Tag Archives: Hell’s Gate

Carib Lit Plus (Mid to Late July 2022)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here – credit and link back if you use).

Projects

The latest NGC Bocas 100 Caribbean Books that Made Us latest project is a podcast. The first installment finds Trinidad and Tobago Commonwealth and Bocas award winning writer Kevin Jared Hosein ruminating on No Pain Like This Body by Harold Sonny Ladoo. Listen here. (Source – Bocas email)

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Antigua Communications Specialist – and former Wadadli Pen judge – Brenda Lee Browne has shared a call for submissions to the Interreg Caraibes Caribbean Digital Film Library project. This project aims to document, digitalise and create a comprehensive digital library of films by and about people living, working, creating in and about the Caribbean. Film in this context includes and is not limited to: family home movies; feature films; documentaries; news clips; special events, interviews etc. These films can be made by amateurs, film makers, individuals, news organisations, sports/community and institutions – no genre or format is excluded. Browne is the inventory officer for Antigua and Barbuda. Her deadline to submit a comprehensive report of what films are available here and if they require special attention due to age, format etc. is August, 2022.

The Interreg CINUCA project is a collaborative project supported by APCAG and their partners: the
EPCC Tropiques Atrium Scène Nationale (Martinique), the association Guyane-Cinéma Audiovisuel et
Multimédia (the G-CAM-Guyane) (French Guiana), the production company Lee Productions Inc.
(Saint Lucia), and the production company Hama Films (Antigua and Barbuda). The project is
co-financed by the European Regional Development Fund (ERDF), under the Interreg V Caribbean
programme. If you have films you’d like added to the library, contact Brenda Lee Browne at brendalee.browne@gmail.com (Source – Brenda Lee Browne email)

A screening of Dr. James Knight’s documentary Nobody Go Run Me at UWI (Mona) in Jamaica.

You may know that I have been building a play and screenwriting data base here on Wadadli Pen, which I will be sharing with Brenda Lee, as I look forward to how this project develops. Remember if we have missed any screenwriting credits in our database, please share.

Opportunities

An Antiguan and Barbudan poet and former Wadadli Pen finalist has an opportunity to pursue further studies and you have an opportunity to help. Her name is Hilesha S. Humphreys and she has received the opportunity to study Ceative Writing at California College of the Arts’ MFA programme. Her writing focuses on abuse and centers the feminine experience. To take advantage of this chance Hilesha is requesting assistance to fund her studies. For more information, please email: hileshashumphreys@gmail.com  

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The Bocas Lit Fest’s Children’s Book Prize, sponsored by the Wainwright Family remains open to Caribbean authors resident anywhere in the world until the end of August. Started last year, the prize is given to one outstanding English-language children’s book for young independent readers. The Prize consists of a cash award of US$1,000. Last year’s winner was When Life gives You Mangoes by Jamaican writer Kereen Getten. The prize is judged by an independent panel of children’s literature experts. The panel is joined by a young reader who will contribute to selecting the winner at the second stage of judging. Eligible are works of fiction (including short story collections and books in verse), literary non-fiction and graphic novels written for independent readers ages 7 – 12 . Works of drama, multiple-author anthologies, picture books, textbooks or instructional manuals are not eligible.  Stories should be told primarily through prose. The book can include illustration, but should not rely primarily on visual storytelling and should have at least 1,500 words. Details here. (Source – Bocas email)

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This one is mine, my Jhohadli Writing Project; specifically, my once-a-month workshop session available to participants from anywhere and ideal for writers with works in progress. So far this year, participants have checked in from the US, Trinidad and Tobago, and Antigua and Barbuda, and participant goals have included advancing and receiving feedback on manuscript in revision, jump starting new writing, and learning more about the world of professional writing. What are your goals?

See this and other pending deadlines at Opportunities Too. (Source – Me)

Accolades

An Antigua Carnival update – Nekirah Nicholls of St. Kitts-Nevis won the Jaycees Caribbean Queen show ahead of runners up Trinidad and Tobago’s Chronna Khan and St. Lucia’s Wenia Verneuil.

