Tag Archives: Destroyer

CALYPSO ALL-ROUNDER, DESTROYER … and Rising Star, Young Destroyer

This is a throwback to an article I did for the Calypso Association 50th anniversary magazine in 2007. In the interest of increasing awareness of the accomplishments of some of our iconic calypsonians and increasing appreciation for the art form, I figured I would share some of that issue with you. I’ve previously posted the issue’s articles on Calypso Jim, Calypso Joe, Franco, Swallow, King Onyan, Ivena, the Mighty Bottle, the King Zacari, and Scorpion. This particular article focused on father and son duo Destroyer and Young Destroyer. DO NOT repost without permission or credit.


One is The Man Who Might Have Been King; the other a royal contender or The Man Who Could Be King. Of course, for Leston ‘Young Destroyer’ Jacobs – former Junior Monarch and, via the CARIFESTA Calypso competition, reigning World Calypso King – Someday can’t come soon enough. His father, Oglivier ‘Destroyer’ Jacobs, meanwhile, seems pretty resigned to the fact that perhaps he’s peaked as far as competition goes. The closest he’s come is first runner-up spots in 1971 and 1989. If you ask both of them, though, they’ve already earned the crown a time or two, notwithstanding the final decision of the powers-that-be.

Still, beyond all the competition talk, there’s a clear passion for Calypso. Destroyer, the man who – as entertainer, songwriter, tent manager, and association executive member – can be called an All Rounder in the Calypso game, declared, “up to now, I don’t listen no other music but Calypso.” It took his son only seven years of this kind of exposure before he first took to the stage. “Coming from a Calypso family, I’ve always wanted to become a Calypsonian professionally,” Young Destroyer said. “Even before 1990, I was kind of pressuring my father to put me in the competition.” It’s somewhat ironic that with his own seven-year old-daughter now chomping at the bit, Young Destroyer has decreed that she’s too young.

Both remember vividly, their first tent outing. “The first time I performed was at Kensington Court in a Calypso tent run by the carnival committee,” Destroyer reflected. “I had a song called ‘Bring back the Cat-o-Nine’. At the time, the big gun was Short Shirt and a guy named Skeech; the first runner up the year before. When he heard me sing, he came and said: “Youngster, you have a good song there, but good for the tent not for competition.” But at the end of the 1967 semifinals, it was Destroyer who made the cut – alongside the likes of Creole, Lord Lee, Mighty Dove, Smarty, and Brain; not Skeech.

Young Destroyer was, similarly, a hit, right out the gate. He went straight to the University, Swallow’s Calypso Pepperpot, where the crowd showered him with money as a token of their appreciation; the year was 1990. He won his first of four junior monarch crowns that year; the other years being ’93, ’96, and ’97. Added to this was a junior title claimed in Trinidad and, of course, last year the World Calypso King title.

Destroyer Sr. reflected, jokingly, that his young son used to taunt, “you know why you don’t want to give me no song, because you ‘fraid I goin’ win before you.” But while these words may have had the tint of prophecy, the son having claimed several crowns since his father relented and let him into the arena, both insist that there’s no rivalry. “We both share victories together,” said Young Destroyer. “I can’t be victorious without my father.”

True, he’s turned to other writers now and again and has received encouragement from others in the fraternity along the way, but his one true mentor, Young Destroyer declared, has been his father. His father, in fact, penned the two tunes – one of which includes the Best Social Commentary winner in local competition ‘Back of de Bus’ – that shook Trinidad at CARIFESTA in 2006.

Both admit having felt discouraged in local competition. There was the virtual shut-out of top positions during the Short Shirt and Swallow days. But even the decline or retreat from competition of the Big Three – King Obstinate being the third of this triad – the crown has eluded Destroyer. For him, a bitter memory is his loss in 1989 to King Fiah. His selections that year were ‘Discrimination’ and ‘Message from Gorkie’; and, he said, “I know I won that year.” What’s more, he claims that the judges knew it, too. “If is five judges,” he said, “nearly all of them come and say, ‘Destroyer, you know ah you win the crown; but how arwe go walk outa dis park wid all dem noise for Fiah.’”

