Tag Archives: Jamaica Kincaid

Carib Lit Plus (Mid to Late May 2021)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here)

Wadadli Pen News

Our annual awards were held on May 30th 2021. Read all about it here or catch clips on our YouTube channel.

It’s a family affair: Meet Wadadli Pen’s first father-daughter winners.

Events

New Writing

Moko: Caribbean Arts and Letters has dropped a new issue with writing from John Robert Lee of St. Lucia, Lisa Allen-Agostini of Trinidad and Tobago, Lawrence Scott, also of TnT, and art from Nadia Huggings, among others. Read the full issue here.

Congratulations Due

Winners of the Antigua and Barbuda Halycon Steel Orchestra 50th anniversary facebook competition: soloist Emmanuel Joseph of Trinidad and Tobago and 5-piece Pantastick Music out of St. Lucia. View also this retrospective, also on facebook, on Petra-The Spectator’s page. It explores the birth and growth of the band, second only to the oldest continuous steelpan orchestra (Hell’s Gate) in panorama titles, and one of the prides of the Grays Green community.

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To the regional winners of the 2021 Commonwealth Writers short story prize. The Caribbean winner is the amazing Roland Watson-Grant of Jamaica (author of the novel Sketcher) for his short story ‘The Disappearance of Mumma Del’. Namibian Rémy Ngamije is the Africa winner; Sri Lankan Kanya D’Almeida is the Asia winner; UK writer Carol Farrelly is the Canada-Europe winner; and Australian Katerina Gibson is the winner from the Pacific.

One of the judges, fellow Jamaican Diana McCaulay (whose latest book is Daylight Come) said of Roland’s submission: “A wiseass, pitch-perfect teenager tells the story of a pear tree near to the rail tracks of a bauxite train in a rural Jamaican district – no one will eat from this particular tree – but why? ‘The Disappearance of Mumma Dell’ teems with lightly but perfectly sketched and familiar characters – a hellfire preacher, a scammer, community elders and shadowy politicians. Promises are broken, warnings are ignored, and the now power of social media supersedes the then magic of obeah. Rich, funny and deeply rooted in the Jamaican countryside, this story reverberates with the drumbeats of the ancestors and delivers an incisive commentary on what gets protected, by whom and why.”

Commonwealth Writers reports that they received a record 6, 423 entries from 50 Commonwealth countries this year, making judging very challenging. The overall winner will be announced on June 30th 2021, online for the second year in a row. This is the 10th year of the Commonwealth short story prize. And if you – like me – are from a small island, and wondering if you’ll ever crack this nut, here’s a bit of trivia: this is Namibia first time making the short list and they ran all the way to the head of the class as regional winner. (Source – Commonwealth Writers email and website)

Opportunities

Writing for Children with Joanne C. Hillhouse • Bocas Lit Fest

Capturing the attention and imagination of young readers can be challenging; join prize winning author Joanne Hillhouse for a workshop in writing for children.

For intermediate and advanced writers! Details here. (Source – Bocas)

Click for other Opportunities. ETA: This workshop has been postponed as a result of a surge in COVID cases in Trinidad and Tobago where Bocas is based. An announcement will be made at some point re the rescheduling.

New Books

As a fan of Kei’s last essay collection and his writing generally, I’m looking forward to reading this one, Jamaican writer Kei Miller’s Things I have Withheld, which Rebel Women Lit describes as a great artistic achievement and a work of beauty which challenges us to say the unsayable. Connect here to attend Kei’s upcoming launch event. (Source – initially, the author’s facebook page)

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Michael Joseph, pharmacist and former president of the Antigua and Barbuda Red Cross and governing board member of the international Red Cross body, has a chapter in a the World Dream book project.

The editors are Taichi Ichikawa and Ibun Hirahara who conceived the idea of gathering dreams from across the globe after attending the One Young World global summit for young leaders. The book is published, in Japanese, by Iroha Publising. (Source – Michael Joseph’s facebook page)

Celebrating Books

The May 23rd issue of Lit Hub’s This Week in Literary History newsletter had a really cool story about John Steinbeck, his dog, and his iconic novella Of Mice and Men. But I’m really sharing because of its shout out to Antigua-born writer Jamaica Kincaid whose birthday week it reminds us is this week. Here’s the quote:

“One of the things that young people need to know when they go into writing is that they ought to stop writing these stupid books that please people. They should write as if they might fail at it. To succeed at something mediocre is worse than to fail at something great.”

It being Jamaica Kincaid birthday week, I’ll list my faves, top to bottom, from her bibliography in the order of my love for them (this list will obviously be limited to what I’ve read and will clearly disagree with how others might order them – hence, my list):

Lucy
Annie John
See Now Then
A Small Place
My Brother
Mr. Potter
The Autobiography of My Mother

*I linked some of the places I’ve shared my thoughts about Jamaica Kincaid and/or her named books – anything unlinked was read before I started sharing my book thoughts online.