Pictures (them in their introductory national costumes and them in their evening gowns during the prize giving) are from the Miss Jaycees Queen Show – JCI Antigua Facebook page. (Source – the Daily Observer newspaper)

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The Brooklyn Caribbean Literary Festival Elizabeth Nunez prize longlists have, in short order, become one of the most anticipated rollouts of the year if you’re a short story Caribbean or Caribbean diaspora writer. These are the lucky ones in 2022 (Congrats to them all):

For the Caribbean prize (for Caribbean-based Caribbean writers)# – Bahamian Sara Bastien (“The Girl with Your Grandmother’s Eyes”) and Alexia Tolas (“The Fix”); Barbadian Martin Michael Boyce (“In the Secrets Place”), Callie Browning (“The Science of Garbage”), and Gregory Anderson Fitt (“Don’t Cry Precious Baby”); Bermudian Yesha Townsend (“Fishing”); Guyanese Jarryl Bryan (“Shemroy Cusbert”) and Cosmata Lindie (“Starchild”); Dominican/Kittitian-Nevisian Yakima Cuffy (“The Eleventh”); Jamaican Topher Allen (“A Familiar Friction”), Kellie Martine Magnus (“One for the Books”), Tonia Revers (“Hear Yah Now: Conversations”), Damion Spence (“Bull Buck and Duppy Conqueror”), Chaneka Taylor (“Salted Wounds”), and Stacy ann Williams-Smith (“Rio Cobre”); St. Lucian Alicia Valasse-Polius (“Beekeepers”); St. Vincent and Grenadinian Janielle Browne (“The Saddest Part”) and Denise Westfield (“The Valley”); Trinidad and Tobagonian Patti-Ann Ali (“Marley in a Maxi”), Lisa Allen-Agostini (“Meeting Beverley Jones”), Kirk Bhajan (“The La Diablesse of Ecclessville”), Christie Borely (“They lived Together”), Vishala Christopher (“Jumbie like Long Hair”), Rachel Espinet (“Davindra and the buck”), Lynette Hazel (“02.12.20 (Jumbie Make to walk the Road)”), Caroline Mackenzie (“Girls in the Dark”), Brandon McIvor (“Red Hand on a Smoking Gun”), Charmaine Rosseau (“A Real Place”), Portia Subran (“Please Take One”), Kwame Weekes (“Green Thumb”), and Sunil Whittle (“Rockette”).

For the Caribbean American Prize (for US-based Caribbean writers) – Barbadian Elizabeth Best (“Soup on Sunday”) and Rachelle F. Gray (“Peter 3:15”); Dominican Republican El Don (“Amaris Castillo”); Guyanese Elesa Chan (“Jumbie”); Haitian Yvika Pierre (“Nadege goes Home”); Jamaican Jazz Sanchez (“Cook Soup”); *Nicaraguan Marilyn Enriquez (“Devil’s Hole”); St. Lucian Catherine Esther Cowie (“Who wants to look like a Frenchman?”); Trinidad and Tobagonian Keisha Ali (“Uniform”) and Tricia Chin (“Genesis”).

*Nicaragua, I have learnt, despite being Central American, has a major Caribbean influence on its Atlantic coast – including Afro-descendant English speaking Caribbean towns and indigenous (e.g. garifuna) communities.

(Source – BCLF Facebook)

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Artistic director with the The Dundas Centre for the Performing Arts in the Bahamas for 40+ years, Philip A. Burrows, has been awarded the Order of Merit in the country’s 2022 Independence Honours list. Burrows has directed well over 100 productions, taught acting workshops, and written for the theatre; and is notably a founding member of Ringplay Productions and co-founder of the Shakespeare in Paradise theatre festival. Burrows has presented a number of Bahamian productions in the US, UK and throughout the Caribbean, and directed a number of National Events, from Cacique Awards to Independence shows, and both productions honouring Sir Sidney Poitier. There may be other people in Bahamas arts on the list – congrats to all. (Source – Facebook)

Content

You may know that this website tries to archive published reviews of books and other applicable content by Antiguans and Barbudans. The latest installment in this series includes reviews of my books Musical Youth (“a wonderful read” – RunWrightReads, “beautiful book” – Book of Cinz), The Jungle Outside (“masterful use of sensory details” – ACalabash), and (surprisingly) Oh Gad! (“an expansive page-turner” – ACalabash)as well as of the film The Sweetest Mango (“avante garde” – Karukerament), our first feature length film, and Pepperpot, a regional anthology in which I have a story, “Amelia at Devil’s Bridge” (“will make you shiver” – The Opinionated Reader). You can help build this and all of our data bases in two ways – applying to volunteer as a social media intern and sending us tips (and practicing patience when you do). (Source – Me)

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My CREATIVE SPACE art and culture series continues its every other Wednesday publishing schedule in the Daily Observer newspaper and online with extras at my Jhohadli blog. At this writing, the most recent installment asks “Do You know this Man?” while showcasing the careers of 1940s town crier and calypso pioneer Quarkoo and his all but forgotten 1800s to 1900s predecessor Thomas Joseph.

