to commemorate the 250th anniversary of the commissioning of Nelson’s Dockyard and in 1995 to mark the Players’ 43rd Anniversary), and Pirates of Penzance (in 1986). The Antigua Community Players performed at the 1982 World’s Fair in Tennessee, and, in 1984, during the 150th anniversary celebrations of the founding of the city in Rochester, New York and also in the Annual Lilac Festival. The Players have performed in New York; Miami; Washington; Toronto; London Ontario, Canada; Birmingham and Leicester; the News Day Parade in London, England; Syracuse; St Croix; and St Thomas. As musical director, Dame Yvonne Maginley composed many songs over the years that have added to the Antiguan and Barbudan catalogue of folk music.

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Antigua Dance Academy – Antigua and Barbuda’s premier Afro-Caribbean folk dance group since 1991, ADA has put on several productions that have included drama scripted by members of the troupe. This includes, as part of ADA’s Out of the Drum folk rhythm festival, a 2008 street theatre presentation on national hero King Court/Prince Klaas/Tackey’s rebellion with guest performances by Nevis’s Rhythmz Dance Theatre and Trinidad’s Shashamane recreating, respectively, plantation fieldwork and African stick fighting. Francine Carbey, as the ADA’s resident drama tutor and artistic director, is, with founder Veronica Yearwood, the force behind these dramatic turns. Other members have contributed plays to ADA productions – e.g. Samantha Zachariah who wrote her first play for the group in 2010. Read more on ADA.

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Barbara Arrindell – Call Me Klass (1998) – based on and inspired by the life of National Hero and leader of an aborted 1736 uprising of enslaved Africans in Antigua and Barbuda Prince Klaas/King Court/Tackey. Initially staged as a Black History Month fundraiser.

Dreams…Faces…Reality (2001). The play tells the story of a healthy young man whose life is turned upside down following a routine physical which showed that he was HIV positive. Arrindell was author and director. Stagings included an initial 2001 World AIDS Day performance by the Optimist Club of St. John’s Youth Drama Group, a 2002 Black History Month performance, several 2003 stagings, including one in Anguilla, by the Optimist Club at the Pares Secondary School. Between 2005-2006, it was staged over 15 times by the Friends Hotline for Youth to stir conversation among secondary school students in Antigua and Barbuda. Another drama group performed select scenes in 2007 at churches across the island to reduce the stigmatization of HIV/AIDS. It has been adapted for radio broadcast, running for several years on Observer Radio in the build-up to World AIDS Day.

Barbara Arrindell speaks with the audience after a performance of the AIDS themed ‘Dreams…Faces…Reality’ performed by the Optimist Club of St. John’s Youth Drama Group

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Edson Buntin – Anu Bantu: Treasure Island and Haunted Park (published). Dramatist, instructor in French at the Antigua State College; his contributions to theatre have been both onstage and off, as an actor including serving as a cast member in the 1979 production of Dorbrene O’Marde’s Tangled Web and as founder of the Scaramouche Theatre and overseeing several productions at the College, such as Conjugal Bliss. Plays written by Buntin include Con Man Sun Sun, Mr. Valentine, and Wedlock. He has also acted in local films such as Once in an Island. (Dates unknown – help fill the blanks if you can)

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David Edgecombe – Edgecombe, a theatre and public speaking lecturer at the University of the Virgin Islands, is not Antiguan and Barbudan but his play Lady of Parham (shortlisted as of 2015 for the Guyana Prize for Literature), published by Caribbean Reads (2014), is set in Antigua and based on the mystery surrounding the ghost of Parham. Per the Caribbean Reads description, it “introduces the audience to five revellers who have come together to form a Carnival troupe but settle for dramatizing the tale of the Parham ghost. In the telling of the ghost legend, Justin, Tulip, Sauna, Kyle, and Mabel must confront the demons that threaten to derail their lives.” Lady of Parham premiered in St. Thomas and has since played in other Caribbean countries like Dominica and Montserrat, where Edgecombe was a founder of the Montserrat Theatre Group. His other works (unrelated to Antiguan and Barbudan theatre – to the best of my knowledge) include For Better For Worse, Making It, Coming Home to Roost, and Heaven.

