Tag Archives: Heather Doram

Carib Lit Plus (Early to Mid November 2022)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here – credit and link back if you use).

Opportunities

The last Jhohadli Writing Project of 2022 is December 2nd 2022. Participate virtually. Also see Opportunities Too.

Wondering if the JWP is for you? Participants this year have included someone hoping to learn more about the business of writing while considering a self-publishing journey (“I learned quite a bit about the writing process”), someone revising a Caribbean-set novel who wanted the perspective of a Caribbean editor (“strengthened my pages”), someone hoping to overcome the fear and lack of confidence keeping them from writing (“I feel my confidence building”), and a newcomer taking her first writing workshop who said she felt comfortable and participated fully in the environment created. Your goals are your own, but I really try to meet participants where they are. People have participated from the Caribbean and the US; so, as a reminder, it’s virtual, you can participate from anywhere. (Source – me)

Art and Culture

An Antiguan and Barbudan designer, Danielle McCoy, had a hand in the creation of the Nigerian uniform worn during the Winter Olympics earlier this year.

Per this Essence article, the outfits were produced by a brand known as ActivelyBlack. It was one of the top designs according to major tastemakers, alongside well established international brands like Ralph Lauren and Puma. Danielle worked with Jordan Jackson, both of AmenAmen Studio on the look. (Source – N/A)

***

Barbadian songstress and international superstar Rihanna is now part of the Black Panther universe with her contribution of “Lift me Up” to the blockbuster’s sequel’s soundtrack. It’s haunting melody is a reminder that the second film arrives without its titular lead played by Chadwick Boseman who died of cancer between this and the previous film. RIP to him. Take a listen.

(Source – Twitter)

ETA – In further Black Panther news, via Variety, the sequel to the seminal Marvel cinematic universe film, Wakanda Forever, took in US$180,000,000 domestically (i.e. in the US). It is the second biggest domestic debut of the year after the latest Dr. Strange, another MCU film. I checked Box Office Mojo, and this is already the 9th top grossing film of 2022. Wakanda Forever‘s international take for its opening weekend was $330,000,000. Why do we care about this at Carib Lit Plus? The Caribbean representation, of course, with Guyana born British actress Letitia Wright (Shuri) and Tobago born US actor Winston Duke (M’baku) revived their star-making roles. Also Haiti is trending. Comments from Twitter:

*Spoiler alert*

“Two scenes in the #BlackPanther movie are set in #Haiti! Actual footage of Cap-Haïtien made it to the big screen. Haitian Creole and even our local transportation, tap taps, are in the movie. An important character is named after our national hero, Toussaint…Historically, major cinematic films that have portrayed #Haiti have emphasized zombies, poverty, demons, just pure darkness. They’ve silenced our glorious past & our present beauty. #BlackPanther has begun to shift the narrative.”

“Cap-Haitien, Haiti just popped up as a location in Black Panther: Wakanda Forever and they are speaking Kreyol!”

“Shoutout to black panther for their representation of Haiti in the movie.”

The shoutouts are plentiful and have even moved off twitter, with karukerament.com blogging about “How Black Panther 2 introduces the Caribbean to the World (afro)”. The post celebrated the uncharacteristic positive representation of the island: “Listen, if you had told me that one day I would watch an MCU movie without the need for subtitles because the dialogues are in Haitian Creole, I would never have believed you. Never. And not only did they aim for the authenticity of the language, but they also linked the history of Ayiti to the history of Wakanda. They tied the history of the first black Republic to the history of the only black nation that was never colonized. They did not create a hierarchy. They just put them together as two equal parts of the Afro world. We are what we are, we don’t need to hide it and no one can take it away from us.”

(Source – Facebook)

***

A biopic of reggae legend Jamaica’s Bob Marley is in the works. Kingsley Ben-Adir, a British actor with a Trinidadian mother and white British father, has been cast to play him. Ben-Adir was last seen playing Malcolm X (whose mother, Louise Little, was Grenadian by the way) in One Night in Miami. Variety also reports that the screenwriter (Zach Baylin) and director (Reinaldo Marcus Green) behind King Richard, about Richard Williams, the father of tennis greats Venus and Serena, a role that recently won Will Smith his first Oscar, are attached. (Source – Twitter)

***

Late calypso giant Rupert ‘Swallow’ Philo’s family has donated instruments – a full set of steel pans and drum set – to Nelvie N. Gore Primary School. This is the former primary school of Willikies, Swallow’s home village. One of his dreams was the establishment of a music department at his alma mater and Vernon ‘Dr Solo’ Benjamin advocated for the department to be named in his honour. (Source – Daily Observer newspaper, Antigua)

***

A reminder to check out my CREATIVE SPACE column especially the 2022 series, the most recent of which focussed on collaging with St. Lucian sister Catherine-Esther and Kelsey.

(Source – me)

Events

Peepal Tree Press has collaborated with the Out of Many Festival to bring Book Club events in October and November. Still to come are The Merchant of Feathers with Tanya Shirley on November 18 and Prophets with Kwame Dawes on December 2. (Source – JRLee email)

***

I’m seeing reports around social media about the BVI Lit Fest, like this one from Jamaica born Barbados based writer Sharma Taylor, whose debut novel What a Mother’s Love don’t teach You landed this year.

“Had the absolute pleasure of recently participating in the 2nd annual BVI Lit Fest in beautiful Tortola www.bvilitfest.com The Governor, Premier, Dr. Richard Georges and his team at the H Lavity Stoutt Community College were amazing hosts! Book lovers, please put this event in your calendar as a ‘must attend’ event for next year! I met some awesome writers there!”

Sharma is pictured to the left of the image taken from her facebook page.

The BVI Literary Festival ran from November 3 – 6 2022 in Tortola after being founded (virtually) in 2021 as part of the Department of Culture’s Culture and Tourism Month activities and operates in collaboration with the H. Lavity Stoutt Community College. This year’s line-up included well known Caribbean writers like Trinidad and Tobago’s Andre Bagoo, USVI based editor of The Caribbean Writer literary journal Alscess Lewis-Brown, the USVI’s Tiphanie Yanique, Grenada’s and the Virgin Islands (British and US’) Tobias Buckell, Jamaica’s Kei Miller, and BVI poet laureate himself Richard Georges. (Source – Sharma Taylor’s Facebook)

***

Montserrat’s Alliouagana Festival of the Word returns with book launches, movie screenings, and activities for the children.

The featured films are The Fab 4 & The Silent Retreat, written by Jamaican-Canadian Diane De La Haye and directed by UK born Sint Maarten based filmmaker Peter Sagnia

and

Deep Blue, written and directed by Antigua and Barbuda’s Howard Allen

Festival dates are November 17 – 19. (Source – Nerissa Golden on Linkedin)

***

Spilling Ink’s Poetry in the Park returns with an art and open mic event on November 26th. Featured artist is Laikan whom I wrote about in a recent CREATIVE SPACE and whom you can listen to on my Spotify list. Venue is the 90s Restaurant and Lounge on High Street in St. John’s, Antigua, 6:30 – 10:00 p.m. If you want to really dig in to the archives, check out my CREATIVE SPACE on Spilling Ink. (Source – Laikan on Instagram)

***

November 13 – 20 is the Miami Book Fair. This is the 2022 schedule. As usual, there will be a strong Caribbean presence, primarily through the Read Caribbean programme. Highlights include a pre-event, on November 12, “Original Roots: The Sound & Story of Jamaican Tradition” featuring Jamaican poet laureate Olive Senior, “Our Beautiful and Corrupted Islands”: Pamela Mordecai, Mc. Donald Dixon & Celeste Mohammed on November 19, “Out of Many, One People”: Olive Senior, Dionne Irving & Jonathan Escoffery on November 19, and Zain Khalid, Leila Mottley & Elizabeth Nunez: A Conversation on November 20. The Miami Book Fair dates back to 1984 and is today considered one of the most comprehensively programmed book fairs in the US. This year includes participation by authors both in-person and virtual (e.g. Trinbagonian author of Bocas winning Pleasantview Celeste Mohamed has announced that she will be part of Miami Book Fair online activities the named Read Caribbean panel discussion, an interview with fellow Trini writer Tracey Baptiste, and a podcast interview with Marva Hinton). (Source – Celeste Mohamed on Instagram)

***

Antiguan and Barbudan artist Heather Doram has a show coming up.

(Source – Facebook)

***

Caribbean book and lifestyle influencer Book of Cinz is reporting a successful staging of her first reading retreat in the nature isle, Dominica. Round two will be held in October 2023 and interested readers of Caribbean lit can already sign up here. Meanwhile, her next virtual book club meet-up to discuss Irish Trinidadian author Amanda Smyth’s novel Fortune will be on November 29th 6-8 p.m. (Source – Book of Cinz newsletter)

Books

I-ROY by Eric Doumerc, with various contributors, is a book about the prolific and talented Jamaican deejay, Roy Samuel Reid, 1942-1999. He enjoyed a hugely successful recording career in the 1970s but died of heart failure relatively young after two decades of declining health and output. Belated recognition has come following the selection of his song ‘Sidewalk Killer’ to feature in the 2004 video game Grand Theft Auto San Andreas and this timely re-appraisal reviews his life’s work and achievements in sound and lyrics. (Source – JRLee email)

***

UK based Trinidad and Tobago writer Ayanna Lloyd Banwo’s When We were Birds dropped this year. It is described as “a mythic love story” and has been widely acclaimed. In addition to the print and ebook editions, there is also an audio version using the voices of Trinidad actors/readers, sourced with assistance from the UTT’s theatre programme, Wendell Manwarren and Sydney Darius. “I wouldn’t have it any other way,” said the writer. (Source – N/A)

***

US based Jamaican children’s book writer Renaee Smith has announced a couple of new titles, bringing her total book count to 10 – seven of them children’s books. The new titles are Dorianne the Baker, written with Nella Perrier and Freddie learns the Value of Money. This book is an introductory book for children ages 5-12 that teaches them the value of money. It introduces the basic financial concepts of saving and budgeting, from earning money from chores to spending money earned in stores. 

This seems to be the fifth in a Freddie series of books. (Source – Renaee Smith email)

***

ESPJr. of Trinidad and Tobago have uploaded a number of early readers – such as the Ready Set Hatch! storybook, Spanish language edition, and colouring book; The Most Magnificent, about the sentient (in the story) seven magnificent houses along Trinidad and Tobago’s Queen’s Park Savannah; Alex the Awesome & the Crazy Quest for the Golden Pod, about a secret agent agouti; and the Agriman series of adventures. All written by Jeunanne Atkins, storyteller and co-founder of ESPJr with former teacher Andrea Alkins. (Source – N/A)

***

Caribbean book influencer ifthisisparadise on instagram has announced a Jamaica Kincaid read-a-long for 2023 – 2024.

Jamaica Kincaid was born Elaine Potter Richardson in Ovals, Antigua so this is exciting news and I had to share. They’ll be reading in publication order beginning with At the Bottom of the River (1983), and continuing, I assume, with Annie John (1985), Annie, Gwen, Lilly, Pam, and Tulip (1986), A Small Place (1988), Lucy (1990), The Autobiography of My Mother (1996), My Brother (1997), Talk Stories (2001), My Garden (Book) (2001), Mr. Potter (2002), Among Flowers: A Walk in the Himalayas (2005), See Now Then (2013), Party: A Mystery (2019) – I’ve bolded the ones I’ve read and linked the ones I’ve reviewed. Maybe a chance to read the ones I haven’t? (Source – Karukament newsletter)

***

Of Rivers and Oceans is Dominican author, Anella Shillingford’s second poetry collection after 2019’s Bonfire. It was launched at the Portsmouth Branch Library in September 2022. A press release from the author described the publication as “a celebration of heritage, history, healing, and home.” (Dominicanewsonline.com) (Source – N/A)

***

Young participants in the Antigua and Barbuda Film Academy, a development arm of the Motion Picture Association of Antigua and Barbuda have published a book of stories they worked on during the pandemic. The book is called Love Friendship & Betrayal: An Anthology of Lessons Learned and the authors are Joel Lewis, Noah Yeboah, Destiny Simon, Delicia Howell, Shenika Bentick, and Sheneilla Somerset. Abigail Piper is credited as development editor. The publisher is Dr. Noel Howell’s I & I Books. The authors also acknowledged, in their preface, the contribution of Wadadli Pen founder Joanne C. Hillhouse whose services to the project included workshop facilitation and copy editing. “Once we started the in-person workshops with Ms Joanne Hillhouse, I was re-energized. … I realized that writing is more than physically putting pen to paper. We were able to use all our senses and feelings to create emotions that our readers can relate to. This workshop opened my eyes to various aspects of writing.” wrote Destiny. Shenika also wrote that the workshops, “helped boost my own self-confidence and helped me in writing this story.” Delicia commented on how the process helped her deal with real life issues. “As I developed the plot and addressed these fears, I realized that some of them were my own fears expressed in different situations. This type of self-reflection was new to me and I was able through these fictious characters to better deal with my own insecurities.” The stories were originally intended to be productions but due to the lockdown plans were changed, with participants working with each other remotely to develop their scripts for publication. Sheneilla said, “The zoom meetings and workshops were very helpful and assisted me with the many corrections and rewrites I had to do. I also learned many new things about writing. I had fun creating characters and putting them in situations that created conflict and drama. Receiving feedback from a professional writer was eexciting and encouraging. The critique sessions with my writing partner also helped me to stay focussed and motivated.” The book’s summary focusses on the in-between status of teenagers who are neither teens nor adults but young people dealing with feelings like fear, pain, and loneliness, using the literary arts as a vehicle. These same teens scripted the 2022 short film, also produced by Dr. Howell, Don’t hit me Pickney. Film and book were released during a red carpet event at the Dean William Lake Cultural Centre on October 31st 2022. (Source – me)

ETA – report of the book launch in the Daily Observer –

Accolades

Trini writer, British based, Anthony Joseph was named to the short list of the T S Eliot Prize alongside nine other poets. Per The Guardian, “He is shortlisted for Sonnets for Albert, an autobiographical collection that weighs the impact of growing up with a largely absent father.” The winner will be announced on January 16th 2023. (Source – JRLee email)

***

Jamaican artistes Spice, Koffee, Skillibeng, Popcaan, Shenseea, and Sean Paul are contending for the Best Caribbean Music Award in the UK’s MOBO (Music of Black Origin awards).

Last year’s winner of this award is Shenseea, above right, wearing Antiguan and Barbudan designer Shem Henry, pictured left, whom I wrote about in CREATIVE SPACE.

MOBO is celebrating its 25th anniversary. (Source – Antigua and Barbuda’s Daily Observer newspaper)

***

The winners of Dominica’s Independence Literary Competition are Arrundell Thomas (Dominica between Sentences), English poetry; Ian Jackson (Orvince Gone), short story; and Jules Pascal (Bondye ka Mété), kweyol poetry.

(Source – Nature Island Literary Festival on Facebook)

***

Antiguan and Barbudan writer Gayle Gonsalves has received additional awards for her novel My Stories have No Endings: an Independent Press Award distinguished favourite & Next Generation Indie Book Award grand prize, second place, fiction, and winner, multicultural fiction. See more re recently awarded Antiguans and Barbudans. (Source – Gayle Gonsalves on social media)

***

I thought I had posted the Bocas children’s lit prize long list but maybe that was a fever dream. Here’s the short list.

I write Rhymes: A Novel by Nadine Johnson
Zo and The Forest of Secrets by Alake Pilgrim
The Whisperer’s Warning by Danielle Y C Mclean
The Land Below by Aarti Gosine

(Source – Bocas Lit Fest on Facebook)

***

Twelve young artists from Barbuda participated in the second annual Barbuda Youth Art Workshop and Competition in October 2022; three took home top prizes. Four on scene judges plus viewers via social media weighed in on favourite art works. Kyrollos Greaux (art: Under the Sea – the Big Coral Race) won in the 10-12 age group, Trinity Whyte (art: Postcard from Barbuda) won in the 13-15 age group, and Makaida Whyte (art: The Sound of Music) won the 16-18 age group. Each winner received EC$500.

(Source – Antigua and Barbuda’s Daily Observer newspaper)

***

Jamaica-born Brits (pictured) Yvonne Bailey-Smith’s The Day I feel off My Island and Leone Ross’ This One Sky Day were this year shortlisted for the Diverse Book Awards. It is a UK based awards recognizing books featuring characters not typically or widely represented. (Source – Myriad Editions email)

***

Shabier Kirchner of Antigua and Barbuda has been invited to join the Motion Picture Association of America. While I am not sure if any Antiguans and Barbudans have been a part of the Oscar-voting body in the past, I can say that either way it’s a rare opportunity and Kirchner is one of only 10 cinematographers in the 2022 class.