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The National Public Library of Antigua and Barbuda has for a while now been celebrating books via its Author of the Month series. The most recent guest of the series has been Turtle Beach author and bookstore manager Barbara Arrindell who spoke about her own books, the role of libraries, and why Antiguans and Barbudans should be building their library of local books.

Previous guests in recent months have included self-help and business guru Janice Sutherland who was in October 2020 the first online/virtual Author of the Month when the series returned after the COVID lockdown began; Floree Williams Whyte, author of three books beginning with Pink Teacups and Blue Dresses, who made a return trip to the platform; the first author of the month for 2021 Joanne C. Hillhouse, author of seven books and more; Shawn Maile whose book How to work Six Jobs on an Island the library describes as “a most interesting read”; another non-fiction author (of three books and counting) T. Lerisa Simon; and Jo-Ann Carr, author of Broken to be Blessed: My Life Story. For these and more library content, including their Career and Entrepreneurship: Tips and Tricks series, visit their facebook and youtube platforms.

The National Public Library of Antigua and Barbuda has a very storied history. The building above (by Mali A. Olatunji), on lower High Street, was destroyed during the 1974 earthquake and eventually torn down in the 1990s while the library continued to operate from upstairs a store front on Market Street, in the main commercial district of St. John’s City. The cramped space meant that the country was without full library services for at least two generations as the new library building project didn’t reach completion until 2014. The new library, pictured below, is at Hailes Promenade, near the East Bus Station, just outside of St. John’s City.

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The Brooklyn Caribbean Literary Festival celebrates Trinidad and Tobago writer Lisa Allen-Agostini’s The Bread the Devil Knead.

Lisa will also be participating in an event at Books and Rhymes on May 21st 2021. Virtually, of course. Here’s where you register.

(Source – Lisa Allen-Agostini’s facebook)

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ireadify.com, a new platform for diverse, including Caribbean, audio and ebooks has announced its top April 2021 reads. We can’t promise we’ll be sharing these every time (or any other time, really) but we’re sharing it this time in order to celebrate these books:

Black Girl Magic Sprinkles is by a mother and daughter duo, Chaunetta and Trinity Anderson, who founded the publishing company Black Girl Magic Books out of their home base in Maryland. The illustrator is Nana Melkadze.

Munna and the Maharaja, by Fawzia Gilani Williams with illustrator Deepa Balsavar, is a product of India’s Tulika press.

Abigail’s Glorious Hair (see image below from ireadify’s twitter), a book by veteran Jamaican children’s book author and blogger Diane Browne, with illustrator Rachel H. Moss. Publisher is Jamaica’s Blue Banyan Books.

(Source – ireadify.com email)

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, The Jungle Outside, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on AmazonWordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Carib Lit Plus (Early to Mid February 2021)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information)

Publishing News

Pree, an online literary journal out of Jamaica, has announced its first print edition. Bookmarked launches with a webinar in collaboration with the Shuttleworth Foundation. The forum features Diana McCaulay (Judge, The Commonwealth Short Story Prize); Kwame Dawes (editor-in-chief at Prairie Schooner magazine) and Luke Neima (deputy editor of Granta) moderated by Isis Semaj-Hall (Associate Editor, PREE), looking at submission and rejection and tips for acceptance. The forum will take place February 24th at 12 noon. Details to come – for which I would suggest following Pree online. (Source – facebook post by Pree co-founder Annie Paul)

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I have been running a #BlackHistoryMonth #bookaday initiative across my social media for the month of February 2021. On Day 13, I wrote about the audio book of Barbadian writer Shakirah Bourne’s self-published In Time of Need, scheduled for release on February 14th 2021.

Here’s what I wrote: ‘I’ve listened to only three stories from the audiobook and enjoyed them so much, I plan to listen to the whole thing though I’ve already read the book. Back then, I wrote of the book, “It’s genuinely funny and then clocks you in the middle of the laughter with some hard truths – rooted in our Caribbeanness but also in our humanity.” The audio book, what I’ve heard of it, and especially so Four Angry Men, reminds me of listening to Paul Keens Douglas stories of Slim and Tanty Merle at the Oval on the radio as a child. The Caribbean, and Four Angry Men in particular, is well suited to the audio book format given an oral storytelling tradition that makes it less a reading and more a radio play of ole talk and a weaving (and at the same time specific and grounded) narrative. The Caribbean and the collection’s natural, sometimes absurd, humour comes through, but this is not all easy laughs, there is a certain poignancy within the broad laughter of the rum shop. The production is atmospheric, without crowding out the story, and the voices, distinctive Bajan voices, are well cast and directed by …Barbadian literary media arts company Story Shyft. White Sand, the story of a naive girl stepping in to the lion’s den, has a light and hopeful tone and an undertone of dread. And I absolutely loved The Five-Day Death of Mr. Mayers as much as I did on the page – the story is still funny and thanks to the characterization and imagery, the layering of voices and addition of a score, almost cinematic. In Time of Need is Story Shyft’s first audio book production and if these three stories are anything to go by they’re one for one. For my full review of the print edition of In Time of Need visit Blogger on Books. Look out for Josephine Against the Sea (sis is about to blow up).’ (Source – Story Shyft reached out to ask me to listen to sections of the audio book and provided the audio files)

