Tag Archives: Christal Clashing

Reading Room and Gallery 44

Things I read or view or listen to that you might like too. Things will be added – up to about 20 or so – before this installment in the Reading Room and Gallery series is archived. For previous and future installments in this series, use the search feature to the right. Possible warning for adult language and themes.

BUSINESS

“It’s pretty difficult to advocate for yourself when you’re an artiste and you’re doing something that you really like; it’s very easy to sell yourself short…eventually I created a fake manager, it was really me, and I was able to negotiate a lot higher. It’s very, very important. Somebody needs to teach a class on that for sure.” – Felicia La Tour, life and wellness coach

FICTION

‘It was never meant to be this way,’ she reminds me as we walk past the more elaborate tombstones. ‘He was meant to bury me.’ – from ‘The Strong-Strong Winds‘ by Mathapelo Mofokeng

VISUAL ART

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This is a link to an article on must-see Antiguan and Barbudan films, according to Caribbean Loop news. HAMA, producers of the country’s first full length feature, The Sweetest Mango, dominates the list with four features but click to see who else made the list. Speaking of Antigua and Barbuda’s first full length feature, here’s a making of that I recently came across on YouTube.

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This is a link to several animated shorts (or trailers for shorts) by women from all over the world – although not, alas – the Caribbean (though not, I’m sure, through lack of ideas). There are seven shorts. Three of the ones you can watch all the way through are Paper or Plastic, dir. Nata Metlukh of the Ukraine and the US, Albatross Soup, dir. Winnie Cheung from Hong Kong, United States, and Japan, and The Opposites Game, dir. Lisa LaBracio & Anna Samo from Germany, Russia, and the United States.

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‘Cinematography, per Britannica.com, is “the art and technology of motion-picture photography. It involves such techniques as the general composition of a scene; the lighting of the set or location; the choice of cameras, lenses, filters, and film stock; the camera angle and movements; and the integration of any special effects.”’ – this post frames and links to a Variety article entitled ‘Contenders: How Cinematographers played with Elements to convey Director’s Vision’

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The cinematographer of the Small Axe anthology series was Antiguan and Barbudan Shabier Kirchner. Director Steve McQueen is British of Grenadian and Trinidadian descent. – “You need to see it hurts.”

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BEFORE SILENCE: Afghan Artists in Exile.

POETRY

“To be born is to be ushered in to noon’s brightness…” – from ‘Spirit of Labyrinth’ by Wilson Harris, read by Ian McDonald

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“So you try not to act too muscular not to look too big
muscular looks very threatening on your skin
you want to walk hard jog hard
be hard
but today you think about your mother

you owe it to her to protect her from this
what you can do what can be done to you” – from ‘Place de la Nation (III)’ by Jason Allen Paisant in Moko: Caribbean Arts and Letters

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My 2022 World Poetry Day live includes readings of poetry found right here in the Reading Room and Gallery series. Including poems by Grace Nichols of Guyana, Juleus Ghunta, Claude McKay, and Safiya Sinclair of Jamaica, Yvonne Weekes in Barbados, Lelawattee Manoo-Rahming of Trinidad & Tobago, US poet Lucille Clifton, Stanley Humphreys in Antigua-Barbuda from the song lyrics data base, and some of my poetry as found in A & B Writing in Journals, Showcases, and Contests

The audio is not as clean and clear as I had hoped, but the poems are linked on my jhohadli blog; so you can read along.

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“play my body like a dub riddim” – from ‘Yes‘ By MOON in Rebel Women Lit digital literary magazine

CONVERSATIONS

The Tim Tim Bwa Fik podcast focusses on Caribbean romance literature and I’m pointing you there specifically to check out a series of conversations with Caribbean authors who have written in the genre. The line-up begins and continues with the British Virgin Islands’ Eugenia O’Neal (Jamaica Dreaming), Trinidad and Tobago’s N. G. Peltier (Sweethand), Barbados’ Callie Browning (The Vanishing Girls), and Antigua and Barbuda’s Joanne C. Hillhouse (Dancing Nude in the Moonlight) and Rilzy Adams (Twelve Dates of Christmas).

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“I am talking to super compassionate, people who are interested in nuance, people who are intelligent, but people whose emotional intelligence is off the charts, but importantly, people who I can trust with these things.” – Kei Miller

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“There’s a Stephen King novel called 11.22.63 about a man that goes back in time to stop the Kennedy assasination, and one of the main characters in that is a librarian named Mimi Corcoran who is a best friend of this character who goes back in time. When Bridget Carpenter was writing that series, she felt very strongly that she did not want to do a series set in the 60s where the only roles that Black people played were shoeshine people; even though that was quite a reality of the time, she didn’t want her series to reflect that. So she decided that she was going to take Mimi Corcoran and cast it as a Black woman.” – Tonya Pinkins during this very interesting panel with a number of African-American actresses including the legendary Diahann Carroll

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“It’s difficult to find an edge on me; my spine is a valley” – Bones by Lisa Ann Cockrel, Kenyon Review workshop (online)

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“I thought you know, my mom and dad are particularly ridiculously crazy about each other…you’d go out with them to a store and you’d catch them stealing a kiss…in a way, my parents were the first pushing back…the ways in which they creatively circumvented disciplinary measures to pursue pleasure.” – Andil Gosine

