This page has grown fairly quickly, so I’m breaking it up in to four pages. For A – G, go here, for O – T, go here, for U – Z, go here. and for books, go here. This is exclusively for creative pieces by Antiguans and Barbudans accepted to established literary journals, festivals (and other notable literary platforms), and contests (not pieces posted only to personal blogs) as I discover (and in some cases, re-discover) them. Primarily, the focus is on pieces accessible online (i.e. linkable) because those are easiest to find; but it is not limited to these. It is intended as a record of our publications and presentation of creative works beyond sole authored books. Naturally, I’ll miss some things. You can recommend (in fact, I welcome your recommendations), but, as with all areas of the site, additions/subtractions are at the discretion of the admin.
HECTOR, LEONARD ‘TIM’ – Excerpt from “The Art of Carnival and the Carnival of Art” (non-fiction, previously published in The Outlet newspaper) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007
HENRY, E.T. – 
Christmas Stringband (visual art – greeting card),
“Calypso Dancers”, and John Bull painting (visual art – painting) 
– in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007
HILLHOUSE, JOANNE C. – “Happy New Year” in Dappled Things: A Quarterly of Ideas, Art, and Faith, issue Mary, Queen of Angels 2022 – January 2023
HILLHOUSE, JOANNE C. – “Ixie and Izzy” in Moko: Caribbean Arts and Letters – December 7th 2021
Excerpt: Grey was a palomino, pale and freckled and blonde, an unusual breed for the island but here nonetheless, as anomalies are everywhere. Perhaps it was their differentness that made them such good companions. The horse had waited patiently through the night. Now, she snuffed and fidgeted, as she rarely did, and when that didn’t get Ixie’s attention, she neighed. Ixie looked over to see a man standing, watching.
HILLHOUSE, JOANNE C. – Presentation on Jamaica Kincaid and King Obstinate during the Antigua and Barbuda Conference – October 2021
HILLHOUSE, JOANNE C. – Presenting on “‘The Art of Writing Children’s Books” at Write the Vision’s 2021 Aspiring Authors and Writers Virtual Literary Event – October 7th 2021
HILLHOUSE, JOANNE C. – “Ah Write!”, “She Lives There”, “She Works”, “Ghosts Lament”, “When We Danced”, “Ode to the Pan Man”, excerpt from With Grace, “Da’s Calypso” (poetry, fiction) – Festival Internacional de Poesia de Medellin (samples “Una Oda al Pan Man” [An “Ode to the Pan Man”], “‘El Lamento de las Fantasmas” [“Ghosts’ Lament”], “Ella viva Alla” [“She lives There”], “Ella Trabaja” [“She Works”], “El Calipso de Da” [“Da’s Calypso”], and “Escribo!” [“Ah Write!”] also published on the Festival site and “El Lamento de las Fantasmas” [“Ghosts’ Lament”] and “El Calipso Da Da” [“Da’s Calypso”] p. 279-282 in the official festival publication ‘Revista Prometeo Numero 115-116’ Agosto de 2021 Revista Prometeo 115-116 (JCH in Revista Prometeo)- August 10th 2021
HILLHOUSE, JOANNE C. – “Times A-Changing” (fiction) – CREATIVE SPACE #15 of 2021 in the Daily Observer newspaper
Excerpt: “The already narrow road was made narrower by the line of cars. There were always cars there, even when the bars up and down both sides of the road were officially closed due to Lockdown.”