Kirchner has won awards from the New York Film Critics Circle, the Los Angeles Film Critics Association Awards, and the British Academy Television Craft Awards for his work on the Small Axe anthology. (Source – Bert Kirchner)

***

Dr. Noel Howell, medical practitioner and filmmaker, who works with the young people of the Antigua and Barbuda Film Academy, while announcing the release of student production Don’t Hit Me Pickney announced that it had received an award as best student production at CommFestt, a film festival in Canada.

See Playwrights and Screenwriters (the Antigua-Barbuda Connection) for this and more productions from Antigua and Barbuda. (Source – Dr. Noel Howell/ABFA/MPAAB)

***

The Antigua and Barbuda Film Academy presented awards to four people at the October 31st 2022 premiere local screening of CommFestt award winning student film Don’t hit me Pickney and launch of book of student stories Love, Friendship, and Betrayal: An Anthology of Lessons Learned – executive produced and published, respectively – by Antigua-born, US-based pediatrician and filmmaker Dr. Noel Howell. Wadadli Pen founder Joanne C. Hillhouse who has worked with the AFA as an editor and workshop facilitator was the night’s first awardee, her plaque for her commitment to the advancement of literacy in Antigua and Barbuda.

Meanwhile, for their contributions to the development of film production in Antigua and Barbuda, producers and former heads of the Motion Picture Associstion of Antigua and Barbuda Howard Allen, Dr. Alvin Edwards, and Bert Kirchner were awarded as well. Kirchner is the country’s film commissioner and is responsible for bringing a number of film and commercial productions to Antigua and Barbuda. Dr. Edwards, an ophthamologist, has been involved in production of high profile arts events like Romantic Rhythms in addition to producing films like Once in an Island and publication of its companion book. Allen is part owner with his wife of HaMa, Antigua and Barbuda’s pioneering filmmakers and still the most prolific producer of features (The Sweetest Mango, No Seed, Diablesse, The Skin, Deep Blue). The event was hosted by the Motion Picture Association of Antigua and Barbuda of which the Film Academy is a part. (Source – me)

***

November 1st was Antigua and Barbuda’s 41st anniversary of Independence, and at that day’s Ceremonial Parade a number of national awardees were announced as per normal. They included members of the arts community. I don’t have the full list (at this posting and I have never understood why the official list is so hard to find) but per reporting in the Daily Observer newspaper, among them are calypsonian Oliver ‘Destroyer’ Jacobs and pannist Patrick Johnny Gomes. Jacobs, a veteran of the field both on stage and with his pen is now GCH – meaning Grand Cross, the Most Precious Order of Princely Heritage, and Gomes is MH – Most Precious Order of Princely Heritage.

(photo credit Nathaniel Edwards/Facebook)

Jacobs, whose respected position within the Antigua and Barbuda calypso fraternity translated in to classics but not crowns told Observer that this honour is “not for me alone, it’s for all the calypsonians who never won a crown and kept on going.”

(Destroyer back in 2007, I believe, accepting a National Vibes Star Project award)

(Source – Daily Observer newspaper)

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, and The Jungle Outside). All Rights Reserved. Subscribe to the site to keep up with future updates. Thanks.

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Reading Room and Gallery 43

Things I read or view or listen to that you might like too. Things will be added – up to about 20 or so – before this installment in the Reading Room and Gallery series is archived. For previous and future installments in this series, use the search feature to the right. Possible warning for adult language and themes.

VIDEO ESSAYS

“When he left, Marley was despondent, feeling betrayed by the country he had given his life to…”

***

“It’s harder than you think it is…” – Lindsey Ellis

POETRY

“Hurricanes that stagger like a betrayed lover barreling through the islands until its rage is spent on the sands of our beaches/littered with masks and plastic bottles” – ‘Archipelagos‘ by Geoffrey Philp

***

“I’ve known rivers:
I’ve known rivers ancient as the world and older than the flow of human blood in human veins.” – from Langston Hughes’ ‘The Negro Speaks of Rivers

FICTION

“When Kali fights Raktavera it seems impossible because every drop of his blood generates new demons. She figures out how to defeat him. She lifts him above the earth, slays him, and drinks his blood. Consuming Raktavera’s blood, Kali goes into a destructive trance. She can’t control herself. She kills.” – from ‘Journey to Ashes‘ by Joy Mahabir

***

“In the beginning Leona thought the river was a horrible way to meet men. She thought Nell and I should meet them through normal channels, at church or a coffee shop, and not immediately after they’d tried to end their lives. Over the years, though, she’d accepted that my sister and I weren’t attracted to churchgoing, coffee-shop sorts, that we liked men who’d reached the ends of their ropes, guys who’d been gut-punched by life enough times to know they would be gut-punched several more.” – from ‘The Narrows by Janet Jodzio

REVIEWS

“…all in all I loved this book (both books), and find it consistent with the author’s oeuvre, which I’ve found to have strong, athletic and adventurous females, some element of fantasy, some mystery to be solved or problem to trouble shoot, within a Caribbean setting that just is. It’s very accessible for young readers and I can see it becoming a favourite of a young girl who is in to art, science, and sports, or perhaps just likes a bit of fantasy.” – from Blogger on Book (2021) – Quick Takes III. The Blogger on Books series used to run on this blog and has since moved to Jhohadli. This post is quick takes of the Antigua and Barbuda Review of Books Volume 12 Number 1 Summer 2019, and two Big Cat books How to be a Calypsonian and The Lost Sketchbook (the review of the latter excerpted here)

NON FICTION

***

‘Writing forty to fifty short stories annually provided Louis with just enough money to live comfortably as long as he kept tight control over his budget. Maintaining his morale was also a reason for the high productivity: “My system was to have so many stories out that when one came back its failure was cushioned by the chances that were left,” he wrote to author and editor Ken Fowler, “and by the time they returned I had others out.”’ – from Louis L’Amour and the Legend of the West: Beau L’Amour remembers the Life and Work of His Famous Father in Crime Reads

VISUAL ART

Something I made…

***

Moko: Caribbean Arts and Letters in 2021 featured the photographic art of Nadia Huggins, a Trinidad-Tobago born, St. Vincent and the Grenadines raised artist and director. The series of images is part of her documentation of the La Soufriere eruption. See more images and read more about her work here.

READING

This was a promotional reading posted to her publisher’s YouTube by Turtle Beach author Barbara A. Arrindell. This book is part of the Caribbean line of Big Cat books and Arrindell is a Wadadli Pen team member.

CREATIVES ON CREATING

It’s crazy to me that this film didn’t get more awards love. Why? See my review of both the movie and the book from which it was adapted.

***

“I could work on a song for an hour or two and then I want to jump off to the next one…working on one song I can get bored and fall out of love with it…he has no problem just sitting with one song.” – Anderson.Paak on working with Bruno Mars

***

“We Often Have Dope Crew Jackets On My Joints. I Often See Them On Ebay For Big Money.” – ‘Remembering the Iconic Visuals and Creative Process of Spike Lee’s School Daze‘ by Spike Lee

***

“Creative writing in an of itself is a form of journalism…if you’re speaking to an issue, you’re speaking to something that has a spine, you’re just altering the delivery method in which someone gets the information.” – Roy Wood Jr. in conversation with Steven Barnes and Tananarive Due

***

“We need to know what a particular form does for storytelling so we can make an informed decision about if we want to use it, when we want to use it, or if we want to dismiss it altogether.” – Tiphanie Yanique on Breaking the Rules of Form in LitHub

***

“The entry point for me with this particular story though it’s an aquatic adventure set under the sea, the entry point for me was friendhsip.” – Joanne C. Hillhouse at Write the Vision’s Aspiring Authors and Writers Virtual Literary Event, speaking on ‘The Art of Writing Children’s Books?’, speaking at this point on writing Lost! A Caribbean Sea Adventure

CONVERSATIONS

“The problem with canons is how they squeeze people out, it’s not how they include people.”

***

 “But who I am is my father’s son…” – Sydney Poitier, Academy Class of 2014, Full Interview

His story about the slap back he insisted on in ‘In the Heat of the Night’ and the story he tells about the role he turned down pre-fame (when things were so bad he had to take out a street loan against his furniture to pay for his daughter to be born in hospital) have in common his awareness of his responsibility to his character, characters, and community, and determination not to make money his only motivator.

***

“Poetry and fiction publishing by Caribbean women has been on-going for decades. Readers should have had more multilingual anthologies available during the last twenty years. We have such a significant number of excellent writers coming from the region and the larger Caribbean world.” – Loretta Collins Klobah in interview (alongside Maria Grau Perejoan) with Plume

***

“How come we are so visible, yet we are invisible.” – Edith Oladele of the African Slavery Memorial Society, discussing how she came to an awareness of her connection to slavery and to Africa.

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, The Jungle Outside, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on AmazonWordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Carib Lit Plus (Mid to Late February 2021)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here)

Misc.

Follow, if you will the WADADLI PEN 2021 page for news upcoming re the launch of the 2021 Challenge (yes, we are late), for the latest on patronage and how you too can become a patron, and to vote for your favourite Antiguan and Barbudan book of recent years. (Source – me)

***

Listen, if you haven’t already to Sunday 21st February 2021’s Sessions in Steel on Observer Radio on the station’s facebook page, for a full reading of Jim Nanton’s reflections on his time with the Harmonites International Steel Orchestra. It is, as they said, very poetic in its use of language, comprehensive in its recollections, and incisive in its reflections. It wasn’t my first time ‘reading’ this longform essay as its author James Nanton had hired me to edit it some time ago (see JN, client, longform essay in Performance Reviews) but when he contacted me today to let me know that the piece had found a home, I gladly listened and I think you should too. I do hope it gets printed at some point for all the invaluable pan and cultural history it contains. Sam Roberts’ superb reading of it though was surely bountiful in terms of the essay’s reach. (Source – James Nanton)

***

Read, if you will, the latest installments of my column CREATIVE SPACE, a column covering local (Antiguan-Barbudan/Caribbean) art and culture, the latest headline of which is How does Your Garden grow?

(Source – me)

Obits.

Clarvis Joseph of CaribSeas was an arts philanthropist as a backer of Point steel orchestra Harmonites for a considerable time. News of his passing circulated on February 20th 2021 – I don’t have a full obit but I did want to acknowledge his contribution.

***

The deaths of local and global cultural icons since the start of the year has been almost too much to keep up with – from beloved African American author well known to us here in the Caribbean Eric Jerome Dickey, a fAntiguan who had been a regular at our local literary festival and lived and wrote in Antigua and Barbados, to legendary Hollywood actress of Nevisian descent Cicely Tyson to Trinidadian calypso barrier breaker Singing Sandra to star with Antigua and Barbuda’s legendary musical Mason family Tyrone Mason. Read about the passing of the latter in this Daily Observer article:

Issues

“A people are known by their culture
A people are known by their past
The past determines the future
From the present we could forecast
And that is why in Antigua
We must rectify our history
And remove all dem false heroes
Retarding our destiny
So that is why we must now
Proclaim our own
And drop all those false names
That aliens imposed upon we
Let’s reclaim our own history”

If you’re familiar with our song lyrics project, or if you are Antiguan and Barbudan, these lyrics should ring a bell. They are from King Obstinate’s True Heroes (Sons of the Soil) and they seem relevant again in light of global anti-racism #BlackLivesMatter FedUprising that recently peaked in 2020. The recent publication of a letter dated 2019 from the Reparations Support Commission to the Minister of Culture

adds to the conversation on a part of this discussion – reclaiming and renaming spaces named for colonizers. We’ve seen the likes of the ceremonial removal in 2020 of the Nelson Statue (as in Admiral Lord Nelson) in Barbados. Antigua and Barbuda’s own Nelson’s Dockyard is a World Heritage site but the conversation has been happening here as well and this letter serves as a reminder of that, and this 40 or so years old song reminds that, at least in Antigua and Barbuda, it is not a new conversation. I was a child when I saw King Obstinate perform these songs at Recreation Grounds (which Obsti’s song suggested be renamed “Vivi Richards Recreation Ground”) and witnessed not long after as several streets in St. John’s City, whether coincidentally or consequentially, renamed for national heroes – streets like “Drake, Hawkins, and Nelson streets” previously named for enslavers became (and I don’t remember which was which) the likes of Vivian Richards, Andy Roberts, and Nellie Robsinson street, and Coolidge Airport did indeed become V. C. Bird International Airport (as Obsti recommended). With the passing of one of Obsti’s contemporaries, Swallow, in 2020 talks of how to honour him saw renaming his village of Willikies in his honour in the conversational mix (though poo-pooed by some) – a fitting tribute in my view. And per this once again timely song, Obsti would go even bigger. He sang in the latter part of the verse opening this section, shouting out the other two calypsonians who, alongside him, are known as the Big Three of Antiguan and Barbudan calypso,

“English names like St. George and St. John,
Falmouth, Willikies, and Codrington,
they don’t reflect our background,
call dem Short Shirt village or Swallow t’ung (town).”

(Source – Daily Observer newspaper)

Opportunities

There are always Opportunities (such as the Collins Big Cat Writing Competition for chidlren) being added for writers and artists of all ages; so don’t forget to visit our Opportunities Too page. (Source – Big Cat, via email from Collins; Opportunities Too)

Accolades

UK-based Trinidad writer Monique Roffey landed atop the Times (UK) bestseller list even as her Mermaid of Black Conch continues to pick up awards (such as the Costa best novel prize).

(Source- the author’s social media)

***

Former Wadadli Pen finalist (2005, 2006)and one of our 2021 patrons Rilys Adams, who has been exceedingly prolific in the romance and erotica genres has won the Ripped Bodice Awards for Excellence in Romantic Fiction for Go Deep. How prolific is Adams? She keeps me very busy when it comes to keeping up with published Antiguan and Barbudan books. She published Go Deep (which is in the running for the #readAntiguaBarbuda 2021 readers choice book of the year prize launched back in January 2021) back in June 2020, and since then has released Birthday Shot which was a nominee for the Rebel Women Lit Caribbean readers choice of the best Caribbean novels of 2020, Ate: an Erotic Novelette, Ho! Ho! Ho!, Deeper: Navaya and Xander Tie the Knot (Unexpected Lovers), and most recently Love Scammed. Adams, who publishes as Rilzy Adams receives US$1000 and the opportunity to gift US$100 to a charity of her choice; she chose The Asha Project, an organization in Wisconsin which provides support to Black women who are survivors of domestic violence, trafficking, and sexual assault. (Source – the author’s facebook page)

***

Son of the Antiguan and Barbudan soil Shabier Kirchner continues to receive praise for his work, and most recently for his work on the Steve McQueen anthology series Small Axe. He was named Best Cinematographer in the New York Film Critics Circle Awards. “I never in my wildest dreams thought I’d ever receive anything like this,” Kirchner said in his acceptance video. He credited McQueen, an Academy Award winning director for 12 Years a Slave, for “being a teacher, a friend, a collaborator, …(who) really encouraged me and gave me the opportunity to put the biggest part of my soul into something that will outlive us all.” His final word: “I really want to thank my home, the West Indies, my family, the culture, I see you. I love you. Bless up.” Full video here. (Source – online generally, awards scrolling)

***

Jamaican Renaee Smith, my former block sister at Taylor Hall at the University of the West Indies, made Yahoo! News with her latest series of children’s books. In an article headlined ‘International Award-Winning Author Renaee Smith Launches Entertaining and Informative Children’s Book Series’, we’re told that “Renaee Smith, prolific author of the Freddie series, is pleased to present a series containing four of her celebrated children’s books in a single collection. With stunning full-color illustrations and educational messages that will inspire young readers, Smith’s work is an engaging way to teach children about their own power as agents of change. This 4-part series is the perfect way to experience the series as a whole and follow Freddie’s adventures in different environments and situations. In the first book, The Great Compost Heap, Freddie introduces the concept of recycling. Next, in Freddie’s First Race, he learns to follow his dreams of being a track star by putting in the hard work. Smith’s series also covers important interpersonal concepts like empathy for others in Freddie’s Good Deed and spending time with family in Freddie Goes to the Beach.” Read the full article. (Source – the author’s facebook page)

New Publications

Barbadian writer Shakirah Bourne’s next book, Josephine Against the Sea, her first with one of the US publishing industry’s big houses is due this year and is, as you read this, available for pre-order.

Read about Josephine.

