Tag Archives: Celia Sorhaindo

Carib Lit Plus (Early to Mid April 2023)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here – credit and link back if you use).

Art and Culture

“Folk historian Joy Lawrence (The Way We talk and Other Antiguan FolkwaysColours and Rhythms of Selected Caribbean Creoles) and antiguahistory.net have noted that ducana is even docona/dokono/odokono (sweet mouth/thing) by name in the West African languages of twi and ga-adangme.” – CREATIVE SPACE #8 OF 2023 – THE WORLD ON AN ANTIGUAN & BARBUDAN PLATE AND E BANG GOOD

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Bocas, the literary festival sponsored by the National Gas Company of Trinidad and Tobago, has announced, for the first time since pandemic lockdown, the return of its roving storytelling caravan. Its Dragonzilla mascot and professional storytellers will entertain and inspire the nation’s children at ten locations throughout Trinidad and Tobago. The Caravan is running throughout the month of April and is set to conclude at this year’s (also a return to live) Bocas Literary Festival. (Source – Bocas email)

RIP

Rest in peace to Antigua’s first calypso king, Samuel ‘Styler’ Ryan.

According to the Daily Observer by Newsco, Ryan died at 85 at his home in St. Thomas in the US Virgin Islands. Originally from Montserrat, he won the crown in 1957 with “Water wet me bed” – “It was a song about his hard upbringings in Montserat where his adopted mother would throw water in his bed to wake him up to help her bake bread.” Styler continued to make music during his time, reportedly travelling the world singing calypso with Milo and the Kings, and in his later years, as a solo artist, turning to gospel music. But in Antigua and Barbuda he is most remembered as calypso royalty, who returned for one last run of the stage some years ago

I believe this show was in the 2010s at the ARG but stand to be corrected on that. (Source – Daily Observer by Newsco)

Opportunities

December 31st 2023 – The Caribbean Writer – submission deadline for volume 38 for writers and visual artists – submitted entries are eligible for several literary prizes. The theme is “Legacies: Reckoning and Resolve”. Contributors may submit works of fiction, nonfiction, poetry, essays or one act plays which explore the ideas resonating within the region and its diaspora. The Caribbean should be central to the work, or the work should reflect a Caribbean heritage, experience or perspective. Prospective authors should submit all creative works: drama, fiction and poetry manuscripts, through the online portal ONLY. Submit Word files only (no PDFs). Note that TCW no longer accepts hardcopy submissions. Individuals may submit poems (3 maximum), short stories and personal essays on general topics as well as on the theme. The maximum length (for short stories and personal essays) is 3500 words. Only previously unpublished work will be considered. The term “previously published” covers print and electronic publication —including on social media platforms, and self-published items. The Caribbean Writer does not accept simultaneous submissions (items being considered for publication elsewhere). Artists interested in having their  artwork considered for use by TCW should submit electronic files in vertical format as PNG or JPEG files with a resolution of 300 dpi or greater. The journal also accepts black and white art (line drawings, sketches, block prints, etc.). (Source – Opportunities Too on Wadadli Pen<–Click for more opportunities)

Events

Having reported and shared some thoughts re Antigua and Barbuda art week, I return to share specifically what’s happening on the sister island, Barbuda. Running mostly con-current with the Antigua programme April 16th – 23rd, activities will include a heritage awareness race, community dance class, art hops, and steelband performances. Read more in the press release:

(Source – Barbuda based Jamaican artist Artst Yaadie email)

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The PEN America World Voices Festival line-up and schedule have been announced and their are some Caribbean writers in the mix. Jamaica’s Marlon James is Festival guest chair. He will discuss a novelist’s journey to and from their second novel. James will also sit for a fireside chat with poet and novelist Ben Okri. American author of Haitian descent Roxane Gay will be in conversation with R. F. Kuang about her new novel Yellowface. (Source – PEN America email)

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Antigua’s Carnival – and notably panorama, excluded from last year’s programme – is set to return to a full programme in 2023.

(Source – Daily Observer by Newsco)

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Calabash is back.