HILLHOUSE, JOANNE C. – “Antigua, at Night” (poetry) – in BIM: Arts for the 21st Century Volume 10 – 2021
HILLHOUSE, JOANNE C. – “Carnival Hangover” (fiction) – in intersectantigua.com – 2020
HILLHOUSE, JOANNE C. – reading excerpt from “Rhythms” (poem, Vol. 18, The Caribbean Writer) and “Ode to the Pan Man” (poem, Vol. 27, The Caribbean Writer) – (virtual) lit conference and journal launch of The Caribbean Writer – 2020
HILLHOUSE, JOANNE C. – – reading excerpts from award winning teen/young adult novel Musical Youth as part of St. Lucia’s Caribcation Caribbean Author Series – 2020
HILLHOUSE, JOANNE C. – Lost! A Caribbean Sea Adventure read during the Read2Me virtual series out of Trinidad and Tobago – 2020
HILLHOUSE, JOANNE C. – “Grandmother and Child”, “Waste Not”, “Weather Patterns” (poetry) – Skin Deep magazine Is this the End? (UK) – 2020
HILLHOUSE, JOANNE C. – readers sharing an excerpt from With Grace at the Barnes Hill Reservoir Park Black History Month event (fiction) – 2019
HILLHOUSE, JOANNE C. – “Development” and “Summer One” (poetry) – Angles of Light series on Chapel FM (UK) – 2019
HILLHOUSE, JOANNE C. – “Ode to the Pan Man” during Antigua and Barbuda Independence literary arts showcase (poetry) – 2019
HILLHOUSE, JOANNE C. – excerpt from Musical Youth during Antigua and Barbuda Independence literary arts showcase (fiction) – 2019
HILLHOUSE, JOANNE C. – “The Night the World Ended” (fiction) – The Caribbean Writer Volume 32 – 2018
HILLHOUSE, JOANNE C. – “A Life in Mas“(non-fiction) – Moko: Caribbean Art and Letters – 2018
HILLHOUSE, JOANNE C. – “Papa Jumbie” (flash fiction)- Akashic Books’ Duppy Thursday series – 2017
Excerpt: “… he choops to heself. Only picknee believe in jumbie. Dead na speak an’ Papa dead long time.”
HILLHOUSE, JOANNE C. – “The Other Daughter” (fiction, included in a test question in the Denmark Ministry of Education’s 2019 English Evaluation Written Exam for upper secondary and higher preparatory students. Plus there’s analysis and breakdown on the Danish version of study net – 2019) – Adda (the Commonwealth Writers online literary magazine) – 2017
Excerpt: “The day we went uphill, my corn-rowed head level with Mom’s melon-sized chest, my inquiries about where we were going were met with silence and a determined tug on my arm as I dragged my feet.“
HILLHOUSE, JOANNE C. – “Little Prissy Palmer” (flash fiction) – The Machinery – 2017
HILLHOUSE, JOANNE C. – “The Bamboo Raft” and “Election Season” (poetry), and “Zombie Island” (fiction) – Interviewing the Caribbean Vol. 2 No. 1 – 2016
HILLHOUSE, JOANNE C. – “Game Changer” (fiction) – Moko: Caribbean Arts and Letters, Vol. 9 – 2016
HILLHOUSE, JOANNE C. – “When we Danced” (also winner of the Caribbean Writer’s 2014 Flash Fiction Prize) (flash fiction) and Election Season ll (poetry) – The Caribbean Writer Volume 29 – 2015
HILLHOUSE, JOANNE C. – “What’s in a Name?” (fiction) – BIM: Arts for the 21st Century Volume 7 – 2015
HILLHOUSE, JOANNE C. – “Children Melee” (poetry) – Moko: Caribbean Arts and Letters Issue 3 – 2014
Excerpt: “Peanuts roasting
Music pumping
Obsti prancing about in pigtails”
HILLHOUSE, JOANNE C. – “To Market, Snapshot” (flash fiction) – Susumba’s Book Bag Issue 1 – 2014
HILLHOUSE, JOANNE C. – “Civi-li-za-tion” (poetry) – Artemis Volume XXl- 2014
HILLHOUSE, JOANNE C. – “Summer 1‘ (poetry, also published in Tongues of the Ocean) & “Something Wicked” (fiction, Story of the Week) – The Missing Slate – 2013/2014
Excerpt (from “Something Wicked”): “Essie is flamboyant as ever; her full and curvy frame hugged up by a red bustier straight out of a burlesque show, black leather pants, and dangerously (sexy, she would say) red heels that still only bring her up to Claudette’s chin. Claudette is also in black, tall and svelte in a black strappy ankle-length maxi dress, black combat boots and a black beaded cloche hat someone like Louise Brooks might have worn during the jazz era; her red-red lip stick and the red beading in the fitted cap, the only pop of colour. Essie had given the whole get-up an eye roll when she’d picked her up. Claudette had done her own mental eye roll at the way her friend, enviably comfortable in her own skin, still doesn’t get the concept of size-appropriate clothing.”