Working on this story, I am reminded of a friend’s feeling about firsts – that often someone did it before, we just don’t know or don’t remember.

(A humbling example of which for me is when years after I started Wadadli Pen certain I was doing something that hadn’t been done as there had been nothing like Wadadli Pen in my becoming, which was why I started it in the first place, I found out, on discovery of the 1979 publication Young Antiguans Write: Prize-winning Selections in Poetry and Prose from School Creative Writing Annual Competition, 1968-1978 , that an annual writing challenge for and publication of youth writing in Antigua and Barbuda for the primary purpose of literary development, was not new. Probably wasn’t new then. It only felt like I was inventing not reinventing the wheel because the car had broken down and been left to rot at the side of the road. I don’t know quite what happened but I do not remember this or any programme of this type (not counting Independence and Tourism essay competitions) existing as I came of age and came in to being as a writer in the 80s nor through my young adulthood in the 90s. And while this could very well be my ignorance, I had not even heard of it. This realisation in part fuels my motivation – though I don’t have institutional resources behind me as that project did – to create a record of our literary history and to not to be another start-and-stop-did-it-even-happen local arts initiative – there’ve been a few, stalled mostly due to lack of resources – but to find a way to keep it going with or without me, which is one reason I pushed for us to become a legal non-profit, daunting as that process has proven to be).

So, in the vein of things being lost, some of Thomas Joseph’s legacy has been folded in to Quarkoo’s, some has been all but erased. Notably, his authorship of “Man Mongoose” – a song popularized as “Sly Mongoose”, that was first recorded in Trinidad, and is thus credited as such, a song that has since been reproduced in many different genres and formats over the years and across the world. I must give credit to American researcher Dan Lanier, who on seeing my Quarkoo post on this site, reached out to ask me about Thomas Joseph and connected me to more about both men than I had previously known. This is one of my favourite CREATIVE SPACE articles of the year because of the connections it makes on and off the page; I hope you’ll give it a read. And if there’s to be intra-island beef over the authorship of “Sly Mongoose”, make it tasty. (Source – Me)

Events

The Antigua Jazz Project has announced a concert, “A Night for Statchel” Version 3.0, Vince McCoy and Friends, featuring Khadijah Simon and Mind Sound, Acoustic Infusion, and The Antigua Jazz Project. It’s 7 p.m. at Pink Mongoose Studio on Friars Hill Road on August 6th 2022. Proceeds in aid of the St. John’s Hospice and Asita Ngash. (Source – postcard picked up at Best of Books bookstore)

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No Panorama? No Problem! The Caribbean Union Bank Hells Gate Steel Orchestra presents it’s “Pan Rhapsody” competition on Saturday 6th August at the Villa Primary School, Antigua. 4 Groups, with up and coming Arrangers will contest this musical showdown.

(Source – Hell’s Gate on Facebook)

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Jamaica and specifically reggae and specifically Bob Marley is now in the Marvel Cinematic Universe and specifically the Black Panther verse with the release of the first trailer for the second Black Panther film: Wakanda Forever. The music featured is Marley’s “No Woman No Cry”, sung by Nigerian vocalist Sems, seamlessly segueing in to US rapper Kendrick Lamar’s “Alright”. Of course, the box office breaking, critically acclaimed, and popularly embraced, rare Black-centered series already had a Caribbean presence with Tobagonian Winston Duke as Mbaku and Letitia Wright, Shuri, being Guyanese.

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Book of Cinz – a Caribbean book platform whose initiatives include a global Caribbean-focussed virtual book club and the #readCaribbean hashtag which promos the reading of Caribbean books in June – is having its first reading retreat in Dominica, with less than a handful of spots available. It will be at SeaCliff Cottages between October 15th and 20th 2022. Secure your spot here. (Source – Book of Cinz email)

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We are all invited to listen in on The Caribbean Development Bank funded Cultural and Creative Industries Innovation Fund Creative Talks on Festival Futures in the Caribbean.