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“Trust that people will meet you where you are and if they’re not there on their own, give them a map so that they’ll meet you there.” – Stacey Abrams with Merriam-Webster’s Book Thing

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“When you’re that young, you’re so clear eyed about how stupid these rules are…” – Chimamanda Ngozi Adichie

CREATIVES ON CREATING

“Being under water, swimming, keeping an eye on things under water, trying to get the best shots possible in such a foreign environment, I was really excited by the challenge.” – Arati Jagdeo, past Wadadli Pen finalist, make up artist and art director on Yemoja’s Anansi

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“This is the world in which I’m creating.” – Christal Clashing on her Anansi series for my (Joanne C. Hillhouse) CREATIVE SPACE column

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This is actually creatives creating. The Beatles working out ‘Something’. It’s from the 2021 Peter Jackson directed docu-series, The Beatles: Get Back.

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This is how it was adapted about a book cum film that the whole film making academy slept on in the 2022 awards season. Read my review of the book and of the film over on my blog.

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Elijah Wood on his Lord of the Rings experience –

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“I love creating characters…I create my characters from every body I’ve ever known.” – Bernadine Evaristo

ARTICLES

“There’s a deep irony to the parallels: an outraged white Texan succeeds at getting a novel about Mexican American experiences removed from schools, and she does it with a distorted reading of a passage about a group of white Texans, in 1937, venting their outrage at the presence of a Mexican American in their school.” – from ‘A Texas School District Banned My Book. Then Things got Really Ugly.’ by Ashley Hope Pérez, author of Out of Darkness, a historical novel chronicling a love affair between a teenage Mexican American girl and a teenage African-American boy in 1930s New London, Texas, occurring right up to the 1937 New London School explosion.

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“The two people who vouched for Moore’s birth and life experiences in Antigua with the most depth were Black women who had until recently been enslaved themselves, her half sister Hester Blackstone and her friend Mary Hughes. Moore did not know her own date of birth, and the retelling of her early life in Antigua rested on the estimates of women who were equally unsure about details of Moore’s biography and the exact moments when she was taken from and returned to the island. But the women speaking on her behalf skillfully figured out how to circumvent their inability to provide exact dates. Hester and Mary used imperial events in their 1838 depositions, a tactic manifested in their testimonies in so similar a fashion as to suggest deliberate coordination. Hughes and Blackstone linked important moments in Moore’s life with notable British imperial administrative and military events at the turn of the nineteenth century, such as the installation of a new governor in Antigua or the outbreak of war in the Caribbean. Their use of imperial time made their affirmation of Moore’s birth and life in Antigua as a child more legible to the powerful administrators hearing testimony from these formerly enslaved women. Their success, however, should not obscure the reality that the strategy they adopted out of necessity calls our attention to yet another dehumanizing aspect of enslavement: the negation of enslaved people’s sense of themselves as beings in time, and thus as autonomous participants in their life stories. Their inability to know time intimately and the denial of the privilege to preserve a record of important dates in their lives, such as their own birthdays and the births and deaths of loved ones, helped to compound the exploitation deeply embedded within enslavement. The depositions of Blackstone and Hughes nonetheless underline the crucial function of community in slavery as the support system that facilitated both survival during bondage and individual enslaved people’s acts of fugitivity and claims to freedom. The British government would not have taken Moore’s case seriously if these women had not vouched for her. Eliza’s first point of self-presentation was to invoke her Antiguan-born mother, Sally Carr, which both Blackstone and Hughes reiterated. Proclaiming her birth to an enslaved mother in Antigua and demonstrating her sisterhood and friendship with formerly enslaved Antiguan women all grounded Eliza in that British colony and contributed to the colonial administrators’ serious consideration of her case. These details subtly show how enslaved people fostered and deployed loving relationships even over time and distance.” – from “So Far to Leeward”: Eliza Moore’s Fugitive Cosmopolitan Routes to Freedom in the Nineteenth-Century Caribbean by Natasha Lightfoot in The William and Mary Quarterly, Omohundro Institute of Early American History and Culture, Volume 79, Number 1, January 2022

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This links to CREATIVE SPACE 1-10, 2020 – 2022 on my Jhohadli blog. It is an anniversary check-in of the top performing installments of the column since it began its Observer run in 2020. This image is from CREATIVE SPACE #28 OF 2021 – CARIBBEAN CHRISTMAS. CREATIVE SPACE is an Antiguan-Barbudan/Caribbean art and culture column by Joanne C Hillhouse.

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, The Jungle Outside, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on AmazonWordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Carib Lit Plus (Mid to Late February 2022)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here).