***

New magazine, Fu Arwe, landed in the first quarter of 2021. The 22-page magazine is a publication of the Department of Culture. I haven’t read it yet but a scan reveals articles on The Relevance of Moko Jumbies by Silvyn Farrell, Copyright Royalties and Their Importance in the Music Industry Within Antigua and Barbuda Part 1 of 4 by Vanesa Mortley, Art: Not Just a Subject, But It’s Importance to the Development of the Student by Alvin Livingstone (whom you might remember as our 2014 Wadadli Pen Challenge art winner), and Q & As with performing artists Abi McCoy and Zahra Airall. The magazine is intended to be quarterly. Contributions can be emailed to Culture at CDDANU.INFO@GMAIL.COM (Source – Zahra Airall’s facebook)

***

I signed 60 copies of The Jungle Outside, my latest book (with illustrator Danielle Boodoo Fortune) – my seventh published book overall, third children’s picture book – at the Best of Books bookstore Antigua; so limited edition signed copies are now available at the bookstore. The Jungle Outside and Turtle Beach by (Wadadli Pen team member) Barbara Arrindell with Zavian Archibald, both Antiguan and Barbudan, both launched in the UK in January and are now both available here. They are also available for pre-order online in other markets like Canada and the US where they will shortly become available. See Barnes and Noble, and wherever books are sold. (Source – me)

***

For the duration of the readers choice book of the year initiative, we will continue to encourage you if you’re reading this to take a minute and go to over to vote in the #readAntiguaBarbuda 2021 installment of the initiative. The goal is to spotlight our local publications and the tangible reward goes to a local school – selected by the winning author – to receive books as made possible by whatever patronage we receive. Remember, you can give to both this and the Wadadli Pen challenge 2021 by emailing wadadlipen@gmail.com (Source – me)

ArtrEpreneurship

Leading Antiguan and Barbuda artist, Heather Doram, who has been exceedingly prolific during the pandemic, is an independent artist creating amazing designs for great products – canvas, t-shirts, stickers, posters, phone cases, and more. This is a new venture for Doram and we love to see it. You can now by her work from anywhere in the world and with any budget via the Redbubble online retail platform. We checked with the artist and items have to be ordered online, cannot be sourced directly from the artist.

(Source – the artist’s facebook; image from the artist’s redbubble.com account as an example of some of the artist’s merchandise)

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Oh Gad!, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, and The Jungle Outside). All Rights Reserved. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. Respect copyright.

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Most Influential Antiguans and Barbudans

This list is not scientific.

But that’s not the point. The point is….there is no point just an opportunity to acknowledge some of the people who’ve helped shape life in Antigua and Barbuda over the last hundred years or so according to … a very small group of people …with internet access … and a facebook presence … who had time today (not today) … and were aware that there was a poll being run by a random person on the internet.

Like I said, it’s not scientific.

But it was fun and educational, and culturally-relevant; all reasons I thought sufficient to bring the top 10 here to the Wadadli pen blog. My primary interest was in seeing how many of our artists made the list but it’s an opportunity for us to reflect (especially as the year winds down, and as we lose more and more) on the people who have shaped life in Antigua and Barbuda.

 So, here we go.

Top 10 Most Influential (in Antigua and Barbuda) of the last 100 years … (according to some people on facebook):

10 – tied – Elvira Bell, Christal Clashing, Samara Emmanuel, Kevinia Francis, and Junella King (i.e. Team Antigua Island Girls – first all Black, all female team to row the Atlantic), Baldwin Spencer (former Prime Minister and former leader of the Antigua-Barbuda Workers’ Union),

 

 

 

 

Jamaica Kincaid (celebrated international author of fictionalized memoirs like Annie John, Lucy, and See Now Then whose newest book is a children’s picture book based on one of her early short stories), Lester Bird (former PM and officially designated National Hero who published his autobiography The Comeback Kid in 2019), Prince Ramsey (Doctor/HIV-AIDS awareness activist, calypso writer and producer who died in 2019) – one social media commenter said of Dr. Ramsey “I think he’s the most inspiring of them all”

9 Short Shirt (most decorated Antiguan calypsonian; the Dorbrene O’Marde penned biography about him Nobody Go Run Me was longlisted for the 2015 Bocas prize)

8 –  Obstinate (undefeated calypso icon)

7 – tied –

Edris Bird (former resident tutor of the UWI Open Campus who in 2019 also became a Dame), Andy Roberts (bowler, first Antiguan and Barbudan to play for the West Indies Cricket team, knighted),

Winston Derrick (deceased host of Observer Radio’s Voice of the People and co-founder of Observer Media Group which transformed the media landscape and broadcast media especially after a legal battle for the right to broadcast that went all the way to the privy council and with its victory opened up the broadcast media door for others to enter)

6Alister Francis (late former principal of the Antigua State College, a groundbreaking tertiary institution of its time for Antigua and Barbuda and the eastern Caribbean)

5George Walter (Antigua and Barbuda’s second premier and former leader of the Antigua-Barbuda Workers Union; officially designated National Hero)

4  Nellie Robinson (late former educator, founder of the TOR Memorial school which is credited with breaking down class/social barriers in Antigua and Barbuda, and officially designated a Dame and our only female National Hero)

3 V. C. Bird (deceased; second president of the Antigua Trades and Labour Union, which is credited with boosting the voice and fortunes of Black and working class people in late colonial era Antigua and Barbuda, first Chief Minister, Premier, and Prime Minister – Father of the Nation, and first officially designated National Hero)

2  Tim Hector (late pan African political activist; media pioneer – founder of the Outlet newspaper and writer of the Fan the Flame column; fighter for press freedom through his investigative reporting, and battles in and out of court including the privy council, arrests, and alleged arson; award winning journalist;  commentator on politics, culture, sports; and political candidate)

1Viv Richards (second Antiguan drafted to the West Indies cricket team, the only Windies captain never to have lost a Test, one of Wisden’s top five cricketers of the 20th century, and officially designated National Hero)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

So a handful of artists made the top 10 which is always good to see. But I did wonder who were the top 10 artists in the poll overall, hence this second list. According to the same poll – but in reverse order – and highlighting only the arts side of their life – these are the top 10 artists among the Most Influential in Antigua and Barbuda of the  last 100 years or so…according to the voters in this particular social media poll:

1 –  Obstinate

2 –  Short Shirt

3 – tied – Prince Ramsey, Jamaica Kincaid

4 – tied – Swallow (who with Obsinate and Short Shirt make up the Big Three of Antiguan calypso, known especially for his road march hits), D. Gisele Isaac (writer, cultural critic, author of Considering Venus, The Sweetest Mango, No Seed), Burning Flames (iconic jam band)

5Barbara Arrindell (writer)

6Reginald Samuel (sculptor, national flag designer)

7Ralph Prince (writer)

8 – tied – Oscar Mason (musician, masquerade artist), Yvonne Maginley (musician, composer, Community Players), Dorbrene O’Marde (playwright, cultural critic and activist, calypso writer, novelist), Roland Prince (musician), Joseph ‘Calypso Joe’ Hunte (calypsonian), Marcus Christopher (calypso writer), Alister Thomas (mas designer and builder), Robin Margetson (pan composer, Panache founder – pan school and orchestra)

9 – tied – Stachel Edwards (musician), Rupert Blaize (singer), Wendel Richardson (musician, one of the founding members of Osibisa), John S. Laviscount (musician, founder of the island’s oldest band Laviscount Brass), Isalyn Richards (director of the combined schools choir), Winston Bailey (musician), Althea Prince (writer), Oliver Flax (writer, playwright), The Targets (music group), The National Choir, Shelly Tobitt (calypso writer known for many Antiguan and Barbudan top calypsos of the 70s and early 80s especially through his collaborations with Short Shirt e.g. classic albums Ghetto Vibes and Press On), Ivena (calypsonian, Antigua and Barbuda’s first and to date only female calypso monarch), Bertha Higgins (musician, involved with Antigua Artists Society, Hell’s Gate), Veronica Yearwood (Afro-Caribbean dancer and choreographer, founder of the Antigua Dance Academy), Zahra Airall (writer, award winning dramatist and playwright – Zee’s Youth Theatre, Honey Bee Theatre, Sugar Apple Theatre plus her work with Women of Antigua, poet, arts event producer – notably Expressions Open Mic, photographer), Hilda McDonald (writer)

10 – tied – Novelle Richards (writer), Conrad Roberts (actor)

*

Apologies if I’ve offended anyone or breached protocol by leaving off all honorifics; that was a choice I made to leave off all instead of forgetting some as I am likely to do (better to have you mad at me for something I chose to do than for something I didn’t mean to do). All honorifics are, however, of course, acknowledged. Also acknowledged is that the named people have done much more than captured in my mini-bites. Some books are pictured in this post but remember to check our listing of Antiguan and Barbudan literature for books on or by any of the named influential Antiguans and Barbudans – if you’re looking specifically for biographies/autobiographies, scroll through the non-fiction list. Also, if someone’s picture is not included it’s because they’re not in the Wadadli Pen photo archives and time constraints didn’t allow for scouring the internet. Hopefully, that covers it – this is just FYI and for fun and I would encourage you to continue the conversation by sharing your picks for most influential Antiguans and Barbudans of the last 100 years or so (the or so is really 20th century forward to this year – I think those were the parameters).

As with all content on Wadadli Pen, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure/Perdida! Una Aventura en el Mar Caribe, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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A & B Artistes Discussing Art

Primarily, in this space, I’ll be sharing discussions, in Question and Answer format, of craft, and insights to not only the author/artist’s journey but the story of the arts in Antigua and Barbuda. This is a Work in Progress. The main criteria, so far, for inclusion, apart from the Q & A structure and the arts/art history focus, is that these are interviews not conducted by someone who is part of the artistes’ publishing and/or promotional team, and are interviews that are in the public sphere on a platform independent of the artistes and/or their publishing and promotional team. Beyond that, it’s what I come across and you can also link me interviews that fit the very broad stated criteria by emailing wadadipen at gmail dot com

A

Barbara Arrindell being interviewed for ABS TV International Literacy Day Featurette  – September 2022

Barbara Arrindell and Joanne C. Hillhouse discussing creative writing on ABS TV’s Antigua Today –

– (January 12th 2022)

Barbara Arrindell in conversation with Joanne C. Hillhouse for CREATIVE SPACE –

– (2021)

“One of the early writings I did was a play called Dreams…Faces…Reality…and that play was actually performed over 25 times in Antigua and Barbuda… it was used as a tool to help students in the schools understand everything concerning HIV/AIDS.” – Barbara Arrindell with ABS TV (2020)

“Nellie Robinson, Dame Nellie Robinson is listed somewhere in our history as being the first chairperson of the artists association of Antigua and Barbuda, but so is a lady named Elizabeth Pickney…back in 17something… I found one in the 18th century too… we’ve had an artists association here many times and it’s been so far apart that each person thinks of themselves as the first chairperson of… in terms of history, there’s a book called A Brief History of Antigua written by Brian Dyde. Brian Dyde wrote brief histories for about four or five islands around the Caribbean, if it was five, four of them are still in print, guess which one is not in print, the other four were taken on and used in the school systems in the other islands, guess which one they couldn’t even sell one print run for…?” – Barbara Arrindell in conversation with Dorbrene O’Marde, Heather Doram, and Joanne C. Hillhouse on Observer Radio (2017). Read a transcription of the (2017) interview or listen to the interview.

“I don’t really have a routine, I just take advantage of times when I don’t have anything to distract me, when I can get stuck into writing for as long as I want. I like to write with my feet cocked up on a comfortable sofa, and a good view in front of me. We have a small apartment in the old walled city of San Juan, Puerto Rico, which looks out onto a plaza with trees, a few birds singing, passing salsa music, and sounds of people chatting and relaxing. That’s my spot. When I am researching, of course, it’s different: if I’m not working online on the above-mentioned sofa, I’m usually sitting at a table in a research library somewhere in the Caribbean, or in Cornwall.” –  Sue Appleby, author of The Cornish in the Caribbean (2019) 

“If I was to specify what path I’m on and what matters to me the most I think it would be inspiring people…I have a reservoir of information that I could then pass on.” –

Sonalli Andrews, graphic designer in conversation with Joanne C. Hillhouse for her column CREATIVE SPACE (2020)

“At the time we did not know we were doing pioneering work in film. There was no pressure to get everything right. It was only after we began doing the film festival circuit did we learned it was not only the first indigenous feature film for Antigua and Barbuda but in fact the Eastern Caribbean. Some intellectuals thought our first film should have had more ‘grit’ dealing with social issues.” – Mitzi Allen in discussion with Karukerament about The Sweetest Mango, written by D. Gisele Isaac, directed by Howard Allen, with Allen as producer and Joanne C. Hillhouse as associate producer. The Sweetest Mango was Antigua and Barbuda’s first feature length film. 2020.

‘I was literally born into the theatre. My parents met each other through the Antiguan drama company “Harambee Open Air Theatre”… and since then they have both always nurtured the love and appreciation for the arts, exposing me to varying types of performances, including visiting ensembles to the island, and performances whenever I traveled. I remember my father taking me to see Cats on Broadway at a young age…it was exciting, and just cemented the fact that that was what I wanted to do with my life … perform and create productions that would make people feel the way I felt as a child sitting in that theatre. My mom then enrolled me in a drama programme called Child’s Play, under renowned Jamaican dramatist and storyteller Amina Blackwood-Meeks.’ – Zahra Airall talking to The Uncaged Phoenix (2018)

Tim Tim Bwa Fik podcast discussion with Rilzy Adams part 2 (2022) – “When writing, where this was concerned, the one thing that I really wanted it to feel like and be like was Antiguan… I was very intentional with everything from the food choices to the music…but I also wanted them for the most part to be not necessarily heartwarming but …my general brand, for everything I write…Antiguan, full of love, and spicy.”

Tim Tim Bwa Fik podcast discussion with Rilzy Adams part 1 (2022) – “I started writing epic fantasy. I think that’s what I wrote for a very long time…but eventually I said to myself, well, this is what I like to read so I’m really confused as to why I’m not writng it and that’s when I started to segueing into trying my hand at writing romance novels.”

Glenroy Aaron participating in a virtual roundtable chaired by issue guest editor Joanne C. Hillhouse on Tongues of the Ocean along with Heather Doram, Emile Hill, Mark Brown, and the now late X-Saphair King (October 2014): “To be honest, I have learned a lot more about the Antiguan aesthetic from this conversation than from my years of observing art in Antigua. I say this because there is so little indigenous Antiguan art to observe, and historic recording of it is also quiet faint. My art is basically an attempt to capture the beauty around me and the moments in which they occur. My techniques and methods continue to evolve as exploring New continues to excite. Forays outside my comfort zone to explore deeper emotions have produced interesting results; with some apprehension as to the commercial viability of such ventures. The balance between creativity and viability is tricky but can be done, as others have found ways to make it work. Themes and scenes indigenous to an artist’s place of birth will ultimately make its way onto an artist’s canvas but considering the fusion of influences and cultures that have existed on the islands for some time now, an Antiguan aesthetic may be a bit difficult to define. Further, holding that many view art as a visual expression of the artist’s thoughts and emotions, we can appreciate that some of these ideas and emotions may not be “local” in scope.” Read in full.

B

“When I climbed down into the landing craft, my sketchbook was out, I was sketching men climbing down the ladder. And when we were on the beach I was drawing the men in the foxholes.” – Ashley Bryan talking about being an artist while doing active duty during World War II on The Story on American Public Media. 2013.

“When I was growing up there was the WPA…a programme the government set up for free schools in art and music for all the communities throughout the United States and my parents with six children…sent us all out to the free classes, so we were all painting and drawing and playing the piano… I was not able to get a scholarship (to art school) because they said it would be a waste to give a scholarship to a black person.” – Ashley Bryan talking to BBC Sounds about his early development as an artist.

Tammi Browne Bannister talking to David DaCosta (December 28th 2016):
“When I was little, I loved reading Aesop’s Fables and was attracted to the humor, the lessons, and the tragedies and of course the way these tales made me think about the characters long after reading. I’ve written a few.” Full interview.

“It took coming here to see that my voice was a voice that needed to be heard.” – Brenda Lee Browne, Real Talk with Janice Sutherland at Phenomenal Woman. 2018.

Mark Brown participating in a virtual roundtable chaired by issue guest editor Joanne C. Hillhouse on Tongues of the Ocean along with Heather Doram, Emile Hill, Glenroy Aaron, and the now late X-Saphair King (October 2014): “I view art making as a human activity which cannot be defined as mine or yours, and this is based on the type of work which I engage in. My work, in my mind, is about responding to stimuli, that act of engaging with my feelings about my environment, religion, identity, sexuality, all of which most, if not every human being faces at some point in life. As a result, for me Antiguan Art, like Art elsewhere, is individual voices singing their own tune. Of course we may use objects specific to our culture [that have] distinct meaning but many times these same objects may have a different name in another culture and [be] used in different contexts, but then it is also specific then to that locale. How else do we explain lending your voice in paint or any other medium to a specific issue in a way that you deem visceral and then later on somewhere else, Google for instance, you discover another artist on the opposite side of the globe exploring the very same idea in very similar ways. To me it is just the act of discovering, in visual format, that which is buried deep within with the ultimate aim of finding out the real reason for my being “here” and at this time.” Read the full discussion here.

Mark Brown (2015) on Popreel, Swedish TV: “The main aim of the Angel in Crisis series was to bring a sort of humanness to people like her (the nun), priests, people who have to bear that burden of conforming to what society expects of them.” Interview begins at 7:35.