As for Young Destroyer, he’s come close; 2002, for instance, when he was second runner up with ‘Don’t Write me Off’ and ‘W’ine Back’ or 2003 when he placed first with ‘Queen of My Heart’ and ‘Antigua Means Everything to Me’. Some contend that, like Jim a few years ago, he sang the wrong song when he didn’t pair ‘Popeshead Street’ with ‘Back o’ De Bus’ in 2006; but given how low he placed, Young Destroyer is not convinced it would’ve made a difference.

These disappointments made the victory in Trinidad that much sweeter. “I had this gut feeling that I would go down there and come home victorious just to prove to them that I have good talent and I have good songs to win the crown here any time,” Young Destroyer said. “I don’t know why I keep getting low marks, but I just wanted to prove to them that my father is still one of the best writers in the world.”

High praise indeed! Still, it’s not the first time Destroyer’s songwriting ability has been praised. Dorbrene O’Marde’s Calypso Talk, at one time the Antiguan Calypso bible, in 1988 praised his storytelling ability; its relevance and specificity. That relevance and specificity can be found, for instance, in lyrics like

“They move de surcharge from we light bill
but fuel variation killing we;
is All Fools Day,
is fool they fooling we.”

His favourite of his tunes, however, is ‘Woodpecker Sarah’, one of the best examples of the double meaning he likes to give to his lyrics. In the song, a single mom is forced to go in search of “wood” (wink wink) to burn coal to support her children.

Among his favourite songs by other Antiguan Calypsonians, meanwhile, are Latumba’s ‘The Love I Lost’, Short Shirt’s ‘Inspite of All’, and Calypso Joe’s ‘Poor Little Negro Boy’. Young Destroyer’s favourites include King Obstinate’s ‘Wet You Han’ and ‘Always Come Back to You’, Short Shirt’s Tourist Leggo’, Swallow’s ‘Fire in de Backseat’, and his dad’s ‘Woodpecker Sarah’. In fact, he added, “I like all my father songs.”

Talk of his father’s songs must inevitably lead to his father’s politics and its influence on his music. Destroyer wears his red proudly, joking when picking up his 2007 National Vibes Star Project Award for producer of the year for ‘Back of de Bus’ “bury me with this and red.” But he’s of the view that he’s held true to the Calypsonian’s mandate to sing it as he or she sees it. “When Labour was in power, I sing ‘Jail Cart’, ‘Country Running Good’, and ‘All Fools Day’ and all them things there,” he said. “Even Labour Party supporters, even ministers come and say, ‘if you’re a labour supporter, why sing these songs? You not doing the party no good’. I tell them ‘is Calypso, you sing what you see’.” His son’s ‘Greedy Horses’ and his own ‘Beg Georgie Pardon’ were also anti-establishment. It could be argued, however, that he was showing his colours when he came down harder on current Prime Minister Baldwin Spencer than he did on former PM Lester Bird when singing of the injustices done to late activist, analyst, and newspaper editor Leonard ‘Tim’ Hector. But as Destroyer sees it, he was merely looking at it from Tim’s perspective. “When I was writing that song, I did some research with some people close to Tim,” he said.

Of course, if we touch on Destroyer’s politics, it’s only fair that we touch on Young Destroyer’s widely reported brushes with the law and the potential impact this has had on his Calypso career. “Well, look where I am now,” he replied when quizzed about this. “I’m now the Calypso King of the world. Sometimes in life there are obstacles in people’s way. It can make you better or make you worse. It’s how you plan to come back from these obstacles. Young Destroyer is a person that lets nothing bring him down, regardless of what people think. I know what I’m headed for.” What he confidently asserted, during the interview, that he is headed for in 2007 is all the crowns – party and Calypso – and more. “This album, the world is looking forward for this album,” he said, “so we can’t politicize this album. This album is to market Antigua, to market the product, and reach even further than CARIFESTA King.”

Destroyer, meanwhile, wouldn’t be competing, at least, not up to press time; but he remained on track with his work with the Masters Calypso tent, where Young Destroyer was scheduled to make his latest run for local Calypso glory.

As with all content on Wadadli Pen, unless otherwise indicated, this is written by author and Wadadli Pen founder and coordinator Joanne C. Hillhouse. All rights reserved.

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Antiguan and Barbudan song writers

The cover of the Calypso Association 50th anniversary magazine on which I had the privilege of working as editor.