Transitions & Remembrance

I wasn’t going to write about Calvin Holder. This letter I came across in Guyana’s Staebrok News when googling to see if news of his passing was true (it was, February 7th 2022) changed my mind. Mr. Holder was a teacher of mine and one of the mentors along the way to me becoming the writer that I am. His English classes (at the Antigua State College) drew me out, I shared my writing with him and received feedback, I wrote plays for the college drama group he led. After college we lost touch – though we reconnected from time to time, though not in a long time. The writer of the February 21st 2022 letter, Roy Brummel, referenced Mr. Holder’s PhD thesis, Victim and Vehicle: The Political, Cultural and Intellectual Contexts of Martin Carter’s Poetry, which he successfully defended on April 5th 2007: “Calvin had served as a teacher in different parts of the hinterlands and, after graduating from UG, he returned, giving more years before being transferred to work as an education official on the East Coast of Demerara. Calvin migrated to Antigua to teach, but he came back to UG to read for his Masters in English and later completed his PhD at the University of the West Indies, with his thesis being on Martin Carter….I have been informed that Dr. Gemma Robinson of England has written a thesis on Martin Carter, but I don’t know of any Guyanese besides Calvin who has written a PhD thesis on Guyana’s national poet. Therefore, Calvin’s work is very significant. I’ve asked people whether they have knowledge of a Martin Carter biography, and they said no. Assuming there is no Martin Carter biography, the works of Drs. Robinson and Holder are even more important as they are the closest to that biography.” Sounds like a good idea to me. Rest in Peace to Mr. Holder. (Source – a friend)

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Sarah White, who was the co-recipient of the first Bocas Henry Swanzy Award in 2013, has passed. She was described by Bocas as co-founder of New Beacon Books with her partner John La Rose, and “a true and practical friend to generations of Caribbean writers, artists, and activists…Her death is a great loss to Caribbean and Black British publishing and bookselling, writers and readers.” Sarah was born in 1944 and died in 2022. (Source – JRLee)

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On Thursday, February 3, 2022, the Rex Nettleford Foundation celebrated Professor Nettleford’s life and legacy with a viewing of “Renaissance Man” A Documentary of the Life of the late Jamaican professor. Nettleford (full name Ralston Milton “Rex” Nettleford) was a scholar, social critic, choreographer, and vice chancellor emeritus of the University of the West Indies.

(Source – JRLee email)

Conversations

This recent addition to the A & B Artistes Discussing Art page:

Tim Tim Bwa Fik podcast discussion with Rilzy Adams part 2 (2022) – “When writing, where this was concerned, the one thing that I really wanted it to feel like and be like was Antiguan… I was very intentional with everything from the food choices to the music…but I also wanted them for the most part to be not necessarily heartwarming but …my general brand, for everything I write…Antiguan, full of love, and spicy.” She added that while so much of our Caribbean fiction deals with our historical trauma she just wants to write about people meeting, falling in love, and having sushi.

Click here to watch the full Tim Tim Bwa Fik series by podcaster Maëlla K on Apple podcasts. It includes interviews with several Caribbean writers. (Source – WordPress feed)

Training

(Source – Me)

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You can now view ‘The Journey of a Book’, a webinar co-organized by The Antigua and Barbuda Intellectual Property and Commerce Office and the World Intellectual Property Organization, online. The presenters were Antigua and Barbuda’s Barbara Arrindell, Award winning authof of Love after Love Ingrid Persaud, Barbados’ Erica Smith, CEO of COSCAP – a collective management organization, and Brian Wafawarowa of South Africa, chief content and product officer, Juta and Company (Pty) Ltd.

Pictured during the webinar, above, are, left, Ricki Camacho, registrar of Intellectual Property and Copyright, and, right, Ingrid Persaud.

“Own your work and find your voice…voice is the key,” – Ingrid Persaud said during the webinar, held on February 10th 2022, giving the writer’s perspective. Arrindell, an author and bookseller, spoke about practical resources for writers (what we have and what we need in Antigua and Barbuda). Camacho hinted that one of the things writers have been asking for, the ability to legally copyright their writing locally, may be in the works. But don’t take my word for it. Watch the entire video. Follow this link and use this password (&F9+t1&r). Thanks to the organizers for making this available. (Source – Me)

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The Filmmakers Collaborative of Trinidad and Tobago has announced an online workshop with Los Angeles based South African writer/director Phumi Morae. It will cover screenplay titles, loglines, taglines, and short impactful synopses. Dates February 22nd and 23rd 2022. More here. (Source – Ministry of Culture, Trinidad and Tobago on Facebook)

Events

The PEN Out Loud series which has booked a number of Caribbean and/or Caribbean diaspora writers for conversations over the years has Aida Rodriquez who is American of Puerto Rican and Dominican descent coming up on March 22nd 2022.

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After a two-year break due to the pandemic, Antigua’s Carnival is coming back. No, the pandemic isn’t over (at February 17th 2022, our dashboard shows 135 lives lost to date , 76 active cases, 75 isolated, 5 new, and blessedly only one hospitalized, with vaccine numbers around 60 percent) but (keeping in mind that a vaccine is not a get out of COVID unscathed card, we can still get it and transmit it) hopefully we’ll find ways to party safely to avoid a post-fete surge. (Source – Antigua Festivals Instagram)

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‘Dreadness: the Mystic Power, Philosophy and Performance of Shadow 1941-2021’, in celebration of Trinidad calypsonian the Mighty Shadow’s 80th birthday, is a virtual symposium announced for March 3rd and 4th 2022. Organizers are the Groundation Foundation and the University of the West Indies St. Augustine. Go here for details and registration information. (Source – Amilcar Sanatan email on this issue of Tout Moun Caribbean Journal of Cultural Studies)

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The NGC Bocas Lit Fest has been set for April 28th 2022 to May 1st 2022. The events will be live streamed. Stay tuned. (Source – Bocas email)

Accolades

The short list of books for the Bocas Prize has been announced.