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Gus Edwards – b. 1939 in Antigua and raised in St. Thomas, he moved to New York in 1959 – his plays have been showcased by the Negro Ensemble of NY among other companies across the US. Initially, a protégé of Stella Adler, he worked as an actor in films and on stage. But limited by his accent, he began writing his own material. These included The Offering (1977), Black Body Blues (1978), Old Phantoms (1979), These Fallen Angels (1980), Weep Not for Me (1981), Tenement (1983), Manhattan Made Me (1983), Ramona (1986), Louie and Ophelia (1986), Moody’s Mood Cafe (1989), Lifetimes on the Streets (1990), Restaurant People (1990), Tropicana (1992), Frederick Douglass (1992), Testimony (1993), Confessional (1994), Dear Martin, Dear Coretta (1995), Slices one-acts (1996), Drought Country (1997), Night Cries (1998), and Black Woman’s Blues (1999). Most of his plays are reportedly set in “the slums and ghettoes of New York…his characters often exist outside of the boundaries of what is thought to be appropriate behavior in society.” (Notable Caribbeans and Caribbean Americans: a Biographical Dictionary, p. 157). His works for television include Aftermath (1979) and a TV adaptation of James Baldwin’s novel Go Tell It on the Mountain. He also wrote narration on the Negro Ensemble Company for PBS. Though self-taught, the critically acclaimed playwright has taught theatrical writing at several US colleges and became associate professor of theatre at Arizona State University, directing  where the multi-ethnic theatre and teaching in the film studies programme. In 2000, he was appointed artistic director to the Scottsdale Ensemble Theatre in Scottsdale, Arizona. “He has published Classic Plays of the Negro Ensemble (1995), Monologues on Black Life (1997), and More Monologues on Black Life (2000). Several of his plays have also been published… Gus Edwards is one of the first Caribbean writers  to contribute to American theatre.” (Notable Caribbean and Caribbean Americans: a Biographical Dictionary, p. 158)

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Lonne ElderCeremonies in Dark Old Men (1971) – performed by the Open Air Theatre.

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Oliver Flax – A Better Way (1976) – directed by Edgar Davis – and The Legend of Prince Klaas (1972) – the latter of which was sent to be performed at Carifesta in Guyana in 1972. Performed by Bobby Margetson’s Little Theatre.

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Linisa George – one of the writer/directors and producers (as part of Women of Antigua) behind the production When a Woman Moans (below). Brown Girl in the Ring, a poem from that production has become a significant part of her brand (as a publication aesthetic) and has been performed at different fora including the CARA Festival in Antigua in 2009 , the 2012 Poetry Parnassus in London, and, after publication in a special Antigua and Barbuda edition of online journal Tongues of the  Ocean, Shakespeare in Paradise, 2015, in the Bahamas.

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Tom Green – Tom Green is British, not Antiguan, though he did lead a masterclass on playwriting here in Antigua and is listed here because of a play of his that is based in Antigua. The play is entitled Antigua and it is the story of bestselling writer Katherine Sampson, whose second book is overdue by two years when her agent sends her to the Caribbean with instructions not to return without a finished manuscript. In Antigua, she meets an enigmatic American be-devilled by his own problems. This play was first produced at the Tabard Theatre in London in 2006. Green’s other plays (unrelated to Antigua and Barbuda – to the best of my knowledge) include The Death of Margaret Thatcher, A Place in the Sun, and Talking in Bed.