As with the playwrights and screenwriters, the listing of Calypso song writers may will take a good long while, building sloooowly over time as I gather information and as I find time to upload the information I already have. Part of the challenge is that while we know the names of the artistes, the writers often exist somewhere in the wings, out of the spotlight (sometimes deliberately so). Often, even today, there are no liner notes (a pet peeve of mine since well-written liner notes enhance the listening experience for me). So, more than any of my lists, this one promises to be a challenge. In a number of cases, I’m not 100% sure about the songwriting credits (so if anyone knows, for sure – i.e. with proof, please email wadadlipen@yahoo.com). I think Antigua and Barbuda has produced some classic calypsos (and noteworthy songs in other genres) and they dripped from somebody’s pen; and those guys and gals deserve a bit of the spotlight, wouldn’t you say?

Davidson ‘Bankers’ Benjamin – Bankers’ popular tracks include ‘Me D Ras’ and ‘Fire go bun Dem’ which won him the Antigua Calypso Monarch crown in 1996. He’s also popular for the songs he did with Dread and the Baldhead (‘Motorbike’, ‘Do You wanna rock some more’ etc.) in the 1990s and for songs like ‘Pulling Me’ on the Sweetest Mango [film] soundtrack.

Boasta (Tario Philip)Old Time Something (2015).

Muerah ‘Mighty Artist’ Bodie His calypsos are known for their double entendre (read: alternate lewd interpretation), earning the most humorous prize in competition a time or two. His songs include ‘Vitamins and Iron’, ‘Tarpan Tone Up’, ‘Woman Working Under Man’, ‘Me Ole Wife’, ‘Pot Hole’, ‘Business Dead’, ‘Clap You Tongue’, and others. He’s been singing since 1972.

Marcus Christopher– over 300 calypsos written: incuding several which won the Calypso Monarch competition like Short Shirt’s ‘Carnival on the Moon’ (1969), ‘Beatles MBE’ (1965), ‘No Place Like Home’ (1964) and ‘Heritage’ (1964), ‘Technical School’ (1971), ‘Black Like Me’ (1971); Zemakai’s ‘Tribute to Radio Antigua’ and ‘Fidel Castro’ (1961); King Canary’s ‘Gem of the Caribbean’ and ‘Slapping Hands’ (1960) and ‘Island People Names’ and ‘Immigration Bill’ (1962). Also many that while not winners are memorable, such as Short Shirt’s ‘Parasites’ (1963) and ‘Anguilla Crisis’ (1969) and Sleepy’s ‘Under the Carpet’. Christopher died in 2015.

Toriano ‘Onyan’ Edwards – One fourth of the original groundbreaking Antiguan jam/soca band Burning Flames and later a solo act and four time calypso monarch (1997, 1998, 1999, 2000); Onyan has attracted controversy for lyrics deemed offensive by some (I for instance wrote an article critical of 2012’s ‘Kick een she back doh‘- loved by fans who assured it the road march win, and decried by women’s groups) and not for the first time; anyone remember such classics as ‘Man fu Whorehouse’ and ‘Baby Food’ off the Baby Food album? But with songs like ‘Crazy Man’, ‘Old Fire Stick’, ‘Life in the Ghetto’, ‘Nice and Slow’ and even the named controversial songs he remains  a crowd favourite and road march winner.

Mclean ‘Short Shirt’ Emmanuel – The Calypso Hall of Famer is celebrated as The Monarch (subject of the documentary film The Making of the Monarch  and of the book Nobody Go Run Me – long-listed for the 2015 Bocas prize) as the 15 time Calypso Monarch (’64, ’65, ’66, ’69, ’70, ’72, ’74, ’75, ’76, ’79, ’80, ’86, ’87, ’88, ’92) of Antigua and Barbuda; in addition to being a multiple title holder in both the Road March and Caribbean Calypso King categories. Check out this article on his 1976 album, Feeling the Ghetto Vibes. Also scroll down for the Shelly Tobitt entry.

