Tag Archives: Imam Baksh

Reading Room and Gallery 23

The Reading Room and Gallery is a space where I share things I come across that I think you might like too  – some are things of beauty, some just bowl me over with their brilliance, some are things I think we could all learn from, some are artistes I want to support by spreading the word, and some just because. Let’s continue to support the arts and the artistes by rippling the water together. For earlier installments of the Reading Room and Gallery, use the search feature to the right. This is the 23rd one which means there are 22 earlier ones (can’t link them all). Remember to keep checking back, this list will grow as I make new finds until it outgrows this page and I move on to the next one.

NON FICTION

“It wasn’t as bad as I make it sound now; it was worse.” – Jamaica Kincaid’s essay On Seeing England for the First Time

MISC.

‘We must never for a moment doubt that it is absolutely vital that a nation should foster and honour its writers. The good writer devotes his energy to searching for truth. And in the love of truth, straight and unvarnished, lies not only the hope but the safety of a nation. “The people need poetry,” the great Russian Poet, Osip Mandelstam, wrote, “to keep them awake forever.” The good writer, the true writer, as Cyril Connolly said in Enemies of Promise, “helps to unmask those pretenders which distract all human plans for improvement: the love of power and money, the short-sighted acquisitive passions, the legacies of injustice and ignorance, a tiger instinct for fighting, the ape-like desire to go with the crowd. A writer must be a lie-detector who exposes fallacies in words and ideals before half the world is killed for them.”’ – Ian McDonald

FROM THE BLOGS

“People think writing children’s stories is some simple, easy thing. You’ve heard that, right? It is not; children deserve that as much attention be taken with their stories as would be taken with an adult novel. The child doesn’t need to recognize the many layers in a story. The layers of meaning will come later, or not, but the layers create the finished picture. The child just needs needs to enjoy the story, just needs that satisfying feeling of reading a story where the ending spreads like joy from the tips of the toes to the tips of the fingers and creates a bubbling-up-joy in the heart and mind.” – Caribbean Children’s Literature Diane Browne

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“he dipped his toe in the puddle
of her first words” – SimplyNatural1

STORIES

“Being a migrant is like living in a limboland where you never fully belong anywhere, the positive perspective being it also gives you a wider and deeper empathy and universality.” – Maggie Harris interview

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Commonwealth Writers site

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“In the lateness of the night, she rises from the table. After these many years, she has become attuned to the restaurant, and to her beloved. They work in tandem. She can hear the eaves sigh in the wind, feel the dining room chairs sag with relief as the frenetic energy of the day finally draws to a close.” – The Woman Who Lived in the Restaurant by Leone Ross

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“Across a field of short, sparse grass, she spied another group of aliens, facing each other in silence as usual, with their silver-stones piled in the center. Some were young—short with thick fur. Others were old—their scaly skin showing where hair had fallen out in patches about their body. She wondered if they considered this planet theirs. The family parrot, Rupert, considered the bell on his cage to be his property and pecked anyone who tried to move it. And the aliens of this world were certainly smarter than Rupert. Clara remembered her father’s stories about Columbus invading the Caribbean a thousand years before and declaring himself its discoverer. Maybe Clara and her family were the invaders now.” – from Clara in the New World, 2492 A.D. by Imam Baksh – See more here.

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“Placing one slender, manicured tip on the backspace key, she erased every word, every trace of what she’d been feeling. It was four in the afternoon, and Laurie was beginning to feel suffocated. She needed this meeting to end. The only consolation was that she’d chosen a seat with her back against the wall, so her screen was not easily seen. Today was not her day to present, nor did she have the energy to rebut the statements being made, so she blindly allowed her mind to wander – a dangerous pastime.” – The Looking Glass by Zahra Airall (also posted to A & B Writings in Journals and Contests)

INTERVIEWS

“I would say to young writers be true to yourself and go for what is deeply meaningful for you, ask yourself over and over: What do I want to say?   Be as authentic to yourself and your subject as you can be.  Write every day.” – Lawrence Scott

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“It’s scary out there, man. It’s so scary.” – Kendrick Lamar with Rick Rubin

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“My mantra is definitely slow and steady wins the race. I apply this mantra to a lot of things, but I think in terms of my business I really avoid the sensation of being overwhelmed.” – Holly Wren Spaulding

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Several Caribbean writers sharing their work and insights, including Jamaica’s Tanya Shirley – “Matter of fact which women really needs a head unless she’s proficient in giving head and keeping her mouth shut when she’s not”; St. Lucia’s Vladimir Lucien – “…no land, not enough last name to get the loan…”; and Barbados’ Karen Lord – “It appears that war, when deprived of one reason, simply seeks out another; we are still a people divided.” – listen to the full thing at the BBC.