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Joanne C. Hillhouse – known, primarily, as a fiction writer/published author, but some of her first public writings were plays: e.g. Barman’s Blues, not staged but joint second placed winner  (her first creative writing prize) in the Rick James Theatre Ensemble One Act Play Competition in 1992; Changes (Sisters and Daughters), Hillhouse’s first full length play, staged in 1990, by the State College Drama Society one of two done while she was a student at the Antigua State College; and Trials of Life, showcased as a Taylor Hall entry in dramatic competition at the University of the West Indies while she was a student there (sometime between 1992 and 1995). The actress in that play received honourable mention. Several of her poems were incorporated into scripts for stagings of Women of Antigua’s When a Woman Moans in the early aughts. Hillhouse who has scripted documentaries, ads, and public service announcements for clients or as part of public education programmes, on the creative tip had her (short) screenplay, Is Like a Like It, excerpted in The Caribbean Writer Volume 27 in 2013.

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Cleopatra Isaac, Paula Henry, and Darleen Beazer -co-scripted Journey to Heaven which was performed by participants in The Young Leaders programme at Sir McChesney George Secondary School and members of the Barbudan community. April 10 2006 Daily Observer(article published April 10th 2006 in the Daily Observer)

The play, performed in 2006 in Barbuda and Antigua, focused on a young man’s gradual understanding of repentance and forgiveness ‘after death’, and explored the concept that no more than 6 degrees of separation exists between people, meaning an individual’s actions always affects the lives of others. The actors were Devon Warner, Tenesha Beazer, Salim Cephas, Adonia Henry, and Leona Desouza. “Shaping the Future” was the theme of the 2006 Young Leaders’ project, and it encompassed cherishing life, embracing family values, and respecting one another. In the play, the value of respect is addressed in drama, dance, and song, using all aspects of the arts to embrace a vision.

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Owen Jackson – As writer/director with the National Youth Theatre, Jackson produced several plays including After 9/11 (2007) and My Birthright (2007). (entry incomplete – help fill in dates and other productions if you can)

Owen Jackson taking high school students through a drama warm up exercise.

Youth drama club – tableau in downtown store window … and attracting a small crowd doing it

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George ‘Rick’ Jamesdeceased September 2018. Various plays including the one man play Oulaudah Equiano (1990) about “the engrossing story in living detail of an Igbo prince, his enslavement, and freedom” (book summary), Gallows Humour in 2005, and 2007’s Our Country, timed to coincide with the bicentenary of the abolition British Empire Atlantic Slave Trade, and unique for telling, on a stage constructed in the open air of the King George V grounds, drawing a vast cast from a mixed pool of local professionals who were amateur thespians, and tracking the life of Antigua and Barbuda from pre-Columbian times to present.

Our Country: an arawak chief Our Country: Slave ship scene

slaves at market

His Rick James Ensemble encouraged young and future Antiguan and Barbudan writers like Zahra Airall and Joanne C. Hillhouse through its One Act Play Writing Competition. James was also an actor in US and especially British theatre and television

James performing in Sit Quietly on the Baulk

for many years, and an award winning costume designer in local mas.

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Colin Jno Finn – playwright and director with the Nazarene Drama Team – On the Block (2008) of a young man’s struggles with the church; Nine to Five (2009) about challenges in the work place; It’s Too Late (2010) of a strained relationship between a father and son; and Power Struggle (2011) of one person’s attempts to boost another from office. Read my review of Power Struggle here.

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Jamaica Kincaid – Her 1998 book A Small Place was staged at the Gate Theatre in London in 2018 in what was described as so faithful an adaptation that the text is performed entirely in its original form.