Jazzie B. talking with Chris Williams for Wax Poetics (May 14th 2014): “’Keep On Movin’ actually came about lyrically because we were at the Africa Center in Covent Gardens, and we were being put under a lot of pressure by the police. It was due to the fact that other clubs in the area were empty and ours kept being full. Every so often, we would get the squeeze put on us. At one particular moment, they threatened to close us down. The whole concept of this song came from there.” Full interview.

C

“We shot this at Half Moon Bay and this was supposed to embody just light and sand and turqouise waters, and just playfulness and joy, like there was supposed to be an innocence to it because this is where you meet the Yemoja character and so this was really just about having fun and just playing with my body and the dress under the water and trying to imagine what Yemoja wuld have felt just being in clear chrystal blue waters.” – Christal Clashing discussing Yemoja’s Anansi in a February 2022 CREATIVE SPACE art and culture column

D

HD

“Sometimes I try to have this hope that we have reached a stage where black people are not being treated unfairly and [this news] just dropped me into a rabbit hole again.” – Heather Doram (Daily Observer, 2021)

“In my current creative phase, I feel so invigorated, so inspired, so playful, and so expressive. As both an artist and a woman, I am exploring new spaces, taking on new challenges, transcending my past, and shaping my future.” – Heather Doram (2020 interview with findyello.com)

Heather Doram on Observer Radio in a discussion which also included Joanne C. Hillhouse, Barbara Arrindell, and Dorbrene O’Marde (October 2017): “My feeling is that I have lived under several administrations and I really do not get the feeling that there is that widespread support for the visual and performing arts…you just use them when you need them…we do not even have a national gallery in Antigua and Barbuda so we the artists are there producing work in sort of isolation. I’ve seen it in many other countries where the national gallery would commission work; this sort of spurs the whole generation and activity of work and then the artists start to feel that sense of involvement and that their art work can actually support them…the same thing I’m sure applies to the literary artist…something like the cultural development division should be that nexus of that sort of leadership, this is where the cradle is…I would really like to see more support for the arts generally.” Read a transcription of the (2017) interview or listen to the interview.

Heather Doram participating in a virtual roundtable chaired by issue guest editor Joanne C. Hillhouse on Tongues of the Ocean along with Mark Brown, Emile Hill, Glenroy Aaron, and the now late X-Saphair King (October 2014): “They were reactive and passionate. They were not satisfied with the realistic interpretation of the Antiguan landscape. They wanted to push boundaries, they wanted to produce work with the visual language of engagement with their audience. Many of their works responded to and explored social, political, gender issues and self. The younger generation sought to explore their roles as messengers in their visual language. I think artists like Mark [Brown], Emile [Hill], and Zavian [Archibald] can be included in this group. They are much more open to expressing themselves and exploring a range of media and techniques in their work.” Read the full discussion here.

E

“Art is not just a commercial transaction. When an artist shows you their work, they’re showing you their soul, their heart, and what’s important to them.” – Debbie Eckert on Sweden’s Popreel (2018) – beginning roughly at 4:30

F

Cray Francis talking with Good Morning Antigua Barbuda (April 5th 2016):
“I felt like I had to write my own stories.”

Claudia Ruth Francis talking with Italy’s Conoscere TV about her book Six Steps: An African-Barbudan-Caribbean Story (2022):

“I was very surprised when I realized that I was only six steps away from my ancestor who was on the slave registry in Barbuda.”

G

“It’s always a burning passion but it’s not a fruitful burning passion. You do the arts cause you love it and you have something you want to say.” – Gayle Gonsalves (2020) on ABS TV

“I’m a Caribbean poet foremost, I was not born in the BVI. I was born in Trinidad to a BVIslander father and a Trinidadian mother. His mother is Antiguan, her mother is Grenadian. He grew up in Guyana, and I grew up in the BVI. Because of that chain of connections, I think that the vibrations that drive my work are deep in the currents of this sea, those currents that touch each island – I would invoke that famous image of Brathwaite’s from ‘Calypso’, ‘the stone had skidded arc’d and bloomed into islands’.” – Richard Georges in Pree. 2018.

“As far as my poetic horizons go, I try to let the tides tug me along, and trust that they will take me where I’m meant to go. I thought I’d write a book of poems and then move on to spend some time experimenting with fiction, but poems seem to keep coming. I think I have to trust that.” – Richard Georges in Caribbean Beat. 2017.

Linisa George reads and talks about ‘In the Closet’, which was the Antigua and Barbuda Poetry Postcard  for the UK series featuring works from the Commonwealth in time for the 2012 Commonwealth Games. “I’ve always been a poet…” she says, then explains the journey toward stepping in to that power. Link.

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Tim Tim Bwa Fik podcast discussion with Joanne C. Hillhouse part 2 (2022) – “Part of it is that I knew that world: I was the girl with the guitar slung over her shoulder, going to practice, playing in the choir, being shy about it, being self-conscious about walking with the guitar..for me the interesting things were the kids discovering their love of art, and discovering their potential within the art space, and connecting with each other through art…and the instinctive urge to explore colourism in that space because it exists in our spaces, our Black spaces, our people of colour spaces, it exists, so all of those things were interesting to me; the romance, yes, but all of those other things as well.”

Tim Tim Bwa Fik podcast discussion with Joanne C. Hillhouse part 1 (2022) – “I think that I write that type of romance and that I see romance as this sort of not this fanciful thing but sort of rooted in these realities as well is a product of growing up in the Caribbean. …Caribbean romance for me is real.”

Barbara Arrindell and Joanne C. Hillhouse discussing creative writing on ABS TV’s Antigua Today (January 12th 2022) –  “It doesn’t have to be perfect. It is not for you to judge what you’re creating as you’re creating it. Let it be. Let it breathe. But part of what I’m doing in my current stream of workshops is now when you come back to the work, how do you begin to edit it, how do you being to redraft it? Because if you are serious about putting your work out in to the world, that is going to be a part of the process. And one of the things I always encourage budding writers to do is to begin to think of putting their work out in to the world. Whether it’s submitting to journals, or contests, or beginning the process of starting to query longer works that they wish to publish. But before you get to that point, once you get past the ‘just write’, once you get past the ‘let it breathe’, is beginning to dig in to the work and refine it, and begin to put it out in to the world.”

“One of the things that you grow up hearing in the Caribbean is girls shouldn’t climb trees because they going blight the tree, meaning that the tree not goin’ grow or not goin’ bear, so I wanted to put a girl in a tree; we need to break those sort of stereotypes. One of the magical things about children’s picture books is that they are what begins that process of socializing children in to who they are and who other people are.” – presentation by Joanne C. Hillhouse at Write the Vision’s Aspiring Authors and Writers Virtual Literary Event

(October 2021)

“Even the idea of taking on an internship as a writer, because he’s an aspiring writer, is a luxury…you have to be able to support yourself in order to do an internship that can help you figure out this writing thing sometimes; so all of the things you need to feed the life that will allow you to do the creative thing is sometimes the biggest challenge.” – Joanne C. Hillhouse on taking on her first personal intern; just one of the things discussed in this conversation with Diaspora Kids Lit

(2021)

Joanne C. Hillhouse in conversation with Haitian-American writer M J Fievre for her Badass Black Girl vlog: “I do write from a specific place…it doesn’t matter if I’m writing speculatively or not, there is something that grounds me… my writing is grounded very much in real life Antigua, even when I’m writing fantasy.”

(2021)

Joanne C. Hillhouse in conversation with Andy Caul of ACalabash: “To write those kids in Musical Youth, I reached back to my own teen-hood when I had my group of friends and I used to play the guitar. I used to go to guitar lessons, to play guitar in the choir. We went to fetes, Carnival, talent shows, walk-a-thons, the beach, we walked from school together. We had our clique. We had shared experiences. And I know in the reviews, they particularly commented on the Black joy in Musical Youth. And I appreciated that because that, in a way, was a joyful existence. The thing that people misunderstand about Caribbean life and Caribbean people is that while it can be very hard, marked by poverty and other things, it’s not just that. It is just life. It is love and laughter and we have some of the most inappropriate sense of humor when it comes to some of the darkness and the things that we joke about and the things that we find funny. So, yes, there’s poverty. Yes, there is political victimization. Yes, there is all the narratives but there’s also friendship, laughter, fun, music and all that stuff. I did not feel like I was writing against anything. It felt like I was just writing what was true.” (2021)

“I wanted her to be blacker, I wanted her to be on the dark-skinned side of the spectrum and I wanted her to be natural, have natural (hair) …because part of it for me …in the world of children’s picture books we don’t see enough people at the darker end of the spectrum, especially as characters that children can feel affection for and love and recognize themselves in.”

Joanne C. Hillhouse in conversation with Trinidad writer-artist Danielle Boodoo Fortune in a World Book Day chat (2021) that involved audience questions.

“The Boy from Willow Bend is by any measure growing up in abject poverty and in an abusive situation, and yet there is laughter and yet there is love and yet there is hope and yet there is dreaming and fancifulness because that is life. Life is not just one thing. It’s a myriad of things, and so that’s what I try to capture of this young boy coming of age in Antigua in this particular time.” Joanne C. Hillhouse is the first National Public Library Author of the Month in January 2021

“For me they were people first and, of course, I had to research just how the world of the underwater would move, what I would need to know about arctic seals, what I would need to know about jellyfish, what I would need to know about sea turtles. So there was a lot of research in that regard. But in terms of the voices of the characters, they were children. They wanted to play and explore the ship, and, of course, Dolphin the Arctic Seal wants to get back home so he can tell his own adventuring grandmother about his own Caribbean sea adventure.” Joanne C. Hillhouse in 2020 self-made video on her own platform but with audience submitted questions for the #Catapultartsgrant (specifically a Catapult Caribbean Creative Arts Online grant). She answered questions submitted via social media about story, craft, theme in Lost! A Caribbean Sea Adventure and all her books

“Songs are universal and you don’t even have to know the lyrics sometimes to feel it.”  –  Joanne C. Hillhouse discussing Musical Youth with gender advocacy group Intersect (2020)

“The first storytellers I knew were the calypso writers the Shelly Tobitts of the world,these were the people that taught me how to tell a story and how to tell Antiguan stories in particular.” – Joanne C. Hillhouse, ABS TV (2020)

Joanne C. Hillhouse interview on Caribbean Literary Heritage (June 2018): “Honestly, the first thing that flashed in to my mind is Antiguan and Barbudan calypso and Paul Keens Douglas – especially Tanty and Slim at the Oval – on the radio. Neither of which qualify as reading but which were foundational to my introduction to Caribbean literature. It’s there in Antigua and Barbuda’s King Obstinate’s Wet You Hand – a song which was fun and funny to me as a children and which I’ve used as an example of scene building and character description in my workshops, or in the way he knits the story of Anansi stealing the birds’ feathers into another of his songs – songs that did what Calypso did which was be bold-faced and satirical and reflective of our lives and our truth (especially the truths we didn’t dare speak) while bearing our unique brand of humour and matter of factness about life’s tragedies. It’s there in the writings of Shelly Tobitt – named for Romantic era poet Percy Bysshe Shelley; though I wouldn’t see the connection until college. A romantic idealist in his own right, or so his lyrics would suggest, as a child Shelly, the calypso writer and frequent collaborator of Antigua and Barbuda’s best calypsonian and inarguably one of the best the region has ever produced the Monarch King Short Shirt (who Dorbrene O’Marde writes about in his Bocas longlisted biography Nobody Go Run Me), was to me a poet who used the frustrations of the people to comment on economic, social, and political issues in a way that was deeply and enduringly philosophical, with melodies that captivated. So, the calypsonians and the oral tradition (including the jumbie stories) would have been my first reading of Caribbean writing.” Full interview.

“When Heather was culture director…I remember her starting a national collection where she commissioned pieces featuring Antiguan and Barbudan icons…what has become of that? What has been the continuity with respect to that national collection?… things like that, like you can have someone with a good idea start something… but there was no continuity, so if there’s no continuity it’s like you’re starting from scratch every time someone gets fired up and passionate about something so that’s the whole point…if you have that continuity then this person’s efforts will connect with that person’s efforts and we’ll have progression instead of starting from scratch every time…one of the things I do on the Wadadli Pen website is I have a project where I record the books that are put out and the plays and the songs that are put out by Antiguan and Barbudan creatives and there’s no shortage of stuff in the last 10 or so years, there’s a lot of people just feeling inspired and doing their own thing… there is stuff happening independently by artistes who feel inspired and creative but not by any system that’s giving them foundation or supporting their efforts.” – Joanne C. Hillhouse in conversation with Heather Doram, Dorbrene O’Marde, and Barbara Arrindell on Observer Radio (2017). Read a transcription of the (2017) interview or listen to the interview.

Joanne C. Hillhouse talking to The Culture Trip (July 2017): “in The Boy from Willow Bend, Vere’s mother leaves Antigua for better economic and personal opportunities in the U.S., and Vere himself leaves at the end; in Dancing Nude in the Moonlight, Selena and her sisters move to Antigua from the Dominican Republic for better opportunities, and at some point one of the sisters moves away from there as well; in the story, ‘The Other Daughter’, the title character moves to the US for educational purposes. I don’t know if it holds significance to me (there are many stories in which people don’t leave) so much as being a reflection of the reality that movement is a part of the Caribbean existence—whether it’s to seek higher education, economic opportunities, or a different kind of life—the Caribbean diaspora (i.e. the number of Caribbean people no longer resident in here or in the Caribbean country of their birth) is significant. We are a region of small islands with intelligent and talented people, sometimes the desired opportunities to recognize our full potential or even the cover needed to brave the economic storms stirred up in bigger places isn’t there. So, it’s just a reflection of the reality, I think (but just one part of the reality that I write).” Full interview.

Joanne C. Hillhouse in the Meet the Writer series at Grab Life by the Lapels: “I just enjoy experimenting within the story writing form, short and long. Much of what I write is character driven and distinctively Caribbean with (I like to believe) universal resonance – because I do believe the stories that are about the human condition can cross over without having to be diluted.” Full interview. 2016.

Joanne Hillhouse in conversation with book blogger Geosi Gyasi (2015): “I don’t think about it like that. I just tell the story. Sometimes the protagonist is a child, sometimes a teen, sometimes an adult, sometimes an old person, sometimes a jelly fish named Coral. The writing is always character first, not audience. During the editing process that’s when I’m challenged, often by the assigned editor, to think about things like can the target age group for this picture book understand abstract thinking, do I maybe need to be more literal, more detailed, more specific, provide clearer resolution, like that.” Read the full interview.

Joanne C. Hillhouse on Popreel, Swedish TV (2015): “The characters come to me; they don’t always reveal their stories fully, so for me writing is a journey of discovery. I can’t always see where it’s going but I’m kind of wandering my way through it and trying to figure out what is it all about.” Interview starts here at 8:50.

“When I was growing up, I didn’t know any writers from here, from Antigua, until I discovered Annie John, Jamaica Kincaid; the writers from here that I knew, and I have great respect for them, were the calypso writers, people like Shelly Tobitt and Marcus Christopher, because when I was coming up, calypso was the literature that I would hear that had some relevance to my community, the other literature that we read was mostly from America or from Britain. So it was a while before I could wrap my mind around this idea that this was what I was called to do.” – Joanne C. Hillhouse (2015) on Bookworm, Swedish radio 

Joanne C. Hillhouse talking to M. J. Fievre at the Whimsical Project (November 21st 2014): “Calypso, the calypso at that time, sang the things people were afraid to say and reflected the concerns and reality of the folk, authentically, in their voice, in a way that stirred spirits. I think there’s a part of me that strives for that in my writing.” Full interview.

Joanne C. Hillhouse talking to Commonwealthwriters.org (2014): “I use a lot of detail, a lot of specificity in rendering the world, and I write from a very character-driven place – Who are they? What do they want? What is their truth (don’t compromise on telling their truth)? Why should we care?” Full interview.

Joanne C. Hillhouse is interviewed by Jamaican publisher-writer for Susumba (2013): “Honestly, I think it comes down to the material. I see publishing as the end game not the first step. Develop your craft, read a lot, experience life, write; these are more important. And when you’re ready do your research… take your shot, and don’t give up.” Full interview.

Emile Hill participating in a virtual roundtable chaired by issue guest editor Joanne C. Hillhouse on Tongues of the Ocean along with Heather Doram, Mark Brown, Glenroy Aaron, and the now late X-Saphair King (October 2014): ‘Ok so I’m a bit of a texter (cell phone, social media etc.) and on more than one occasion I’ve found myself engaged in several conversations, all completely different subject matter and all requiring a different “Emile” to deal with each of them. And I think, in this day and age, this happens to most persons at some point in time. The series I’m working on presently deals with the “multi-sidedness” of human interaction and relationships. It’s caused me to ask myself some questions, looking at whether this is a means of masking the true self and why? Is Survival a reason? What makes us accommodate each other so, switching faces? Is the face we see real, fake (and sometimes, does it even matter)? With regards to the Antiguan and Barbudan aesthetic, I think that every artist’s contribution is one that continues to make up the grand tapestry of who we are and so I think it fits simply as a local artist’s perspective on things… another thread in the tapestry.’ Read in Full.