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“…if you have just finished writing your first story, you may want to take some time honing it and your craft and ensuring that it is truly ready for publication before approaching publishers. Completing a draft for most writers is the first step in a long journey of becoming a published author.” – advice from agent Anna Ghosh

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“Every day I learn to write a better sentence.” – Ingrid Persaud and other Caribbean Commonwealth short story finalists interviewed by Shivanee Ramlochan

POEMS

“Bob Marley doesn’t know
His song has been hijacked
And drummed into heads
Knees weak from fear
Do not allow us to stand up.” – Althea Romeo-Mark’s Revolution and Reggae (Liberian Coup 1985) in Calabash

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“light      smoke      how to dance

disco ball blocked by bodies

the sun eclipsed by moons

men growing like trees

in this club we leap

we do not look” – After Oliver Senior, ‘Flying’ by Andre Bagoo in Cordite Poetry Review 

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“I think of you like a storm remembered—a marker in my life

Stalking my dreams and my memories like a phantom” – Stormy Night by Damian Femi Rene in Cordite Poetry Review

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“when I was eight, a priest came and flicked holy water

into the four corners of this wooden house

that kept my parents, two sons, a daughter,

and a darkening forest in its mouth.” – Exorcism/Freeport by Richard Georges in Cordite Poetry Review

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“Their point guard calling an illegal pick

as we double teamed, breathing like dogs

on a leash. I was staying in the spare room

of your house. Living below the line

like denominators until I learnt Algebra;

from the word Al-jabr – the reunion

of broken parts. Your nephew the third man,

floated by (a silver shadow) and drained

a three crunch through the chains.” – Pythagoras Theorem by Nick Makoha in Adda

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“Nennen’s toothless smile

Granny lifts her skirt high

before plunging them back between her thighs

and a laugh from deep within bellows joy

Another aunt tears streaming from her face

thumps a table and gasps for air

and a laugh escapes

peeling sorrow away from the wooden walls

of the house

in Salem” – Chadd Cumberbatch, Norene’ s Laugh

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“Beautiful man, you are

the ocean churning inside a skull. Every cuss

a broken piece of bottle. You never left

the island but long to. Fingertips smelling

of tobacco or herb, always ready

to fight someone or something.

Thrusting a gun finger

into the air, rigid—

a brown beacon; I will you

to life: fuse sinew, blood

tendons, bones, memories.” – Poem for a Gunman by Soyini Ayanna Forde

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“I am the last in the line of the man Massa bury.

My great- grandmother run to the hills

same day, with Papa in her belly. Papa

was a wild one, kill plenty backra. Each time

he kill one  him say, ‘Massa me no dead yet.’” – Penny Kill Shilling by Monica Minnot 

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“Because to him
Giving in
Is the only real sin” – Joanne C. Hillhouse’s Differences (also posted to A & B Writings in Journals and Contests)

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“Give back your heart to itself, to the stranger who has loved you all your life, whom you ignored for another, who knows you by heart.” – Love after Love by Derek Walcott (read by Tom Hiddleston)

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“I felt sleepy, bored by the mundane,
the usual conversation and the continual beauty
of sun and sea” – from The Day The Sea Turned Brown by Tania Haberland in Adda

CREATIVES ON CREATING

“I had this image of a woman grieving the illness of her lover, but yes, the lover is not-quite-human. He’s a construction or a creation or a person who has been made in our own image. I was thinking of love as a double helix between attraction to the other, the opposite; and attraction to some unarticulated part of ourselves that we recognize in another. And then, out of the blue, I could see Jin and Naomi dancing together, and the perspective was that of child, a neighbor, watching this love affair unfold, and interpreting that otherness, that not-quite-humanness, in a very different way. So that was the beginning.” – Five Questions for Madeleine Thien

