Tag Archives: Book of Cinz

Carib Lit Plus (Mid to Late September 2022)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here – credit and link back if you use).

Reading Material

A new Penguin edition of New Daughters of Africa has been published. The book, originally released by Myriad (UK) in 2019, is an international anthology of writing by women of African descent, 200 of us. “From Antigua to Zimbabwe and Angola to the USA, overlooked artists of the past join key figures, popular contemporaries and emerging writers in paying tribute to the heritage that unites them, the strong links that endure from generation to generation, and their common obstacles around issues of race, gender and class.” The Harper Collins (US) edition was previously nominated for the NAACP Image award. New Daughters of Africa follows on the success of Daughters of Africa 25 years earlier. It is edited by Margaret Busby, an award winning UK publisher and editor with roots in both Africa and the Caribbean. (Source – Myriad email)

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Issue 21 of Moko: Caribbean Arts and Letters includes new writing by Topher Allen, Lysanne Charles, C.R. Glasgow, Rajiv Mohabir, Geraldine Skeete, and more, including art by Alexander Phoenyx. The Andre Bagoo-edited journal also announces a new podcast, Sky Words. Read and listen here. (Source – Moko magazine email)

Film

After Venice, after TIFF, comes the Caribbean International Film Festival in the UK. Official selections (those still to come, at this writing, on September 23rd) include from Curacao, Eché Janga’s Buladó; Barbados, Neal Hope’s The Last Fishpot

; Jamaica, Dean Charles’ The Mistress; Trinidad and Tobago, Gerelle Forbes and Mark Loquan’s A Better Tomorrow, Miquel Galofré (originally of Barcelona’s) Hit me with Music, Playing Mas, and Little Moko, . From the UK, Bristol in particular, there is Michael Jenkins (Pickney). From the US, there is Iantha Richardson’s J’ouvert. The Caribbean International Film Fest is run by Caribbean Pop-Up Cinema, and is the only UK Film Festival celebrating Caribbean filmmakers and stories. (Source – Facebook)

Events

Brooklyn Book Festival Virtual Festival Day is September 25th 2022. Participating Caribbean writers include Trinidad and Tobago’s Ayanna Lloyd Banwo (When We were Birds) in a 12 p.m. session, Transformers; and Jamaica’s Marlon James (Moon Witch, Spider King) in a 2 p.m. session, The New Fantastical. (Source – BBF email)

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Caribbean literary social influencer Book of Cinz has announced the September online book club meeting for September 27th 2022. It’s 6 to 8 p.m. I am not sure of the applicable time zone but the convener is based in Trinidad and Tobago if that helps. This month’s book is The Island of Forgetting by Barbadian-Canadian writer Jasmine Sealey. It is described by publisher Harper Collins as ” an intimate saga spanning four generations of one family who run a beachfront hotel. Loosely inspired by Greek mythology, this is a novel about the echo of deep—and sometimes tragic—love and the ways a family’s past can haunt its future.”

Here’s the link to participate in the book club discussion. (Source – Book of Cinz email)

Art and Culture

View and learn about Jamaican artist Market Woman Jacqueline Bishop’s ceramic plates in Issue 23 of British Art Studies. It’s the cover story. (Source – JRL email)

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The Sir Keithlyn Smith Foundation in collaboration with Antigua and Barbuda Observer Radio’s Voice of the People has announced the winners of their Voice of the People Summer Reading Program Art Competition 2022. They are nine year old Kelsey Cochrane, 1st; previous winner 10-year-old Rhekeisha Manning, 2nd; and 15-year-old Brandon Canonville, 3rd. The winner received a laptop. The summer read book (selected for radio discussion, a project that began two year’s ago with Keithlyn and Fernando Smith’s To Shoot Hard Labour) was the slave narrative by Mary Prince and she was the focus of the art project.

(Source – Daily Observer newspaper)

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The recently concluded Brooklyn Caribbean Literary Festival has been spotlighted in Essence magazine.

‘The BCLF aims to uphold, enjoy and celebrate Caribbean storytelling and its writers both at home in the region and throughout the diaspora. This unique festival, which began in 2019, explores the rich depth of Caribbean culture and its centuries’-long tradition of storytelling.