Here is the programme. (Source – Calabash International Literary Festival on Facebook)

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Previously reported but a reminder that the Virgin Islands Literary Festival is April 13th – 16th 2023. This is the 9th iteration of the festival which is a collaboration between The Caribbean writer literary journal, a project of the University of the Virgin Islands, and the festival and book fair itself. This year’s them is “Carrying: Recognition and Repair” and the headliner is African-American author Charmaine Wilkerson (Black Cake). The release I saw said to sign up at Eventbrite.com – sorry I couldn’t find a direct link.

ETA here’s a promo

(Source – JR Lee email)

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Bright Hill Press Word Thursdays Onlines will feature two Windward Caribbean writers on April 13th 2023. Celia Sorhaindo is from Dominica. Her Radical Normalisation was published by Carcanet Press in 2022. Virginia Archer is a Saint Lucian poet and artist with a number of self-published poetry collections. The event will begin at 7 p.m. EST on zoom and facebook live. (Source – JR Lee email)

Accolades

Three Caribbean diasporic people – Lavar Munroe, David Scott, and Shara McCallum – are 2023 Guggenheim nominees. McCallum is singled out in the poetry category; she is a poet and professor at Pennsylvania State University. She is from Jamaica. Bahamian-born Munroe, a Baltimore-based artist, falls into the fine arts category. Scott is founder and editor of the Small Axe journal, among other things, and substanially professor and chair of the anthropology department of Columbia University. His win is in the anthropology & cultural studies section of the list – which is 171 persons long. Per release, “Chosen from a rigorous application and peer review process out of almost 2,500 applicants, these successful applicants were appointed on the basis of prior achievement and exceptional promise.” (Source – Tilting Axis on Facebook)

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Not sure I’ve mentioned this before but shout out (again, if I have) to Jamaican writer, US based Marcia Douglas who has been named as one of 10 writers to win one of this year’s $50,000 Whiting Awards.

Marcia Douglas’s latest novel is The Marvellous Equations of the Dread. She is also the author of the novels, Madam Fate and Notes from a Writer’s Book of Cures and Spells as well as a poetry collection, Electricity Comes to Cocoa Bottom. Since 1985, the Foundation has supported creative writing through the Whiting Awards, given annually to ten emerging writers in fiction, nonfiction, poetry, and drama. The awards, of $50,000 each, are based on early accomplishment and the promise of great work to come. (Source – Twitter)

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Twenty-eight writers from 19 countries have been culled from the 6, 642 entrants to the Commonwealth Short Story competition for the recently announced shortlist for the 2023 prize. “This year’s shortlist is a concert of voices from across the Commonwealth, showcasing the richness of its writing traditions, histories, and perspectives. These stories brim with the energy and urgency of the present moment,” said judges chair Bilal Tanweer.

Here they are:

In case you missed the Caribbean writers, here they are:

from the Bahamas – Alexia Tolas
from Guyana – Cosmata A. Lindie
from Jamaica – Demoy Lindo and Kwame McPherson
from Trinidad and Tobago – Deborah Matthews

(Source – Commonwealth Foundation Creatives on Facebook)

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The 2023 OCM Bocas Prize for Caribbean literature category winners have been announced. In Poetry, the winner is Sonnets for Albert by Anthony Joseph, published by Bloomsbury Publishing in the UK. In fiction, the winner is When We were Birds by Ayanna Lloyd Banwo, published by Doubleday Books. In non-fiction, the winner is Love the Dark Days by Ira Mathur, published by Peepal Tree Press.

Anthony Joseph is of Trinidad and Tobago and based in the UK; Sonnets for Albert is the recently announced winner of the T S Eliot Prize and was previously shortlisted for the Forward Prize for Poetry.

When We were Birds was highly anticipated since its sale was announced and it has been critically acclaimed by the likes of the New York Times and NPR. The author is also UK based, and also of Trinidad and Tobago.

Ira Mathur, author of Love the Dark Days, is by contrast in Trinidad and Tobago but originally of somewhere else, India in this case. She is a long running, award winning columnist for The Guardian. Love the Dark Days is listed among the UK Guardian’s best memoirs of 2022.