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Congrats to Wadadli Pen team member Margaret Irish, who has published her first book, a children’s alphabet book A is for Arawak. “The inspiration behind it started with a question, …why do we begin to learn by using objects from cultures outside of the Caribbean? Why can’t we learn by utilizing objects, the history and parts of our lives that we are quite used to? So I decided that I wanted to create a book that would help young people in the Caribbean, in particular Antigua nd Barbuda to  be proud of their identity… I wanted to start with the alphabet,” Irish said in a 2021 ABS TV interview. Irish, originally from Jamaica, works as a 3rd to 5th form English teacher at St. Anthony’s Secondary School. She holds an Msc in material cultures and history of the book from the University of Edinburgh in Scotland. She is the winner of two Wadadli Pen prizes – the 2014 Lead by Example Teachers Prize for The Skipping Rope and the 2015 flash fiction prize for Justice. She subsequently became a volunteer with and core Wadadli Pen team member.  (Source – stumbled upon author interview on ABS TV via YouTube)

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St. Lucia-based independent press, Bumpkin Books, started by Jamaica-born Rachel Thwaites-Williams has published its first non-self-published book. A subset/affiliate of her Baby Charlotte enterprise featuring flower crowns, Bumpkin’s first books were Rachel’s own Charlotte and the Two Puffs and What do the Stars do When It’s Time to Go To Bed. In December, Bumpkin Books launched its first book by another author, Antiguan and Barbudan Ladesa Williams. As with Rachel, Ladesa’s book is influenced – and in some ways, co-written – by her child. Zane visits Costa Rica, based on a father-son trip to Costa Rica, is illustrated by Rahana Dariah. Per pandemic realities, the book was launched by Zoom. You can view the video here. We have added Zane visits Costa Rica has been added to our Antiguan and Barbudan Writing, and Antigua and Barbuda’s Children Literature data bases.

This book is one of more than 50 eligible for the Antigua and Barbuda Readers Choice Book of the Year award. (Source – another local author reached out to let me know about this one and then I watched the virtual video launch)

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Antigua & Barbuda- and UK-based Art At The Ridge founder Joy James’s first book, 101 Black Black Inventors and Their Inventions, is about to be published.

James is inviting patrons to support the project via Kickstarter and receive a copy of book at the end. The book is intended as an educational children’s book about Black inventors and their inventions; it’s intended for upper primary/lower secondary students. Funds will only be collected if the Kickstarter reaches the project’s financial goal. James’ pitch explains, “My book proposal received a lot of early interest from a number of UK publishers before I chose to use professional publishing services in order to retain control over my work. I am also keen to learn about the publishing process. The funds I am trying to raise will cover the cost of these services as well as illustrations. This is my first book – I already have a few more projects and ideas in the pipeline and am very excited about this adventure!” (Source – Joy James reached out to share information on this initiative)

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Jamaica Kincaid speaking at the VI Lit Fest in 2015.

Late last year, it was announced that Picador had won a four way auction for 10 Jamaica Kincaid titles. Jamaica Kincaid is originally from Antigua-Barbuda, a country she has written about in books like Annie John, A Small Place, My Brother, and Mr. Potter, and tangentially in Lucy.

“The 10 titles to be released by Picador are the novels Annie John, The Autobiography of My Mother, Lucy, Mr Potter and her most recent novel, See Now Then; the non-fiction works Talk Stories and My Brother; the books on gardening, My Garden Book and Among Flowers; and the short-story collection At the Bottom of the River.

“The first selection of titles will be published by Picador in summer 2022, and the second selection will be published in summer 2023. Publication will be supported by a significant marketing and publicity campaign featuring the author.

“Her books Lucy, Annie John and At the Bottom of the River were published in Picador’s paperback white-spine series in the 1980s. Kincaid is published by FSG in the US, and the move to Picador brings all of her work in the English language to Macmillan.”

For more, go here. (Source – Don’t remember but probably social media)

As with all content on this site, unless otherwise noted, this is prepared by Wadadli Pen founder and coordinator, Joanne C. Hillhouse. As we try to do, credit if sharing.

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Reading Room and Gallery 37

Things I read that you might like too. For previous and future installments in this series, use the search feature to the right.

Read the winning entries to the 2020 Wadadli Youth Pen Prize Challenge which are a mix of poems and short fiction. Support our patrons.