BCLF provides a place for storytellers of Caribbean descent to share their own stories and write from the unique lens of that heritage. It has since brought together over 250 writers, publishers and creatives from a community that people have often considered “too small” to impact the literary world.

“We felt like Caribbean stories needed to be celebrated by Caribbean people and for Caribbean people because Caribbean stories have been underplayed, undervalued and underrepresented in the United States,”said Festival Founder and Director, Marsha Massiah-Aaron.’

(Source – BCLF email)

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My CREATIVE SPACE column, which runs every other Wednesday in the Daily Observer has had three installments since I shared #16 of 2022 here on the blog. #17 was “What Artists Want”, #18 was “About Wallings”, and #19 is a conversation with Celene Senhouse about the African-Caribbean headwrapping tradition. As mentioned in the latter link, this is the fifth time CREATIVE SPACE has made the front page since being platformed on the Daily Observer in 2020 – just as we were entering the pandemic.

A content creation hack: the column exists because I decided to create the content I want to see about local and Caribbean art and culture without waiting for a positive response to a pitch. Building my own, rather than asking permission. In time, I found a platform for it in the Daily Observer and continue to create the content I want to see. I share that to encourage you to do the same. (Source – Me)

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, and The Jungle Outside). All Rights Reserved. Subscribe to the site to keep up with future updates. Thanks.

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Carib Lit Plus (Mid to Late July 2022)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here – credit and link back if you use).

Projects

The latest NGC Bocas 100 Caribbean Books that Made Us latest project is a podcast. The first installment finds Trinidad and Tobago Commonwealth and Bocas award winning writer Kevin Jared Hosein ruminating on No Pain Like This Body by Harold Sonny Ladoo. Listen here. (Source – Bocas email)

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Antigua Communications Specialist – and former Wadadli Pen judge – Brenda Lee Browne has shared a call for submissions to the Interreg Caraibes Caribbean Digital Film Library project. This project aims to document, digitalise and create a comprehensive digital library of films by and about people living, working, creating in and about the Caribbean. Film in this context includes and is not limited to: family home movies; feature films; documentaries; news clips; special events, interviews etc. These films can be made by amateurs, film makers, individuals, news organisations, sports/community and institutions – no genre or format is excluded. Browne is the inventory officer for Antigua and Barbuda. Her deadline to submit a comprehensive report of what films are available here and if they require special attention due to age, format etc. is August, 2022.

The Interreg CINUCA project is a collaborative project supported by APCAG and their partners: the
EPCC Tropiques Atrium Scène Nationale (Martinique), the association Guyane-Cinéma Audiovisuel et
Multimédia (the G-CAM-Guyane) (French Guiana), the production company Lee Productions Inc.
(Saint Lucia), and the production company Hama Films (Antigua and Barbuda). The project is
co-financed by the European Regional Development Fund (ERDF), under the Interreg V Caribbean
programme. If you have films you’d like added to the library, contact Brenda Lee Browne at brendalee.browne@gmail.com (Source – Brenda Lee Browne email)

A screening of Dr. James Knight’s documentary Nobody Go Run Me at UWI (Mona) in Jamaica.

You may know that I have been building a play and screenwriting data base here on Wadadli Pen, which I will be sharing with Brenda Lee, as I look forward to how this project develops. Remember if we have missed any screenwriting credits in our database, please share.

Opportunities

An Antiguan and Barbudan poet and former Wadadli Pen finalist has an opportunity to pursue further studies and you have an opportunity to help. Her name is Hilesha S. Humphreys and she has received the opportunity to study Ceative Writing at California College of the Arts’ MFA programme. Her writing focuses on abuse and centers the feminine experience. To take advantage of this chance Hilesha is requesting assistance to fund her studies. For more information, please email: hileshashumphreys@gmail.com  

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The Bocas Lit Fest’s Children’s Book Prize, sponsored by the Wainwright Family remains open to Caribbean authors resident anywhere in the world until the end of August. Started last year, the prize is given to one outstanding English-language children’s book for young independent readers. The Prize consists of a cash award of US$1,000. Last year’s winner was When Life gives You Mangoes by Jamaican writer Kereen Getten. The prize is judged by an independent panel of children’s literature experts. The panel is joined by a young reader who will contribute to selecting the winner at the second stage of judging. Eligible are works of fiction (including short story collections and books in verse), literary non-fiction and graphic novels written for independent readers ages 7 – 12 . Works of drama, multiple-author anthologies, picture books, textbooks or instructional manuals are not eligible.  Stories should be told primarily through prose. The book can include illustration, but should not rely primarily on visual storytelling and should have at least 1,500 words. Details here. (Source – Bocas email)