The overall OCM Bocas Prize winner will be revealed during the 13th NGC Bocas Lit Fest, which runs from April 28 to 30. Past winners of the prize are, of Trinidad and Tobago, Celeste Mohammed (fiction, Pleasantview, 2022), Kevin Adonis Browne, (non-fiction, High Mas: Carnival and the Poetics of Caribbean Culture, 2019), Jennifer Rahim (fiction, Curfew Chronicles, 2018), Robert Antoni (fiction, As Flies to Whatless Boys, 2014), Monique Roffey (fiction, Archipelago, 2013), and Earl Lovelace (fiction, Is Just a Movie, 2012); of St. Lucia, Canisia Lubrin (poetry, The Dyzgraphxst, 2021), Vladimir Lucien (poetry, Sounding Ground, 2015), and Derek Walcott (poetry, White Egrets, 2011); of the British Virgin Islands, Richard Georges (poetry, Epiphaneia, 2020); of Jamaica, Kei Miller (fiction, Augustown, 2017) and Olive Senior (fiction, The Pain Tree, 2016).

As far as publishing houses go, it’s been mostly international and pretty mixed in terms of big and small, popular and more elite presses. No clear favourites, though Peepal Tree has taken the main prize twice and no regional houses, though both Peepal Tree and Akashic have strong records of publishing Caribbean titles. Here’s the breakdown: Farrar, Straus Giroux, US (1 – White Egrets), Haymarket Books, US (1 – Is Just a Movie) Simon & Schuster/Penguin, UK (1 – Archipelago), Akashic, US (1 – As Flies to Whatless Boys), Peepal Tree Press, UK (2 – Curfew Chronicles, Sounding Ground), Cormorant Books, Canada (1 – The Pain Tree), Vintage of Penguin Randomhouse, UK (1 – Augustown), University Press of Mississippi, US (1 – High Mas), Outspoken Press, UK (1 – Epiphaneia), McClelland & Stewart, Canada (1 – The Dyzgraphxst), and Ig Publishing, US (1 – Pleasantview). A win this year would be a third for Peepal Tree, a first for any of the other publishing houses; it will be a seventh win for Bocas’ home base Trinidad and Tobago, and, of course, a first for any of the named authors. (Source – Bocas on Facebook)

Books and Other Reading Material

The We read Jamaica Kincaid project has been mentioned before here on the blog and I thought I’d share the latest companion newsletter which explores and breaks down the latest read, Lucy.

Lucy was Jamaica Kincaid’s fourth book and second novel published by Farrar, Straus and Giroux in 1990. It marked the return of her fiction first appearing in The New Yorker. It did not restore any amiability to her working relationship with editor Robert Gottlieb who had rejected A Small Place out of hand. Leslie Garis “who often writes on the arts” noted in her October 1990 New York Times profile of Kincaid (gifted link) that a change Gottlieb wanted to make to what became Lucy was enough to keep him on her shit list. (Otherwise known as “not on speaking terms”.)” This is an excerpt; click the link to read the whole thing. (Source – antiguanwriter at gmail dot com inbox)

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Joy Lawrence continues to do yeoman’s work with her histories covering individual communities in Antigua and Barbuda with the publication, late in 2022 (sorry for the late announcement) of The People’s Point: an Antiguan Waterfront Community: with Reference to Villa.

It follows Barbuda and Betty’s Hope: The Codrington Connection, The Footprints of Parham: The History of a Small Antiguan Town and Its Influence, and Bethesda and Christian Hill: Our History and Culture. This latest has now been added to Antiguan and Barbudan Writing and Antiguan and Barbudan Non-Fiction. (Source – Antiguan and Barbudan bookseller The Best of Books)

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»Emily?«
Verons Nichte, die im Laufe des Tages schon wieder gewachsen zu sein schien, stürmte gerade zur rechten Zeit herein, um ihr beim Wegräumen der letzten Einkäufe zu helfen. Wahrscheinlich hatte sie zuerst dieses Buch versteckt, in das sie ständig schrieb. Als ob Veron nicht wüsste, dass sie es zwischen Matratze und Rahmen versteckte. Veron ließ sich auf einen Stuhl fallen.