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Edgar O. LakeSome Quiet Mornin’; Matters of Antiguan Conspiracy: 1736; The Stone Circle; The Killing of Arthur Sixteen; more… (incomplete + unsure of publication production status + dates unknown – help fill in dates and other productions if you can)

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Iyaba Ibo Mandingo – ‘He is a Poet, Painter, Writer, Sculptor, Actor, Teacher, Mentor, Author and “continued work in progress”, as he puts it…His Self-Portrait, a one-man play performed in his studio, speaks of his life through poetry and prose, concurrent to him painting his self-portrait during the show.’ – from this interview with the artiste which also references his chap books (41 Times and Amerikkkan Exile), his company (Iyabarts), his art series (War, Spirit Drawings), in addition to his plays (Self-Portrait which has grown into unFRAMED, his first full length play), and forthcoming work (novel Sins of My Fathers, chap book 30 Days of Ink, ad the off Broadway run of unFRAMED). As his biography shows, he is a native Antiguan who migrated to the U.S. as a boy.  These roots as well as his experiences in America infuse unFRAMED as seen in this excerpt.

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Motion (Wendy Brathwaite) – Canadian of Antiguan descent, Motion’s stage productions (as writer, director, performer, or any mix of the three) include  Aneemah’s Spot/The Base, 4our Woman, ORALTORIO: A Theatrical Mixtape, and Dancing to a White Boy Song   featured at several renowned venues such as the International Black Playwrights Festival, Cross Currents Festival,  the Rock.Paper.Sistaz Festival, and the Summerworks Theatre Festival.

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Andrew O’MardeO Lord, Why Lord? and Tell It Like It Is with Harambee Open Air Theatre.

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Dorbrene O’Marde –  – synonymous with quality theatre in Antigua and Barbuda in theatre’s heyday (i.e. the 1970s to early 1980s), his Harambee Open Air Theatre (a 1972 merger of the Grammarians and the University Centre’s Open Air Theatre) is “considered the most important group of recent times” (from The Cambridge Guide to Theatre by Martin Banham). O’Marde is a graduate of the Antigua Grammar School, UWI Cave Hill, University of Toronto, and Tulane University where he obtained a Masters of Public Health. He has been credited as a playwright, director and producer of theatre and music, newspaper/magazine columnist, public speaker, and calypso writer, judge and analyst. His involvement in calypso has included crafting hits for artistes like Scorpion, Stumpy, Singing Althea, and others; though his biggest contribution to the art form is arguably the seminal Calypso Talk magazine, an annual chronicle of the art and the issues surrounding the art. He also wrote Nobody Go Run Me, the biography of  Antigua and Barbuda’s Monarch King Short Short, which was longlisted for the 2015 Bocas prize, in addition to the novel Send Out You Hand.

O’Marde’s career in theatre began with the Antigua Students Association in 1965 (You the Jury, Devil’s Advocate, Androcles and the Lion – English classics). Jezebel (1955) and Star Bomber (1962) are credited as two of his earliest works. His involvement in theatre continued, between 1968 and 1971, with the Cave Hill Drama Group (UWI, Barbados) when other theatre notables like Dominica’s Alwin Bully, St. Kitts and Nevis’ Clement Bouncing Williams, and St. Lucia’s Robert Lee were all students.

O’Marde was a member of the Theatre Information Exchange (TIE) and the Eastern Caribbean Popular Theatre Organization (ECPTO) and was involved in cultural research with both these organizations. He formed Harambee in 1972.

In addition to directing plays by other notables from the Caribbean theatre scene and beyond, O’Marde wrote and directed Homecoming, For Real: A Caribbean Play in Three Acts (1976), Fly on the Wall (1977), Fire Go BunFor Real, We Nativity, The Minister’s Daughter – which was adapted from the novel of the same name by Nigerian writer Obi Egbuna, We Nativity – which included songs by Antiguan and Barbudan lyricist Shelly Tobitt, Tangled Web (1979), Badplay (1991 for the Family Planning Unit), and This World Spin One Way (1998); and directed several others. Read more about his work in calypso and on the stage, plus his other cultural work in BIOGRAPHY deo 2010 . Tangled Web, according to the World Encyclopedia of Contemporary Theatre, Volume 2, the Americas, Volume 2, prompted the government to legislate against civil servants participating in  plays critical of the government.