They are Cuba: An American History by Ada Ferrer (Cuban-American), Things I have Withheld by Kei Miller (Jamaican), The Disordered Cosmos: A Journey into Dark Matter, Spacetime, & Dreams Deferred by Chanda Prescod-Weinstein (American of Barbadian descent) contesting for the Non-Fiction prize; Pleasantview by Celeste Mohammed (Trinidad and Tobago), How the One-Armed Sister Sweeps Her House by Cherie Jones (Barbados), What Storm, What Thunder by Myriam J. A. Chancy (Haitian-Canadian) competing for the Fiction prize; Thinking with Trees by Jason Allen-Paisant (Jamaican), What Noise Against the Cane by Desiree C. A. Bailey (Trinidad and Tobago), Zion Roses by Monica Minott (Jamaican) in the running for the Poetry prize.

The judges will announce the winners in the 3 genre categories on 27 March. These will go on to compete for the overall #OCMBocasPrize2022 of US$10,000, to be announced on 30 April, during the 12th annual NGC Bocas Lit Fest. Each category winner will receive US$3,000. (Source – Twitter)

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Late last year the Antigua and Barbuda JCI Youth Empowerment Programme recognized a number of young people. They are humanitarian award winner and Red Cross volunteer Daniela Mohamed, entrepreneurship award winner and Dadli Dose juice brand owner Kwesi Jarvis, sports awards winner and professional bikini fitness athlete Kimberly Percival, agriculture award winner and beekeeper Jamaul Philip, music award winner and pannist Jah-fari Joseph-Hazelwood, education award winner whose sede project is Eat ‘n Lime Tours Tiffany Azille, mental health activist awardee and associate clinical psychologist Regina A. Apparicio, leadership award winner and history teacher Kamalie Mannix, and culture award winner and translator Alfonsina Olmos.

(Source – Facebook)

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Guyana born British based writer John Agard in late 2021 became the first poet to win the Booktrust Lifetime Achievement Award. “I feel happy that I’ve stuck with this craft since I was a 16-year-old boy writing in a classroom in a Caribbean ex-colony. It’s not just me receiving this award, but all the people that inspired me,” Agard said. Read the full article here. (Source – Repeating Islands blog)

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Jamaican writer Kei Miller (Things I have Withheld) was on the Baillie Gifford Prize long list late last year. The prize ultimately went to Empire of Pain: The Secret History of the Sackler Industry by Patrick Radden Keefe. The prize recognizes the best in non-fiction. (Source – JRLee email)

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Twenty early-career writers from seven different Caribbean territories have been shortlisted for the 2022 Bocas Emerging Writers Fellowships, to be awarded in two genre categories for poetry and prose. Scheduled to run for a period of six months, and offering tangible support for emerging writers to advance or complete a body of work, the two Bocas Emerging Writers Fellowships will include a cash award of TT$10,000, six months’ mentorship from an established author, participation in an intensive online workshop hosted by the UK literary organisation Arvon, and publication of a chapbook by Peekash Press. From a total of over 100 applicants, the shortlisted writers are, in alphabetical order:

POETRY

Topher Allen (Jamaica)
Xan-Xi Bethel (The Bahamas)
Neala Bhagwansingh (Trinidad and Tobago)
Johanna Gibson (British Virgin Islands)
Ubaldimir Guerra (Belize)
Jannine Horsford (Trinidad and Tobago)
Jay T. John (Trinidad and Tobago)
Gillian Moore (Trinidad and Tobago)
Ruth Osman (Guyana/Trinidad and Tobago)
Allyson Weekes (Trinidad and Tobago)

PROSE

Tracy Assing (Trinidad and Tobago)
Heather Barker (Barbados)
Ayrïd Chandler (Trinidad and Tobago)
Rachael Amanda Espinet (Trinidad and Tobago)
Amir Denzel Hall (Trinidad and Tobago)
Michelle John (Trinidad and Tobago)
Garvin Tafari Parsons (Trinidad and Tobago)
Rajiv Ramkhalawan (Trinidad and Tobago)
Ark Ramsay (Barbados)
Alexandra Stewart (Trinidad and Tobago)

The shortlists were selected by authors Andre Bagoo of Trinidad and Tobago (whose essay collection The Undiscovered Country was the winner of the 2021 OCM Bocas Prize for Non-Fiction) and Ann-Margaret Lim of Jamaica (whose book of poems Kingston Buttercup was shortlisted for the 2017 OCM Bocas Prize for Poetry).

“Caribbean Lit is in good hands,” remarked Lim of the fellowship applications. “Good, serious writers from the Caribbean, unafraid of subjects traditionally ‘taboo’ in their countries, are writing their truths, and doing so beautifully and as well as any international poet or fiction writer…. The voices are not stilted or affected. They are bold, true, and indeed shaped by skill and attention.”

“These writers all demonstrate a mastery of language in service of an artistic vision or point of view,” added Bagoo. “Their writing samples provide glimpses of a future in which Caribbean literature is bolder, more exhilarating than ever.”

The call for fellowship applications asked for writers working in innovative, genre-crossing forms, exploring themes of individual and personal identity, and ideas of belonging, displacement, and home.

The two successful fellows, selected from the shortlists, are expected to be announced in late March 2022, and will present their work in progress during the 2022 NGC Bocas Lit Fest, running from 28 April to 1 May.