EXCERPT “Abendritual” (“Evening Ritual” by Joanne C. Hillhouse in German)

Go to Jhohadli to read about the abridged German translation of Margaret Busby (ed.) New Daughters of Africa. The original text includes 200 writers from across the African diaspora and the abridged version Neue Töchter Afrikas contains 30 writers, including from the Caribbean Joanne C. Hillhouse (Antigua and Barbuda), Andaiye (of Guyana), Marina Salandy-Brown (Trinidad and Tobago), Verene A. Shepherd (Jamaica), and Zadie Smith (who, while British, is descended from a Jamaican mother). It goes on the market this April with a formal launch to be held in Cologne in June. (Source – me)

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, The Jungle Outside, and To be a Cheetah – the latter scheduled for July 2023 release and available for pre-order wherever you buy books at this writing). All Rights Reserved. Subscribe to the site to keep up with future updates. Thanks.

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Carib Lit Plus (Early to Mid October 2022)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here – credit and link back if you use).

Accolades

Cuban born Ada Ferrer’s Cuba: An American History is on the Cundill History Prize 2022 shortlist.

Already a Pulitzer Prize winner for history, Cuba “provides us with a front-row seat as we witness the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade.” (Source – Literary Hub email)

Events

The annual Antigua and Barbuda Conference takes place October 13th and 14th 2022. This is the full programme. It will be virtual. I don’t have link-up information at this writing (October 11th 2022), sorry. (Source – email from the project assistant)

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Two dozen acclaimed Caribbean writers will be in residence at the British Library on October 29 for a day-long programme of stories, poems and music. There will be other events in Leicester, Norwich, Leeds, and Belfast.

Click this link for more and to book tickets if you are in the UK. (Source – Bocas email)

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The Bridgetown International Arts Festival (in Barbados) is produced and curated by artists. It’s a space to display new and contemporary work in the performing and visual arts. Artists can share new work, build their own audiences, and develop collaborations.

Go to the social media links to register or for more information. (Source – N/A)

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The Dominica Antigua Connection presents its first ever Kweyol in the Park on November 6th 2022, 12 – 10 p.m., on the Department of Environment grounds. It has been advertised as a day of music, cuisine, dance, art, and various cultural presentations. (Source – Daily Observer newspaper/Antigua and Barbuda)

Opportunities

There’s still time to get your submissions in for the annual Commonwealth Short Story Prize.

Prize info here. (Source – N/A)

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Antiguan and Barbudan young scientists Teyanna Nathaniel, Deshini Charles, Leyla Reid, and Ethan Bailey will be among participants from 180 other countries facing off in Geneva, Switzerland in what’s described as a major robotics competition. From the Daily Observer, “Every year, FIRST Global invites nations to compete in STEM (Science Technology Engineering Math)-themed game that is focussed on addressing various challenges facing the planet, including the 14 Grand Challenges of Engineering, in an effort to foster understanding and cooperation among students 14 – 18.” This year’s theme is Carbon Capture. The event runs from October 13 – 16. (Source – Daily Observer newspaper/Antigua and Barbuda)

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The October session of the Jhohadli Writing Project workshop has been rescheduled to October 21st 2022 which means more time to register. This and other opportunities in Opportunities Too.

(Source – Me)

Books

The Stranger Who Was Myself by Barbara Jenkins “is the kind of story best read in solitude to propel the beauty of its prose and of its wisdom from off its pages to land straight into your heart. One is sure to emerge a better mother (for the women who read it), a more astute observer and a kinder human when the last page of this novel is turned. The places, people, architecture, community, societies and culture were so wonderfully recalled and accurately outlined in stunning detail, it’s easy to believe that Barbara’s entire life and memory were preparing her for the act of writing this memoir, proving that the best storytellers, in fact, are born and not bred. This is a must for lovers of memoir or those who are seeking a first foray into the genre.” It is published by Peepal Tree Press. (Source – Brooklyn Caribbean Literary Festival on Facebook)

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US based Antiguan and Barbudan writer and artist Iyaba Ibo Mandingo has released a second edition of his last book Fu Yuh Tongue Heavy Laka 56. ““It has been four years since its original release. My baby sister Nicole lost her battle to cancer three days after the book signing. I tried, in her memory, to push on, but eventually the weight of the ‘whys’ took a toll on my enthusiasm, and a project I believed in with my everything slowed to a halt”. (Mandingo in an instagram posting) Despite the lag, the book is now getting a new berth. Mandingo described it as “more than a collection of poetry of thirty years of poetry. The first third is a look back at the work from the first poem in an Iowa jail, to my ‘Mykus’ reflecting on the fifty-five days with homeland security after my 9-11 poem. The rest of the book is my discovery of the joy of writing in my native tongue.”

