I responded, last year, to some questions submitted via email by someone doing research for an MA programme. This questioner found me when I had the time (or made the time). That may not always be the case. I thought sharing my responses here might be useful to others who may have similar questions going forward (for days when I don’t have the time). Questions were specific to my books with independent press Caribbean Reads Publishing (which, I believe, was the chosen case study).
*Did you have to re-draft your books before they got published? What were some of the editor’s comments on your work? Did you find these critiques helpful?
Both books went through an editing process (not redrafting but fine tuning). Editing was outsourced to someone knowledgeable in critiquing teen/young adult books, and then a second round of editing, I believe, in house. I don’t remember the specific comments- the only thing that comes to mind is in the case of Musical Youth the addition of a chapter fleshing out one of the characters more, and some language notes, some cultural and some re suitability of content for the target audience. Probably some plot and character points that needed clarifying as well. Some I found helpful, some I did not.
*Can you describe the process of negotiating your contact? Do Caribbean own the rights to the books you have published with them?
I sought my agent’s advice re the contract – something I try to do always. The process was amiable considering the circumstances. The writer owns the rights but certain rights are licensed to the publisher – any rights not specified remain with the author. Standard contract.
*To what extent are you involved in the creative design and illustrations of your books?
The publisher has final say but in each case I’ve had input to varying degrees – with Caribbean Reads especially, it’s been quite collaborative with author feedback sought on character design at various stages.
Does Caribbean Reads provide an illustrator and cover the cost for you?
With traditional publishing, the publisher invests the money in publishing the book, including commissioning (selecting, hiring, and paying) the illustrator (in the case of Lost! A Caribbean Sea Adventure) and cover design (in the case of Musical Youth). They do ask for and consider my recommendations re the artist – which is not the case with every publisher.
*Were there any pro’s or con’s to publishing with Caribbean Reads specifically?
See the video – it doesn’t speak to the nitty gritty of publishing with anyone but it does make a distinction between working with big and small publishers. Caribbean Reads as an independent Caribbean press is on the small side.
*How did Caribbean Reads market your work to boost sales? Which was the most effective method?
A number of ways from sending books out for review to advertising to social media to giveaways to festival bookings to media releases etc. I think a combination of approaches rather than a single thing, and consistency, yields the most success.
*Once your book was published, did Caribbean reads organise book tours or readings to promote the book?
Not a book tour, no, but as noted they did facilitate certain bookings like the Brooklyn Book Fair and, in tandem with my efforts, the Miami Book Fair.
*What advice do you have for writers who want to be successfully published?
See this video
You can check the resources page on the Wadadli Pen blog (i.e. this blog right here) which I maintain – some of my other blogged content re the publishing process is there among the resources by other people that I share (you will need to dig through it to see what is mine as most of it is links to third party sites).
As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight 10th Anniversary Edition and Other Writings, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, Oh Gad! and The Jungle Outside). All Rights Reserved. If you enjoyed it, check out my WordPress, and/or Facebook, and help spread the word about Wadadli Pen, my books, and my freelance writing-editing-coaching-workshop services. You can also subscribe to the site to keep up with future updates. Thanks.