POETRY

“I was going to write to you last week but delayed
till I could add a bit of news that hadn’t quite resolved—
in a season of nest failures new nests have been made.” – Villanelle of a Passing of Harold Bloom by John Kinsella

COMMENTARY

“When the publishing industry — which is 84 percent white — tells Latinx writers that our stories are too hard to read, our worlds too complicated, our audiences too small, do they not mean this is hard for me to read, this book doesn’t reach me, it is difficult for me to bear witness to what my people have done, I don’t see myself in this story? Despite all its failings, American Dirt still made its debut at No. 1 on the New York Times Best Sellers list. Writers like Cummins will continue to supply these voyeuristic stories for the white imagination. And we will continue telling our stories as is natural for us to tell them.” – Ingrid Rojas Contreras writes about American Dirt 

CREATIVES ON CREATING

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OBIT.

“As much as his scholarly writings chronicled the post-colonisation Caribbean experience, however, it is Brathwaite’s poetry that captured the imagination of both the region and the world.” – Barbadian Poet Kamau Brathwaite Leaves Behind A Legacy of Language (on Global Voices by Janine Mendes-Franco)

FICTION

“She slept fitfully that night, and woke up the next morning with an inexplicable sense of loss. Retirement blues? She got out of bed and made herself a cup of tea. What was it that she had planned to do that morning? Yes, to go to David Sassoon library and borrow Usage and Abusage by Eric Partridge; go to church and meet Father Pereira; buy some groceries on the way back . . .” – Miss Coelho, English Teacher by Kiran Doshi

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‘She had a habit of making lists in a small notebook. Lists of things she needed to do for the day, lists of the people she’d taken to shelters from the beach, even though she hadn’t gone there since rescuing him. The Coast Guard had become more vigilant and the landings had decreased. One day she read him something from the notebook. His name was the only one on a list she titled “People from the Beach I Have Kissed.”’ – Without Inspection by Edwidge Dandicat

PROFILE

“Elaine Potter Richardson (as she originally was) had been sent to New York from Antigua eight years before she met Shawn. Her stepfather’s failing health and the arrival of three baby brothers had drained the family finances. Elaine, a precociously bright child and a voracious reader, had been taken out of school and sent away to earn some money.” –Jamaica Kincaid: Looking Back in Anger in Caribbean Beat magazine

MISC.

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Bocas Lit Fest has readings for children on instagram as long as lockdown lasts. At this writing, they’re reading Carol Ottley-Mitchell’s Trapped in Dunstan’s Cave. Here’s the link.

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Conversation and reading with Trinidadian writer Vahni Capildeo, who was the University of the West Indies St. Augustine writer in residence for Campus Literary Week (virtually due to COVID-19). A list at the end of video 1 sees Antigua and Barbuda’s Jamaica Kincaid making a curated list of top Caribbean female writers. Listen to hear who else is on the list – some we’ve discussed right here on the site. And, yes, we said video 1, the conversation is broken up in to several video clips – click the link above.

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Caribbean American Perspectives Carry on Friends recommends ‘5 Must Read Fiction Books by Caribbean Women Authors’. See who made the list.

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INTERVIEW

‘How can we support each other right now as readers and writers?

For me, it’s pretty simple. Buy books, read books, and probably number one—talk about books. It’s amazing how often the talk turns to television, even among literary people. I think it’s just habitual. First of all, it’s easier to find people who are watching the same shows. You can pretty much bet that if you say Tiger King right now—and look, I’m enjoying it, too, don’t get me wrong—but I ask of myself to always ask other people, “What are you reading?” And it’s interesting how it seems to lead to deeper discussion ultimately than “What are you watching?” And for all the great TV out there, honestly, I find that if it’s a choice between reading and watching, I read. It just feels like a deeper satisfaction and also a kind of insistence, in my own life anyway, on the importance of this practice. So I think, just keep literary culture alive by insisting upon its centrality. That’s what we can all do.’ – The PEN Pod: Keeping Literary Culture Alive Through Resilience with Jennifer Egan

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“I experiment with new ways of writing. I try to get outside of my own box and I’m not afraid if it fails or doesn’t work.” – Sharma Taylor, exclusive interview with Jhohadli

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Happy Okay“Well, the funny thing about a culture of silence is that once the silence is broken, others find a connection, and begin to recognize there’s a problem, and that many people are suffering. Once that happens, more people start speaking up, and eventually, it becomes easier to speak of the unspeakable.” – Haitian-American writer M. J. Fievre in interview with me at my jhohadli blog about her new book Happy, Okay?