Fd – The official pseudonym of a songwriter who provided evidence of his contribution to Antiguan calypso (as I hope other songwriters will do so that I can continue to build this data base). Those contributions include social commentaries  –  ‘True Antiguan’ (2011), ‘Forward Together’, ‘Share The Honey’ (1992), ‘Heaven Help Mankind’ (1993), ‘How Could I Sit Back’ , ‘Tell The Truth’; and party tunes – ‘Push Back You Bam Bam/Jennifer’ (1987), ‘Taste The Honey/Taste It’ (2011), ‘After Midnight’ (1983), ‘Get It Up’, ‘Champion’ (1987) & ‘Angela’ (1987) – all performed by King Short Shirt. Other Fd songs: ‘The Party’, ‘Give me a Beer’, ‘Rolling Back’, ‘That’s How I Like It’, ‘Wire Waist’, ‘Stay out of Politics’, ’25 Years’, ‘Good Advice’, ‘Love Me Up’, ‘Shake de Booty’, ‘Push Wood’, ‘Selfish Man’ (1983), and ‘Rub Your Body (1983)’.

Stanley Humphreys – a frequent Short Shirt collaborator beginning with 1980s Summer Festival album, continuing wtih 1981’s Dance with Me Album including songs like ‘Nationalism’ and ‘We have got to Change’, and ongoing; also in 1981 ‘Pledge’ (as confirmed by the artiste himself).

Joseph ‘Calypso Joe’ Hunte – His classic ‘Bum Bum” became, in 1970, the first homegrown winner of the Antigua and Barbuda calypso road march title. Other well known tracks composed and (I believe) written by Joe include: 1971’s ‘Educate the Youths’ and ‘Recorded in History’ with which he won the Calypso Monarch crown;   ‘War’, ‘A Nation to Build, A Country to Mould’, and 1972’s ‘Life of a Negro Boy’.

Tameka Jarvis-George is a novelist and poet who continues to cross boundaries by mixing genres such as when she converted her poem Dinner into a short film of the same name. Her lyrics for Naki’s ‘Talking in Tongues’ on the Tin Pan Riddim is another example.

Oglivier ‘Destroyer’ Jacobs  has written for both himself and his son Leston ‘Young Destroyer’ Jacobs. Destroyer Sr. has never won the crown, though he came close in 1971 and 1989 winning the first runner-up spot. His written songs include 1967’s ‘Bring Back the Cat-o-Nine’, 1989’s ‘Discrimination’ and ‘Message from Gorkie’, ‘Back of de Bus’ (sung by his son and winner of best social commentary in 2006),

Accepting a National Vibes Star Project Award

‘Woodpecker Sarah’, ‘Jail Cart’, ‘Country Running Good’, ‘All Fool’s Day’, ‘Beg Georgie Pardon’, ‘Ah Wha Me Do You’, ‘Can’t Smile ‘Bout That’, ‘Ah Wonder Who Do Dis’, and many others.

King Zacari

Trevor ‘King Zacari’ King  (pictured above, performing)- The 1991 and 2001 monarch began writing for juniors in the early 1990s (e.g. ‘The Zulu Will Rise Again’ performed by Pepperseed) before entering the arena with his own tracks among which can be counted ‘Black Rights’, ‘Guilty of Being Black’, ‘Fine Ants’ (2001), ‘Guilty as Charged’ etc.

Logiq (Vincent Pryce) – A rapper whose discography includes tracks like ‘Sometimes‘, ‘Intimidation‘, and ‘All 4 Love‘.

Menace (Dennis Roberts) – ‘Old Time Something‘ and ‘ Sand to the Beach ‘ (2015).

Kobla ‘Promise No Promises’ Mentor – This Guyana born singer-songwriter broke through in Antigua with his behind the scenes contributions (as co-writer) on the 2003 Wanski hit (‘More Gyal‘) before claiming the so/calypso spotlight the following year with hits like ‘Can’t Stop My Carnival’ and ‘Pon de Move’; 2010’s ‘Do Good‘, 2011’s ‘Her Drums‘, and 2014’s ‘Draw we out‘are among his more recent offerings.

Lesroy Merchant – His songwriting is referenced in this obituary/tribute but details of the specific songs remain elusive. RIP. ETA: “Lesie wrote mainly for Franco, as a matter of fact, it was Lesie who introduced me to Franco and tried to get me to write songs for him. I was very busy at that time hence Lesie wrote the songs for Franco and many times he would have me look at them and asked for my input. May he rest in peace.” – William Shelly Tobitt in the comments below the post ‘Press On’

Justin ‘JusBus’ Nation – He’s written and produced songs and remixes for many artistes including himself with his 2015 J. Nation CD (‘Vertigo’, ‘Hard Work’, ‘Sometimes I’, ‘Blasting Away’ etc.)