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“You learn about the objective art of rhetoric, more specifically about the structural choices that bad and good men have made in speeches to lead us down certain garden paths – not by magic, but by repetition and specific diction and verb choice.” – Leone Ross on The Answer to that Question: Where do I get Ideas from

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“The reason an inciting moment matters is that it determines what the story is about. It’s like a snowball that is pushed down a hill. It will gather it’s own momentum, and direct the story to its conclusion unless you put obstacles in the way (like a rock) to throw it off track and into another direction. If you don’t want your story about Cinderella to hinge on the prince’s ball, you might not want to include the invitation in the plot in the first place.” – Andrea Lundgren

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Solange Knowles jam sessions and creative process for Seat at the Table.

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“When I sat down to write Ashael Rising, I knew very little about KalaDene. In fact, it didn’t even have a name until the third draft or so. My world-building was all done as I went along. I once heard an excellent description of the process; it explains just what it feels like to me so I’m going to share it here. World-building is like walking through a tunnel (the world) with a torch (the story) so I can see as much of the world as the story shines a light on and a little bit around the edges but everything else is just fuzzy shapes in the darkness, with maybe a puff of cool air indicating that there might be a door to somewhere else off to the left.” – Shona Kinsella talks world building

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“Here’s the catch: More than one type of character arc exists. Our characters can change for better or worse. Or, perhaps they might not change much, except in strength of resolve. So, how do writers determine what kind of arc a character is following, or which arc fits our story best?” – Fantasy writer Sara Letourneau blogging on character arcs

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“People think writing children’s stories is some simple, easy thing. You’ve heard that, right? It is not; children deserve that as much attention be taken with their stories as would be taken with an adult novel. The child doesn’t need to recognize the many layers in a story. The layers of meaning will come later, or not, but the layers create the finished picture. The child just needs needs to enjoy the story, just needs that satisfying feeling of reading a story where the ending spreads like joy from the tips of the toes to the tips of the fingers and creates a bubbling-up-joy in the heart and mind.” – Jamaican author Diane Browne blogging Children as Heroes/Heroines of Their Own Stories

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Fish Outta Water, Musical Youth, Dancing Nude in the Moonlight 10th Anniversary Edition and Other Writings, With Grace). All Rights Reserved. If you enjoyed it, check out my page on Amazon and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Filed under A & B Lit News Plus, A & B WRITINGS, Caribbean Plus Lit News, Links We Love, Literary Gallery, The Business

Reading Room and Gallery 19

I’ve counted as high as I can in Roman numerals (not as high as they go, just as high as I can go using them…because, math). So, I’m using English numbers now (still math but in a language my brain understands) and this is the 19th Reading Room and Gallery. The reading Room and Gallery is a space where I share things I come across that I think you might like too  – some are things of beauty, some just bowl me over with their brilliance and beauty, some are things I think we could all learn from, some are artistes I want to support by spreading the word, and some just because. Let’s continue to support the arts and the artists by rippling the water together. For earlier iterations of the Reading Room and Gallery, go back to XVlll and follow the links for the previous ones from there. Remember to keep checking back, this list will grow as I make new finds until it outgrows this page and I move on to the next one.

ON PUBLISHING

“The goal of the query letter is not to tell the addressee what you want or need; the goal of the query letter is to convince the addressee why they might want to work with you.” – Jeanne Kisacky with tips for writing an effective query letter

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“There are any number of reasons why a piece may not make the cut. A few of these are…” – Dan Burgess

POETRY

Jesse Williams dropped fire about social justice at the BET Awards June 2016 just as he’d been doing for years before that even while looking pretty on one of TV’s most popular shows. One of the people he inspired is one of the writers who inspires me, Alice Walker. She wrote poetry in response as writers do:

“Try to think bigger than you ever have
or had courage enough to do:
that blackness is not where whiteness
wanders off to die: but that it is
like the dark matter
between stars and galaxies in
the Universe
that ultimately
holds it all
together.” – Read the full poem at Afropunk.com

p.s. the speech keeps getting pulled down as hate speech as fast as people can put it up; so I’ll post this discussion about the speech (because they seem to get that it’s not about hate it’s about love and respect and courage):