73297806_1482817935189902_5047018221308215296_n“I wanted to bring the element of sound to my piece. If you saw my design in a room (by itself), I wanted you to hear the waves crashing on the shores…that’s why I did the ruffles on the bottom (and the peplum at the waist).” – Nicoya Henry, winner of the 2019 A & B Independence fashion competition, interviewed for CREATIVE SPACE

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“There’s a piece that I did that I call ‘8-8-21’ that I wrote after teargas Sunday last year. I call it ‘Freedom 8-8-21’…it starts by saying, I think, ‘Freedom is just another word for nothing left to lose. When the youth are protest ready, they become revolutionary’. And it goes on from there and it just kind of encapsulates the entire Sunday, everything that happened that Sunday. Because I happened to be there. That was my personal experience. I was caught up in it. I was gassed as well… that piece means a lot to me not only because it was my experience but also it’s history, it’s chronicling what happened that day.” – Dotsie Isaac, in conversation with Joanne C. Hillhouse for her art and culture column CREATIVE SPACE

‘Fortunately, I have had the opportunity to tell other types of stories. For HaMa Films I wrote “No Seed”, which is a political drama (set on the fictional island of St. Mark) that mirrors the political reality of Antigua & Barbuda. It shows the dark side of “paradise,” where money, greed, manipulation, self- interest, and even murder are played out. I have also written “Considering Venus”, the story of a relationship between two women – one gay, the other straight – that is set in New York and Antigua. It acknowledges what was taboo (in 1998): not only same-sex love but same-sex love among Caribbean people. It speaks to how the relationship affects the families of each woman and what people are prepared to sacrifice – or embrace – to find emotional fulfillment. It is my absolute best work!’ – D. Gisele Isaac being interviewed by the Karukerament website about writing The Sweetest Mango, one of two films produced by HaMa Films Antigua, which she wrote, the other being No Seed – Antigua and Barbuda’s first and second feature length films. 2020.

“No it was not difficult getting started because I was always writing” – D. Gisele Isaac on ABS TV. 2020. Full interview below.

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Foster Joseph, jazz vocalist and musician, in conversation in 2021 with Joanne C. Hillhouse for CREATIVE SPACE

Clifton Joseph in Never Apart: ‘…the first person to really encourage me into the writing/performing arts was an older man in my village of New Winthropes in Antigua, Mr. Murray, probably, visually, the most black, blackest person in “Blizzard” as we called our home on the northern coast of the island. I think I was around ten years old and in addition to singing the Antiguan calypso songs we heard on the radio, Mr. Murray would actually pay me a penny, or sometimes two-pence (we were still using the British colonial currency at the time) to make up my own “calypso” verses. The only snippet I remember from then are three lines: “in January they called me clinky, then in February they start to call me sebassie, and in June they start to call my cousin boone”…I have to give Mr. Murray maximum props for sparking that early interest in writing and performing.’ Full interview.

Clifton Joseph talking with Ian Ferrier (2007): “Hip Hop, Dub Poetry, Dancehall, Reggae all sort of come out of the same African inspired, Caribbean, American, emphasis on words, rhythm, repetition; all of those things pull from the same pool of stylistic influences.”

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Tameka Jarvis-George interviewed about her comic series August by Jump magazine: “I wrote to escape everything I didn’t like and anything that made me uncomfortable. I love my fictitious world.” Full interview. 2018.

Naomi Jackson, a New Yorker of Antiguan and Barbadian descent, author of critically acclaimed novel The Star Side of Bird Hill, in conversation with Writing Home: American Voices from the Caribbean –

“The Caribbean was both this place of joy and possible exile.” Listen here.

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Shabier Kirchner’s Love Letter to Antigua, an interview with Penelope Bartlett on Criterion Collection: “We are very proud people and yet we are so underrepresented on-screen by ourselves. I think Ousmane Sembène said it best: If we continue consuming images solely from abroad, and telling the stories of other people or absorbing others’ perspective of us, we will eventually lose our identity—and I truly believe that. The Caribbean is my home. Our people are the most interesting to me, and I just want to share the truth of who we are through local eyes.” Full interview. 2020.

Shabier Kirchner talking to Caribbean Beat magazine about his film Dadli: “While I was shooting this test footage, there was no agenda. I wasn’t looking for a main character. We weren’t recording sound, so there weren’t any interviews. I was just walking around shooting things that were interesting. It wasn’t until many months later that we realised there was this boy who kept appearing in the footage. So Tiquan became the force behind the narrative. After we had an idea of what we wanted the film to be, we tracked him down and interviewed him.” Full interview. 2019.

(Shabier) Kirchner: That’s Antigua’s old sugar factory. It’s been abandoned for many years; I used to go there as a kid. It was like Tarkovsky’s Stalker. You could completely lose yourself there, let the imagination would run wild. I always loved that place. Visually, I’ve been shooting it for years, and I knew I had to shoot it on 16. It’s a coincidence that Tiquan was talking about running away from home and finding a place where he could just let loose. It wasn’t that specific place for him, but I’m assuming it was similar. What he described was what the sugar factory was for me.” Full interview. 2018.

“Writing, it seems to me, depends primarily on a kind of chaos [so] that categorisation . . . only hinders the reader and the writer,” says Kincaid, explaining that she prefers to think in terms of “different forms” because “when I started to write, I just wrote”. – Jamaica Kincaid, from interview in the Financial Times, 2022

JamaicaJamaica Kincaid talking with the BBC (in an interview which also included Jacob Ross and Claire Adam, 2018): “I didn’t know I wanted to tell stories. I knew I wanted to write and I thought I wanted to write about my mother and me, and a lot of my writing is about mother and daughter. But really I could early on see before any critic, I may have pointed it out to critics, that I was really writing about imbalance of power. And the mother country and the domestic mother is quite intertwined. If you really give a cursory and then thoroughly investigation into colonialism, you will see how much the colonial world has to do with the domestic and the domestic is almost always the female domain.” Full programme.

Jamaica Kincaid talking with Mother Jones (January/February 2013): ‘I think I was trying to understand how, short of an accident—you know, you pick up the phone, he says, “Your mother is dead. Her car. The Earth fell”—I never expected the everyday to suddenly become an accident. Suddenly you go downstairs and the pine floor is a gravel pit. I was trying to understand how the everyday suddenly becomes the unexpected.’ Full interview.

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Natasha Lightfoot talking with Renee Goldthree for Black Perspectives (April 4th 2016): “In the UWI archives, there was an almanac for the West Indies in the nineteenth century, and it contained an entry in the year 1858 for Antigua. The entry mentioned that there had been a riot and that the island’s jails were completely full, but it also claimed that the riot was nothing of any political significance. The entry suggested that the rioters were basically rabble in the streets causing trouble—and not at all political. That entry raised my antenna so to speak. I thought that the way the entry was written was a sign that whatever had occurred was very political: there had been a riot in the streets for several days and the jails were full of rioters. I wanted to figure out what happened and why.” Full interview.

Joy Lawrence in conversation with Joanne C. Hillhouse for Wadadli Pen (2013): “The history books we are familiar with are usually written from the European or American perspective. I want people to understand our story from our perspective – how we feel, our likes and dislikes, our goals and aspirations. No outsider can tell our story the way we can.” Full interview.

JoyLapps1Joy Lapps talking with Joanne C. Hillhouse (December 2nd 2012): “I think that my strengths lie in composition and writing lyrics for music composed by others and by myself. My inspiration comes from my lived experience and some things I read about or see on the news, my spirituality and love of God, falling in love with my husband, the everyday challenges of life…etc.” Full interview.

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“I was the representative for the Clare Hall Secondary school, my alma mater… I fell on stage…the crowd’s reaction was a mixture of *gasps* and laughs, and at that point I had to make a decision, ‘hey, you go continue or you go stop.’ Cause you can either be poor thing and people laugh at you for the rest of your life or you can act the shit out of this and make it worth it. And I stayed on that floor and I continued my entire performance from the floor. The next day, I was the front page article: If at first you don’t succeed, you try and try again . The next year, I was the billboard for the website. I had my own billboard on the road…which is something that is not normally given to an unplaced contestant…that experience that you would think would have deterred me or broken me down in some kind of way was something that opened a whole big spectrum to me as a person in terms of confidence and being able to think on your feet, you know, ‘you need to get this done, wha you go do.'” – Kevon Moitt, designer

(the self-produced documentary series was released in 2021)

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Jelani ‘J-Wyze’ Nias, author of Where Eagles Crawl and Men Fly, talking about following his path to publication: “The biggest wall I encountered, not that there weren’t others, but the biggest was my own fear. And once you get through that fear/feeling of will people understand this, will people accept this, are people gonna see my vision, once you go through that then everything else tends to be a lot more easy to deal with.”  – Watch the video.

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Dorbrene O’Marde in conversation with Heather Doram, Joanne C. Hillhouse, and Barbara Arindell on Observer radio’s Big Issues (2017): “We’re definitely not doing enough…you talk to groups today and mention Tim Hector …in schools, the name is not know; what he does has not been heralded…my interactions with young people…points to this particular void…history clearly is the subject of interest here, that we know who we are…the decisions about where we’re going will be made on the basis of that knowledge…if you understand the history of how we came to own these lands…then we wouldn’t behave the way we’re behaving, for example, with our land…” Read a transcription of the (2017) interview or listen to the interview.

Dorbrene O’Marde talking with Judd Batchelor at Batchelor of Arts Theatre Online (2016): “And one of the comments I made -which seemed to rattle some of the young writers, was the total absence of socio political concerns in this region, at this particular point in time when there is so much need for concern and there is so much need for understanding the post-colonial independence bind that we find ourselves in, that our leaders find themselves in that we as persons trying to inform leadership have not really clarified for ourselves. And my view of the role of the artist is to help in that clarification.” Full interview.

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Althea Prince talks about her research and her writing with A Different Booklist bookstore in Canada: “We need to hear from women about their experiences, their creative journeys, so The Black Notes brought together older and younger women. The contributors include some young girls who are just reaching the age of maturity. The book seeks to bring together the two generations. We have then the viewpoint – not a complete cross-section of those, but as far as I was able – of those women and girls from the African-Canadian community. So the same objectives: the same business of giving equity, giving voice, allowing space for these voices to express their creativity. Some of it is non-fiction, some of it is fiction and some of it is poetry.”

Rowan Ricardo Philips talking with Deadspin about his tennis themed book The Circuit: a Tennis Odyssey: “Carribeans love racket sports. My dad played a lot, so I started out going to his matches and serving as a terrible ballboy. The only thing we watched as a family on television was tennis, Breakfast at Wimbledon was big in my house. I had forgotten about those days, but I am fond of them. I never would’ve written the book without it. Here’s a good example: My dad rarely calls with breaking news, but one day he rang me up and said, ‘Turn on the TV, there’s a tennis poem being read on the air.’ It was Jon Wertheim of Sports Illustrated encapsulating his time at one of the big tournaments. Dad wanted to make sure I saw my personal Venn Diagram becoming one circle.” 2019.

Rupert Littleman Pelle, final interview, with the Cultural Development Division Research Department (2021): “I never believe I write a good song until I hear somebody criticize it. If I write a song and we can’t sit down in a group and discuss the song, and add and subtract, something wrong with the song, something definitely have to wrong with the song. And you can’t just change a line in a song like that. You write a song and somebody take it and they change a line can destroy the whole song. Because you na know what is leading up to the second verse or the third verse that have to do with the line in the first verse that you interfere with.”

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Paul ‘King Obstinate’ Richards: “We’re prophets; a lot of things we write about comes true.” (King Obstinate on calypso, September 2013)

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Celene Senhouse discusses and demonstrates her headwrapping technique and the why behind her love of the African-Caribbean style. “As Afro-Caribbean people the headtie is…cultural and historical and a celebration of our Antiguan and Afro-Caribbean heritage,” she explained in conversation with Joanne C. Hillhouse for CREATIVE SPACE #19 of 2022: THE “HEADKERCHIEF”; HERITAGE, FASHION, CELEBRATION, AND RESISTANCE.

“…my little house is my own piece of paradise and it’s very conducive to creativity because it’s so peaceful and quiet. Singles’ Holiday and Sweet Lady are set on the island, and I’ve also developed a writing career over there. I wrote a TV series called Paradise View, which was shown on Antigua TV. When I last left the island, the people at the check-in desk were asking when they would get to see more. I’m now working on another show called Maisie and Em, which I describe as Golden Girls set in the Caribbean.” – UK writer Elaine Spires who made Antigua a home away from home speaking to Write’s Editing Services on the impact of island living on her writing

“They were great times – with the most amazing, talented, creative, strong, wonderful women. Their writing and innovative theatre pieces were daring and searingly truthful and just blew me away. I was honoured to be asked by Zahra Airall one of the founder members of Women of Antigua to write a piece for their show When A Woman Moans. I wrote the first Maisie and Em sketch which I performed as Em with my great pal Heather Doram taking the role of Maisie. Heather is an internationally famous artist and actress who has since become a TV host. The sketch brought the house down which was rewarding and humbling and so I was invited to write for them again the following year. It was a thrill and honour to be a part of it.” – Elaine Spires speaking with The Publish Hub

“One of our goals was to have the Cultural Division of Government fully support this organization and work alongside us and our artists. A fraction of that goal has been achieved as the Festivals Division recently came on board to sponsor our signature event, The Ink Project.” – Spilling Ink, for CREATIVE SPACE. 2020.

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“What I’d like to see really is, to be honest, is not just for Halcyon but steelband in general, especially at Carnival time apart from panorama, the bands, they not that important. …You know before time steelband used to dominate the road and be an integral part of the whole Carnival thing. Now apart from panorama, after panorama, nobody waan here no pan again. …steelband will have to move to a next level, they will have to amplify the bands an’ dem.” – George ‘Scenty’ Thomas, former captain of Halcyon Steel Orchestra, on the occasion of the Grays Green band’s 50th anniversary, 2021

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Amber Williams-King talking to the Toronto Arts Foundation: “The reality is that the voices, experiences and identities of those who are not a part of the dominant culture are often erased and disappeared away. As a Black femme who grapples with suicidal ideation, disability and the medical industrial complex, imagining myself in the future has, at times, been almost impossible. Art offered me the space to name these parts of myself, connect with others, and help build a world that does not thrive on the absolute destruction of me and my people.”

Floree Williams-Whyte discusses her book Dance on the Moon, and the writing and publishing journey in the first CREATIVE SPACE of 2022:

“You send the draft to the editor and you sit nervously for the next two weeks or how ever long …waiting for that email or that call…then you take the feedback, you kind of sit with it for a while, you think about it, then you try to work on another draft. Sometimes you agree, sometimes you won’t agree…it should be a conversation…it’s a dance back and forth that you have to be patient with, and, once again, give it some space, read the review, and give it some space before you go and work on the redraft.”

PHOTO credits: Pictures of Joanne C. Hillhouse and Joy Lapps are from the 2011 event Telling our Stories at the University of Toronto – event photo; of Tameka Jarvis George is from the 2006 Wadadli Pen/Museum literary showcase Word Up! – event photo/Laura Hall; of Jamaica Kincaid is from the 2014 University of the Virgin Islands literary festival – event photo; of Jelani Nias is a screen grab from a televised interview; of Nicoya Henry – event photo (credit unknown). Barbara Arrindell, Foster Joseph, Sonalli Andrews, and Floree Williams-Whyte video links are to Joanne C. Hillhouse’s CREATIVE SPACE vlog. Video links also pulled from ABS TV, Words Aloud, the Dan David Prize, Novek Designs, edwin1030, Petra the Spectator – this is believed to be within the realm of fair use – no copyright infringement is intended. Some of my own appearances on platforms by Write the Vision, Diaspora Kids Lit, Badass Black Girl, ABS TV, National Public Library, Intersect Antigua, and some videos produced for my AntiguanWriter YouTube channel are also included.

As with all content on Wadadli Pen, except otherwise noted, this is written by Wadadli Pen founder and coordinator Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Musical Youth, Fish Outta Water, and With Grace). All Rights Reserved. If you enjoyed it, check out http://jhohadli.wordpress.com Please note that, except otherwise noted, images on this site also need to be cleared if you wish to use them for any purpose. Thanks.

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Reading Room and Gallery XVIII

This page is for sharing links to things of interest around the internet. It’ll be sporadically updated; so, come back from time to time. For the previous reading rooms (I, II, III, Iv, v, vI , vII, vIII, Ix, x, xI, xII, xIII, xIv, xv, xvI, xvII), click the links or use the search feature to the right, to the right.