The fellowships are made possible by generous donations from Canisia Lubrin, winner of the overall 2021 OCM Bocas Prize for Caribbean Literature; Dionne Brand, winner of the 2019 OCM Bocas Prize in the fiction category; Christina Sharpe, judge for the 2022 OCM Bocas Prize in the fiction category; and Allyson Holder, Friend of the Bocas Lit Fest. (Source – Facebook)

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Motion, Wendy Braithwaite, a Canadian writer of Antiguan and Barbudan descent, is a Canadian Screen Awards nominee for her writing on the drama series, ‘Coroner’. From Motion’s Facebook: “Wow! So much of our heart and souls went into this one! To see Ruby (played by talented Avery Grant) on screen. To write a story inspired by the culture. To integrate the sounds and the artwork of our artists in this city. To tell a story about art, family, legacy and a courageous girl – young, creative and Black. To work with an awesome room of writers, and create/collabo once again with visionary Charles Officer! 10 Canadian Screen Award noms for Coroner, and 2 for this special episode – DRAMA SERIES, BEST WRITING and DRAMA SERIES, BEST DIRECTING!” Motion’s nomination is for the episode ‘Eyes Up’. (Source – Facebook)

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Shouting out artrepeneur Barbados’ Nikisha Toppin, winner of the MicroPitch Best Female Entrepreneur Award at Micro Pitch Caribbean with her business Elaine’s Caribbean Crochet – “a registered social enterprise that provides Caribbean crochet artists with the knowledge, tools and resources needed to help their businesses be sustainable”.

Image from @elainescaribbeancrochet instagram

MicroPitch is a combination of entrepreneurship trainings and a business plan competition that gives entrepreneurs and micro, small and medium-sized enterprises (MSMEs) of the Caribbean region the opportunity to boost their business by offering them capacity building and a platform to present (“pitch”) their business plans, solutions or ideas to a jury and audience, receiving personalised and instant feedback. Other finalists (more in the entrepreneur lane) are Jamaica’s Venice Irving, winner of the MicroPitch Export Award with her business Happy Teachers and Kavelle Hylton, winner of the MicroPitch Jamaica Award with her business STEM Builders Learning Hub; Dominica’s Jodie Dublin Dangleben, winner of the MicroPitch Best Entrepreneur Award with her Jaydie’s Naturals; Belize’s Miguel Huertas, winner of the MicroPitch Audience’s Favourite Award with his business Apilife and Mark Jacob, winner of the MicroPitch Belize Award with his business DML Foxtail Bamboo Straw; and Haiti’s Joseph Kendy Jules, winner of the MicroPitch Haiti Award with his business Haispot. (Source – N/A but finalists pulled from Micropitchcb Facebook)

Books

Rise up, Sista by Kristine Simelda came out late last year. It tells the story of a Jamaican reggae artist and a British rocker who meet in London in 1963, sparking a powerful story of friendship and cultural revolution. . It is dedicated to the life of Nelly Stharre, a Dominican reggae artist who passed away in 2015 and explores the amazing diversity of music written and broadcast during the 1960s and beyond—rhythms that served as a uniting force during times of change and political unrest. The book was published by Simelda, an American who has lived in Dominica since the mid-1990’s, River Ridge Press.

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Horizon, Sea, Sound: Caribbean & African Women’s Cultural Critique of Nation by Andrea A. Davis was released in January 2022. Calling for new affiliations of community among Black, Indigenous, and other racialized women, and offering new reflections on the relationship between the Caribbean and Canada, Davis articulates a diaspora poetics that privileges our shared humanity. In advancing these claims, she turns to the expressive cultures (novels, poetry, theater, and music) of Caribbean and African women artists in Canada, including work by Dionne Brand, M. NourbeSe Philip, Esi Edugyan, Ramabai Espinet, Nalo Hopkinson, Amai Kuda, and Djanet Sears. Davis considers the ways in which the diasporic characters these artists create redraw the boundaries of their horizons, invoke the fluid histories of the Caribbean Sea to overcome the brutalization of plantation histories, use sound to enter and reenter archives, and shapeshift to survive in the face of conquest. The book will interest readers of literary and cultural studies, critical race theories, and Black diasporic studies. (Source – Twitter)

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Rohan Balkin and The Shadows by Juleus Ghunta with illustrator Rachel Moss was an end of year Caribbean Reads release.

Rohan Bullkin is haunted by sinister Shadows that fuel his fear of reading. He hates books so much that he often rips their pages. But when the Shadows become intolerable, Rohan accepts an offer of friendship from a special book. This marks the beginning of a remarkable journey during which he not only learns how to conquer Shadows but also develops a love of books and life. (Source – Caribbean Reads email)

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You know we’re all about promoting Antiguan and Barbudan books via our book lists, including Antiguan and Barbudan children’s literature. You know that we also promote Caribbean literature. Here’s a new one (or new to us), Jako Productions’ listing of St. Lucia Children’s Books. Just scrolling through it, I’m fascinated by Talking Talia Tattles or Tells – do I know the difference between tattling and telling? do you? this may be a book not just for children; lots of adventure tales – go Wyetta; love the use of the French creole – sak sa…sa ka fet…did I use those right?; the folklore – compere lapin to soucouyan… who looks as frightful as I remember from childhood tales in Antigua (my mother’s family is French creole from Dominica). Anyway, check out the listing of books for children and #readCaribbean (Source – Jako Productions email)