       

Before going dormant in the late-eighties, Harambee took productions to Montserrat, St. Kitts, Dominica, Barbados, St. Thomas, and Saba.

O’Marde has returned with a couple of productions since then, notably 1998’s This World Spin One Way – which has also had stagings by directors Jean Small, Director UWI Creative Arts Centre, and David Edgecombe, Director Reichhold Centre, and a revival of Tangled Web with Zahra Airall’s Sugar Apple Theatre in 2015. He also lent technical support to Women of Antigua’s first staging of the Vagina Monologues in 2008.
Read my review of This World Spin One Way.
Read my ‘review’ of Tangled Web. (some dates still missing + full listing – help fill in dates and other productions if you can)

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Sislyn Peters – One of her plays, Trust, was adapted by the City College of New York’s English Department, Division of Humanities & Arts, and performed at the Aaron Davis Hall, in 2001. Peters was born in Antigua and graduated Princess Margaret High School. As a child, she wrote verses, and short stories. As a teenager, she sang with local bands, including Pat Edwards’ Playboys, and Vere Anthony’s Teen Stars. See poetry for her other accomplishments.

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Eustace Simon – several plays including Crossroads, The Awakening, Betty’s Hope, and Illusive Dreams. 1990s. Modern Theatre. 2000s. National Theatre Group. Announced launch of a National Theatre channel on CTV in 2012. (dates missing + full listing – help fill in dates and other productions if you can)

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Lester SimonObeah Slave (taken in 1969 by the Grammarians to Montserrat and Barbados).

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Monique S. Simon – The Antigua-born, US-based writer adapted Adynah from a novel-in-progress, which has been illustrated, excerpted and published in Carib Beat, and which won a NY Council on the Arts Award for (First Chapter of a Novel in Progress) and a Cropper Foundation grant.  The play was based on one of the book’s character’s Adynah Williams, described as the kind of local cook whose delicacies are sold from her house on weekends and who is first to be called for catering a local event. The story was produced as a three vignette play for Know Theatre in New York in the Fall of 2003. Simon scripted and directed voices of Caribbean people living and working in the area, pre-recorded and editing those voices so that they could provide off stage interaction during the one-woman show. Simon not only wrote, directed, and starred in the play, she designed the set  – all while working as a full time professor at Broome Community College in Binghampton, NY.

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Elaine Spires – Elaine is from Essex in the UK and in the 2000s, after years of bringing tours to Antigua, also established a seasonal home here. She’s run workshops in Antigua and participated (as writer and actress) in Women of Antigua’s When a Woman Moans. She’s also created content for the stage and screen, some inspired by and set in Antigua. Her Adventures of Maisie and Em (later adapted to film with Spires playing Em and Heather Doram playing Maisie, characters debuted on stage in When a Woman Moans). Her Antigua plays include Singles Holiday, about a group of vacationing Brits, which was adapted in to a novel and then had a third life as a play on the English stage (2014), and Sweet Lady, about a mother and daughter and an island tryst, which was staged in Antigua before also becoming a novel. (missing dates – fill in if you can)

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Stage One – This youth drama collective led by Kanika Simpson-Davis favours adaptations (which involves some re-scripting) of popular tales like Cinderella , Snow White, and Anansi and Snake. 2004 – present (?)

Stage One: Anansi and Snake

Stage One: Cinderella Reloaded 2007 Stage One: scene from Cinderella

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Leon Chaku SymisterVoices of Protest (1976); and Time Bomb (1977); Tilting Scales (1980). Third World Theatre. According to the World Encyclopedia of Contemporary Theatre, Volume 2, the Americas, Volume 2, it was thought to be too libelous for public airing but played to crowded houses at the University Centre.