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Annotated lyrics for Coming of Age (Da Sequel) by Memphis Bleek and Jay Z from Hard Knock Life (the Jay CD I listen to the most because it’s the only one I bought and have). Jay Z’s Decoded is on my To Read list but until then, there’s this

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“Eventually, one becomes—either as a psychological fail-safe or simple breakdown—numb to the repeated experience of loss.” – Kyle Dargan

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“Britney Spears doesn’t have to prove to us that she is not a robot.” – Megan Levad on “Auto Tune”

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“I stand above the angry sea,
above the gulls that circle me.” – The Lighthouse by Damian Balassone in Anansesem

CREATIVES ON CREATING

“If you want to write 140K words from the perspective of a tree, go for it. Write a prologue. Hell, write a prologue for your prologue. Fill your prose with adverbs. Write all your dialogue in italics without dialogue tags. Have your characters speak in emoji. Use profanity in exposition. Describe every square inch of an ordinary dining table. Do whatever it takes to get your story out of your head and on to the page. Do it without doubt or censorship.”  – Jo Eberhardt

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“She said that when a writer is in the midst of drafting a new story, everything that happens in their life in those writing months is filtered through the writer and into the story. Some things pass through and some flow into the fictional realm. I used to think of this process as a writer being a human lint filter. But I like Hoover’s more elegant word.” – Karen Harrington

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“Don DeLillo is a serious reader of American history and JFK’s death impacted his formative years, Vonnegut’s wild writing strategies were informed by existential trauma, Patricia Highsmith was by most accounts a very dark-minded, hedonistic, and guilt-ridden woman, while JK Rowling’s passion is the golden age of children’s literature and, she happened to write her Potter novels while experiencing the trials of single-motherhood.” – David Savilli on writing what you know, among the popular writing tips he unpacks (not debunks) in Five Lies Creative Writing Teachers Tell

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“You’ll notice in the images there is a tiny version of one of Glaser’s book design covers. I kept that image right next to my illustration in Photoshop the entire time so I could constantly check and see if my work was Glaser enough. It was really helpful, especially when it came to creating the pattern on the dress. I used the colour picker to pull colours from the cover design.” – Bryanna Chapeskie

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“In some cases, my setting would surely fall short of reader expectations. What’s a writer to do?” – Adria J. Cimino on creating settings when reader expectations are high

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“As part of our approach to the revision process, my students and I developed a sort of checklist, expanding on one in Writing Fiction, that may help some people with rewrites. These are the questions we finally decided on as being the most useful…” – Cary Groner on Revision.

INTERVIEWS

“I didn’t think about being Antiguan, what that meant, how that made me special until I went off to college.” – Cray Francis

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“I tried to show the Guyana that I know without being critical or without being worshipful.” – Imam Baksh, Burt Award winning author of Children of the Spider, interviewed by Petamber Persaud

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“2. Some anthologies are tied together by a genre, and others by a theme. I love that this one—“Stories of Love and the Great War”—is both. Was there ever any concern that some of the contributions would be too similar to one another? Was there anything you did to be sure each writer was focused on distinctly different characters or themes?

I knew this might be an issue early on, so I sent all the co-authors the main pitch and set a deadline. Once they submitted their individual story pitches, I put them together and forwarded them to the group so we could ensure there wasn’t a lot of overlap. We did a little tweaking—there were two nurses at first—but surprisingly, each of our pitches was quite unique. The only other overlap is the Armistice Day theme, as intended, and also we included some sort of visual of poppies to tie in the title.” – Writer’s Digest editor, Jessica Strawser interviewing Heather Webb on How a Fiction Anthology is Made

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“Everything I write is autobiographical, but none of it is true in the sense of a court of law—you know, a lie is just a lie. The truth, on the other hand, is complicated.” – Jamaica Kincaid

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“There is a new crop of writers based in and writing from the Caribbean that is starting to gain notice beyond the region. How can publishers support these new writers and develop literature in the region?

Karen Lord: Before they can support, they must listen and learn. Don’t overlook our excellence because you can’t recognise what it looks like. Gain exposure and training in the region’s existing literary tradition and do not expect carbon copies of Western works. Let go of stereotypes – there are many different stories being told by our writers, and not everything takes place in the village, on the beach or at carnival. Understand the flexibility of West Indian standard English and its various dialects and respect their validity in dialogue and narrative. Develop in-house expertise that connects to our literary communities, festivals and conferences. We have a rich source of story and many talented writers who would be an asset to any publishing house. We are not a charity project.” Read More.

