Tag Archives: F. Scott Fitzgerald

Reading Room and Gallery 19

I’ve counted as high as I can in Roman numerals (not as high as they go, just as high as I can go using them…because, math). So, I’m using English numbers now (still math but in a language my brain understands) and this is the 19th Reading Room and Gallery. The reading Room and Gallery is a space where I share things I come across that I think you might like too  – some are things of beauty, some just bowl me over with their brilliance and beauty, some are things I think we could all learn from, some are artistes I want to support by spreading the word, and some just because. Let’s continue to support the arts and the artists by rippling the water together. For earlier iterations of the Reading Room and Gallery, go back to XVlll and follow the links for the previous ones from there. Remember to keep checking back, this list will grow as I make new finds until it outgrows this page and I move on to the next one.

ON PUBLISHING

“The goal of the query letter is not to tell the addressee what you want or need; the goal of the query letter is to convince the addressee why they might want to work with you.” – Jeanne Kisacky with tips for writing an effective query letter

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“There are any number of reasons why a piece may not make the cut. A few of these are…” – Dan Burgess

POETRY

Jesse Williams dropped fire about social justice at the BET Awards June 2016 just as he’d been doing for years before that even while looking pretty on one of TV’s most popular shows. One of the people he inspired is one of the writers who inspires me, Alice Walker. She wrote poetry in response as writers do:

“Try to think bigger than you ever have
or had courage enough to do:
that blackness is not where whiteness
wanders off to die: but that it is
like the dark matter
between stars and galaxies in
the Universe
that ultimately
holds it all
together.” – Read the full poem at Afropunk.com

p.s. the speech keeps getting pulled down as hate speech as fast as people can put it up; so I’ll post this discussion about the speech (because they seem to get that it’s not about hate it’s about love and respect and courage):

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Annotated lyrics for Coming of Age (Da Sequel) by Memphis Bleek and Jay Z from Hard Knock Life (the Jay CD I listen to the most because it’s the only one I bought and have). Jay Z’s Decoded is on my To Read list but until then, there’s this

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“Eventually, one becomes—either as a psychological fail-safe or simple breakdown—numb to the repeated experience of loss.” – Kyle Dargan

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“Britney Spears doesn’t have to prove to us that she is not a robot.” – Megan Levad on “Auto Tune”

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“I stand above the angry sea,
above the gulls that circle me.” – The Lighthouse by Damian Balassone in Anansesem

CREATIVES ON CREATING

“If you want to write 140K words from the perspective of a tree, go for it. Write a prologue. Hell, write a prologue for your prologue. Fill your prose with adverbs. Write all your dialogue in italics without dialogue tags. Have your characters speak in emoji. Use profanity in exposition. Describe every square inch of an ordinary dining table. Do whatever it takes to get your story out of your head and on to the page. Do it without doubt or censorship.”  – Jo Eberhardt

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“She said that when a writer is in the midst of drafting a new story, everything that happens in their life in those writing months is filtered through the writer and into the story. Some things pass through and some flow into the fictional realm. I used to think of this process as a writer being a human lint filter. But I like Hoover’s more elegant word.” – Karen Harrington

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“Don DeLillo is a serious reader of American history and JFK’s death impacted his formative years, Vonnegut’s wild writing strategies were informed by existential trauma, Patricia Highsmith was by most accounts a very dark-minded, hedonistic, and guilt-ridden woman, while JK Rowling’s passion is the golden age of children’s literature and, she happened to write her Potter novels while experiencing the trials of single-motherhood.” – David Savilli on writing what you know, among the popular writing tips he unpacks (not debunks) in Five Lies Creative Writing Teachers Tell

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“You’ll notice in the images there is a tiny version of one of Glaser’s book design covers. I kept that image right next to my illustration in Photoshop the entire time so I could constantly check and see if my work was Glaser enough. It was really helpful, especially when it came to creating the pattern on the dress. I used the colour picker to pull colours from the cover design.” – Bryanna Chapeskie

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“In some cases, my setting would surely fall short of reader expectations. What’s a writer to do?” – Adria J. Cimino on creating settings when reader expectations are high

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“As part of our approach to the revision process, my students and I developed a sort of checklist, expanding on one in Writing Fiction, that may help some people with rewrites. These are the questions we finally decided on as being the most useful…” – Cary Groner on Revision.