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‘What my family ate, spoke, and did was a mystery to our neighbors and somehow it made us strange and foreign to them. I remember reading books when I was kid and not being able to relate to a single character because I didn’t look like them and my family didn’t do the things they did. I also couldn’t relate to characters in Chinese children’s books because well, I couldn’t read Chinese and stuff like “after I do my homework I help grandpa wash his feet in a water basin” didn’t relate to me.’ – Mina Yan interviewing Eugenia Chu, author of Brandon goes to Beijing and other books in the series of Chinese-American books for children inspired by her own son

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“The novel is set in Trinidad, and it follows the lives of an unconventional family – Betty, a widow, her son Solo and their lodger Mr Chetan. You know why I’m sure sure you’re going to love them? Because I loved them. I let them do all kind of stupidness, but I always treated them with respect and empathy. In spite of all the madness we, like these characters, are all just trying to live our best lives.” – Caribbean author Ingrid Persaud talks about her book Love after Love

This blog is maintained by Wadadli Pen founder and coordinator, and author Joanne C. Hillhouse. Content is curated, researched, and written by Hillhouse, unless otherwise indicated. Do not share or re-post without credit, do not re-publish without permission and credit. Thank you.

 

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Most Influential Antiguans and Barbudans

This list is not scientific.

But that’s not the point. The point is….there is no point just an opportunity to acknowledge some of the people who’ve helped shape life in Antigua and Barbuda over the last hundred years or so according to … a very small group of people …with internet access … and a facebook presence … who had time today (not today) … and were aware that there was a poll being run by a random person on the internet.

Like I said, it’s not scientific.

But it was fun and educational, and culturally-relevant; all reasons I thought sufficient to bring the top 10 here to the Wadadli pen blog. My primary interest was in seeing how many of our artists made the list but it’s an opportunity for us to reflect (especially as the year winds down, and as we lose more and more) on the people who have shaped life in Antigua and Barbuda.

 So, here we go.

Top 10 Most Influential (in Antigua and Barbuda) of the last 100 years … (according to some people on facebook):

10 – tied – Elvira Bell, Christal Clashing, Samara Emmanuel, Kevinia Francis, and Junella King (i.e. Team Antigua Island Girls – first all Black, all female team to row the Atlantic), Baldwin Spencer (former Prime Minister and former leader of the Antigua-Barbuda Workers’ Union),

 

 

 

 

Jamaica Kincaid (celebrated international author of fictionalized memoirs like Annie John, Lucy, and See Now Then whose newest book is a children’s picture book based on one of her early short stories), Lester Bird (former PM and officially designated National Hero who published his autobiography The Comeback Kid in 2019), Prince Ramsey (Doctor/HIV-AIDS awareness activist, calypso writer and producer who died in 2019) – one social media commenter said of Dr. Ramsey “I think he’s the most inspiring of them all”

9 Short Shirt (most decorated Antiguan calypsonian; the Dorbrene O’Marde penned biography about him Nobody Go Run Me was longlisted for the 2015 Bocas prize)

8 –  Obstinate (undefeated calypso icon)

7 – tied –

Edris Bird (former resident tutor of the UWI Open Campus who in 2019 also became a Dame), Andy Roberts (bowler, first Antiguan and Barbudan to play for the West Indies Cricket team, knighted),

Winston Derrick (deceased host of Observer Radio’s Voice of the People and co-founder of Observer Media Group which transformed the media landscape and broadcast media especially after a legal battle for the right to broadcast that went all the way to the privy council and with its victory opened up the broadcast media door for others to enter)

6Alister Francis (late former principal of the Antigua State College, a groundbreaking tertiary institution of its time for Antigua and Barbuda and the eastern Caribbean)

5George Walter (Antigua and Barbuda’s second premier and former leader of the Antigua-Barbuda Workers Union; officially designated National Hero)

4  Nellie Robinson (late former educator, founder of the TOR Memorial school which is credited with breaking down class/social barriers in Antigua and Barbuda, and officially designated a Dame and our only female National Hero)

3 V. C. Bird (deceased; second president of the Antigua Trades and Labour Union, which is credited with boosting the voice and fortunes of Black and working class people in late colonial era Antigua and Barbuda, first Chief Minister, Premier, and Prime Minister – Father of the Nation, and first officially designated National Hero)

2  Tim Hector (late pan African political activist; media pioneer – founder of the Outlet newspaper and writer of the Fan the Flame column; fighter for press freedom through his investigative reporting, and battles in and out of court including the privy council, arrests, and alleged arson; award winning journalist;  commentator on politics, culture, sports; and political candidate)

1Viv Richards (second Antiguan drafted to the West Indies cricket team, the only Windies captain never to have lost a Test, one of Wisden’s top five cricketers of the 20th century, and officially designated National Hero)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

So a handful of artists made the top 10 which is always good to see. But I did wonder who were the top 10 artists in the poll overall, hence this second list. According to the same poll – but in reverse order – and highlighting only the arts side of their life – these are the top 10 artists among the Most Influential in Antigua and Barbuda of the  last 100 years or so…according to the voters in this particular social media poll:

1 –  Obstinate

2 –  Short Shirt

3 – tied – Prince Ramsey, Jamaica Kincaid

4 – tied – Swallow (who with Obsinate and Short Shirt make up the Big Three of Antiguan calypso, known especially for his road march hits), D. Gisele Isaac (writer, cultural critic, author of Considering Venus, The Sweetest Mango, No Seed), Burning Flames (iconic jam band)