(Source – CIIF email)

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It being Carnival season in Antigua, there will be a steady stream of events in the latter part of July in to early August. I can’t report on them all but I’ll share what I can, especially the new and unusual. Like the July 22nd 2022 Band Meet Band Showdown at Carnival City. It seems to be a project of the Antigua and Barbuda Jam Band and Soca Association and the Ministry of Creative Industries and Innovation. The listed line-up includes Sir Oungku and Red Hott Flames, Daddy Barlo and Revo Band, TKO Band featuring Laurena Davis and Ebony T, Byke and Enegee Band, High Tempa, and more. (Source – DJ Ibis on Instagram) & this massive event honouring the Monarch King Short Shirt:

(Source – Facebook)

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This event is passed but if you’re a regular here you know that won’t stop me from mentioning it, plus it continues to make news. Dotsie Isaac has donated proceeds from her showcase “Senses: an Evening of Poetry and Music” to the Antigua and Barbuda Heart and Stroke Foundation. Isaac, a former Wadadli Pen judge, has also revealed plans to make “Senses” an annual event.

Poet Dotsie Isaac is seen in this Laura Hall photo participating in a joint Wadadli Pen-Museum fundraiser (Word Up!) in 2006. Isaac has also served as a judge (2011) and as a special guest at the awards ceremony (2015).

(Source – Daily Observer/Antigua)

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July 20th 2022 is the red-carpet, invitation-only premiere of documentary film Redonda: the Road to Recovery. Wide public screenings begin at Caribbean Cinemas on July 21st (image from Lawson Lewis’ facebook) with advance tickets of only $5 available at the Environmental Awareness Group office or online via the Ticketing app. The doc which is about the recovery of the Antigua and Barbuda offshore island was teased when I interviewed director Lawson Lewis in May 2022 for my CREATIVE SPACE series.

Lawson Lewis on the job.

(Source – Daily Observer newspaper/Antigua)

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July 29th 2022 is African Dress Day in Antigua and Barbuda, the kick-off of the Reparations Support Commission’s Emancipation Day celebrations. The highlight of the celebrations will be, per usual going back 14 years, Watch Night. Date and venue is July 31st the Botanical Gardens. It will be a night of cultural performances, including staples the Nyabinghi drummers and various singers, dancers, and more.

Calypsonian/calypso writer King Zacari, seen here performing at the NVSP awards years ago, is one of the announced performers at this year’s Watch Night. (File photo by Joanne C. Hillhouse/do not reuse without permission or credit)

(Source – Daily Observer newspaper/Antigua)

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, and The Jungle Outside). All Rights Reserved. Subscribe to the site to keep up with future updates. Thanks.

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Carib Lit Plus (Mid to Late November 2020)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information)

News

Before the end of November, news of another passing and another blow to the local calypso fraternity. In a year that took former kings Edimelo and Swallow (one of the Big Three), Calypso Joe, who claimed the crown in 1971, has died (per a report from ABS TV). We have nothing further to report but remind you that you can read about Calypso Joe here on the blog. With songs that are part of the fabric of Antiguan and Barbudan life in the 20th century, songs that are part of the story of Antigua and Barbuda, he truly was a classic. And thanks to TEDx Antigua a few years ago, we got to hear his story.

(Source – Facebook)

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Remember to D.A.R.E.
(Source – Daily Observer newspaper)

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Antigua and Barbuda’s Culture Minister Daryl Matthew has had Education added to his portfolio in light of the arrest of the Education Minister Michael Browne on unspecified (for legal reasons) charges and Browne’s removal from Cabinet (unclear at this time how this affects his elected office as representative for All Saints West). Matthew is reported to be the Minister of Education, Sports, and Creative Industries. The confusion that creates for me is is this a rebrand of the Ministry of Sports, Culture, National Festivals and the Arts, of how we think about art and culture, or an erasure of same. If you’ve read my thoughts on Culture developmentally on this blog, you already know I don’t think the PTB have been nearly proactive, intersectional, nor intentional enough (nor have they prioritized the kind of continuous engagement with and engagement of the artistic community I would like to see as a member of and advocate for that community) and I wonder how/if this will shift that. Beyond that, trippling Education with Sports, and the Arts (assuming its embedded in the catch-all ‘creative industries’ term) makes sense as all have a built-in youth development agenda. Perhaps I’ll be able to discuss these and other issues with the new Creative Industries minister for my CREATIVE SPACE series at some point. (Source – local news and social media generally)