HILLHOUSE, JOANNE C. – “Carnival Blues” (fiction, also published as “Something Wicked” in The Missing Slate), “Is Like a Like It” (screenplay excerpt), “Music” and “Ode to the Pan Man” and “On Seeing Euzhan Palcy’s Rue Cases Nègres” (poetry) – The Caribbean Writer Volume 27 – 2013
HILLHOUSE, JOANNE C. – “All Fall Down” (fiction) and “Feather in Her Ear”, “Another Garden”, “Prison for Two”, and “Corporal Punishment” (poetry) – Womanspeak: a Journal of Art and Writing by Caribbean Women Volume 7 – 2013
HILLHOUSE, JOANNE C. – “The Cat has Claws” (flash fiction) – Akashic Book’s Monday’s are Murder online noir series – 2013
HILLHOUSE, JOANNE C. – “Caribbean Woman” (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – The Columbia Review – 2013
HILLHOUSE, JOANNE C. – “She Works” (national contest selection 2009), “She Lives There”, and “Development” (also published in Tongues of the Ocean) (poetry, all subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Womanspeak: a Journal of Literature and Art by Caribbean Women Volume 6 – 2012
Excerpt (She Works):
“A thin row of cane stalks marks
The boundary of the land
She carries a bath heavy with clothes in her hands”
HILLHOUSE JOANNE C. – “Mango Season” (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – The Caribbean Writer Volume 26 – 2012
HILLHOUSE, JOANNE C. – “Differences” (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Theorizing Homophobias in the Caribbean: Complexities of Place, Desire, and Belonging – 2012
HILLHOUSE, JOANNE C. – “Teacher May” (fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Poui: Cave Hill Journal of Creative Writing Number XII – 2011
HILLHOUSE, JOANNE C. – “At Sea” (flash fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Munyori – 2011
HILLHOUSE, JOANNE C. – “Ghosts Lament” (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – SX Literary Salon – 2011
Excerpt: “…as someone beats a pan; a skanking Marley jam…”
HILLHOUSE, JOANNE C. – “Somebody” (fiction; subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – St. Somewhere – 2010
HILLHOUSE, JOANNE C. – “Scenes from a Caribbean Childhood” (poetry) – Anansesem – 2010
HILLHOUSE, JOANNE C. – “Country Club Kids” (fiction) and “Tongue Twista” (poetry, both subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – The Caribbean Writer Volume 24 – 2010
HILLHOUSE, JOANNE C. – “AfterGlow” (fiction) – Tongues of the Ocean – 2009; subsequently published in So the Nailhead Bend, So the Story End – 2012 and Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014
HILLHOUSE, JOANNE C. – “Venus Ascending” (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Mythium: the Journal of Contemporary Literature and Cultural Voices – 2009
HILLHOUSE, JOANNE C. – “The Arrival“, “Prospero’s Education“, and “Da’s Calypso” (poetry, all subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Calabash – 2008
Excerpt from “Da’s Calypso”:
“He na min school pon
Shakespeare,
but he understan’ well
de ingenuity o’
wan pun,
weave imagery o’
everyday life
inna song –”
HILLHOUSE, JOANNE C. – “Friday Night Fish Fry” (fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – published in Sea Breeze and read at the Breadloaf Writers Conference – 2008
HILLHOUSE, JOANNE C. – “Cold Paradise” and “Portent” (fiction) and “Benediction before the Essences: A Prayer, Caribbean Sunset, Caribbean Spirit, The Sea” (poetry, all subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Women Writers – 2008
HILLHOUSE, JOANNE C. – “Soca Night” (fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) and excerpt from Oh Gad! (fiction, a novel subsequently published by Simon & Schuster, 2012) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007
HILLHOUSE, JOANNE C. – “Rhythms” (fiction) and “Ah Write!” (poetry, later published, 2010, in PEN America: a Journal of Writers and Readers) (both subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – The Caribbean Writer Volume 18 – 2004
HILLHOUSE, JOANNE C. – “Martin, Dorie, and Luis: a Love Story” (fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Jamaica Observer Literary Arts – 2004
HILLHOUSE, JOANNE C. – “Philly Ramblings 8” (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Ma Comère: Journal of the Association of Caribbean Women Writers and Scholars Volume 3 – 2000
HILLHOUSE, JOANNE C. – “Bitter Memories” (fiction) and “Hope Springs Eternal” and “Old People” (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Collective Soul – 1998