Fu Yuh Tongue Heavy Laka 56 has been added to the Poetry page and the main data base of Antiguan and Barbudan writers. The previous edition was issued in 2018. (Source – Author DM)

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Trinidad and Tobago writer and editor Andre Bagoo has two new collections out since summer this year: The Dreaming, which is a collection of stories, and Narcissus, a poetry collection. From publisher of The Dreaming, Peepal Tree Press: “At one level, Andre Bagoo’s stories have the very real virtue of taking the everyday lives of his gay Trinidadian characters utterly for granted in their searches for sex, adventure, pleasure, self-realisation and all the enrichments of loving contact. There’s a neat balance between a highly enjoyable sharpness of perception and a relaxed and engaging personal voice, and room for humour in several of these stories. …The narrator of several of these stories is a writer who wants to focus on the personal satisfactions and inner dramas of these lives as the truth about gay experience. But at the back of his mind are the stories of the brutal murders of gay men reported with coy innuendo in the press. …Bagoo’s stories offer a witty and acutely drawn portrait of contemporary Trinidad in all its intersections of race, class and gender politics.” Narcissus, meanwhile, is described as “In this powerful collection, Bagoo examines the varied dynamics of the body and mind with the narcissism of the soul, while fully embracing the work of art as a critical reflection on the human condition.” The Broken Sleep publication is his sixth collection. (Source – Andre Bagoo on Twitter)

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English literary critic, novelist, and biographer Miranda Seymour earlier this year published I used to Live Here Once: The Haunted Life of Jean Rhys about the famed Dominican writer (author of Wide Sargasso Sea). It is published by W. W. Norton & Company.

(Source – Papillote Press via instagram)

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Three authors launched their trio of books in Montserrat this summer. Titles above. (Source – N/A)

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Dominican writer Celia Sorhaindo has a new book after her critically acclaimed poetry collection Guabancex. Her Radical Normalization was published by Carcanet Press in September 2022.

(Source – JRLee email)

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I mentioned in the previous Carib Lit Plus that there was a new Penguin edition of New Daughters of Africa as of August 2022. I’ve since finished reading the book (the original Myriad edition published in 2019) and uploaded a review to Bloggers on Books in addition to talking about it in my CREATIVE SPACE column (Headlined: Claiming Our Space by Telling Our Stories)

Also, as seen above, CREATIVE SPACE which is my art and culture column currently platformed in the Daily Observer newspaper, made the front page for a second straight week – here’s the previous front page article. (Source – Me)

Arts and Culture

October is Black History Month in the UK and a project called The World ReImagined has been part of this year’s rollout. Quoting from KnowYourCaribbean on instagram “a community of Artists, Activists, Community Workers, Historians, Educators, Poets and all round kick ass committed believers – come together to change the world and how we view ourselves.” One of the more visible projects is the commissioning and scattering across the English landscape of 103 globes with artistic interpretations (including by some Caribbean-resident artists) of Black people’s legacies of slavery, resistance, resilience, and revolution.