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This is book news more than books, and the news is that American author of Haitian descent Roxane Gay has a new (new in 2021) imprint and a fellowship programme to provide opportunities to publish and/or learn the business, respecitively, to underrepresented voices. Read the announcement in this article in Poets & Writers, and then do your research. (Source – Poets and Writers email)

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US based Trinidad and Tobago author Danielle Y. C. McClean’s The Whisperer’s Warning is the second book in her Secrets of Oscuros series after the Burt Award winning The Protector’s Pledge. It is illustrated by Rachel Moss and published by Caribbean Reads Publishing. Twelve-year-old JV has discovered that he’s one of a select few entrusted with preserving the balance between the world’s natural and unnatural realms and is now more driven than ever to know who his birth parents are. But there’s another mystery in the usually quiet village of Alcavere that he can’t ignore. He and his friends, Carol and Riaz, have received a cryptic warning from a supernatural being who dwells in the Oscuros Forest, launching them into a high-stakes mission. (Source – BCLF email)

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The second book in Jamaican writer Marlon James’ Dark Star Trilogy Moon Witch Spider King landed in February. It follows on National (US) Book Award Finalist Black Leopard, Red Wolf. In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own. Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. James is a US-based author whose many accolades include the Man Booker Prize (only one of two Caribbean authors to claim that coveted prize) for A Brief History of Seven Killings. (Source – BCLF email)

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Sabine, the first short story collection from Hazel Simmons-McDonald, St. Lucia-born linguistics professor emerita, first head of the UWI Open campus, and poet, was published in December 2021. The book presents a deft exploration of class, of how values are shaped by religion, and of the tensions that undergird family life. She makes a place for voices hitherto not heard and creates characters who closely guard the secrets of their hearts but who through her narrative dexterity come to experience moments of truth and clarity of memory. Sabine is published by UWI Press. (Source – JRLee email)

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Co-founder of gender activist group Intersect Antigua and Barbuda Sarah Gresham has created a free online library. The purpose, to share reading recommendations from the Intersect team on each theme of the Caribbean Feminist Stories project. Access podcasts, articles, videos, blog posts, and books that illuminate the themes Resilience in the Face of Natural Disasters, Critical Green Theory, and Black in Environment! As the weeks progress, more resources will be added. (Source – Twitter)

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Ana Portnoy Brimmer’s To Love an Island came out in late December 2021. Portnoy Brimmer is a poet and organizer from Puerto Rico. To Love An Island begins with the aftermath of Hurricane María and spans the summer insurrection of 2019 and subsequent earthquakes in Puerto Rico. It was originally the winner of the YesYes Books 2019 Vinyl 45 Chapbook Contest. (Source – N/A)

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A Lantern in the Wind: A Fictional Memoir was released in 2021 by Hansib. It was written by Ameena Gafoor and offers rare insight in to Muslim life in Guyana. Additionally, her description of being an immigrant in London is a relatively rare revelation of the female experience. Ameena Gafoor is the Founder of The Arts Forum Inc; the Founding Editor of The Arts Journal; and author of Aftermath of Empire: The Novels of Roy A.K. Heath (2017). She has received two National awards as well as recognition from the Guyana Indian Commemoration Trust and the Guyana Cultural Association of New York for her outstanding contribution to the literary arts of Guyana and the Caribbean. She has also received an award from Caribbean Voice for her social work with Support for Vulnerable People through The Gafoor Foundation. Her critical articles are published in selected Journals. (Source – Hansib email)

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One Day, One Day, Congotay by Trinidad and Tobago’s Merle Hodge is described, on the website of publisher Peepal Tree Press, as ‘A novel, like George Elliot’s Middlemarch that celebrates the small, hidden lives that make the world a better place. Like any richly documented historical novel, it has much to say, by implication, about the present’. It was released in January 2022. (Source – JRLee email)

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St. Lucian writer Mac Donald Dixon’s A Scream in the Shadows launches this month. It is a crime story set in the rural Caribbean where traditional allegiances and a flawed criminal justice system provide a backdrop to the rape and murder of a young girl. When her father is accused of the crime, her brother joins the police to try and clear their father’s name. While the suspect languishes in jail on remand, the young detective makes some alarming discoveries. (Source – Jako Productions email)

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Olympic swimmer and Atlantic rower from Antigua and Barbuda Christal Clashing has written a water-based photo-illustrated (coffee-table-ish) book of fiction entitled Yemoja’s Anansi: A Short Story. It has been added to Antiguan and Barbudan Writings and Antiguan and Barbudan Fiction Writings here on the blog. Read about it in CREATIVE SPACE and Blogger on Books; also check our interview on my AntiguanWriter YouTube channel. (Source – Me)

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, The Jungle Outside, and Oh Gad!). All Rights Reserved. Subscribe to the site to keep up with future updates. Thanks.

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Reading Room and Gallery 42

Things I read or view or listen to that you might like too. Things will be added – up to about 20 or so – before this installment in the Reading Room and Gallery series is archived. For previous and future installments in this series, use the search feature to the right. Possible warning for adult language and themes.

NON-FICTION

“Not enough genre peeps are being published writing in, for lack of a better word, non-Eurocentric dialects/vernacular.” – Dialog, Patois: If It’s Good Enough for Anthony Burgess, It’s Good Enough For You by Tonya Liburd

MISC.

The 2021 Virgin Islands Lit Fest was virtual. Here are all the panels, in case you missed it.