Professional Development

Antiguan and Barbuda commercial producer-director, visual artist, and owner of Palette Designs Ad agency Lawson Lewis “is among 30 professionals from within the region who are participating in a virtual script writing and film production programme sponsored by the Caribbean Export Development Agency. The intense sessions cover areas such as story development, screen writing, film scheduling, film budgeting and pitching.” (Source – Daily Observer newspaper November 20th 2020 pages 8-9)

Story and Book Recs

Dominican writer Jean Rhys’ Wide Sargasso Sea is an undisputed classic of West Indian literature. Here’s my review of the book. But this post is about the recent Royal Society of Literature event ‘What’s So Great About… Jean Rhys with Linda Grant, Shivanee Ramlochan, Lauren Elkin and Shahidha Bari’. You can find my review of another Rhys favourite discussed in this conversation, After Leaving Mr McKenzie, here. You can view the whole RLS conversation here. Framing it at the beginning, the Caribbean person on the panel Trinidad and Tobago’s Shivanee Ramlochan, said, “In a year in which we are having this phenomenal event, it’s heartbreaking to know that Rhys’ childhood home in Dominica was demolished in May to make way for commercial properties. What I find instructive about that is that on the one hand it is for someone like me an unbearable tragedy but in looking at the responses of Dominicans many of which were suffused with grief, there are others that quetion the legitimacy of Rhys to that climate, to their environment, to the idea of why a white Dominican woman who spent scant time in Dominica should be venerated in a certain way. So the response to Rhys is not just one thing; it’s comprised of so many interweaving and complex parts about what makes Caribbean identity and what makes a Caribbean writer.” I’m listening to this after reading an article of Louisa Mae Alcott (of Little Women fame’s) house. I’ve toured that house in Concord, Massachusetts (and took with me a rich appreciation for the opportunity to do so, and a mug with Jo, Meg, Beth, and Amy, and a kite) and appreciate what it means to hold certain spaces, not just because of the individuals but because of the stories they have told about those spaces. Also, since this is substantially what matters in the Caribbean, there is missed literary tourism value – I think of the times I’ve been contacted with inquiries about Jamaica Kincaid’s childhood home here in Antigua (which spoiler alert has not been preserved nor exploited for whatever value it holds to literary wanderers) and about the time I took a literary bus tour (a BIM book fair event) in Barbados that included spaces chronicled in literature and the homes of some who either made or facilitated the making of literature about Barbados. It was fascinating. And too often we are shortsighted – especially when it comes to the arts. (Source – via email from The Royal Society of Literature)

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Trinidad and Tobago writer Barbara Jenkins’ ‘A Good Friday’ was plucked from the pages of Pepperpot: Best New Stories from the Caribbean for reading by former Reading Rainbow host (and Roots start) Levar Burton on his Levar Burton Reads podcast which began in the early days of COVID quarantine in America. We’ve just added it to the latest Reading Room and Gallery but wanted to big her up here as well. His Trini accent not bad. (Source – via email from John Robert Lee of St. Lucia)

Publications and Postings

I have uploaded the video, in fulfillment of my grant requirement for the Catapult Caribbean Creative Arts online, to my YouTube channel AntiguanWriter. Please view, like, comment, share, subscribe.

(Source – Me!)

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Intersect Antigua-Barbuda has launched its online platform with a huge upload of stories, poems, and art consistent with its particular brand of gender artivism.