Dorbrene O’Marde – song listing requested. Dorbrene is also the publisher of Calypso Talk magazine and the author of the Short Shirt biography Nobody Go Run Me.

The Mighty Bottle (Percival Watts) – ‘Fungi’, ‘Dive Dung Low’, ’10 Bag a Sugar’.

Rupert ‘Littleman’ Pelle – Winning Junior Calypso titles during an uninterrupted eight year run: ‘Parenting’, ‘Prostitution’, and ‘Wadadli Children’ sung and won by Lady Challenger (pictured left, above), 2000-2002; ‘Jump & Wave’, ‘Aunty Esther Say’ sung and won by Princess Thalia (2003-2004); and ‘Train Us Up’, ‘T. N. Kirnon Say’, and ‘Thank You Icons’ sung and won by Lyricksman (2005-2007). – Junior calypso record courtesy a facebook post by Trevaughn ‘Lyricks Man’ Weston on Littleman’s passing in December 2020. Also, ‘Riot 68’ for Latumba – first song when he was still performing as Deceiver (1968) and ‘From Statehood to Independence’ for Prince Jasbo (1978), along with songs for Daddy Iko, Calypso Farmer, Baby Eve and many other junior calypsonians.


Rupert ‘Swallow’ Philo – ‘Raphael Trujillo‘ (1961), ‘Party in Space’, ‘Man to Man’, ‘Dawn of a New Day’, ‘We Marching’, ‘Subway Jam’, ‘One Hope One Love One Destiny’, ‘Don’t Stop this Party’, ‘Fire in De Backseat’, and more as chronicled here. With Short Shirt and Obstinate, he is considered one of the big three of Antiguan calypso and a legend in his own right. King Swallow died in 2020. RIP.


Quarkoo, circa 1942. (Museum of Antigua and Barbuda archival photo)

“The dominant form of popular music in Antigua [up to arouund 1950] was ‘Benna’. The main proponent at the time was a strolling minstrel John ‘Quarkoo’ Thomas.” – P. 20, King Short Shirt: Nobody Go Run Me by Dorbrene O’Marde. Listed among his songs – ‘Maude Smell Donkey’ and 1924’s ‘Man Mongoose, dog know your ways’; 1943’s ‘Yes, it is more than tongue can tell…’

Sir Prince Ramsey is a family physician by profession, an HIV/AIDS activist by choosing, a calypso lyricist and producer by calling. He has produced more than 45 calypso albums and written over 100 songs since 1979 for artistes like King Obstinate, Rupert ‘Baba’ Blaize (‘In Antigua’), Onyan (‘Stand up for Antigua’ – 1998 Calypso Monarch winner), De Bear (‘My Allegiance’ – 2003 Calypso crown winner; and ‘Man is Nothing but Dust’ – 2007 Leeward Islands calypso competition winner), Zero (‘Protect Yourself’ – 2002 Calypso Monarch winner), De Empress (‘We don’t want it here’ and ‘Power of a Woman’ – 2000 Queen of Calypso crown winner), Blade (‘The Brink’ – 2008 Carnival Development Committee winner for best writer and best calypso), and others (about 50 artistes in all). Dr. Ramsey died in 2019. RIP.

Paul ‘King Obstinate’ Richards – The Undefeated is the creator of such classic gems as 1980’s ‘Believe‘, ‘Children Melee’, ‘Always come back to You’, ‘Antigua’s True Heroes’, ‘Got a little Something  for  You’, ‘Coming down to Talk to You’ (1982), ‘Hungry’, ‘Shiny Eyes’, ‘Who kill me Sister?’ (1985), ‘I already Talk to you’ (1992), ‘All of Self‘ (1993), ‘Ready to Go‘ (1996), as well as ‘Wet You Hand’, ‘Gold Rush’, and ‘Is Love a Love You’.