ON PUBLISHING

“#3 Not following guidelines.
Double check all guidelines before submitting to a magazine. Is there a word count requirement? Should your name be removed from the piece? Should your document be in Word, pdf, or rich text format? If it’s an email submission, do they want the document attached, or pasted into the body of the email? Do they accept simultaneous submissions? Don’t risk getting your piece being tossed out because you didn’t follow the rules.” – (here at Wadadli Pen I know this one well) – read the rest of the list of mistakes writers make when submitting.

CREATIVES ON CREATING

“My advice for young writers is to keep reading widely and for pleasure. And don’t get discouraged! So much of it is just mule-like persistence. That’s what I feel I learned this time around. There were many times when Swamplandia! failed and I had to pick it up and try and write it again. There were stories in my collection that were just duds, they’ve been voted off the island, and it was only because I had this material commitment to getting them out the door that I was willing to keep working at them. I really do think that’s the best advice—to keep at it.” – Karen Russell

***

“An interesting insight into the process came when the pair considered how they had arrived at rather different descriptions for the location of the windmill-giants – Jull Costa has them ‘on that same plain’, whereas Bush situates them ‘in the nearby field’. It transpired that, rather than seeking a literal translation of the Spanish ‘en aquel campo’, each had pictured what they read the original to mean and then found a way to render the image in English.” – Ann Morgan on dueling translations of Don Quixote

***

“Not only do I not see movies as I write, I can’t visualise, well, anything. At all. I don’t even dream in pictures. I have absolutely no concept of what it would be like to see things that no one else can see.” – Jo Eberhardt

***

“It happens too often that beginning fiction writers fail to give their characters jobs or occupations. Weak stories by beginning writers often feature adults who are wealthy without any discernible means of income or who perform the indiscernibly ambiguous task of “work.” Characters are described as working each day, but the reader is never told what they do or how their daily jobs affect them or their interactions with others. Characters do not earn money; they simply have it. There are no bills, no expenses, and, of course, no financial struggles.” – Amina Gautier

***

“So here you have a man at the beach, but he can’t enjoy it; he has to sit, because of his paranoia, with his back to the water, sitting in a chair; he wears a Hawaiian shirt but there’s a bullet proof vest under it; he likes a red wine spritzer but it tastes like Skittles which is very loaded…Trayvon Martin had a pack of Skittles.” – Rowan Ricardo Phillips, born in New York to Antiguan parents, reflecting on his poem News from the Muse of Not Guilty after a reading of the poem, from his collection Heaven, on CBC Radio.

***

“You start from building this world with their rules, and then you just follow logic in order to come up with the rest of the details. So once you have this simple fact that you’re treating couples in a certain way and single people in another way—and there’s a bit of a concept that this is almost like a prison drama or something, at least in the first half of the film—then you pick up on those things and you borrow things from other kinds of situations … We tried to get into the heads of people that would be in charge and what they would come up with.” – Greek director Yorgos Lanthimos on the making of his film The Lobster

***

Writing other…Mary Robinette Kowal provides some insight to culturally sensitive approaches to doing so.

***

“The second thing is reminding myself: You don’t have to write anything that you’re not deeply interested in. Every time I remember this, it’s a relief and a surprise.” – Rita Mae Reese on curing the affliction of not-writing.

****

“I use traditional women’s techniques, such as sewing, beading and applique. I incorporate found objects in my work; they are clues towards understanding my story and that of women in general.” – Heather Doram

***

“So much of what the filmmakers did in creating and then editing their work is what we writers strive for when polishing a manuscript: pinpoint the heart of the story and stay true to it, cut what can be lost, and always direct conflict and pacing.” – Therese Walsh and Kathleen Bolton w/ Elena Greene discuss The Lord of the Rings’ adaptation from book to film and what writers can learn from the choices the filmmakers made. It’s a five part series that begins, here.

***

A long form interview on the arts is a rare thing, especially in a Caribbean print publication, so kudos to Jamaica’s Observer for this series of poetry month features, this one spotlighting American Tim Tomlinson, co-founder of the New York Writers’ Workshop, in conversation with Jamaican-American poet and artist Jacqueline Bishop. Tomlinson’s book Yolanda, an Oral History in Verse, is focused on the Phillipines but his connection to the Caribbean – his time spent visiting and diving in various islands and countries but most especially the Bahamas is explored as well. Essentially, this interview is about both his journeying as a person and how that has informed his writing, how he creates, generally, and specifically in the case of Yolanda. W/thanks to Jacqueline Bishop for sharing, here have a slow as you sipping your iced tea kind of read:

Tim Tomlinson 1Tim Tomlinson 2Tim Tomlinson 3

***

“That was one of those magic moments. That came out pretty much whole cloth. Every now and then you ride the tiger. Most days the tiger rides me, but every now and then I ride the tiger. That’s my favorite chapter in the book. The opening chapter of The Given Day is another example. It’s my favorite chapter in The Given Day. It was written in two nights. It was rewritten extensively for prose, but it just came out.” – Dennis Lehane

***

“When I closed my eyes, I could smell flue-cured tobacco. I could feel the hot sun beating down on me. I could hear the southern accent of a teacher whose voice reminded me of poetry.” – Shannon Hitchcock on the inspiration for her book Ruby Lee & Me

VISUAL ART

Online gallery of Netherlands artist Marijke Buurlage.

***

***

“Nature is completely indifferent to the human endeavours whether they are good, evil, otherwise, whatever.” – Lori Landey and Beth Harris discussing Joseph Mallard William Turner’s Slave Ship

NON FICTION

“How many times over the years
I have explained
This.
Celie and her “prettier” sister Nettie
are practically identical.
They might be twins.
But Life has forced on Celie
all the hardships
Nettie mostly avoids…” – Is Celie actually Ugly? By Alice Walker

***

“Why, I asked my brother, did you like the film so much? So many messages. Look at the title. Everyone has problems underneath. Just because you are smart doesn’t mean u can work everything out yourself.” – Sejal Shah writing on Ordinary People

***

“You must read to develop a deeper understanding of literary elements, such as character arc, subtext, voice, and narrative distance.” – Chuck Sambuchino in his article The Pros and Cons of getting a Creative Writing MFA at Writer’s Digest

***

Kei Miller’s essay in this BBC piece resonates with me – it’s truthful and thoughtful and bold as so much of his writing is even when speaking of his tentativeness writing the issue of race -how our whiteness and blackness mediate our interactions. That said, I feel that same prickle of disagreement I feel stir in me whenever a black person, black writer (especially if they’re from colonized or formerly colonized places like I am) say, I didn’t know I was black until… because it’s not my truth (my blackness didn’t limit my sense of possibility but the reality is that, like class and other things, our blackness or shades of blackness was and remains a way of separating ourselves from ourselves) even in the predominantly black places I have lived (including Kei’s Jamaica). The Caribbean is not insulated from these issues, though they are not as starkly or sharply or consistently experienced in whiter places like the US and UK. Beyond my own experiences (some touched on in my February 2016 Essence article Mirror Mirror and issues of colourism/shade-ism explored in my book Musical Youth), this fairly recent memory comes to mind: being in a roomful of children of different shades of black, in a public child-friendly space, right here on our predominantly black island, only to have another adult, call out to one of the children, “black boy, black boy” with a tone and cadence that suggested “bad boy, bad boy” and to have him look up, in full acceptance of this (internalizing it). My aside aside, give the audio clip a listen; it’s a really engaging and touching reflection from one of the Caribbean’s best.

INTERVIEWS

“A writer always benefits from being a kind of outsider. That is why I try not to belong to anything too much. [Alienation] makes you an insider-outsider . . . sharpens [your] sense of observation. You look at things with detached eyes. Even some words. Pondering these English words with your Creole eyes. . . . There always is a sort of dialogue going on [within] most artists anyway. They just soak things in that they ultimately try to reproduce some other way. I think having this dual lens has been very helpful.” – Edwidge Dandicat

***

“Grounded in the realities of our history and geography, but unbounded in their imaginative possibilities” – Philip Sander describing the work of Nalo Hopkinson jumped out at me as the very thing I’ve been trying to define when I speak of a Caribbean aesthetic as a criterion for (but not a limitation of) Wadadli Pen submissions.

***

“Shorter doesn’t mean faster or easier! Short story writing is a very different art from that of the novel, from pacing to character development. So for a novelist, it can actually take longer and be more of a stretch to try her hand at writing a short story. A rewarding challenge, certainly, but definitely a challenge.” – Lauren Willig

***

“I remember myself as a young child, my mother had books inside here, and one of them dealt with the Haitian Revolution. I was ever so proud of Toussaint L’Ouverture. I was just proud. I mean, there he was, sitting in the same book with Napoleon and all of these other great men. So, for me, the Haitian Revolution was very significant. I don’t know how it is in popular memory, because right now everybody’s sorry for the Haitians—and “sorry for” in the sense of, “We’re better off” or “They can wear our old clothes.” So I don’t know about it in the popular memory. But certainly historically, Haiti served to frighten late-eighteenth- and nineteenth-century governments. Frightening them, and as a matter of fact, had them even more repressive towards their black enslaved workers because their fear of Haiti was so strong. So, I don’t know that it has popular resonances, but certainly for nineteenth-century politics, it did.” – Erna Brodber interview at SX Salon, a Small Axe Literary Platform

***

“What’s interesting to me is that of the women who have read this, every single one thinks that it is absolutely sexy and totally horny. Then I was like, ‘oh, so this is erotica’. And I was reminded again that erotica does not need to be explicit. And, of course, what is erotic and what we find sexy and will respond to viscerally in that way is entirely subjective.” – Leone Ross

***

“The fiction writer in me likes gaps in stories because I can jump into that gap and try to suggest something.” – Marlon James’ Vogue interview

***

“There’s a place for everything…” – says Barbados’ Shakirah Bourne in this NIFCA interview:

***

“To move past the ugly parts of history, you have to acknowledge them, on all sides, and this is what I think historical fiction can do so well: show how we got from there to here, but told through characters who see themselves not as history but as completely modern.” – Andrea Mullaney, author of The Ghost Marriage, 2012 Commonwealth Short Story winner for Canada and Europe

***

“The area where I spent my childhood years was surrounded my trees, and always seemed just on the edge of wilderness. That area has changed so much, but there is still that space in my imagination that’s the same…” – Danielle Boodoo Fortune, Woman of Colour interview

***

“What I’m trying to bring out is the power of words themselves, the power and musicality of words.” – Clifton Joseph

***

“Reading was such a sanctuary when I was a teenager, I wanted to see if I could tell a Jamaican story, a Caribbean story, that would interest even an urban teenager.” – Diana McCaulay re her new book Gone to Drift

FICTION

“In April of 1945, after facing only minimal resistance, Rhett was part of the Allied force that liberated a concentration camp named for the beech forests that surrounded it. The day was damp and overcast, with a heavy ground mist that sometimes hid the heaped bodies and sometimes revealed them. Living skeletons stood at the fences and outside the crematoriums, staring at the Americans. Some were horribly burned by white phosphorous.” – Cookie Jar by Stephen King

***

“In death, we live far more richly than we do in life. Our lives are pale shadows in which we are preoccupied with the business of living. It is in death that we take on nuance and colour. We seep through the floorboards of houses, spread out and nestle there. We whistle through windows, ruffle curtains and inhabit the minds and memories of others. We take on a resonance that only memory provides. We become deities. We become ancestors.” – from Ayanna Gillian Lloyd’s Walking in Lapeyrouse

***

“There was no rebuttal. She ended the call. From the decanter on side board, she poured herself a drink. The rum quelled the chill in her stomach — a chill reminiscent of rain-fly wings brushing against her skin. Where did they find him? They were hunting him for so long. Did he put up a fight? Errol had a point: There was really no need for her to kill him herself. But she wanted to.” – H. K. Williams’ Celeste in Moko

***

“They’ve taken you, in the rolling melody of their steps and song, to the river Aripo inside the forest, and when they sit and beckon you to come join them, their feet, you notice, are not as they’re supposed to be. It’s a peculiar thing to miss, really, backwards feet. You sense that your own feet have been treading air when they come into contact once again with the marshy forest floor. You look back into the bush where you think you came from, and you want to go home.”- Wenmimareba Klobah Collins

***

Edwidge Dandicat reads and discusses Jamaica Kincaid’s Girl and her own Wingless. And here’s Girl, so you can read along.

***

“My wife is happiest on Sunday afternoon, when I leave the house. We have been married five years – too soon for us to take pleasure in each other’s absence.” – from Radio Story by Anushka Jasraj – Commonwealth Short Story winner for Asia

***

“After years of working like a dog, clawing his way to fame and fortune—forfeiting family in the process—Desiree and the people of the island had broken down his mighty reserve and rewarded him with passion, friendship and the happiest times he’d ever experienced. He loved living in a place where everyone was aware of who he was, but not impressed or intimidated by what he had done. He admired the lack of social divides, that the Chief Minister played dominoes with ‘The People’, and that his best friend and “liming partner” was her cousin, and his Captain.” – Trudy Nixon’s Anguilla Boat Race, part of Akashic’s Mondays are Murder series

***

Mary Akers said about ‘Viewing Medusa’ after it had been posted at The Good Men Project: “For all you writers out there, this story’s publication is a testament to persistence. It won the Mary Mackey Short Story Prize, it was the story I submitted for my successful Bread Loaf waiter application, but for ten years, I tried unsuccessfully to get it published. I submitted it to 101 journals, 100 of whom rejected it before Matthew Salesses believed in it and brought it out into the world.” Here’s an excerpt from the story:  “I found myself unable to look away as she slurped her soup, dipping the pieces of dasheen in the broth and sucking them dry after each dip. When the soursop was served, she peeled away the bumpy green skin and slurped the fruit into her mouth, rolling it around until the smooth brown seeds were free, spitting them onto her plate. Soursop juice ran down her wrists and dripped off her elbows to the floor. I thought of Miss Connie, later, on her hands and knees, wiping up the stickiness while shaking her head at the lack of manners displayed by scientists.” – the voice/point of view and descriptions work well together to create a clear picture of the part of Dominica in which the story (which feels less fiction and more here’s how it happened) is set – the beauty and ruggedness in the landscape and the character of the people as compared with the visiting (presumably white) scientists, to create as well a certain mood of foreboding, and to suck the reader in…even if it spits that reader out the other end with questions, or rather one lingering question: so wait, she nar go do nutten? – Read the whole of Viewing Medusa here.

***

“The fuel tank was empty. He’d collapsed from sunstroke and dehydration. He’d been raving incoherently. When he finally recovered he’d lost all memory of where he’d left his men. A Lysander was sent out to look for them but nothing was ever found. The unforgiving maw of the Sahara had simply swallowed them up.” – Bully Beef and Biscuits by Guy Carter – this was the 2015 winner of the Mogford Prize for Food & Drink Writing

POETRY

“In Trinidad, everyone knows

the Pitch Lake but few have been

few have seen the dark and strange

surface, the vast dirt a mind of its own:

asphalt lake as constant as change.” – from La Brea. Read that and other poems by Andre Bagoo in Moko.

***

“No one sees my tears
wafting through the branch clusters
weeping airy patterns into the jungle silence.” – from Mangrove Armour by April Roach in Moko

***

“We read menacing messages in the scowls
of passers-by. Some circle around,
mark the territory with treads of footprints,
count down days to our departure.” – Camp by Althea Romeo-Mark in Moko

***

“…crushed lemongrass
overcooked tourist flesh sizzling in the noonday sun
barnacled, rusted boats off Devonshire Dock
my neighbour’s garbage ripped open by feral cats
overpriced perfume – from Trimingham’s, I think
‘mountain fresh’ detergent scent of laundry drying on the line
frying fish and sun-ripened fish guts
Baygon and stale beer
overripe cherries
Limacol and sweat..” – from Kim Dismont Robinson’s Scents of Bermuda: Or, All De Smells That Accosted My Nose One Day When Ahs Ridin My Bike From My Momma’s House on Norf Shore To My House in Smif’s Parish

***

‘In the roaring of the wolves the doctor said “Do you feel tenderness”
She was touching me’ – Niina Pollari, sharing and discussing her poem Do You Feel Tenderness

***

“There’ve always been Sunday mornings like this,
when God became young again
and looking back you see
that childhood was a Sunday morning.” – Kendel Hippolyte (Sunday) – be sure to also check out the Dunstan St. Omer Red Madonna that accompanies the poem.