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This one is mine, my Jhohadli Writing Project; specifically, my once-a-month workshop session available to participants from anywhere and ideal for writers with works in progress. So far this year, participants have checked in from the US, Trinidad and Tobago, and Antigua and Barbuda, and participant goals have included advancing and receiving feedback on manuscript in revision, jump starting new writing, and learning more about the world of professional writing. What are your goals?

See this and other pending deadlines at Opportunities Too. (Source – Me)

Accolades

An Antigua Carnival update – Nekirah Nicholls of St. Kitts-Nevis won the Jaycees Caribbean Queen show ahead of runners up Trinidad and Tobago’s Chronna Khan and St. Lucia’s Wenia Verneuil.

Pictures (them in their introductory national costumes and them in their evening gowns during the prize giving) are from the Miss Jaycees Queen Show – JCI Antigua Facebook page. (Source – the Daily Observer newspaper)

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The Brooklyn Caribbean Literary Festival Elizabeth Nunez prize longlists have, in short order, become one of the most anticipated rollouts of the year if you’re a short story Caribbean or Caribbean diaspora writer. These are the lucky ones in 2022 (Congrats to them all):

For the Caribbean prize (for Caribbean-based Caribbean writers)# – Bahamian Sara Bastien (“The Girl with Your Grandmother’s Eyes”) and Alexia Tolas (“The Fix”); Barbadian Martin Michael Boyce (“In the Secrets Place”), Callie Browning (“The Science of Garbage”), and Gregory Anderson Fitt (“Don’t Cry Precious Baby”); Bermudian Yesha Townsend (“Fishing”); Guyanese Jarryl Bryan (“Shemroy Cusbert”) and Cosmata Lindie (“Starchild”); Dominican/Kittitian-Nevisian Yakima Cuffy (“The Eleventh”); Jamaican Topher Allen (“A Familiar Friction”), Kellie Martine Magnus (“One for the Books”), Tonia Revers (“Hear Yah Now: Conversations”), Damion Spence (“Bull Buck and Duppy Conqueror”), Chaneka Taylor (“Salted Wounds”), and Stacy ann Williams-Smith (“Rio Cobre”); St. Lucian Alicia Valasse-Polius (“Beekeepers”); St. Vincent and Grenadinian Janielle Browne (“The Saddest Part”) and Denise Westfield (“The Valley”); Trinidad and Tobagonian Patti-Ann Ali (“Marley in a Maxi”), Lisa Allen-Agostini (“Meeting Beverley Jones”), Kirk Bhajan (“The La Diablesse of Ecclessville”), Christie Borely (“They lived Together”), Vishala Christopher (“Jumbie like Long Hair”), Rachel Espinet (“Davindra and the buck”), Lynette Hazel (“02.12.20 (Jumbie Make to walk the Road)”), Caroline Mackenzie (“Girls in the Dark”), Brandon McIvor (“Red Hand on a Smoking Gun”), Charmaine Rosseau (“A Real Place”), Portia Subran (“Please Take One”), Kwame Weekes (“Green Thumb”), and Sunil Whittle (“Rockette”).

For the Caribbean American Prize (for US-based Caribbean writers) – Barbadian Elizabeth Best (“Soup on Sunday”) and Rachelle F. Gray (“Peter 3:15”); Dominican Republican El Don (“Amaris Castillo”); Guyanese Elesa Chan (“Jumbie”); Haitian Yvika Pierre (“Nadege goes Home”); Jamaican Jazz Sanchez (“Cook Soup”); *Nicaraguan Marilyn Enriquez (“Devil’s Hole”); St. Lucian Catherine Esther Cowie (“Who wants to look like a Frenchman?”); Trinidad and Tobagonian Keisha Ali (“Uniform”) and Tricia Chin (“Genesis”).

*Nicaragua, I have learnt, despite being Central American, has a major Caribbean influence on its Atlantic coast – including Afro-descendant English speaking Caribbean towns and indigenous (e.g. garifuna) communities.