MISCELLANEOUS

“I decided to come to Canada to become a writer. You can’t be a writer in Jamaica. You can’t live as a writer in Jamaica. … Everybody used to ask me: ‘Why are you still here?'” – Garfield Ellis as quoted in Annie Paul’s column in the Jamaica Gleaner, on the plight of the Caribbean writer. Read more.

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“From an early stage, he took his inspiration from film and animated media to produce unorthodox story-driven visual novels.” – Arts Antigua writes about local artist and animator Nuffield Burnette whose work you can see in some of your favourite animated films out of Hollywood.

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“As people from the Caribbean, we inhabit a spectrum of language, and you actually hear it when you go into the cultures,” Philp says. “You can hear somebody code-switching. You might start off saying something in Standard English and midway switch into the dialect or the vernacular.” – Pidgin, patois, slang, dialect, creole — English has more forms than you might expect on The World in Words, produced by Nina Porzuchi

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Paule Marshall.

I wasn’t sure where to put this but I wanted to shout out Paule Marshall, the Barbados-descended American writer who received a lifetime achievement award at the BIM Lit Fest. She wasn’t there but her son accepted on her behalf (as you can see in my Festival blog here) – and this is her when it was finally presented to her in the US. But I also wanted to take the opportunity to re-introduce you to an author you probably already know and if you don’t you should. I was introduced to her work in university through Praisesong for the Widow and have since read Browngirl Brownstones, Daughters, and her powerful essay ‘From the Poets in the Kitchen’ in which she wrote “The group of women around the table long ago. They taught me my first lessons in the narrative art. They trained my ear. They set a standard of excellence. This is why the best of my work must be attributed to them; it stands as a testimony to the rich legacy of language and culture they so freely passed on to me in the wordshop of the kitchen.” Read more about Paule Marshall.

FICTION

“You had to place what was placed on your back for you to tote.” – Zora Neale Hurston’s The Conscience of the Court

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Feeling depressed about your latest rejection letter, consider this, all the greats have been turned down at some time or other. I wanted to share this story by F. Scott Fitzgerald, author of the American classic, The Great Gatsby, in part because (as explained here) it was rejected by the New Yorker back in 1936 finally earning a spot in the venerable publication in July 2012. The name of the story is Thank You for the Light. And I quite liked it.

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‘The hall was flooded with people every evenin now. But it wasn’t meetings no more. It was battle royales. The hall was an accusation chamber, a kangaroo court. People screeching out names like crazy, convince that they know who is the ones that bringing the rain.

Grampa get to decide on the first name: Dr. Rahamut. Dr. Rahamut had a room set aside in his house, that Grampa call the Slipslide Office—where the doc could pull out babies from wombs. “It have a metal clamp he like to use!” Grampa proclaim. “When he have to remove the baby, he pull it limb by limb! And he use the clamp to crush the skull! Then he would piece together the baby on a table, like it is a broken doll, like it is a jigsaw puzzle! Tell me what kinda sick village would allow a man like that to practice his business here?”

The next night, somebody damn near torch Dr. Rahamut’s practice to the ground. Grampa never tell anyone to do that, but you coulda depend on somebody doin it, anyway. We rush out of their house to look at the tendrils of fire fastenin to the house, even as the rain pelt down on it. Thing is, the rain didn’t stop. So the people needed another name.’ – Midnight in Raintown by Kevin Jared Hosein

BLOGS

“My passion, my joy, my enthusiasm about the books I bring into my classroom sends a message to the readers who join me there.” – Mindy Rench: Third Grade Teacher and former junior high literacy coach

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“He offers no panaceas for the messy present and pasts of the Trinidad he represents in his fiction: his eye is as clear as that of his famous contemporary, Naipaul, but his vision is far less bleak and punishing.” – a blog posting on Earl Lovelace

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“…his world-building skills are and always will be second to none. He makes Middle-Earth seem so real, as if the stories are chapters from its history.”  – Tolkien Talk at Pages Unbound by Sara Letourneau

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Fish Outta Water, Oh Gad!, and Musical Youth). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

 

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