INTERVIEWS

“I didn’t think about being Antiguan, what that meant, how that made me special until I went off to college.” – Cray Francis

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“I tried to show the Guyana that I know without being critical or without being worshipful.” – Imam Baksh, Burt Award winning author of Children of the Spider, interviewed by Petamber Persaud

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“2. Some anthologies are tied together by a genre, and others by a theme. I love that this one—“Stories of Love and the Great War”—is both. Was there ever any concern that some of the contributions would be too similar to one another? Was there anything you did to be sure each writer was focused on distinctly different characters or themes?

I knew this might be an issue early on, so I sent all the co-authors the main pitch and set a deadline. Once they submitted their individual story pitches, I put them together and forwarded them to the group so we could ensure there wasn’t a lot of overlap. We did a little tweaking—there were two nurses at first—but surprisingly, each of our pitches was quite unique. The only other overlap is the Armistice Day theme, as intended, and also we included some sort of visual of poppies to tie in the title.” – Writer’s Digest editor, Jessica Strawser interviewing Heather Webb on How a Fiction Anthology is Made

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“Everything I write is autobiographical, but none of it is true in the sense of a court of law—you know, a lie is just a lie. The truth, on the other hand, is complicated.” – Jamaica Kincaid

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“There is a new crop of writers based in and writing from the Caribbean that is starting to gain notice beyond the region. How can publishers support these new writers and develop literature in the region?

Karen Lord: Before they can support, they must listen and learn. Don’t overlook our excellence because you can’t recognise what it looks like. Gain exposure and training in the region’s existing literary tradition and do not expect carbon copies of Western works. Let go of stereotypes – there are many different stories being told by our writers, and not everything takes place in the village, on the beach or at carnival. Understand the flexibility of West Indian standard English and its various dialects and respect their validity in dialogue and narrative. Develop in-house expertise that connects to our literary communities, festivals and conferences. We have a rich source of story and many talented writers who would be an asset to any publishing house. We are not a charity project.” Read More.

MISCELLANEOUS

“I decided to come to Canada to become a writer. You can’t be a writer in Jamaica. You can’t live as a writer in Jamaica. … Everybody used to ask me: ‘Why are you still here?'” – Garfield Ellis as quoted in Annie Paul’s column in the Jamaica Gleaner, on the plight of the Caribbean writer. Read more.

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“From an early stage, he took his inspiration from film and animated media to produce unorthodox story-driven visual novels.” – Arts Antigua writes about local artist and animator Nuffield Burnette whose work you can see in some of your favourite animated films out of Hollywood.

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“As people from the Caribbean, we inhabit a spectrum of language, and you actually hear it when you go into the cultures,” Philp says. “You can hear somebody code-switching. You might start off saying something in Standard English and midway switch into the dialect or the vernacular.” – Pidgin, patois, slang, dialect, creole — English has more forms than you might expect on The World in Words, produced by Nina Porzuchi

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Paule Marshall.

I wasn’t sure where to put this but I wanted to shout out Paule Marshall, the Barbados-descended American writer who received a lifetime achievement award at the BIM Lit Fest. She wasn’t there but her son accepted on her behalf (as you can see in my Festival blog here) – and this is her when it was finally presented to her in the US. But I also wanted to take the opportunity to re-introduce you to an author you probably already know and if you don’t you should. I was introduced to her work in university through Praisesong for the Widow and have since read Browngirl Brownstones, Daughters, and her powerful essay ‘From the Poets in the Kitchen’ in which she wrote “The group of women around the table long ago. They taught me my first lessons in the narrative art. They trained my ear. They set a standard of excellence. This is why the best of my work must be attributed to them; it stands as a testimony to the rich legacy of language and culture they so freely passed on to me in the wordshop of the kitchen.” Read more about Paule Marshall.

FICTION

“You had to place what was placed on your back for you to tote.” – Zora Neale Hurston’s The Conscience of the Court

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Feeling depressed about your latest rejection letter, consider this, all the greats have been turned down at some time or other. I wanted to share this story by F. Scott Fitzgerald, author of the American classic, The Great Gatsby, in part because (as explained here) it was rejected by the New Yorker back in 1936 finally earning a spot in the venerable publication in July 2012. The name of the story is Thank You for the Light. And I quite liked it.