(Source – BCLF Facebook)

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Artistic director with the The Dundas Centre for the Performing Arts in the Bahamas for 40+ years, Philip A. Burrows, has been awarded the Order of Merit in the country’s 2022 Independence Honours list. Burrows has directed well over 100 productions, taught acting workshops, and written for the theatre; and is notably a founding member of Ringplay Productions and co-founder of the Shakespeare in Paradise theatre festival. Burrows has presented a number of Bahamian productions in the US, UK and throughout the Caribbean, and directed a number of National Events, from Cacique Awards to Independence shows, and both productions honouring Sir Sidney Poitier. There may be other people in Bahamas arts on the list – congrats to all. (Source – Facebook)

Content

You may know that this website tries to archive published reviews of books and other applicable content by Antiguans and Barbudans. The latest installment in this series includes reviews of my books Musical Youth (“a wonderful read” – RunWrightReads, “beautiful book” – Book of Cinz), The Jungle Outside (“masterful use of sensory details” – ACalabash), and (surprisingly) Oh Gad! (“an expansive page-turner” – ACalabash)as well as of the film The Sweetest Mango (“avante garde” – Karukerament), our first feature length film, and Pepperpot, a regional anthology in which I have a story, “Amelia at Devil’s Bridge” (“will make you shiver” – The Opinionated Reader). You can help build this and all of our data bases in two ways – applying to volunteer as a social media intern and sending us tips (and practicing patience when you do). (Source – Me)

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My CREATIVE SPACE art and culture series continues its every other Wednesday publishing schedule in the Daily Observer newspaper and online with extras at my Jhohadli blog. At this writing, the most recent installment asks “Do You know this Man?” while showcasing the careers of 1940s town crier and calypso pioneer Quarkoo and his all but forgotten 1800s to 1900s predecessor Thomas Joseph.

Working on this story, I am reminded of a friend’s feeling about firsts – that often someone did it before, we just don’t know or don’t remember.

(A humbling example of which for me is when years after I started Wadadli Pen certain I was doing something that hadn’t been done as there had been nothing like Wadadli Pen in my becoming, which was why I started it in the first place, I found out, on discovery of the 1979 publication Young Antiguans Write: Prize-winning Selections in Poetry and Prose from School Creative Writing Annual Competition, 1968-1978 , that an annual writing challenge for and publication of youth writing in Antigua and Barbuda for the primary purpose of literary development, was not new. Probably wasn’t new then. It only felt like I was inventing not reinventing the wheel because the car had broken down and been left to rot at the side of the road. I don’t know quite what happened but I do not remember this or any programme of this type (not counting Independence and Tourism essay competitions) existing as I came of age and came in to being as a writer in the 80s nor through my young adulthood in the 90s. And while this could very well be my ignorance, I had not even heard of it. This realisation in part fuels my motivation – though I don’t have institutional resources behind me as that project did – to create a record of our literary history and to not to be another start-and-stop-did-it-even-happen local arts initiative – there’ve been a few, stalled mostly due to lack of resources – but to find a way to keep it going with or without me, which is one reason I pushed for us to become a legal non-profit, daunting as that process has proven to be).

So, in the vein of things being lost, some of Thomas Joseph’s legacy has been folded in to Quarkoo’s, some has been all but erased. Notably, his authorship of “Man Mongoose” – a song popularized as “Sly Mongoose”, that was first recorded in Trinidad, and is thus credited as such, a song that has since been reproduced in many different genres and formats over the years and across the world. I must give credit to American researcher Dan Lanier, who on seeing my Quarkoo post on this site, reached out to ask me about Thomas Joseph and connected me to more about both men than I had previously known. This is one of my favourite CREATIVE SPACE articles of the year because of the connections it makes on and off the page; I hope you’ll give it a read. And if there’s to be intra-island beef over the authorship of “Sly Mongoose”, make it tasty. (Source – Me)

Events

The Antigua Jazz Project has announced a concert, “A Night for Statchel” Version 3.0, Vince McCoy and Friends, featuring Khadijah Simon and Mind Sound, Acoustic Infusion, and The Antigua Jazz Project. It’s 7 p.m. at Pink Mongoose Studio on Friars Hill Road on August 6th 2022. Proceeds in aid of the St. John’s Hospice and Asita Ngash. (Source – postcard picked up at Best of Books bookstore)

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No Panorama? No Problem! The Caribbean Union Bank Hells Gate Steel Orchestra presents it’s “Pan Rhapsody” competition on Saturday 6th August at the Villa Primary School, Antigua. 4 Groups, with up and coming Arrangers will contest this musical showdown.