BLOG

“I think I had a very different vision of myself when I was young, and definitely thought I’d have a family and be a loving parent by now. Instead I’ve birthed books” – Zetta Elliott

***

“Neglected authors fascinate me. While the particulars for their disregard may vary over time and from culture to culture, one thing remains constant: their perseverance despite official recognition. Such is the case of Eliot Bliss, a ‘white, Creole, and lesbian’ Jamaican novelist and poet whose collected poems have been resurrected by Michela A. Calderaro in Spring Evenings in Sterling Street.” Geoffrey Philp

***

“Getting to the place in yourself that is beyond influence is the radical edge.” – Brooke Warner

***

“…exploring a new space is a thing of wonder and an entirely individual experience…” – Sonia Farmer, blogging her Fresh Milk residency in Barbados

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Reading Room XIV

This page is for sharing links to things of interest around the internet. It’ll be sporadically updated; so, come back from time to time. For the previous reading rooms, use the search feature to the right, to the right.

CREATIVES ON THE PROCESS

“Calypso provided lessons in how to play, teasingly, with language.” – Joanne C. Hillhouse

***

“These days, I meet far too many young writers who try to start off with a novel right off, or a trilogy, or even a nine-book series. That’s like starting in at rock climbing by tackling Mt. Everest. Short stories help you learn your craft. They are a good place for you to make the mistakes that every beginning writer is going to make. And they are still the best way for a young writer to break in…” – George R. R. Martin

***

“Be careful to stay consistently in one verb tense unless your narrator is a person who might switch tenses.” – Crawford Killian

***

“As I’m sure you know, Time is never a neutral, abstract thing. Nor merely a clock-ticking-on-the-mantlepiece thing. Time for writing your novel is time not for other occupations, not for other people. It’s time stolen from your loved ones; time they will probably resent you not devoting to them. Time is closing the door behind you and not answering when people knock – not unless they knock very hard, and shout words like ‘Fire’ and ‘Bastard’ and ‘I’m leaving – I really am’.” – Toby Litt

***

“I should be clear: there are plenty of times when the thought of reading my own story one more time makes me want to vomit.” – Max Barry

***

“I do think that as a society, even though my work is valued in the tertiary system as a text, writers are often seen as artists. And artists are often connected with entertainment, and seen as not scientific and not affecting evidence-based decisions.” – Oonya Kempadoo

***

I almost passed this one over because I’d never read Anne Lamott but there was too much good insight here to overlook…and now I want to add Lamott to my very long and ever growing reading list. Here’s Theo Pauline Nestor on things you can learn from reading Anne Lamott.

***

“One Wednesday night, while Pastor was telling us that blessings were five miles upstream so we should, like Enoch, wait on the Lord, I started reading Salman Rushdie’s “Shame,” hiding it in the leather Bible case. I had never read anything like it. It was like a hand grenade inside a tulip. Its prose was so audacious, its reality so unhinged, that you didn’t see at first how pointedly political and just plain furious it was. It made me realize that the present was something I could write my way out of. And so I started writing for the first time since college, but kept it quiet because none of it was holy.” – Marlon James

***

“But for those of us who are called to this craft, we know we must write. Because it’s true, your mother, father, brother, sister or cat could end up hating you, but if you don’t write, you’ll end up hating yourself. Ultimately, we write not for the world but for our own souls.” – Bushra Rehman

***

“This is how I know that the symbols we write and read about are as real as flesh, and are one of the only means of remembering ourselves and our personal and ancestral stories.” – Danielle Boodoo-Fortune. Read and see her Amazona and And Other Winged Creatures.

***

“We recognize, in their faces—in their actions—their fearlessness. They haven’t yet been anesthetized by the daily grind of adult life. They still think they have a puncher’s chance at beating everything.” Interesting post by Matthew McGevna, my co-panelist at the Brooklyn Book Festival, about the genesis of his book, Little Beasts. Read his full post.

***

***

“Editing can also lead to moments of humor. At some point, when two of my main characters, an older female scientist and a working mom who grow very close over the course of the book, clasped hands for something like the fifth time, I almost cried out with irritation, and wrote ‘There is way too much hand clasping in this book! Stop it!!’” – Kamy Wicoff

***

“You are not imagining it, my art has become darker over the last couple years. For so long my attitude was that I just wanted to paint upbeat, joyful images to increase the beauty in this world, and not dwell on negativity, which would just be feeding it.

At the time, that meant bright, vibrant, ‘sunny’ colours … sometimes I literally painted on yellow canvases.

But the times we live in have a dark undertone, and I am not immune to it. As artists, it is not just our nature, but our job to FEEL, and to be a channel – through our art – to make others FEEL.” – Donna Grandin

POETRY

“How could his daily toil
of hammer, saw and nails;
an old lady’s reckoning
of last month’s window
against the patching
of her roof this week —
how could her life of sacrifice
and his of labour, sweat
and boiling sun
be totalled up
in this small word?” – Word (on teaching an adult male to read) by Esther Phillips

***

“She was stabbed in a bar in Kingston.
Only men attended her funeral, extra drunk.” – Ishion Hutchinson, Prudence from Far District

***

“There’ve always been Sunday mornings like this,
when God became young again
and looking back you see
that childhood was a Sunday morning.” – Kendel Hippolyte, Sunday

***

“And on the pedestal these words appear:
“My name is Ozymandias, king of kings:” – Ozymandias by Percy Bysshe Shelley

***

“…the beach say, This him. John Goodman
he name, originally Jean-Paul Delattre,
brother of Stephen Dillet, first coloured man

in Parliament. Come here on a boat
from Haiti back then, back again,…” – Goodman’s Bay ll by Christian Campbell

***

“…their lines uneven, their slow step out of sync
marching with wrinkled faces to commemorate
a war they didn’t start, majesty’s ship that didn’t sink
distended necks show a conceited attitude

for having served mother England.” – from Memorial Day by Reuel Lewi

VISUAL

DSCN4639

Danielle Boodoo Fortune working on a mural project in Trinidad… when I bookmarked this a while ago, my note to myself was why can’t we have something like this in Antigua… turns out, we do, sort of; check out the Antigua Graffiti series.

***

Heather's image

Heather Doram’s Rootedness and other art pieces from the Caribbean, Latin America, and Canada, showed during the Pan Am Games, featured in this showing at the Textile Museum of Canada. See all the pieces here.

***

i want

This beautiful painting (I want it soooo bad) is Gardener of Small Joys, 2015 by Danielle Boodoo-Fortune (artist). Danielle is a Trinidadian-Tobagonian artist (and a Wadadli Pen ally having served as a judge in 2014 and 2015); she is superbly talented in both the visual and literary medium. Here’s a link to her work. And to a review of her work in the Arc.

***

The film Ah! Hard Rain is the story of a fishing village struggling to survive due to over fishing by huge trawlers from, Europe, China, etc. The film sponsored this special performance at the British Museum, on Saturday 15th August, 2015 by providing two of the amazing Moko Jumbie performers, all the way from Trinidad & Tobago, who feature in the soon to be released film Ah! Hard Rain. Photo is from the Ah! Hard Rain facebook page https://www.facebook.com/AhHardRain

The film Ah! Hard Rain is the story of a fishing village struggling to survive due to over fishing by huge trawlers from, Europe, China, etc. The film sponsored this special performance at the British Museum, on Saturday 15th August, 2015 by providing two of the amazing Moko Jumbie performers, all the way from Trinidad & Tobago, who feature in the soon to be released film Ah! Hard Rain. Photo is from the Ah! Hard Rain facebook page https://www.facebook.com/AhHardRain

INTERVIEWS

w/John R. Lee:

“…how the literature has developed through personages and work, I’ve always been conscious of that; I’ve always been conscious of the cultural context of our literature and our arts…”

***

w/?uestlove:

“I don’t mourn the bad, I don’t celebrate the good, I just walk forward.”

***

w/Attica Locke:

“We exist in the middle: We’re not demons or angels — we’re human beings. And so that is what needs to be reflected in the art of our nation.”

***

w/Anne Germanacos:

“As writers, we live double lives: lived once in the world of others, and again, in the quiet of our own minds. It takes a certain amount of will and courage to leave with regularity the circle of humanity in order to enact a kind of theft, which is one aspect of what the writing life seems to be.”

***

w/Diana King:

“As for me, I just was not the type of Jamaican singer that was ‘hype’ at the time so no attention or encouragement was given. Dreams can die like this.”

***

w/Marlon James:

“Of course I’m intimidated, but I’m also protected by social and artistic privilege. You can be immune if you’re a Rex Nettleford, or a rich gay dude, but for a poor or middle class person, not so much. And nobody is ever really immune. Gay men are still getting shot in the face in New York, there is still too much stigma against HIV for no reason. Job discrimination. Some stores want a legal right to discriminate. It isn’t over.”

***

w/Justin ‘Jus Bus’ Nation:

“I think that if we help to support this type of creative behaviour, musically and artistically, our culture in the music and arts sector can evolve greatly. A lot of people get discouraged because from a young age they are being told that they can’t succeed at their dream because it’s not the normal doctor or dentist stereotypical job that their parents see fit for sustainable income. If the government and more people took it seriously and equally took risks and chances then an infrastructure could be made for year-round arts and music on a more realistic economic level for people – instead of this fairytale, ‘movie star’ illusion that’s being fed to young kids through TV and internet.”

***

w/Yiyun Li:

“I used to keep this journal…and I knew my mother would read my journal (so) my journal was just negative space; so if there was a bird, I would not say there was a bird – I would describe the cloud around, trees, skies, just leaving a blank space of the bird. So if my mother read it, she would not see the bird.”

***

w/Joanne C. Hillhouse:

“The analogy in my head is like I’m driving down a lane, a bumpy lane like so many of the off roads in Antigua, and I’ve never been on that road before and there’s a bend and I don’t know what’s around the bend but I want to find out so I keep going, even though it’s a little bit scary…”

***

w/Diane Chamberlain:

“I wish someone had told the very young me that good writing is the ticket to success in nearly everything. I didn’t learn that until my junior year of high school when a history teacher taught us how to research and organize our essays and term papers. Suddenly, I realized I could use my writing skills in every subject (except math, unfortunately). My grades soared. It’s those skills that got me through college and graduate school, and it’s those skills I still use today as I outline and work on my books. We can do our young people a big favor by helping them learn to write well.”

***

w/Jamaica Kincaid:

“More immediately, I’m trying to earn a living in the way that is most enjoyable to me. I love the world of literature, and I hope to support myself in it. I come from the small island of Antigua and I always wanted to write; I just didn’t know that it was possible. I would pretend when I was a child that I was Charlotte Brontë, because I’d read Jane Eyre when I was ten and, although I didn’t understand it, I loved the idea that this woman had written a book. I wanted to be her.”

***

w/Jamaica Kincaid:

“I was up all night long, working on a sentence,” she said. She hadn’t finished it yet.

***

w/Michael Anthony:

“I realized I liked words, the sound of words” – Listen to the full interview 

***

w/Colin Farrell …yes, that Colin Farrell…Colin is officially the first Hollywood actor in the Wadadli Pen Reading Room…as if Hollywood actors need more publicity, right?…But whatever, I like this interview and love his accent…no apologies….besides it’s always interesting hearing artists, from any area of the arts, talking about their craft…and always refreshing to see the ways in which their journey and sensibility is not that foreign from your own:

Interviewer: Was that the last time that you were on stage?
Colin Farrell: …other than struggling to be myself on things like this.

***

w/Oonya Kempadoo:

What’s the best advice on writing you ever received? “Just write.”

***

w/John Robert Lee:

“Firstly, more creative arts education programmes are needed at all levels of our education system. The arts will evolve when young people come to a better, informed understanding of the arts. This education also creates an audience for the arts, an audience that is informed, understands what is being presented to them, and so they are better able to appreciate and evaluate creative arts.”

***

w/Tamara Ellis Smith:

“Well, the idea for Hurricane came when my son — who was four at the time — asked me from the back seat of the car, ‘Who is going to get my pants?’

This was August 2005, and we were driving a few bags of clothing and food to the Hurricane Katrina Relief Effort. What a great question! Of course I didn’t know, but I began to imagine who would get his pants — and then I began to actually IMAGINE who would get his pants. And I was off and running . . .”

STORIES

“But it’s getting weird lately; some nights as he rocks on top of me, I start to imagine that I’m Her…” – Starfish by Randy Triant

***

“He always cooked his pepper pot on their Oh Gad, claiming coal fire gave a better flavor, but Nora knew that it wasn’t the fire that made the dish unforgettable, it was him. It was the way they would sit on the veranda, with a bowl of the aromatic stew and listen to him recount the tales of his youth, stories of climbing mango trees and oil pan cook out by the dam. Of adventures in the sugar cane fields, and of jumbi, and sokuna and all the things that made up the lore of the country side. All their legends told in his base voice, punctuated by belly laughs and mouthfuls of pepper pot.” – The Grave Digger’s Wife by Random_Michelle (Michelle Toussaint)

***

“Legend states that the Moss is a creature hatched from a chicken egg layed on Good Friday after three months of incubation. The egg is placed under the arm of the person wishing for the Moss and has to stay there until the three months have passed. Once it begins to hatch, at the moment it emerges from the shell, one must say: ‘Mweh seh mette ou’ (I am your master) before it can say it to you, needless to say what happens if you fail. If you accomplish this then the Moss is charged to fulfill your every desire not unlike the Djinns of Persia. However it seems that a Moss comes with a terrible price…” – Glen Toussaint, Tale of the Moss.  Read more.

***

“He is taking the back way to town so that he can look at this man’s corn and consider the way in which his corn looks better.” – listen to Austin Smith’s Friday Nigh Fish Fry

***

“Outside, I see a million butterflies flitting about in the golden sunlight. He once told me that there’s a place in Kingston where, in butterfly season, you can see them falling out of trees like golden rain. We’d made plans to marry beneath one of those trees. But those plans, like Isaiah, have all disappeared. Suddenly, an image of Peter and Denise appears before me, the money they have promised me for one night.” – Read all of Sharon Leach’s Sugar.

***

“Miss lady house burn down, everybody outside. Not even the moon out but everybody out.” – Read all of Glen Toussaint’s Is Obeah dat burn down di house or Goat Mout!?

WRITERS ON PUBLISHING

The only part of this Andrew Lowe article I didn’t like was “He said no. Something about how he never allows his images to be used for commercial reasons.” which, to me, felt vaguely dismissive/mocking of the photographer’s choice but overall I thought it was an interesting and insightful take on the process of cover design… something, incidentally, we’ve tried to tackle with the Wadadli Pen Challenge.

***

If you’re out here freelancing, this article actually has a lot of stuff I’ve tried and continue to try …with mixed results.

***

“Build relationships with your readers as best you can. Building a loyal following of readers who are willing to pay for your books is your most effective way of personally combating piracy.” – if you’ve written and been published, chances are you’ve come across some site purporting to offer your book for free at some point. As with any theft, it feels like a violation…and it’s cutting in to your royalties. This article provides tips for writers on dealing with piracy.

***

“I thought back over the many interactions I’d had with agents – all but two of them white – before I landed with mine. The ones that said they loved my writing but didn’t connect with the character, the ones that didn’t think my book would be marketable even though it was already accepted at a major publishing house. Thought about the ones that wanted me to delete moments when a character of color gets mean looks from white people because “that doesn’t happen anymore” and the white magazine editor who lectured me on how I’d gotten my own culture wrong. My friends all have the same stories of whitewashed covers and constant sparring with the many micro and mega-aggressions of the publishing industry.” –  on Diversity is not Enough: Race, Power, Publishing

NON FICTION

“After colossal effort and countless attempts to acclimate myself to them, I focused on changing my way of seeing them. I pulled the curtain from the other side and started to explore the depths of their world. It took me a while, but I came to the conclusion that criminals laugh, too”. – from 1000 Lashes Because I Say What I Think by Raif Badawi. Translated by Ahmed Danny Ramadan. Read more.

***

“When I was a little girl I was sent to mass every Sunday, but I did not pay much attention to the mass, which was mostly in Latin.  My interest was drawn to the ceiling of the church where there were hundreds of paintings of pink-faced cherubs, angels and saints. There was not one black face on that ceiling!  I deduced that black people did not go to Heaven. I was a child, how was I to know that those paintings were some artist’s depiction of The Great Beyond?” – Daisy Holder Lafond, I could have been a terrorist

***

Storytelling by Jamaica Kincaid, Josh Axelrad, and Sebastian Junger from the Moth Radio series: link.

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Fish Outta Water, Oh Gad!, and Musical Youth). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about WadadliPen and my books. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. And using any creative work without crediting the creator will open you up to legal action. Respect copyright.

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Congratulations, Heather!

Heather's image

Renowned Antiguan and Barbudan artist (and artiste) Heather Doram will have her work (pictured above) featured alongside 40 other Pan American artists when the Pan Am/Parapan 2015 Games open.

The Textile Museum of Canada is pleased to announce Watercolour, a cultural project presented in partnership with the Toronto 2015 Pan Am/Parapan American Games. Celebrating the culture and artistry of Pan American nations, Watercolour will comprise 41 sails featuring artwork by one artist from each participating country. Encompassing work from internationally renowned to emerging and mid-career artists, the designs will animate sailboats on Lake Ontario with their rich visual diversity during ceremonies at the Toronto 2015 Games.