HILLHOUSE, JOANNE C. – reading excerpts from unpublished manuscript Closed for Repairs (fiction) and “Second Middle Passage” and “Apocalyptic Dance” (poems) while a participant in the Caribbean Fiction Writers Summer Institute at the University of Miami – 1995
Excerpt: “A sister pimping her soul
A baby with a gun in his hand
Love gone cold”
HILLHOUSE, JOANNE C. – reading from novel Oh Gad! published by Strebor/Atria/Simon & Schuster (USA) in 2012 at the Callaloo Creative Writing Workshop participant readings showcase at Brown University, Rhode Island (USA) – 2012
HOLDER, ZURI – “The Scary Night” (fiction, 2011 award winning Wadadli Pen story) – Anansesem (the Wadadli Pen special issue) – 2011
HUNT, SIENA K. MARGRIE – “Nuclear Family Explosion” (fiction, 2004 award winning Wadadli Pen story) – Anansesem (the Wadadli Pen special issue) – 2011
HUNTE, JOSEPH ‘CALYPSO JOE’ – “Bum Bum” (calypso lyrics – 1970 Carnival road march tune) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007
ISAAC, D. GISELE – Excerpt from In Search of a Road (fiction, unpublished-in-progress novel) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007
ISAAC-GELLIZEAU, DOTSIE – Home (poetry) – national contest selection (no word of announced publication) – 2009
Excerpt:”Her soul and heart rejoiced
Upright and locked position”
JACKSON, ANNETTA – “Unlearning Anti-Blackness” – in intersectantigua.com – 2020
Excerpt: “It is Sunday, May 4th, 2014 and I am in my bathroom with blue handle scissors cutting off 6 years’ worth of permed hair from my head. My afro is like a mushroom and my face looks like a boy. I had been growing my hair out for a few months and my biological mother had been washing my scalp with red stripe and aloe. I got tired of battling with the two textures, so I cut it off.”
JACKSON, NAOMI – “Her Kind: On Losing and Finding My Mind” – in Harper’s – 2023
Excerpt: “Now I am reacquainted with myself as a writer, which is to say that I am reacquainted with myself.”
JACOBS, OGLIVIER ‘DESTROYER’ – “Message from Gorkie” (calypso – from his album The King and The Patriot) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007
JAMES, S. E. – (fiction) Excerpt from the chapter Carnival in her book Tragedy on Emerald Island – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007
JARDINE, AKILAH – (fiction) Excerpt from the chapter Blue Devils in her book Living Life the Way I Love It – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007
JARDINE, ARTHUR ‘BUM’ (youngest member of Brute Force, the first recorded steelband) – “The Man and His Pan and My Travels with Brute Force” (non-fiction from memoir in progress The Man, His Pan, and The Conflict), “Pan Rhapsody” and “Song for Fundu” (poetry) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007
JARVIS-GEORGE, TAMEKA – “Woman to Woman” (fiction) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014
JARVIS-GEORGE, TAMEKA – “Ugly” (poetry) – featured in/providing narrative structure for film of the same name
JARVIS-GEORGE, TAMEKA – “Dinner” (poetry) – featured in/providing narrative structure for film of the same name
JENNINGS, HUDLE – (visual art – illustration for Shakeema Edwards’ “The Curse of the Kumina” and for Devra Thomas’ “Sand and Butterflies” (2011 Wadadli Pen art and fiction) – Anansesem (the Best of Wadadli Pen special issue) – 2011
JOSEPH, CLIFTON – “That Night in Tunisia” – performed in the documentary Dark Arts in the Plastic Hallway – 2009
JOSEPH, CLIFTON – “I Remember Back Home” & “Slo Mo ” (poetry) – performed at the Words Aloud 4 Spoken Word Festival in Canada – 2007
Excerpt: “It wasn’t all bright smiles, sea sand, sun and
fun/Back home had its share of oppression in the sun/
Back home had its share of dreams burnt in the sun”
JOSEPH, JAMAL – “Returning to Natural Roots” (visual art) – intersectantigua.com – 2020
KINCAID, JAMAICA – 2021 Langston Hughes Festival – Evening Ceremony Honouring Jamaica Kincaid – 2021
KING, X-SAPHAIR – “Turmoil Within” and ” Strength through Pain” (visual art – painting) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014
KINSELLA, MARIE – “Drum Man @ Boy”, “Two Pan Drummers”‘, and “The Joy of Pan” (visual art – painting) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014
LAKE, EDGAR O. – “Little Richard’s Second Coming” (poetry) – Calabash – 2007
Excerpt: “But, the Faithful wait for the King of Pommade, Tuti
The Monarch of Mascara, pre-Pink Floyd, Tuti-Fruti
He’s turned his back on Hollywood – protesting!
He’s the King of Rock-and-Roll – will take it back –
“This Little Light of Mine – Say What?”
The tired Daughters of the Carolinas toss their curls
Little Richard’s seen the fork in the road – and took it
Praise his name!”