King Obstinate

Shelly Tobitt – Arguably Antigua and Barbuda’s best songwriter in the calypso arena, especially at his height in the 1970s during his winning partnership with the country’s most lauded calypso icon The Monarch King Short Shirt. It’s important to define Shelly’s partnership with his cousin and frequent collaborator Short Shirt. “Shelly wrote, virtually everything. He also provided ‘base’ melodies. Short Shirt either fine-tuned the melodies or created new ones based on his singing abilities or his own melodic instincts and he helped shape musical arrangements. He also provided a grounding of Shelly’s lyrics. Shelly was the poet, prone to flights of fancy and fantasy. Short Shirt pulled him back, opting for the ghetto slang or the dialect expression in phrase or sentence.” – p. 81 – 82, Nobody Go Run Me by Dorbrene O’Marde. Among the songs they did together are ‘Lamentation’ in 1973; ‘Lucinda’ in 1974; the songs on 1975’s Pan Rhapsody album – ‘Pan Rhapsody’, ‘Cry for Change’, ‘Awake’, ‘Antigua’, ‘Miss Yvette’, ‘Leh We Go’, ‘Vengeance’, ‘Lead On’, and ‘Come J’ouvert’; the tracks on the classic Ghetto Vibes album of 1976 – ‘Carnival ’76’, ‘Inspite of All’, ‘When’, ‘Tourist Leggo’, ‘Nobody Go Run Me’, ‘Power & Authority’, ‘Fantasy’, ‘Vivian Richards’, ‘Hands off Harmonites’, and ‘No Promises’; ‘Rock and Prance’ in 1977, ‘Jammin’ and ‘Gently on my Mind’ in 1978,  ‘Press on‘ the title track for an album that included songs like ‘Viva Grenada’  and ‘What You Going to do’ in 1979, and ‘HIV/AIDS’ and ‘Fyah’ in 1988. Tobitt’s discography also includes:  Latumba’s ‘Culture Must be Free’ and ‘Liberate Your Mind’ in 1979, Chalice’s ‘Show Me Your Motion‘ (1981), King Progress’ ‘You getting it‘ (1984), Figgy’s ‘Look what they’ve done to my song‘ (1998), ‘Benna’ (2011). ETA: “I am the writer and arranger of my works and provide everything needed to realize a complete production. Back then, before I could write the musical parts for the musicians I needed an arranger to do so, but it was my arrangements that they wrote. I sat with and instructed every arranger I worked with how I wanted the songs, and what rifts and motifs to write.” – William Shelly Tobitt in the comments section below the post ‘Press On’

Cuthbert ‘Best’ Williams

Cuthbert ‘Best’ Williams with Queen Ivena

has written winning tunes for Antiguan monarchs Smarty Jr. (who won the crown in 1993, 1994, 1995 with ‘Never Again’, ‘Role of the Calypsonians’, ‘What Black Power Means’, ‘Cry for Change’, ‘Draw the Line’ and ‘Follow the Leader’) and Ivena (who won the monarch crown 2003, 2004, 2005 with ‘Robin Hood in Reverse’, ‘Ivena’s Agenda’, ‘After Lester’, ‘Reparation for Africa’, ‘What Did Castro Say’, and ‘Don’t Pressure Me’; and the  Queen of Calypso crown in 2001 – 2005 with ‘Old Road Fight’, ‘Save Ms. Calypso’, ‘I’m Angry’, ‘Remember the Pledge’, and the other named songs).

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Fish Outta Water, and Musical Youth). All Rights Reserved. Seriously, a lot of time, energy, love and frustration goes in to researching and creating content for this site; please don’t just take it up just so without even a please, thank you or an ah-fu-she-subben (credit). If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Flashback – National Vibes Star Project Award

Too bad this project, spearheaded by poet and promoter Knowledge couldn’t have been sustained; it was a good way to celebrate the creative arts – primarily the performing arts but because many songs require lyricists also the literary arts; kind of our version of the Grammys/Peoples Choice Awards. The Grammys because it was an industry award with fun performances and lots of glamour and excitement, People’s Choice because it was voted on by the people. It didn’t have the kind of funding/support needed to keep going, though. And isn’t that always the case. Here’s a look back:

From left NVSP founder Knowledge, Tizzy of El A Kru, Kayode Erasto, and one of the night's presenters and, I believe, reigning Homecoming Queen at the time.


Calypsonian/calypso writer performing at the NVSP awards Zacari










Calypso writer/producer Dr. Prince Ramsey on receiving an award at the NVSP Awards.

NVSP awards winner Destroyer.


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