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Various writers – Women of Antigua – playwrights/actresses/directors Linisa George and Zahra Airall shepherd this femalecentric brand of theatrical activism. The original production When A Woman Moans  was staged in 2010 and 2012, and mostly scripted by Airall and George with inputs from Dotsie Isaac Gellizeau, Joanne C. Hillhouse, Floree Williams, Greschen Edwards (another WOA founding partner), Melissa Elliott, Marcella Andre, Carel Hodge, Mickel Brann, Brenda Lee Browne, Craig Edward, Nekisha Lewis, Kimolisa Mings, Elaine Spires, and Jihan Lewis. Women of Antigua debuted with Eve Ensler’s Vagina Monologues in 2008 and this locally conceived, similarly themed production, was its successor. Both productions over two nights brought the curtain down on WOA’s theatrical activities in 2012.

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Vaughn Walterdeceased as of 2019. Culture Director and head of Antigua and Barbuda’s CARIFESTA planning committee. Active in theatre and film, and in staged productions for pageants and festivals through the years. (entry incomplete – if you can help fill it out email wadadlipen@gmail.com)

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Amber Williams-King – In 2010, Amber Williams-King participated in the AMY (or Artists Mentoring Youth) project, helping to create Step Right Up which received 3/4 stars from Toronto’s NOW magazine. In 2011, she wrote a play: Love and its Dialects which ran in the Paprika Festival at Tarragon Theatre in Canada where she resides. In 2010, she received first-honourable mention in the Scarborough Arts Council’s inaugural Writer’s Month literary competition. Her poetry has been published in the anthology Holla! A Collection of Womenz Wordz and in So the Nailhead Bend, So the Story End.

SCREENWRITERS

Zahra Airall – When No One Is Looking (2012, short film, an ABS TV Production in collaboration with the Caribbean Broadcast Media Partnership on HIV/AIDS) – also co-director.

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Howard Allen (also producer/director) – (w/Jermilla Kirwan) Diablesse (2005, HAMAfilms); and The Skin (2011, HAMAfilms) – reviewed here.

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Alexis AndrewsVanishing Sail – here’s the trailer. Winner of the Caribbean Spirit Award for Best Overall Feature at the Caribbean Tales awards and People’s Choice for Best Documentary at the Trinidad and Tobago Film Festival.

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Oteh Thomas Anyandjuh (African born, resident in Antigua) – Love that Bites (2010,  OTA Entertainment and Third Eye Studios) – also director.

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Shashi Balooja (also an actor, director, casting director, and producer on stage and screen; from Antigua but resident in the US) – w/Cecile George and Michael Sandoval, film short Ariana (2004, ABC Film & Video/Andrisk Inc/Media at Large, USA); w/Roger Sewhcomar, documentary The Altruist (2009, Media at Large/ABC Film & Video, USA); w/Caytha Jentis Exposed (2012, Media at Large, USA) – winner feature film award and genre award at the New York International Independent Film and Video Festival; w/Stephen Kelleher, film short Promises of Home (2012, Media at Large/Reverse Momentum Films, USA). Balooja had plans to extend Ariana into a feature film.

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Francoise Bowen conceived and wrote Back to Africa (directed by Anderson Edghill) which she described as a “short documentary (depicting) a little piece of Antigua and Barbuda’s history (specifically that enslaved people thought Africa was nearby). Bowen went on to found the Francoise Acting Studio which, among other things, has run workshops and produced The Story of Four (a video series promoting safe sex).

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Centelia BrowneIdle Hands – (A Wadadli Plus production, a short film).  Credits say ‘A Film By’ which is usually the director credit and there is no separate screenwriter credit. 2019.

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Courtney BoydThe Grove – (A Wadadli Plus production with C-BEN Pictures, a Nut Grove Production – web series pilot written and directed by Boyd who also directed other Wadadli Plus productions such as The Diagnosis) – 2019.

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Cinque Productions (Chris Hodge and Melissa Gomez, also producer, director) Deaf Not Dumb (2000, short fiction film), 2 Dolla Picture

Melissa assessing a shot as her camera man looks on.