You can read and listen to the to the stories (which includes Carnival Hangover by Wadadli Pen founder and coordinator and Belonging to Barbuda by Wadadli Pen team member Barbara Arrindell) on the site. Kudos to the Antiguan and Barbudan activists that spearheaded this regionally-focused global initiative, and who, thanks to an international grant, have been able to take it to the next level. (Source – initially, social media, primarily instagram)

Kudos

To Ingrid Persaud and Monique Roffey, two Caribbean writers, both originally of Trinidad and Tobago, who have been shortlisted for 2020 Costa Book Awards – Persaud for best first novel for Love After Love and Roffey for best novel for The Mermaid of Black Conch: a Love Story. (Source – initially Ingrid’s page on instagram which led to research on the Costa page)

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Happy 50th to Hansib Publications: the Caribbean focused, UK press was founded in 1970. Per its latest catalogue, “Hansib’s legacy as a campaigning
publisher has few equals in Europe, let alone Britain, as victims of bigoted bureaucracy, police brutality, nazi savagery and even internecine violence found a platform and a template for resistance in the weekly newspapers later founded under the Hansib umbrella: Caribbean Times, Asian Times and African Times.” It continues, “The flame which was fanned by these
assorted ventures abides in the content of the tomes which Hansib continues to publish. Professional wordsmiths with international
reputations jostle with first-time authors within a catalogue that stands as a monument to Caribbean ingenuity and West Indian obstinacy and speaks truth to power that Caribbean nations provided the first examples of
modern multi-cultural societies. …Hansib Publications is proud of its
reputation in providing an outlet for the many voices that remain unheard. It continues to encourage the personal narratives that are testimonies of struggle, survival and success that cannot get beyond the portals of mainstream publishers.” Among the narratives published by Hansib are Antiguan and Barbudan titles like London Rocks by Brenda Lee Browne, Antigua and Barbuda: a Little Bit of Paradise Seventh Edition (which I had the opportunity to work on as an editor), The Art of Mali Olatunji: Painterly Photography from Antigua and Barbuda by Mali Olatunji and Paget Henry, King Short Shirt: Nobody Go Run Me: The Life and Times of Maclean Emanuel (a book longlisted for the Bocas Prize) by Dorbrene O’Marde, Shouldering Antigua and Barbuda: The Life of V. C. Bird by Paget Henry, and my first book The Boy from Willow Bend (2nd and 3rd edition). There are also intriguing titles like Before Windrush: West Indians in Britain by Asher and Martin Hoyles, Daughter of the Great River by Khalil Rahman Ali, Lest We Forget: The Experiences of World War II Westindian Ex-Service Personnel by Robert N. Murray, and West Indian History and Literature by Frank Birbalsingh Here’s their current catalogue:

Hansib is listed in the Publisher’s section of our Opportunities page. (Source – email from Hansib)

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The Caribbean Writer literary journal out of the US Virgin Islands has announced its 2020 prize recipients. They are Carmelo Rivera (The Daily News Prize for ‘About My Identity Journey’), Eugenia O’Neal (Canute A. Brodhurst – best short fiction – Prize for ‘Harold Varlack’s Return’) w/honourable mention to Sara Lynn Burnett (‘Occasional Moonlight’) and Rafael Gamero (Gringo Pobre), Natalie G.S. Corthésy (The Marvin E. Williams Literary Prize for ‘The Helper Experiment’) w/Chike Bukka Roots Pilgrim (Ananci) and Althea Romeo Mark (The Returned, Los Cocolos) also shortlisted, Rajiv Ramkhalawan (The Cecile de Jongh Literary Prize for ‘An Unkept Heart’) w/Latoya S. Smith (‘Diaspora Darling’) and C. Andie Davis (‘Spinner’) shortlisted), and Rohan Facey (The Vincent Cooper Literary Prize for ‘Fi We Language’). (Source – initially one of the prize recipients on social media; then the substantial list from TCW via email)

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(Source – Social media – Facebook, specifically)

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Jamaican Curdella Forbes, based in the US, won this year’s Hurston Wright fiction prize for A Tall History of Sugar . See the full Legacy awards breakdown here. (Source – Hurston Wright email)

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Hell’s Gate Steel Orchestra, the oldest surviving (uninterrupted) steel orchestra in the world, has gotten its roses. This Independence (November 2020) they were bestowed the award of National Institutional in The Most Precious Order of Princely Heritage (Gold). “We are truly thankful that our commitment and contributions to the the Steelpan artform and Antiguan Culture for 75 years has not gone unnoticed. We have toiled tirelessly over the years to keep the artform alive and pass it on to future generations,” the band posted to its facebook page. “Many have made sacrifices to help make this band what it is today and this award is proof that those sacrifices have not gone in vain.” Hell’s Gate is the first group and/or band in Antigua and Barbuda to receive a national award.