The website includes a map allowing you to locate the marble looking art installations while also adding to the public knowledge of the history of Black people. It is an opportunity for learning. (Source – Know Your Caribbean on instagram)

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It’s October and Trinidad and Tobago writer and editor, and founder of the Caribbean Books Foundation, which platforms books by Caribbean writers, has, for another year running, branded it Caribbean Folklore Month. The calendar includes Jumbie Night, October 9th 2022; plus folklore features, book launches, author interviews, and book reviews. With the growing influence of America’s Halloween in the region, Caribbean Folklore Month is a reminder that we have our own traditions. The month in its premiere year, 2021, featured douens, papa bois, soucouyant, and more. You can get involved by sharing what’s posted by the Caribbean Folklore social pages and others, you can post about your folklore experiences and tag them. You can even read my jumbie story “Papa Jumbie” (published by Akashic Books online) or my zombie story “Zombie Island” (published in Interviewing the Caribbean), share the video of you reading it – I’d enjoy that as long as you credit and tag me. Use the hashtags #CaribbeanFolkloreMonth #JumbieNight (and if you’re reading one of mine #gyalfromOttosaAntigua). You can create a folklore video, artwork, event or celebration around a folklore theme. You can buy, read and recommend books on Folklore and share your reviews – Authors will appreciate this. If you are a Caribbean author or writer, you can add a folklore character or theme to your next novel or story.

Marsha Gomes-McKie’s newest title.

(Source – Marsha Gomes-McKie social media)

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, and The Jungle Outside). All Rights Reserved. Subscribe to the site to keep up with future updates. Thanks.

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Reading Room and Gallery 42

Things I read or view or listen to that you might like too. Things will be added – up to about 20 or so – before this installment in the Reading Room and Gallery series is archived. For previous and future installments in this series, use the search feature to the right. Possible warning for adult language and themes.

NON-FICTION

“Not enough genre peeps are being published writing in, for lack of a better word, non-Eurocentric dialects/vernacular.” – Dialog, Patois: If It’s Good Enough for Anthony Burgess, It’s Good Enough For You by Tonya Liburd

MISC.

The 2021 Virgin Islands Lit Fest was virtual. Here are all the panels, in case you missed it.

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“If you’re a regular here, you know I’m a Caribbean author, reader, and blogger, and I stay reading Caribbean, but I could stand to read a lot more and I’d bet you could too (so consider yourself recc’d).” – from my blog, Top Ten Tuesday #ReadCaribbean

REPORTING

“Although not the traditional form of storytelling, video games, like any other game reflect the culture in which it was forged. Video games, however, get a bad rap, because the associations we give to them such as encouraging antisocial and sedentary behaviours and lifestyles. However, video games provide a particularly unique opportunity to incorporate elements of Caribbean culture through their unique method of interactive narrative during gameplay.” – The Creolisation of Video Games. ‘If We are to preserve Culture, We must continue to create It.’ by Christal Clashing

POETRY

Ann-Margaret Lim

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‘and the takeoff/when the body comes fully in to play/is the throwing off of shackles” – ‘Dear Phibba’ by Ann Margaret Lim

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It’s work, it’s work, my cousins told me
when I complained about too many yachts in the sea,

how I didn’t feel safe swimming anymore.

It’s work, it’s work, I tell myself when I clock
in my time for the day.” – from ‘Solastalgia‘ by Catherine-Esther Cowie

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“The day her practised palm cracked my cheekbone,
I crawled into grief.” – from ‘Mother suffered from Memories‘ by Juleus Ghunta

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I say, Mr. Jno Baptiste
Maybe you’re just not crazy about this world anymore
Maybe you’re just mad, mad, mad about something
But what do I know

-from ‘What do I know’ in Guabancex by Celia Sorhaindo

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“Run.
You have 58 seconds from the end of this message.
Your house is next.” – Running Orders by Lena Khalaf Tuffaha

FILM + OTHER VISUAL ART

Isolation‘ by Carl Augustus of Antigua and Barbuda is a hybrid water colour and poem about mental health, published to the Intersect Antigua-Barbuda platform.

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CONVERSATIONS

“We don’t like the word misogyny. We don’t like the word sexism and we don’t like the word misogyny (in the Caribbean)…there’s all this talk about gender based violence…this is misogyny…this is directed at women.” – Jamaican writer Jacqueline Bishop on the Rippling Pages podcast.

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Two iconic producers discussing how they did it from teenhood to an epic music catalogue.