5Barbara Arrindell (writer)

6Reginald Samuel (sculptor, national flag designer)

7Ralph Prince (writer)

8 – tied – Oscar Mason (musician, masquerade artist), Yvonne Maginley (musician, composer, Community Players), Dorbrene O’Marde (playwright, cultural critic and activist, calypso writer, novelist), Roland Prince (musician), Joseph ‘Calypso Joe’ Hunte (calypsonian), Marcus Christopher (calypso writer), Alister Thomas (mas designer and builder), Robin Margetson (pan composer, Panache founder – pan school and orchestra)

9 – tied – Stachel Edwards (musician), Rupert Blaize (singer), Wendel Richardson (musician, one of the founding members of Osibisa), John S. Laviscount (musician, founder of the island’s oldest band Laviscount Brass), Isalyn Richards (director of the combined schools choir), Winston Bailey (musician), Althea Prince (writer), Oliver Flax (writer, playwright), The Targets (music group), The National Choir, Shelly Tobitt (calypso writer known for many Antiguan and Barbudan top calypsos of the 70s and early 80s especially through his collaborations with Short Shirt e.g. classic albums Ghetto Vibes and Press On), Ivena (calypsonian, Antigua and Barbuda’s first and to date only female calypso monarch), Bertha Higgins (musician, involved with Antigua Artists Society, Hell’s Gate), Veronica Yearwood (Afro-Caribbean dancer and choreographer, founder of the Antigua Dance Academy), Zahra Airall (writer, award winning dramatist and playwright – Zee’s Youth Theatre, Honey Bee Theatre, Sugar Apple Theatre plus her work with Women of Antigua, poet, arts event producer – notably Expressions Open Mic, photographer), Hilda McDonald (writer)

10 – tied – Novelle Richards (writer), Conrad Roberts (actor)

*

Apologies if I’ve offended anyone or breached protocol by leaving off all honorifics; that was a choice I made to leave off all instead of forgetting some as I am likely to do (better to have you mad at me for something I chose to do than for something I didn’t mean to do). All honorifics are, however, of course, acknowledged. Also acknowledged is that the named people have done much more than captured in my mini-bites. Some books are pictured in this post but remember to check our listing of Antiguan and Barbudan literature for books on or by any of the named influential Antiguans and Barbudans – if you’re looking specifically for biographies/autobiographies, scroll through the non-fiction list. Also, if someone’s picture is not included it’s because they’re not in the Wadadli Pen photo archives and time constraints didn’t allow for scouring the internet. Hopefully, that covers it – this is just FYI and for fun and I would encourage you to continue the conversation by sharing your picks for most influential Antiguans and Barbudans of the last 100 years or so (the or so is really 20th century forward to this year – I think those were the parameters).

As with all content on Wadadli Pen, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure/Perdida! Una Aventura en el Mar Caribe, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Antigua & Barbuda Literary Works Reviewed X

This picks up where the previous installments of Antigua and Barbuda Literary Works Reviewed pages left off (use the search feature to the right to dig them up). As with those earlier pages, it features reviews about A & B writings that I come across as I dig through my archives or surf the web. You’re welcome to send any credible/professional reviews that you come across as well. They’re not in any particular order, I just add them as I add them; some will be old, some will be new. It’s all shared in an effort to underscore, emphasize, and insist on Antigua and Barbuda’s presence in the Caribbean literary canon.

Musical Youth is beautifully written. It is a pride to Caribbean young adult fiction. Though it addresses a strong and very real social issue, the writer skillfully educates you while she takes you back to the innocence of school days in the Caribbean.” – Vanessa Salazar at Poui Publishing and Productions

***

“This sweeping and engaging novel addresses a multitude of issues including the social, political, cultural, romantic, religious, economic, and indeed ideological and psychological understandings relating to the villagers of Sea View Farm….Speaking of men and women, Oh Gad! is populated with a brilliant and striking cast of characters.” – ‘Oh Gad! A Pastoral Panorama of Fictional Narratives’ by Mali Olatunji, aesthetician who worked for 21 years as one of three fine arts photographers at the Museum of Modern Art in New York; co-author of The Art of Mali Olatunji: Painterly Photography from Antigua and Barbuda – in the 2014 edition of the Antigua and Barbuda Review of Books

***

“I give it an A+ for (among other things) capturing in a very interesting way the tentative attraction and growing relationship of boy and girl in the teen years, as well as affirmation of how friends can help one another over some of the uncertainties and humps of those turbulent years.” – children and YA author, Jamaican Hazel Campbell (RIP) re Musical Youth