(Source – the source of the image and quote is the band’s facebook page, but I first heard about their award during the announcements on radio here in Antigua and Barbuda) ETA: Observer article announcing the award

As with all content on Wadadli Pen, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure/Perdida! Una Aventura en el Mar Caribe, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Antigua and Barbuda’s 2015 National Awardees – how’d the arts fare?

So, mini-rant… Why is it so hard to get information on the national awardees the day of the awards? If you miss the broadcast or even the repeat of the broadcast, and yes even the live stream, or were too lame to get out to the stadium to see it live, you should be able to access the information (in a readable format which I prefer anyway) almost as soon as it’s announced. This is the era of now-now-right-now social media after all. I cooped the Government’s (and every government adjacent) facebook page well into the night on November 2nd and even posted a call for information on my fb just in case there was something posted and I was looking in the wrong place…nothing…Google didn’t come through for me either. Yes, yes, yes, the traditional media will have it the day after, but, really, is the information you seek will be available on the next business day how information flows these days?
Rant over.
Congratulations as always to the awardees. Because this is an arts site, I’ll single out especially the arts awardees, both of whom I’ve had the pleasure of interviewing in my days on the beat…maybe I’ll dig up those articles somewhere…but nuff respect to Manning for keeping Hell’s Gate, the oldest and longest running pan orchestra in the world going for 70 years and for keeping the craft of pan building alive, and big up to Mr. Hampson for his Le Chateau d’Or which has served as a nursery – a feeder pool for a whole generation of pannists and has been instrumental not only in nurturing the youth but in helping to nurture a cultural art form we’re proud to call the only original musical invention of the 20th century. And pan’s not all he does…

Hampson puts members of his Le Chateau d'Or string section through their paces. (Photo by Joanne C. Hillhouse)

Hampson puts members of his Le Chateau d’Or string section through their paces. (Photo by Joanne C. Hillhouse)

Eustace manning Henry roundabout Manning

CITATIONS

EUSTACE ARCHIBALD CORNELL ‘MANNING’ HENRY, ESQUIRE – To be a Grand Cross of the Most Precious Order of Princely Heritage – GCH

For distinguished contribution to Cultural Development

Eustace ‘Manning’ Henry, a pioneer, the unrivalled master pan builder/tuner player, leader and genuine cultural hero, must be accredited for the phenomenal survival of the Hells Gate Steel Orchestra and the steelpan art form in Antigua and Barbuda. With the introduction of the steel pan, Mr. Henry quickly proved that he was not only a pan builder, but also mastered the art of playing the instrument.  His leadership qualities also came to the fore at this young age, with humility.  During this period, other members of the band built their own instrument.  However, it was not too long before Mr. Henry became the sole builder, tuner and blender of Hells Gate.  He was and is still very unique, not only in the exceptional quality finish of the instruments he built, but was envied for the uniqueness of the tonal quality of his instruments.

ANTHONY LEONARD HAMPSON, ESQUIRE –  To be a Grand Officer of the Most Precious Order of Princely Heritage – GOH

For distinguished contribution to Music and Community Development

Mr Anthony Leonard Hampson is the husband of Cleo Clothilda James, Deputy Superintendent of Public Health Nursing and father of Cleo-Antoinette Hampson, a teacher of French at the Princess Margaret Secondary School, and Cesaire Hampson, a Third Year student at the University of the West Indies.  His love for music and children led to the formation of Le Chateau d’Or Music Academy – 1992 – Teaching the Full range of musical instruments, both theoretical and practical to children five years and over.  Students take Theory and Practical Music examinations offered by the Royal Schools of Music and Trinity Guildhall.  He has served as teacher and principal to over six schools in Antigua and Barbuda giving over 40 years of unbroken service.

Finally, someone else I’ve interviewed, and who is proof that life has many acts, gotta give a shout out to Sly J “hmmmmm” …
For the full listing of all the 2015 Antigua and Barbuda National Awardees (the announcement of which is a feature of the Ceremonial Parade of our annual Independence Festivities), I’ll send you now to Antigua Chronicle which (sidebar) is the online media platform started by 2006 Wadadli Pen winner Angelica O’Donoghue.

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, Fish Outta Water, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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