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“If you’re a regular here, you know I’m a Caribbean author, reader, and blogger, and I stay reading Caribbean, but I could stand to read a lot more and I’d bet you could too (so consider yourself recc’d).” – from my blog, Top Ten Tuesday #ReadCaribbean

REPORTING

“Although not the traditional form of storytelling, video games, like any other game reflect the culture in which it was forged. Video games, however, get a bad rap, because the associations we give to them such as encouraging antisocial and sedentary behaviours and lifestyles. However, video games provide a particularly unique opportunity to incorporate elements of Caribbean culture through their unique method of interactive narrative during gameplay.” – The Creolisation of Video Games. ‘If We are to preserve Culture, We must continue to create It.’ by Christal Clashing

POETRY

Ann-Margaret Lim

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‘and the takeoff/when the body comes fully in to play/is the throwing off of shackles” – ‘Dear Phibba’ by Ann Margaret Lim

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It’s work, it’s work, my cousins told me
when I complained about too many yachts in the sea,

how I didn’t feel safe swimming anymore.

It’s work, it’s work, I tell myself when I clock
in my time for the day.” – from ‘Solastalgia‘ by Catherine-Esther Cowie

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“The day her practised palm cracked my cheekbone,
I crawled into grief.” – from ‘Mother suffered from Memories‘ by Juleus Ghunta

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I say, Mr. Jno Baptiste
Maybe you’re just not crazy about this world anymore
Maybe you’re just mad, mad, mad about something
But what do I know

-from ‘What do I know’ in Guabancex by Celia Sorhaindo

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“Run.
You have 58 seconds from the end of this message.
Your house is next.” – Running Orders by Lena Khalaf Tuffaha

FILM + OTHER VISUAL ART

Isolation‘ by Carl Augustus of Antigua and Barbuda is a hybrid water colour and poem about mental health, published to the Intersect Antigua-Barbuda platform.

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CONVERSATIONS

“We don’t like the word misogyny. We don’t like the word sexism and we don’t like the word misogyny (in the Caribbean)…there’s all this talk about gender based violence…this is misogyny…this is directed at women.” – Jamaican writer Jacqueline Bishop on the Rippling Pages podcast.

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Two iconic producers discussing how they did it from teenhood to an epic music catalogue.

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“…we don’t mind but it’s the parents of the other girls who might mind.” – Margaret Busby, first Black UK publisher, editor of Daughters of Africa and New Daughters of Africa, whose parents are Caribbean and who spent her earliest years in Ghana, about the responses her partents received when registering she and her siblings in British boarding schools. In conversation re Desert Island Discs with the BBC, in which she gives iconic song picks mixed in with personal history.

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“I had started it as a young adult fantasy book, there was a whole fantasy element to this.” – Trinidad and Tobagonian author N. G. Peltier discussing her romance novel Sweethand on the Tim Tim Bwa Fik Caribbean romance podcast. Scroll and click the playlist for conversations with various Caribbean writers of romance.

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“I’ve loved poetry for many years, reading and listening to it. I’ve always found it a powerful and connecting literary form, but I was relatively new to writing it.” – Celia Sorhaindo interviewed by Kahini

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“One night, I felt this feeling I’d been having my whole life: wake up, can’t see, can’t breathe.” – Courttia Newland in conversation with Johnny Temple of Akashic about out of body experiences, his new book, and the award winning Small Axe anthology series on which he was co-writer.

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“My mother being from the Caribbean and my father being from the South, and me having a huge need to fit in and low self-esteem, I lost my identity very quickly, trying to fit in, to go under the radar…the disconnect from getting to know who Michael was…and the ability to chameleon myself…that also started very early…I got addicted to fantasy very quick.” – Michael K. Williams (RIP) in one of his last interviews discussing his craft, his addiction, his background (which is part Caribbean on his mother’s side – she was an immigrant from the Bahamas), his love of cooking and trying new things, and more. Michael K. came to fame first as a back-up dancer and choreographer and later playing iconic roles like Omar in The Wire, and as a strong character actor in films like Bessie and When They See Us.

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“The Federal Art Project was part of something called Federal One, which had projects not just for the fine arts but also for theater, for writing, for music. There was a design index. It was one aspect of a really diverse and wide-ranging kind of project…the government saw it as an obligation, part of its duty, to provide artists in need with economic support. So they commissioned them to produce public art…The arts, for Roosevelt and the New Dealers, were seen as a fundamental component of a truly democratic society. A democracy could not call itself as such without art, music, theater, poetry, writing, design, photography, film.” – Alison Wilkinson in conversation with Jody Patterson for Vox

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“In the same ways that women were expected and didn’t slip in high school in reading Shakespeare and be expected to get all sorts of things from Shakespeare and from Walcott and from Brathwaite – men can get enormous things from this book and from reading these women as well and that’s what I’ll say to that. There is a stance that, “oh we have to think about the men’s feelings here, and whatnot,” but we don’t think about that when it comes to women reading male writers, right? Male writers, they have achieved, it seems, a kind of universality that “women have not”… Bullshit. I cry bullshit to that. Women, too, are universal. Right? So if you want good writing, if you want good interviews, if you want all of that, women can provide it as well. So male writers will get the exact same things and male readers will get the exact same things here that they would get from any good book.” – Jacqueline Bishop in conversation with Jamaica Creates

FICTION

‘I just thought we’d be in a better position,’ she said. ‘You know. By this stage in our lives. I thought we’d have made more of ourselves.’ – from ‘Attention‘ by Catherine Chidgey; it was shortlisted for the 2020 Commonwealth Short Story prize.