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“Hillhouse’s authorial voice is lyrical and descriptive. The interactions of this extended and blended family, along with their respective communities in Antigua and the United States provide a range of interesting perspectives that are expressed in characteristic dialogue of their regions. The universe of this novel is not only populated with intergenerational and multi-cultural characters but also with connections to ancestors and newborns. Compellingly, the complexity and depth of Oh Gad! is well disguised as easy beach reading with the usual soap opera formula of romance, political intrigue, family feuds, and the like. In this way, Hillhouse masterfully transports us back and forth from our modernity into the mythic yet real seat of Antiguan culture. What we find there is fascinating.” – Leah Creque-Harris in Caribbean Vistas FULL REVIEW HERE

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“It’s well written, characters well drawn, all the things one would expect. I enjoyed it. Most important, I think the YA readers will enjoy it.” – Diane Browne re Musical Youth

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“I have to admit that I was once weary of reading Caribbean fiction because they tend to get dark quickly and I don’t read books to be depressed. I am pleased to say that Joanne’s Musical Youth was refreshing and uplifting.” – Marsha Gomes-McKie

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“If I had to qualify this story … I would say it’s authentically Caribbean.” –  my insaeng, my vie on Musical Youth

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“The story is fast paced and engaging, a writer doing an excellent job with her tools of trade…”- Petamber Persaud in the Guyana Chronicle on Musical Youth

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The relationship between Shaka and Zahra is fused by music, loss, and a search for personal identity. As a writer, Hillhouse brilliantly manages to weave their story of personal growth so effortlessly that the great energy between the two creates sparks.” – Camille L. Cortes Lopez, University of Puerto Rico in The Caribbean Writer Volume 30, 2016 (on Musical Youth)

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“I applaud her for her commitment to her roots, and while Elizabeth Nunez claims that Hillhouse is “a pretty brave soul” (NPR Books), I regard Hillhouse as the visionary who prepares the soil for Antigua and Barbuda’s future literary scene.” – from a 2017 paper presented at the Antigua Conference by Valerie Knowles Combie 

***

“Joanne C. Hillhouse’s Musical Youth is an excellent portrayal of two young people’s coming-of-age in their native Antigua and Barbuda. Narrated through the author’s brilliance as an observer of youth and as a prose stylist, the book describes the collective involvement of cultural pride with commitment and leadership to produce a meaningful life for an island community.…This coming-of-age story is grounded and set in the author’s native Antigua and Barbuda, with its idiosyncracies and cultural activities, which are at the novel’s core.…The unforgettable themes, setting, language, and actions make this coming-of-age story a must read.” – Rite of Passage Enhanced through Community Involvement by Valerie Knowles Combie in the Antigua and Barbuda Review of Books Volume 10 Number 1 Summer 2017

***

Reviews of works by Jamaica Kincaid, Althea Prince, Marie Elena John, and Joanne C. Hillhouse en espanol (attempted translations of excerpts below).

“Never in my life have I met a female protagonist like the one in Autobiography of My Mother…I was fascinated.” (re Jamaica Kincaid)

“This author explores being Black and the political and social considerations that this entails. In fact, she edited a very cool book called In the Black: New African Canadian Literature that I have been using to select my authors…she has a book called Ladies of the Night. I really didn’t love it but I find it an interesting book. The stories revolve around women who are in very different social conditions and situations. Some of the stories are set in Antigua and Barbuda and others are located in Canada. Worth reading.” (re Althea Prince)

“When I approached this book, I came across a well done family saga…I really liked the aspects of miscegenation, mysticism…in general very good.” (re Marie Elena John’s Unburnable)

“It is a very cute little book about a seal that has an adventure at sea and it was very nice to find an author who doesn’t underestimate children in a way of approaching the subjects…it was quite refreshing to find in this book a little bit of that search for identity and find a place in this beautiful and vast world. It also talks about self-discovery and respect for differences. They are important issues.” (re Joanne C. Hillhouse’s Lost a Caribbean Sea Adventure)

***

“In reality, however, much like “Girl,” Party has layers. It functions as a subtle message about what it means to witness horror to such a degree that we lose our language for it; it is a quiet story about coming of age, suddenly, as a young black girl because of what the world shows us. It is about the many words our silence can hold, the way our absences can ring as loudly and discordantly as the words we do feel able to say.” Party review at Lit Hub

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“Published in 2017, the short story ‘The Other Daughter’ by Joanne C. Hillhouse fits the literary movement we call Postmodernism. Postmodernist works can be recognised through themes, context, and narrative techniques. In ‘The Other Daughter’, we notice that the author explores the theme of feeling like an outcast, isolated from the world one lives in, which is often explored in postmodernist stories.

In terms of postmodernist narrative techniques, ‘The Other Daughter’ plays around with the distinction between fact and fiction by letting the narrator tell two different versions of the same story, but at the same time letting the reader know that one version is fictional. Playing around with the ordinary rules of storytelling like this is very typical for postmodern works.” – this is not a review, it is, however, a summary, analysis, themes and messages, and perspectives of elements of the story and its structure at studienet.dk (related: Denmark has included the story as a question in its national assessment for secondary school); read the original story at Adda

***

Joanne C. Hillhouse (author and Wadadli Pen founder, coordinator, and blogger) reviews Asha Frank’s Dreamland Barbuda: in her scripted Blogger on Books series

Excerpt: “Dreamland Barbuda is a quick read (very quick, with roughly 2/3s of it being taken up by the bibliography and appendices), and for this time in the history of Antigua and Barbuda, an essential one.”