(2001, animated short), Share and Share Alike (2008, documentary – 2010 winner of Best Documentary Production at the Berlin Black International Cinema Festival), Changing Course (2009, film short), and Silent Music (2012, documentary) silent-music-poster[1] co-writer/producer/editor Jay Prychidny. Silent Music, a portrait of Gomez’s deaf family won Best Documentary at the 2014 Maine Deaf Film Festival and the 2012 Caribbean Tales Film Festival, as well as the Audience Choice Awards at the 2013 Toronto Deaf Film & Arts Festival. Gomez, resident in the US, also has a project known as the Baby Mini Doc Project which creates day in the life documentaries which capture “every day moments and milestones with your littlest ones”. Melissa has worked on a number of other projects in the US, including co-producing Makers (PBS) and Nine for IX (ESPN), producing behind the scenes content for Hell on Wheels and Low Winter Sun (AMC), and serving as supervising producer on Me on My TV (FLOW). She has worked as a freelance production manager on advertising campaigns for H & M and Malibu Rum. Melissa has a Masters of Arts degree in Screen Documentary from Goldsmiths College, University of London, and a Bachelor of Arts in New Media from Ryerson University in Toronto.

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Alvin Glen EdwardsOnce in an Island

on the set of ‘Once in an Island’  Jermilla Kirwan in a scene from Once in an Island

(2009, Wadadli Pictures) – also producer. The feature film has since been adapted into a book (released 2012).

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Bridgette HannifordMy Time Now (A Wadadli Plus production, a film short directed by Melissa McLeish, 2020)

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Roland ‘Mayfield’ Hosier – He didn’t work from a written script but he’s the pioneer behind Antigua and Barbuda’s earliest forays into (largely improvised) film production producing The Fugitive, 1972, and Midtown Robbers, 1978.

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Noel Howell – He was the co-writer (with Courtney Boyd), director and producer of Redemption of Paradise (2009, Color Bars Production) – best actress and best Caribbean film at the 2010 Jamaica Reggae Film Festival; as well as a video producer and independent publisher on projects like Once in an Island (co-producer/co-director). In 2017, he also directed (per IMDB) a film adaptation of The Little Rude Boys/Girls, a child-written book he published in 2010.

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D. Gisele Isaac

  MANGO-Poster-800x400 The Sweetest Mango (2001, HAMAfilms); and No Seed (2002, HAMAfilms). Antigua and Barbuda’s first and second feature-length films. Isaac also wrote regularly for the stage in the form of the skits included in the annual (in the 2000s) ‘Programme’ put on by the Professional Organization of Women in Antigua and Barbuda; usually a political satire.

POWA’s Programme

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Tameka Jarvis-George –

Ugly – short film (2011, Wadadli Film Studios) for which she provided character monologue – 2011

Dinner

On the set of Dinner, Tameka with her co-star and husband.

(2010, Cinque Productions w/Chris Hodge directing and Jarvis-George also acting and serving as co-executive producer) – film short versed on her poem of the same name from the collection Thoughts from the Pharcyde. UPDATE Here’s her report on the screening of the film at the Jamaica Film Festival and of her involvement (as a writing contributor) to Shabier Kirchner’s film short, Ugly. ANOTHER UPDATE! The film! courtesy BGR Mag TV:

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Jamaica Kincaid Life and Debt (a documentary film by Stephanie Mack; written by Jamaica Kincaid). 2001. New Yorker Films. USA.

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Shabier Kirchner – a cinematographer cum filmmaker with his short, Dadli (2018).

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Jermilla Kirwan – (w/Howard Allen) Diablesse (2005, Hamafilms) – also actress in this and The Sweetest Mango.

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Dr. James KnightThe Making of the Monarch – independently produced documentary on the Monarch King Short Shirt. 2013.