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“I arrived with kosher tacos, made from scratch with chicken liver and mole, and by the end of the night, all sixteen of them sat untouched in the pan, the sauce congealing beneath the foil.” – from ‘The Orphan Disease‘ by Jake Wolff in Kenyon Review

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“The sun hot like it beating your skin with a rubber strap.” – from ‘Cash and Carry‘ by Sharma Taylor, shortlisted for the 2020 Commonwealth short story prize

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“This is how you discover that you fall into that select category of People For Whom Ganja Is Useless.” – from ‘Hunger‘ by Andre Bagoo. This story was shortlisted for the 2021 Commonwealth Short Story Prize. It is posted on the Commonwealth Writers Adda platform.

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Jamaica Kincaid reading her short story ‘Girl’

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“‘I sit down waiting on the bed, and I hear he start to cry. And I know I in for lash. But he come quiet quiet in the room, lie down and say, “Aditi, I sorry.” I wanted to walk out that house then and there, but I ask him for what. He say everything. He say he sorry for everything. The word so stink and nasty after all he do, but he bawling sorrysorrysorry like he feel it go fix something. Like he feel I go start feeling sorry myself.’” – English at the End of Time by Rashad Hosein, shortlisted for the 2021 Commonwealth Short Story Prize

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“Don’t get me wrong: Long Island boys look good. When the Anglican Diocese host Jamboree here, all the girls from Exuma and Eleuthera drool over our boys like they ain’t got none back where they come from. But I ain’t never seen nothing like Demetri before. Brown sugar kiss his gilded skin. The sun blink at the golden glint of his hair. I almost drown in the cerulean waters that rise up to meet me when he look over. He got them eyes that shift with the light. Sometimes they so clear you could see right down to the bottom. Other times they froth with the Lusca’s rage.” – Granma’s Porch by Alexia Tolas

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“We meet our friends for happy hour, hand a twenty-dollar bill to the bartender, double-take when he quips, Still whiskey and Coke after all these years? We peer at him, recognize the brown boy we wrapped our arms around in a basement in Richmond Hill. While Aaliyah crooned on the radio.” – Brown Girls by Daphne Palasi Andreades, 2019 Kenyon Review Short Fiction Contest Winner

CREATIVES ON CREATING

The Daily Show has been doing a series ‘Beyond the Scenes’ – a how the sausage gets made series on the topical comedy segments on the show.

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“It looks as if I’ve been very prolific but actually there have been breaks” – Monique Roffey in conversation with Malika Booker for New Caribbean Voices – Books and Writers podcast

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“I spent a couple of summers as a kid in Barbados, but probably eight or nine summers in Antigua; so I actually spent a lot more time in Antigua with my dad’s family. So it’s a bit ironic that I spent so much time writing about Barbados ’cause I actually know a lot less about it and I’m less connected to my family there. But I think that actually opened up a space for me imaginatively to write about Barbados that wasn’t there for Antigua.” – Naomi Jackson on Writing Home: American Voices from the Caribbean

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“With all its horrors, the pandemic has led to a host of online workshops, open mics, events like poetry readings and literary festivals, virtual spaces to share, discuss and connect with other writers and writing communities, and a host of other opportunities. All of these have helped to improve my craft and my confidence. I have also been reading poetry voraciously from a diverse range of poets, and other articles that catch my interest, not just literary ones, from quantum physics to the amazing life and anatomy of an octopus. I assume it’s the same for everyone.” – Bocas longlisted poet (Guabancex) Celia Sorhaindo in conversation with US based Jamaican writer Geoffrey Philp on his blog.

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‘I’d had workshop earlier that day, and my professor, Elissa Schappell, said two pieces of advice that lodged in my brain: Don’t be afraid to take risks in your writing, and Write what only you could say. It was advice I needed to hear at that point in time; I’d been pursing art in an academic setting—the MFA—and the program had, ironically (or perhaps not-so-ironically), left me feeling creatively stifled. Elissa’s words reminded me of the thematic and formal risks I wanted, and absolutely needed, to take in my art. What she said helped me feel the freedom I needed to feel to begin “Brown Girls.”’ – Daphne Palasi Andreades, KR Conversations

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“Seabirds are a constant in my daily life. Along my daily commute frigates are flying overhead while pelicans rest on the waterside rocks. Just now, in the empty lot next to my apartment a lonely heron wanders about. When I ride the ferry over to the outer islands or over to St. Thomas, brown boobies chase the boat’s work. Sometimes I feel like my outstretched fingers may just graze their bellies.” – British Virgin Islands poet laureate and OCM Bocas prize winner Richard Georges in conversation with acclaimed and award winning Jamaican writer Jacqueline Bishop for her series in the Jamaica Observer Bookends supplement. Read the interview:

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“She changed the requirement that actresses in the movies being invariably likeable or attractive. She lifted the veil of appropriate behaviour in women to expose what was scary, unexpected, or ugly; in other words, to do what was appropriate for the character” – Meryl Streep on Bette Davis for Turner Classic Movies

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, The Jungle Outside, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on AmazonWordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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