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“…we don’t mind but it’s the parents of the other girls who might mind.” – Margaret Busby, first Black UK publisher, editor of Daughters of Africa and New Daughters of Africa, whose parents are Caribbean and who spent her earliest years in Ghana, about the responses her partents received when registering she and her siblings in British boarding schools. In conversation re Desert Island Discs with the BBC, in which she gives iconic song picks mixed in with personal history.

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“I had started it as a young adult fantasy book, there was a whole fantasy element to this.” – Trinidad and Tobagonian author N. G. Peltier discussing her romance novel Sweethand on the Tim Tim Bwa Fik Caribbean romance podcast. Scroll and click the playlist for conversations with various Caribbean writers of romance.

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“I’ve loved poetry for many years, reading and listening to it. I’ve always found it a powerful and connecting literary form, but I was relatively new to writing it.” – Celia Sorhaindo interviewed by Kahini

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“One night, I felt this feeling I’d been having my whole life: wake up, can’t see, can’t breathe.” – Courttia Newland in conversation with Johnny Temple of Akashic about out of body experiences, his new book, and the award winning Small Axe anthology series on which he was co-writer.

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“My mother being from the Caribbean and my father being from the South, and me having a huge need to fit in and low self-esteem, I lost my identity very quickly, trying to fit in, to go under the radar…the disconnect from getting to know who Michael was…and the ability to chameleon myself…that also started very early…I got addicted to fantasy very quick.” – Michael K. Williams (RIP) in one of his last interviews discussing his craft, his addiction, his background (which is part Caribbean on his mother’s side – she was an immigrant from the Bahamas), his love of cooking and trying new things, and more. Michael K. came to fame first as a back-up dancer and choreographer and later playing iconic roles like Omar in The Wire, and as a strong character actor in films like Bessie and When They See Us.

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“The Federal Art Project was part of something called Federal One, which had projects not just for the fine arts but also for theater, for writing, for music. There was a design index. It was one aspect of a really diverse and wide-ranging kind of project…the government saw it as an obligation, part of its duty, to provide artists in need with economic support. So they commissioned them to produce public art…The arts, for Roosevelt and the New Dealers, were seen as a fundamental component of a truly democratic society. A democracy could not call itself as such without art, music, theater, poetry, writing, design, photography, film.” – Alison Wilkinson in conversation with Jody Patterson for Vox

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“In the same ways that women were expected and didn’t slip in high school in reading Shakespeare and be expected to get all sorts of things from Shakespeare and from Walcott and from Brathwaite – men can get enormous things from this book and from reading these women as well and that’s what I’ll say to that. There is a stance that, “oh we have to think about the men’s feelings here, and whatnot,” but we don’t think about that when it comes to women reading male writers, right? Male writers, they have achieved, it seems, a kind of universality that “women have not”… Bullshit. I cry bullshit to that. Women, too, are universal. Right? So if you want good writing, if you want good interviews, if you want all of that, women can provide it as well. So male writers will get the exact same things and male readers will get the exact same things here that they would get from any good book.” – Jacqueline Bishop in conversation with Jamaica Creates

FICTION

‘I just thought we’d be in a better position,’ she said. ‘You know. By this stage in our lives. I thought we’d have made more of ourselves.’ – from ‘Attention‘ by Catherine Chidgey; it was shortlisted for the 2020 Commonwealth Short Story prize.

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“I arrived with kosher tacos, made from scratch with chicken liver and mole, and by the end of the night, all sixteen of them sat untouched in the pan, the sauce congealing beneath the foil.” – from ‘The Orphan Disease‘ by Jake Wolff in Kenyon Review

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“The sun hot like it beating your skin with a rubber strap.” – from ‘Cash and Carry‘ by Sharma Taylor, shortlisted for the 2020 Commonwealth short story prize

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“This is how you discover that you fall into that select category of People For Whom Ganja Is Useless.” – from ‘Hunger‘ by Andre Bagoo. This story was shortlisted for the 2021 Commonwealth Short Story Prize. It is posted on the Commonwealth Writers Adda platform.