Full details in this release from the Textile Museum of Canada: TMCPressRelease_WatercolourPanAmericanGames_May62015artists

Congrats, Heather!

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Fish Outta Water, Oh Gad! and Burt Award finalist Musical Youth). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about WadadliPen and my books. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. Respect copyright.

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A & B Writings in Journals, Showcases, and Contests (A – G)

This page has grown fairly quickly, so I’m breaking it up in to two pages. For H – N, go here, for O – T, go here, for U – Z, go here. and for books, go here. This is exclusively for creative pieces by Antiguans and Barbudans accepted to established literary journals, festivals (and other notable literary platforms), and contests (not pieces posted only to personal blogs) as I discover (and in some cases, re-discover) them. Primarily, the focus is on pieces accessible online (i.e. linkable) because those are easiest to find; but it is not limited to these. It is intended as a record of our publications and presentation of creative works beyond sole authored books. Naturally, I’ll miss some things. You can recommend (in fact, I welcome your recommendations), but, as with all areas of the site, additions/subtractions are at the discretion of the admin. 

AARON, GLENROY‘Summer One’ and ‘Coconut Man’ (visual art – painting) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

ADAMS, RILYSFictional Reality (fiction, 2011 award winning Wadadli Pen story) – Anansesem (Wadadli Pen special issue) – 2011

AFLAK, ALLAN – (visual art – photography – also published in Alexis Andrews’ book Images in 2007) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

AIRALL, ZAHRA – Island Expressions in St. Kitts – 2016

AIRALL, ZAHRAThe Looking Glass (fiction) – in Theorizing Homophobias in the Caribbean – Complexities of Place, Desire and Belonging – 2012

Excerpt: “They’d met at a conference in Mexico, she was from Dominica, and Laurie was instantly drawn to that thick French accent when Marie spoke.”

ANDREWS, ALEXIS – (visual art – photography) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

ANTONIA, MAKEIDA/WADADLI WRITERInner Child (poetry) – in intersectantigua.com – 2020

ARMSTRONG, VEGA – Legend of the Sea Lords (fiction, 2012 award winning Wadadli Pen story) – Anansesem – 2012 + Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

Excerpt: “Suddenly Freya dove under the water, the others quickly followed her. When they caught up with her they too saw the mysterious creature.”

ARRINDELL, BARBARABelonging to Barbuda (fiction) – Caribbean Feminist Stories, intersectantigua.com – 2020

ARRINDELL,  BARBARA – Scholarship Child (fiction, from her book The Legend of Bat’s Cave and Other Stories) – Interviewing the Caribbean (Caribbean Childhood: Traumas and Triumphs Part 2) edited by Opal Palmer Adisa – 2020

ARRINDELL, BARBARAA LIFE, a spirit…a name  (fiction, subsequently published in 2017 anthology The Black Notes edited by Althea Prince) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

ARRINDELL, BARBARA – How Snake Stories became Anansi Stories (fiction, fable) – Womanspeak: A Journal of Writing and Art by Caribbean Women, Volume 7 Womanspeak 7– 2013

ARTHUR, ADEPraying for her Nadleehi (fiction) – in intersectantigua.com – 2020

AUGUSTUS, CARLIsolation (visual art and poetry) – in intersectantigua.com – 2020

AUGUSTUS, CARLLive Free (visual art) – in intersectantigua.com – 2020

AUGUSTUS, CARLTake Flight (visual art and text) – in intersectantigua.com – 2020

BARNES, SYLVANUS – Harp of Gold (poetry, from his book Barney’s Wit and Wisdom) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

BARTON, SHARON – ‘Evolution’ (visual art – designer gown, worn by Antigua Carnival Queen first runner-up Kimmorna Otto, which, in 2005, won best evening gown; it attempts to capture the colour and flow of reggae and calypso) and ‘Wild Orchid’ (visual art – designer gown worn in 2006 by Antigua Carnival Queen runner-up Charmaine Morgan) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

BATSON, NADIA – Expose (song lyrics, the Trinidad and Tobago singer/songwriter penned the tune for Antigua-Barbuda soca band El A Kru) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

BEAZER, CHATRISSEThe Legend of Banana Boy (fiction, 2011 award winning Wadadli Pen short story) – Anansesem (Wadadli Pen special issue) – 2011

BENJAMIN, AKEILE – The Adventures of Mr. Coconut (fiction, 2012 award winning Wadadli Pen story) – Anansesem – 2012

BENTA, VERDANCI – Boysie’s Fixed Account (fiction, 2005 award winning Wadadli Pen story) – Anansesem – 2012

BROWN, MARK – ‘Jumbie’ and ‘Queen of the Band’ (visual art – painting) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

BROWNE, BRENDA LEE – Granny Cecelia’s Travelling Handbag – Womanspeak: A Journal of Art and Writing by Caribbean Women Volume 8 Womanspeak 8– 2016

BROWNE, BRENDA LEEexcerpt from London Rocks (fiction, published as a novel in 2017) in Moko: Caribbean Arts and Letters – 2015

Excerpt: “Dante’s mother asks if he is getting married as he smells as sweet as a bride and he had been getting ready since about 5pm – well since midday when he went to the barbers for a trim and a shape.”

BROWNE, BRENDA LEEFor my Father & Untitled (poetry) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

BROWNE, BRENDA LEE – Betty Sope – Womanspeak: A Journal of Writing and Art by Caribbean Women, Volume 7 – 2013

BROWNE-BANNISTER, TAMMI – Wee Willie Winkie (fiction, winner of the 2016 Marguerite Cobb-McKay Prize) – The Caribbean Writer Volume 29 – 2015

BROWNE-BANNISTER, TAMMI – Stabs in the Dark (fiction) – Akashic’s Mondays are Murder series – 2014

BROWNE-BANNISTER, TAMMI – Strange Fruit (fiction) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

BROWNE-BANNISTER, TAMMI – No Frills, No Lace (fiction) – Poui: Cave Hill Journal of Creative Writing – 2014

Excerpt: “The director’s walk was ceremonious not in haste, perhaps from years of practice. He carried one hand lying in the other at the back of his buttocks and he went along with his head bowed.”

BROWNE-BANNISTER, TAMMI – Coo Yah (fiction) – Moko: Caribbean Arts and Letters (online Virgin Islands journal) – 2014

BROWNE-BANNISTER, TAMMICocks, Hens, Dogs and Swine (fiction) – in St. Somewhere (online literary journal) – 2013

BROWNE-BANNISTER, TAMMIThe Bird who saved his Food (fiction) – Anansesem (online Caribbean Children’s Literary Journal) – 2013

Excerpt: “Once upon a time an albatross got caught in a fisherman’s net that was spread out at sea.”

BROWNE-BANNISTER, TAMMI – Mango Belly and Mango Belly Part 2 (fiction) –  Anansesem (online Caribbean Children’s Literary Journal) – 2011

Excerpt: “He ate each and every kidney, tantalizing his classmates with every suck, pick, slurp and lick. Their mouths watered and their eyes followed the golden juices that gushed down his hands.”

BUTLER, LORINDA T.Antigua Me Come From (poetry) – The Caribbean Writer, Volume 8 – 1994.

CADOGAN, DAVID – ‘Rasta Pan’ (visual art – painting) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

CHARLES, KENNELLA – Awaken to the Night – (fiction, 2005 award winning Wadadli Pen story) – Anansesem (Wadadli Pen special issue) – 2011

CHRISTOPHER, MARCUSLyrical Sampler (calypso lyrics) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

DIXON, S A – (visual art – illustration for Market Day by Latisha Walker-Jacobs, award winning art and story in Wadadli Pen 2011 Challenge) + Cocos Nucifera (fiction, 2011 award winning Wadadli Pen short story) – Anansesem (Wadadli Pen special issue) – 2011

DORAM, HEATHER‘Hope is on the Horizon’ (from The Pandemic series) 18 x 30 acrylic and mixed media on canvas, cover art w/ACalabash Poetry Portfolio-5 Curated by John Robert Lee – 2021

DORAM, HEATHERIsolation 1 – in intersectantigua.com – 2020

DORAM, HEATHER ‘Fusion’ (visual art – 20 x 36 inch mixed media on canvas, cover art w/The Other Daughter by Joanne C. Hillhouse) – Adda (Commonwealth Writers online literary platform) – 2017

DORAM, HEATHER‘Moonlight on Butterflies’, ‘Serenity’, and ‘Rightful Place’  (visual art – painting) –  Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

DORAM, HEATHERcarnivalmag‘Spirit of Carnival’ (visual art – mixed media painting on felt, cover art capturing the colour, glitter, and masking of the Carnival season, and illustrating the mythical connection with the inner self that happens during Carnival) and ‘Mama Looka Mas!’ (visual art – painting); and ‘Genesis’ (used a metaphor for Carnival and life, worn in 1994 by Lesley-ann Brown) and ‘CARICOM Woman’ (exploring the concept of “us coming together as a people, as a region” worn in 1992 by Diana Horsford) and ‘Spirit of Africa’ (worn by 1993 Antigua Carnival Queen Charmaine Bailey) and ‘Lady in Red’ (worn by 1988 Antigua Carnival Queen Irma-Marie Senhouse) – (visual art – costumes with builder and husband Connie Doram). Additional costumes for Vitus mas troupe (a highlander costume, 1997’s ‘Cocks Crow’, 2000’s ‘Folktales’ including characters like Anancy in his spider’s web, and 2003’s ‘Peace and Love’ (the stiltwalker section High High High)) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

D’ORNELLAS, ANNALISA -Toes in the Sand (poetry, national contest selection) – 2009

Excerpt: “I was once a girl
that played on these shores.
I gathered the shells
in  bundles and scores.
I wore them on my neck
and strung some as bangles
I  noticed their twinkling
and delightful angles.”

ECKERT, DEBORAH – ‘Lornette and Oriane’ (visual art – painting) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

EDWARDS, GEORGE W. (AS TOLD TO JOHN H. JOHNSON) – Folklore from Antigua, British West Indies – Journal of American Folklore Vol. 34 No. 131 pp. 40-88 – Jan – March, 1921

Excerpt (from Johnson’s introduction): “The stories, riddles, and proverbs given in this collection were recited by George W. Edwards, a native of Greenbay, Antigua, British West Indies…George Edwards is a man fifty years old. In giving the bulk of this material, he exhibited unusual memory-power. Aside from prompting, suggestions, and riddles Nos. 34, 39, 42, 45, and 47, he alone is responsible for the entire collection. He has lived in New York for the past ten years. His greatest aid in recalling the stories has been his wife, who is about thirty years of age and also a native of Greenbay, Antigua. She is the informant of the five riddles mentioned above.”

EDWARDS, GEORGE W. (AS TOLD TO JOHN H. JOHNSON)The Chosen Suitor from Folklore from Antigua, British West Indies, Journal of American Folklore Vol. 34 No. 131 – as reproduced in Bluebeard (ed. D. L. Ashliman) – 1999 -2014

Excerpt: “Dere’s a woman had one daughter an one son. Dis boy coco-bay, boy, an’ he was an’ ol’ witch too.”

EDWARDS, SHAKEEMADiaspora & That Laugh (poetry)- Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

EDWARDS, SHAKEEMAThe Curse of the Kumina (fiction, 2011 award winning Wadadli Pen story) – Anansesem (Best of Wadadli Pen Special Issue) – 2011

EVANSON, TANYA – Poetry Africa (Durham, South Africa) – 2018

EVANSON, TANYA – performs at the 8th Word N Sound International Youth Poetry Festival in Newtown Johannesburg – 2018

EVANSON, TANYA@ Ubud Writers and Readers Festival – 2016

EVANSON, TANYA – Temple Exercises as feature poet at Vancouver Slam – 2016

EVANSON, TANYA – GRIOTS OF ALL TIME – live spoken word @ The Club, The Banff Centre, Banff AB Canada / 2014 Spoken Word Program

EVANSON, TANYA – Word Aloud Festival (Durhan, Canada) – 2014

EVANSON, TANYAMundo Gumbo – Canadian Festival of Spoken Word – 2013

EVANSON, TANYA – Apocalypsiata (poetry) – Womanspeak: A Journal of Art and Writing by Caribbean Women, Volume 7 – 2013

Excerpt: “Soon there’ll be nothing left to burn/books, beds, bodies on the Barbie”

EVANSON, TANYA – reading/performing at Calgary Spoken Word Festival – 2013.

EVANSON, TANYA – reading/performing (including “An-teee-ga”) at the Calgary Spoken Word Festival – 2012

Excerpt: “Let me tell you bout that place/in Caribbean/clear blue water/sand sat between your toes/in hot sun/and the people/my people/and not my people/Antigua” (An-teee-ga)

EVANSON, TANYA – Zamizdat Scat at Calgary Spoken Word Festival – 2011

EVANSON, TANYADervish Weaponry (poetry, from the 2008 CD Memorists) – on Badilisha Poetry X-Change – 2008

FARARA, JAN – ‘Steel and Sparkle’, ‘Rhythm at Sunset’, ‘Carnival Pride’, and ‘Carnival Stilts’ (visual art – paintings) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

GEORGE, GEMMA – Stray Dog prepares for the Storm – (fiction, 2004 award winnin g Wadadli Pen story) – Anansesem (the Wadadli Pen special issue) – 2011

GEORGE, LINISAThe Rebellion (poetry) – intersectantigua.com – 2020

GEORGE, LINISA – In the Closet (poetry) – BBC Poetry Postcards series – 2014.

GEORGE, LINISA – Brown Girl in the Ring (poetry, theatrical monologue) – performed during the CARA Festival, Antigua – 2009 + published in the World Record (a publication of global artistes invited to perform at the 2012 Poetry Parnassus staged to coincide with the 2012 Olympics) +  Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014 + featured in the Charlotte Caribbean Festival, and, 2015, in the Shakespeare festival in the Bahamas.

GONSALVES, GAYLEMiss Ellie (fiction) – Tongues of the Ocean – 2014

Excerpt: ‘Ellie points to England, a land that is far from the Caribbean Sea, and smiles at her daughter, “This is where it all started.”’

GORDON, CAROL – ‘Ancestral Call’, ‘Dance’, ‘Friend’, and ‘Nubian’ (visual art – painting) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

GORDON, ORIQUE – The Lost Coin (fiction, 2011 award winning Wadadli Pen short story) – Anansesem (Wadadli Pen special issue) – 2011

GRANT, DEBESHA – Blue Mountain Hike (fiction, 2005 award winning Wadadli Pen short story) – Anansesem (Wadadli Pen special issue) – 2011

GREGORY, JAMILA – ‘Bird of Paradise’ (visual art – costume design intended as a play on the word ‘Bird’, depicting the flower ‘Bird of Paradise’ and also the bird ‘The Great Bird of Paradise’. It was the first costume to ever to be presented on stilts in the pageant’s history. It was built by Johnson Browne, Jamila Gregory, and the Vitus Mas Troupe. Gregory, the 2006 Carnival Queen, won the costume segment of the Antigua Carnival Queen competition) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

GRESHAM, SARAH-ANNEGeneration Cry (non-fiction) – in intersectantigua.com – 2020

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, Oh Gad!, With Grace, Lost! A Caribbean Sea Adventure, and The Jungle Outside). All Rights Reserved. Please do not repost artist images without permission and credit. If you enjoyed this post, check out my Jhohadli  page and/or Facebook, and help spread the word about Wadadli Pen, my books, and my freelance writing-editing-coaching-workshop services. You can also subscribe to the site to keep up with future updates. Thanks.

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Filed under A & B Lit News Plus, A & B WRITINGS, Caribbean Plus Lit News, Links We Love, Literary Gallery

Because pictures tell stories too

I am a long time fan of Antiguan and Barbudan artist Heather Doram, from her Carnival pieces to gallery collections like Strength of a Woman. She’s given permission for selections from her 2011, ‘We Have So Many Stories to Tell’ series to be posted exclusively on Wadadli Pen (please dont re-post without her pemission). The series is in some ways a throwback to more provincial themes and scenes, a fact she addressed in an article I did in the Daily Observer newspaper.

(ARTICLE EXCERPT)

“I was adamant that I was moving forward,” Doram said of her resistance to walking this particular path, a path decorated with scenes of women at market, or going to church, or engaged in village melee. For the artist whose vision has expanded and whose technique has evolved over the years, layered both in terms of method and meaning, one can understand the resistance to scale things back in an effort to perhaps conform to a more relatable view.

But smaller – smaller canvases, bottle canvases, simpler, more literal scenes of island life (then) – doesn’t mean limited, and from the energy and excitement with which she talks about the new collection, it’s clear that she found a way to challenge herself and yet create art some may consider more accessible and pocket-friendly. The result is no less textured and interesting than her more complex pieces.

“I want the viewer to have that conversation with the pieces,” she said.

So, converse…

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