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Motion (Wendy Brathwaite) –

Rebirth

Rebirth of the Afronauts: a Black Space Odyssey (episode 7 of season 2 of Obsidian Theatre’s 21 Black Futures series) – New Year’s Eve 2059, the night before the long-awaited Reparations Day. Chariott receives a mysterious call that leads her on a curious ride through the world outside her bubble – where cities are sky high, curfew is in the streets, and it’s harder to tell hue-mans from the holograms. On this surreal road trip, she tunes into BlackSpaceX, along with a cadre of cryptic guides, finding herself on the astronomical journey of her life. Directed by Jerome Kruin, Performed by Chelsea Russell, with Music by NON. 2021.

Screen Shot 2020-09-15 at 2.08.17 PM Akilla’s Escape – the Antiguan-Canadian poet/writer co-wrote this feature with writer-director Charles Officer stars Saul Williams and explores what happens when a simple, routine drug handoff goes sideway, landing 40-year-old drug trader Akilla Brown in the middle of a violent robbery. Akilla must set things right and retrieve the stolen goods over the course of one arduous night. Akilla’s Escape debuted at the 2020 Toronto International Film Festival.

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Nadya RaymondThe Diagnosis – (A Wadadli Plus production in association with Wadadli Creatives and C-BEN Pictures, a short film directed by Courtney Boyd). 2019.

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Elaine Spires – Elaine is from Essex in the UK and in the 2000s, after years of bringing tours to Antigua, also established a seasonal home here. Her writing credits (Spires is also an actress) include the TV series Paradise View, the Lawson Lewis edited promotional film shorts The Adventures of Maisie and Em – episodes Fix a Flat and Best Friend (Spires playing Em and Heather Doram playing Maisie, characters debuted on stage in When a Woman Moans) –

the vid clips were posted to youtube in 2013. Her novel Singles Holiday was reportedly also made in to a TV pilot.

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Chavel Thomas (credited as director; no writer credit is given) – Silence, Screams – short film (2016, Dotkidchavy x Jamzpari)

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Nigel Trellis (born Guyana, resident in Antigua) Hooked (2009, Tropical Films) Working Girl (2011, Tropical Films)

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Unknown/UncreditedThe Guest (2020, short film by Wadadli Plus)

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Keron ‘K-Wiz’ Wilson (credited as director; no writer credit is given) – The Date – short film (2013, Black Roots Records); Mechanic – short film (2013, Black Roots Records); Stationary – short film (2013, Black Roots Records)

As with all content on Wadadli Pen, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure/Perdida! Una Aventura en el Mar Caribe, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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…and now a word from the Best of Books

I hate to hear the constant string of negative comments made about our nation’s youth. In contrast I have a high level of respect for people who identify things around us that can be improved and simply do something, anything positive, to make a difference.

The Best of Books was pleased to be able to offer prizes for the first ever Wadadli Pen Challenge, almost ten years ago. Ten years later we are still here;  For us we have never had any reason to consider not being involved. The primary organizers have always known “how to work with what they have” and for me that is simply practical.  Wadadli pen is not just a competition, it is an opportunity for young writers to flex their writing muscles. They are given the great gift of knowing first hand that Antigua’s write. They know this because they can look in the mirror and see an Antiguan writer.  They are then challenged through Wadadli Pen to become better writers, more creative, to become true artists.

The question is not “what can’t you do?”. The question is “what can you do?”.  This question is left on the table for all the young writers, all the teachers and parents who can encourage the young writers and all those who have a little something to give to the project to reward those who this year rise to the challenge.

This post is written by the Best of Books manager BARBARA ARRINDELL. Relations between the bookstore and me, the bookstore and Wadadli Pen has been so good over time some have wondered if it is an exclusive relationship or if I work there (no and no). But as this post illustrates, we have a mutual passion for supporting youth development and the literary arts, as well as action over talk (and some of the best book discussions ever…Barbara and her staff are bonafide bookworms). Plus they host sister project the Wadadli Pen Open Mic. And so we continue to collaborate.  Much respect to the Best of Books and all the partners and patrons. Couldn’t do it without them. – JCH

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