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‘The hall was flooded with people every evenin now. But it wasn’t meetings no more. It was battle royales. The hall was an accusation chamber, a kangaroo court. People screeching out names like crazy, convince that they know who is the ones that bringing the rain.

Grampa get to decide on the first name: Dr. Rahamut. Dr. Rahamut had a room set aside in his house, that Grampa call the Slipslide Office—where the doc could pull out babies from wombs. “It have a metal clamp he like to use!” Grampa proclaim. “When he have to remove the baby, he pull it limb by limb! And he use the clamp to crush the skull! Then he would piece together the baby on a table, like it is a broken doll, like it is a jigsaw puzzle! Tell me what kinda sick village would allow a man like that to practice his business here?”

The next night, somebody damn near torch Dr. Rahamut’s practice to the ground. Grampa never tell anyone to do that, but you coulda depend on somebody doin it, anyway. We rush out of their house to look at the tendrils of fire fastenin to the house, even as the rain pelt down on it. Thing is, the rain didn’t stop. So the people needed another name.’ – Midnight in Raintown by Kevin Jared Hosein

BLOGS

“My passion, my joy, my enthusiasm about the books I bring into my classroom sends a message to the readers who join me there.” – Mindy Rench: Third Grade Teacher and former junior high literacy coach

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“He offers no panaceas for the messy present and pasts of the Trinidad he represents in his fiction: his eye is as clear as that of his famous contemporary, Naipaul, but his vision is far less bleak and punishing.” – a blog posting on Earl Lovelace

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“…his world-building skills are and always will be second to none. He makes Middle-Earth seem so real, as if the stories are chapters from its history.”  – Tolkien Talk at Pages Unbound by Sara Letourneau

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Fish Outta Water, Oh Gad!, and Musical Youth). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

 

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Reading Room Xll

This page is for sharing links to things of interest around the internet. It’ll be sporadically updated; so, come back from time to time. For the previous reading rooms, use the search feature to the right, to the right.

VISUAL

“From its exposure, Negro Aroused (by Edna Manley) excited the public’s imagination and was acquired by public subscription and presented to the Institute of Jamaica to form the nucleus of an exhibition…” Read more about it here.

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From the MoMA website: “(Wifredo) Lam painted The Jungle, his masterpiece, two years after returning to his native Cuba from Europe, where he had been a member of the Surrealist movement. The work, ‘intended to communicate a psychic state,’ Lam said, depicts a group of figures with crescentshaped faces that recall African or Pacific Islander masks, against a background of vertical, striated poles suggesting Cuban sugarcane fields. Together these elements obliquely address the history of slavery in colonial Cuba.” See it here.

INTERVIEWS

“The Irish were the bastards white, so even they were black” – McDonald Dixon says this and other interesting things in this interview with Vladimir Lucien.

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“Of course you have to love music. It’s unlikely you’ll ‘make it’ in the first couple of years or make a whole lot of money, so you have to build your career and work hard to make it grow. It takes time to let the world know who you are, so if you don’t really love music then it is best not to get into it.” – Etana’s talking music but this applies to writing and probably all the arts. It’s not an easy road but the passion drives it. Read her full interview here.

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“Don’t let fear of blundering hold you back, either—accept that you will likely blunder, and that to err is human. We all make blunders, but learning how to apologize and do better next time is also very important. Learn to listen and respond politely to feedback before you publish, and to change what needs to change. And learn that even after doing all you can, you will make mistakes. Learn from them and move on to do better next time.” – Tu Books editor Stacy Whitman on writing outside of your race and culture; and other issues at the intersection of publishing and diversity. Read the full interview and find out what her imprint is looking for as well.

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“I’m not convinced that this is something I can live on. I have the time and space to do this now, but in terms of writing being viable I’m still not sure. I’m still not published yet.” – Sharon Millar in the Trinidad Guardian, 2013. Her first book The Whale House and Other Stories, reviewed right here on the blog, was released in 2015.

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Uncomfortable exchanges typically make me uncomfortable …but this one amused me. Jean-Michel Basquiat being interviewed by Marc Miller… and sorta not there for some of his questions. It’s worth watching the whole thing.