LAKE, EDGAR O. – “Walcott Reads to Brodsky’s Godmother” (poetry) – Calabash – 2007
LANGLEY, CHARLES – “Black Woman Cry” (poetry) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014
LAWRENCE, LISCIA – “The Day I saw Evil” (fiction, Wadadli Pen award winning story) – Anansesem (the Wadadli Pen special issue) – 2011
LAVELLE, ARDIS – “PreSchool Days” (poetry, 2011 Wadadli Pen award winning story) – Anansesem (the Wadadli Pen special issue) – 2011
LI, DENISE – “Carnival 1988” (visual art – drawing) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007
LI, SARAH ANN – “Lucky Dollar” (fiction, 2005 Wadadli Pen award winning story) – Anansesem (the Wadadli Pen special issue) – 2011
LIBURD, EDISON – “Mysteries and Contradictions”‘ – 
(visual art, cover art) – The Caribbean Writer Volume 29 – 2015
MARTIN, COLIN ‘WANGA’ – selected images (visual art – costumes: Bush Doctor, reminiscent of the old time medicine; Calabash and Can Cup, one time household utensils; Cane Cutters, referencing the sugar plantations that once dominated; Can Can and Hot Pants, referencing past fashions; and Perry Grey Ghost, referencing an old time folk character) from Reveller’s Mas Troupe’s 2003 presentation ‘Ole Time Something Come Back Again’ and ‘Spirit of Carnival’ (designed for 2005 Antigua Carnival Queen finalist Kimmorna Otto, to her ReggaeSoCalypso theme) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007
MCDONALD, HILDA – “Dawn and Evensong” – KYK-OVER-AL No. 22: Anthology of West Indian Poetry, edited by A. J. Seymour (p. 47) – 1957
MEADE, SHANNON – “I, Atlas” (fiction) – intersectantigua.com – 2020
MEADE, SHANNON – “My Old Foe” (poetry) – intersectantigua.com – 2020
MEDICA, HAZRA – “Discretely Antiguan and Distinctly Caribbean ” (non-fiction) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014
Excerpt: “Near twenty years ago and entirely by chance, I discovered my first Antiguan novel.”
MEDICA, HAZRA – “The Greeting” (fiction) – Poui: Cave Hill Journal of Creative Writing XIII- 2012
MEDICA, HAZRA – “Ode to a Night in Ale” – finalist in the Wergle Flomp Humor Poetry Contest – 2010
MEDICA, HAZRA – “The Banana Stains” – Highly Recommended in the Commonwealth Broadcasting Association Short Story Contest – 2008/9
Excerpt: “I see my father motioning for me to come to him. His face is grim- the inspector had not been kind to him. On the drive home I think of Mr. Massiah and his stained clothing. Mr. Massiah has calloused hands. His hands make me think of the banana trunk in my dream.”
MENTOR, KEILLIA – “Mongoose in a Hole” (fiction, 2011 award winning Wadadli Pen story) – Anansesem (Wadadli Pen special issue) – 2011
MERANTO, JENNIFER – “‘Carnival Mask”‘ (visual art – photography) – originally shot 1996; silver prints – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007
MINGS, KIMOLISA – “Little Red Hoodie” (fiction) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014
NANTON, ERROL ‘BUMPY’ – “‘Dance of the Masks” and selections from Dynamics’ 2007 mas which revisited the best of Antigua’s Carnival over 51 years (visual art – costumes; 2001’s presentation ‘Dance of the Masks’ grew out of Nanton’s fascination with the tribal masks of Africa) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007
NICHOLAS, NNEKA – “Naima” and “Forgiveness” (fiction) – in intersectantigua.com – 2020
NICHOLSON, KEMAL OSMEL – “Ma Belle” (fiction, 2006 Wadadli Pen short story award winner) – Anansesem (the Wadadli Pen special issue) – 2011
NICHOLSON, LIA – “Tekin’ Ahn Dey” (fiction, 2004 Wadadli Pen short story award winner) – Anansesem (the Wadadli Pen special issue) – 2011
As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, Oh Gad!, With Grace, Lost! A Caribbean Sea Adventure, and The Jungle Outside). All Rights Reserved. Please do not repost artist images without permission and credit. If you enjoyed this post, check out myJhohadli page and/or Facebook, and help spread the word about Wadadli Pen, my books, and my freelance writing-editing-coaching-workshop services. You can also subscribe to the site to keep up with future updates. Thanks.
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