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Jamaica Kincaid reading her short story ‘Girl’

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“‘I sit down waiting on the bed, and I hear he start to cry. And I know I in for lash. But he come quiet quiet in the room, lie down and say, “Aditi, I sorry.” I wanted to walk out that house then and there, but I ask him for what. He say everything. He say he sorry for everything. The word so stink and nasty after all he do, but he bawling sorrysorrysorry like he feel it go fix something. Like he feel I go start feeling sorry myself.’” – English at the End of Time by Rashad Hosein, shortlisted for the 2021 Commonwealth Short Story Prize

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“Don’t get me wrong: Long Island boys look good. When the Anglican Diocese host Jamboree here, all the girls from Exuma and Eleuthera drool over our boys like they ain’t got none back where they come from. But I ain’t never seen nothing like Demetri before. Brown sugar kiss his gilded skin. The sun blink at the golden glint of his hair. I almost drown in the cerulean waters that rise up to meet me when he look over. He got them eyes that shift with the light. Sometimes they so clear you could see right down to the bottom. Other times they froth with the Lusca’s rage.” – Granma’s Porch by Alexia Tolas

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“We meet our friends for happy hour, hand a twenty-dollar bill to the bartender, double-take when he quips, Still whiskey and Coke after all these years? We peer at him, recognize the brown boy we wrapped our arms around in a basement in Richmond Hill. While Aaliyah crooned on the radio.” – Brown Girls by Daphne Palasi Andreades, 2019 Kenyon Review Short Fiction Contest Winner

CREATIVES ON CREATING

The Daily Show has been doing a series ‘Beyond the Scenes’ – a how the sausage gets made series on the topical comedy segments on the show.

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“It looks as if I’ve been very prolific but actually there have been breaks” – Monique Roffey in conversation with Malika Booker for New Caribbean Voices – Books and Writers podcast

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“I spent a couple of summers as a kid in Barbados, but probably eight or nine summers in Antigua; so I actually spent a lot more time in Antigua with my dad’s family. So it’s a bit ironic that I spent so much time writing about Barbados ’cause I actually know a lot less about it and I’m less connected to my family there. But I think that actually opened up a space for me imaginatively to write about Barbados that wasn’t there for Antigua.” – Naomi Jackson on Writing Home: American Voices from the Caribbean

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“With all its horrors, the pandemic has led to a host of online workshops, open mics, events like poetry readings and literary festivals, virtual spaces to share, discuss and connect with other writers and writing communities, and a host of other opportunities. All of these have helped to improve my craft and my confidence. I have also been reading poetry voraciously from a diverse range of poets, and other articles that catch my interest, not just literary ones, from quantum physics to the amazing life and anatomy of an octopus. I assume it’s the same for everyone.” – Bocas longlisted poet (Guabancex) Celia Sorhaindo in conversation with US based Jamaican writer Geoffrey Philp on his blog.

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‘I’d had workshop earlier that day, and my professor, Elissa Schappell, said two pieces of advice that lodged in my brain: Don’t be afraid to take risks in your writing, and Write what only you could say. It was advice I needed to hear at that point in time; I’d been pursing art in an academic setting—the MFA—and the program had, ironically (or perhaps not-so-ironically), left me feeling creatively stifled. Elissa’s words reminded me of the thematic and formal risks I wanted, and absolutely needed, to take in my art. What she said helped me feel the freedom I needed to feel to begin “Brown Girls.”’ – Daphne Palasi Andreades, KR Conversations

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“Seabirds are a constant in my daily life. Along my daily commute frigates are flying overhead while pelicans rest on the waterside rocks. Just now, in the empty lot next to my apartment a lonely heron wanders about. When I ride the ferry over to the outer islands or over to St. Thomas, brown boobies chase the boat’s work. Sometimes I feel like my outstretched fingers may just graze their bellies.” – British Virgin Islands poet laureate and OCM Bocas prize winner Richard Georges in conversation with acclaimed and award winning Jamaican writer Jacqueline Bishop for her series in the Jamaica Observer Bookends supplement. Read the interview:

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“She changed the requirement that actresses in the movies being invariably likeable or attractive. She lifted the veil of appropriate behaviour in women to expose what was scary, unexpected, or ugly; in other words, to do what was appropriate for the character” – Meryl Streep on Bette Davis for Turner Classic Movies

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, The Jungle Outside, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on AmazonWordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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