(Source – Hell’s Gate on Facebook)

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Jamaica and specifically reggae and specifically Bob Marley is now in the Marvel Cinematic Universe and specifically the Black Panther verse with the release of the first trailer for the second Black Panther film: Wakanda Forever. The music featured is Marley’s “No Woman No Cry”, sung by Nigerian vocalist Sems, seamlessly segueing in to US rapper Kendrick Lamar’s “Alright”. Of course, the box office breaking, critically acclaimed, and popularly embraced, rare Black-centered series already had a Caribbean presence with Tobagonian Winston Duke as Mbaku and Letitia Wright, Shuri, being Guyanese.

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Book of Cinz – a Caribbean book platform whose initiatives include a global Caribbean-focussed virtual book club and the #readCaribbean hashtag which promos the reading of Caribbean books in June – is having its first reading retreat in Dominica, with less than a handful of spots available. It will be at SeaCliff Cottages between October 15th and 20th 2022. Secure your spot here. (Source – Book of Cinz email)

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We are all invited to listen in on The Caribbean Development Bank funded Cultural and Creative Industries Innovation Fund Creative Talks on Festival Futures in the Caribbean.

(Source – CIIF email)

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It being Carnival season in Antigua, there will be a steady stream of events in the latter part of July in to early August. I can’t report on them all but I’ll share what I can, especially the new and unusual. Like the July 22nd 2022 Band Meet Band Showdown at Carnival City. It seems to be a project of the Antigua and Barbuda Jam Band and Soca Association and the Ministry of Creative Industries and Innovation. The listed line-up includes Sir Oungku and Red Hott Flames, Daddy Barlo and Revo Band, TKO Band featuring Laurena Davis and Ebony T, Byke and Enegee Band, High Tempa, and more. (Source – DJ Ibis on Instagram) & this massive event honouring the Monarch King Short Shirt:

(Source – Facebook)

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This event is passed but if you’re a regular here you know that won’t stop me from mentioning it, plus it continues to make news. Dotsie Isaac has donated proceeds from her showcase “Senses: an Evening of Poetry and Music” to the Antigua and Barbuda Heart and Stroke Foundation. Isaac, a former Wadadli Pen judge, has also revealed plans to make “Senses” an annual event.

Poet Dotsie Isaac is seen in this Laura Hall photo participating in a joint Wadadli Pen-Museum fundraiser (Word Up!) in 2006. Isaac has also served as a judge (2011) and as a special guest at the awards ceremony (2015).

(Source – Daily Observer/Antigua)

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July 20th 2022 is the red-carpet, invitation-only premiere of documentary film Redonda: the Road to Recovery. Wide public screenings begin at Caribbean Cinemas on July 21st (image from Lawson Lewis’ facebook) with advance tickets of only $5 available at the Environmental Awareness Group office or online via the Ticketing app. The doc which is about the recovery of the Antigua and Barbuda offshore island was teased when I interviewed director Lawson Lewis in May 2022 for my CREATIVE SPACE series.

Lawson Lewis on the job.

(Source – Daily Observer newspaper/Antigua)

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July 29th 2022 is African Dress Day in Antigua and Barbuda, the kick-off of the Reparations Support Commission’s Emancipation Day celebrations. The highlight of the celebrations will be, per usual going back 14 years, Watch Night. Date and venue is July 31st the Botanical Gardens. It will be a night of cultural performances, including staples the Nyabinghi drummers and various singers, dancers, and more.

Calypsonian/calypso writer King Zacari, seen here performing at the NVSP awards years ago, is one of the announced performers at this year’s Watch Night. (File photo by Joanne C. Hillhouse/do not reuse without permission or credit)

(Source – Daily Observer newspaper/Antigua)

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, and The Jungle Outside). All Rights Reserved. Subscribe to the site to keep up with future updates. Thanks.

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