STORIES

“She was a widow and she had no close relatives to write to in the evenings, and more than one moving picture a week hurt her eyes, so smoking had come to be an important punctuation mark in the long sentence of a day on the road.” F. Scott Fitzgerald is best known for The Great Gatsby. This is another of his writings, a short story entitled Thank You for the Light.

AUTHORS ON PUBLISHING

“Know this: no time is ever wasted. Every year you spend on your work is another opportunity to document your creative journey, and grow as a writer. Now why would anyone impose a time limit on that?” Read more.

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“But it’s still essential for an agent to be a good negotiator. Why? Because it’s the agent who negotiates the initial offer (that’s what you’re paying them for!), not some hired contract professional. And often that necessitates some savvy pre-negotiating skills during the offer stage—before a contract is even generated. For authors further along in their careers, this is a given; they know it needs to be done. It’s not a maybe. And if your agent is not a good negotiator, you can see pretty clearly how that is going to impact your level of success and your long-term writing career. Your agent might not know how to do this.” – Kristin Nelson with Karen Dionne on what makes a good agent.

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“I am not saying that my grandchildren are brilliant beyond words. I am not suggesting that you use your grandchildren for proofing, though it might not be a bad idea.  Rather, it’s a post to warn you about the importance of proofing, even of 500 words; the challenge of  self-publishing – it is essential to use professionals even if you, yourself, are a professional, or perhaps because you are a professional, and too confident by far. (That’s why you should also use an editor.) I tremble to think what might have happened, had I not unexpectedly (magically) come to Barbados.” – Diane Browne blogging about transforming her Commonwealth award winning story The Happiness Dress into a picture book.

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“It only takes a couple of these poems for you to sigh whenever you see certain themes emerging from the words in front of you.” Read on to find out what themes make Oyez Review editor Hilary Collins sigh. And if you still want to submit, knock yourself out.

POETRY

“And what is praise but the offering up of one’s self…” from Let this be Your Praise by Tanya Shirley

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Mindy Hardwick was one of the very first bloggers to interview me when my book Oh Gad! was getting ready to come out. And for a writer way under the radar of the big publications and critics (even the ones right here in the Caribbean) that usually cover the literary world, bloggers and readers posting online reviews have been invaluable to whatever ripples I’ve made in the water. We’ve never met but she’s been on my radar ever since. Recently, I read on her blog about this project she’s involved with, the Denney Juvenile Justice Center Poetry Workshop. I have a friend, Brenda Lee, who runs a similar project at 1735 (Antigua’s prison) without the kinds of resources suggested by Mindy’s donor funding list which includes the BECU School Grants, Greater Everett Community Foundation, Terry & Cheryle Earnheart Fund for Children, Tulalip Tribes, Everett Public Schools Foundation, and the Blanche Miller Art Exhibit Program. Because there’s really next to no support for the kind of project that Brenda has going (I don’t know of any support for the project than that of Gender Affairs under whose umbrella she does this volunteer work). I’ve shared here on the blog some of the poetry Brenda’s interventions have helped the incarcerated produce. The purpose of this post is to pass on some of the work Mindy has shared from her workshop (but I also want folks to keep in mind the work B has been doing here at home too). Both projects I’d venture have the ability to do a lot of good and, frankly, these kinds of arts initiatives need more support. If through the arts we can get the incarcerated to start thinking about their situation and giving voice to their feelings, then maybe we’ll begin to do more than cycle them in and out. The poems shared by Mindy, written by Teen Boy, suggest as much. They are One Last Chance and Fake Faces.

AUTHORS ON WRITING

“I never feel more clueless than when I’m asked for wisdom…because I’m still terrified with each sentence, with each word I write! I do believe you have to write for yourself and not for others, that in your writing you have to reach for what frightens you,  that you have to be a good literary citizen and support other writers. That you can’t wait for the Muse to show up and invite you over – you’re the hostess, you have to sit at your desk first, and start the party all on your own. Other than that…just keep the faith.” – Tara Ison

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Mary Robinette Kowal posted this writing/puppetry exercise that’s entertaining to watch even if you don’t try it. Check it out.

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“Exploring inner lives/outer facades, character wardrobes, and sleeping conditions are just three ways to begin to layer your characters in exciting, memorable ways.” – Kathleen Shoop tells you how at Writer’s Digest

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“Whether it’s your manuscript, your author bio, your book description, or any of your other marketing materials, it’s important to keep them free of errors so your readers can focus on the most important thing: the content.” – Maria Murnane with grammar tips.

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“Being lonely and beastly had little to do with getting into writing. But the solitude did help. As well as the misery through secondary school. I had plenty anger to get out. Thank God it didn’t have Facebook back then, else I woulda waste all that anger and emotion, scouring for ‘likes’ instead of moulding it into creative writing.” – K. Jared Hosein on how he became a writer and a beast.

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“And so I reached for empathy. Writers know about imagination, but it takes something more to truly occupy our constructed characters. It takes a conscious process of empathy, of asking ourselves – how would I feel if I were a young boy bullied at the standpipe every morning? What emotions would this catalyze? How would my future look from the mud beside the standpipe? For many months I went to bed with potential scenes in my mind, seeking the feelings that went along with them, and I wish I could tell you I had dreams of my novel in embryo, but I didn’t. Trust the darkness, I would tell myself staring into it, channeling Anthony Winkler’s advice. And somehow, that conscious commitment to empathy brought me words when I sat at my computer each morning, seeking the mind and heart of a twelve-year-old inner city boy. Were they true words, the right words, in the end? That is for a reader to decide. Over the years of Dog-Heart’s gestation, I learned that empathy was different to sympathy and I was far more familiar with the latter. In a place like Jamaica sympathy is frequently aroused. As I tried to understand my main character, I realized I needed more than sympathy. Sympathy is simple – something appears painful to me, and I feel sorry. Empathy seeks a more nuanced understanding of where another stands. Empathy is less willing to decide what is good or bad.” Read more of Diana McCaulay’s reflections on empathy and tapping in to character, when that character is so unlike you.

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“Writing the novel was much more about confronting uncertainty and the unknown. As I began to write, ideas, themes and characters slowly emerged. I had no idea that I would end up writing a scene where my main character butchers a deer, but as I began to explore her situation and the emotions she was battling with, it suddenly seemed strangely inevitable.” Read more about what Lucy Wood learned while writing her first novel.

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“Unreliable narrators tell a story in a way that is misleading or distorted. The unreliable narrator’s version of the story is skewed from the true understanding of the story.” Read Mindy Hardwick’s tutorial on wrestling with the unreliable narrator.

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“I LOVE seeing the craft in action. I love seeing students clear away the cliches, overwrought verbiage, the excess adverbs, the ridiculous formality, and just…express. Trust their writer’s eye.” – Leone Ross

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“Write where it hurts.  Write where it feels real.” – Jen Falkner, Why It Works: Making Guava Jelly by Sharon Millar

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“A huge amount of information about character and backstory can be conveyed through small detail.” – Sarah Waters, Tips on Writing.

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“you must now enter the silence alone and listen
Wait
Wait for the translation of the first line
Write
Write with your fingers searching the pigments on the palette…” John Robert Lee talks writing with Vladimir Lucien (both of ST. Lucia)

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“It’s about the degree to which we allow ourselves not to censor and do the work we should do on the page, and take the risk that we should. To do so without apology is my directive.” Read more of Myriam Chancy’s very interesting, very enlightening interview not just on writing but on the history and philosophy that informs it and informs some of our lives and reality as Caribbean people.

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This space is usually reserved for writings I come across by other people. But I was reading a piece just now on dialogue and I’ll share it. But it occurred to me that this is something I’ve written about to, posted to  my blog, and so though I don’t usually recommend writing by me in this space (because who does that?), I’m giving in the urge to share it in case you’re not following both blogs. So here’s what Maria Murnane wrote and here’s what I had to say on dialogue. My post is about listening, her post is about saying it out loud; I do both actually and like her I have been told that the dialogue is realistic so hopefully I’m doing something right. Anyway, just sharing.

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“Later, I read out what I had written to the rest of the group, received a fantastic reaction from them and, more important, the motivation to carry on.” – author John Teckman on the workshop experience. Read the full.

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Fish Outta Water, Oh Gad!, and Musical Youth). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about WadadliPen and my books. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. And using any creative work without crediting the creator will open you up to legal action. Respect copyright.

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