And in her new vlog series #BookChat #Unscripted

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Antigua & Barbuda Literary Works Reviewed IX

This picks up where the previous installments of Antigua and Barbuda Literary Works Reviewed pages left off (use the search feature to the right to dig them up). As with those earlier pages, it features reviews about A & B writings that I come across as I dig through my archives or surf the web. You’re welcome to send any credible/professional reviews that you come across as well. They’re not in any particular order, I just add them as I add them; some will be old, some will be new. It’s all shared in an effort to underscore, emphasize, and insist on Antigua and Barbuda’s presence in the Caribbean literary canon.

mr potter“As in her previous books, Kincaid has exquisite control over her narrator’s deep-seated rage, which drives the story but never overpowers it and is tempered by a clear-eyed sympathy.” – Publisher’s Weekly reviews Jamaica Kincaid’s Mr. Potter

***

my garden“Kincaid (who last year edited the anthology My Favorite Plant) shuttles constantly and with ease between the practical, technical difficulties of gardening and the larger meanings it makes available.” – Publisher’s Weekly reviews Jamaica Kincaid’s My Garden

***

see now then“In her first novel in a decade, Kincaid (Autobiography of My Mother) brings her singular lyricism and beautifully recursive tendencies to the inner life of Mrs. Sweet, who is facing the end of her marriage, and who, over the course of the book, considers the distinctions between her nows and her thens, particularly when recounting what was while the memories bleed with a pain that still is.” – Publisher’s Weekly reviews Jamaica Kincaid’s See Now Then

***

Lucy“This is a slim book but Kincaid has crafted it with a spare elegance that has brilliance in its very simplicity. Lucy’s is a haunting voice, and Kincaid’s originality has never been more evident.” – Publisher’s Weekly reviews Jamaica Kincaid’s Lucy

***

June 4 2019“This send-up of the Nancy Drew mysteries by Kincaid first appeared as a 1980 New Yorker story about a gala celebrating the 50th anniversary of the first book’s publication. Here, Kincaid’s piece is recast as a picture book with dramatic artwork by Cortés…Detailed, almost photographically realistic portraits of girls and partygoers by Cortés, shown against marble architectural backdrops that suggest the New York Public Library, engage throughout…A gem.” —Publishers Weekly reviews Jamaica Kincaid’s Party: a Ministry

“From the first pages, we are witnessing the ravages of colorism. It plays on the perception we have of ourselves, it plays on our perception of others and on the perception that others have of us. The subtlety of Joanne Hillhouse has been to address the issue from several points of view by highlighting different aspects depending on the character involved.” – Musical Youth reviewed by My insaeng, ma vie (My insaeng, my life)

***

TamekaViewfinder[1]“Featuring an attractive pair of lovebirds, Dinner is a sweetly poetic and vivid 12-minute verse-to-screen clip from an Antiguan writer/director with an appealing, if slightly provocative, voice. It’s a small film with a big heart that explores intimate love, employing a slyly clever approach – cloaked in the guise of meal preparation. While getting dinner ready a radiant young lady (played by Jarvis-George, who also provides a lyrical voice-over) is surprised by the early arrival home of her virile Rastafarian man, and before you can say ‘Come and get it’ a dining of a totally different variety plays out on-screen. Shot in vibrant hues by a surprisingly steady camera, Dinner is romp that ends all too quickly, but it was tastefully delightful while it lasted.” – Tallawah magazine on the Tameka Jarvis-George penned, voiced, and acted, short film, directed by Christopher Hodge and filmed and co-produced by Cinque Productions. Watch the whole film here.

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Dadli“an entrancing sensorial experience, an impressionistic assemblage of assorted shots of people, places, and things…Dadli draws its power from the cumulative effect of its imagery, the camera capturing everyone and everything it sees with a piercing empathy.” – Caribbean Beat on Shabier Kirchner’s short film Dadli

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the circuit“Phillips keeps the pages turning with an easy yet exacting style and keen observations.” – The Atlantic reviews Rowan Ricardo Phillip’s The Circuit

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Dancing Nude in the Moonlight ‘What makes the book a true pleasure is its political edge. Hillhouse arms the characters with larger social conflicts that far outshine the romance. Selena personifies the uphill struggle against sexism, violence, and stereotypes placed on Latin women in predominantly Black Caribbean countries: “that they all looked and dressed like whores, all wanted their men (as if…!) and were good for nothing more than a wild night.” Michael is the target of shadeism and anti-Black racism from members of Selena’s and his own family — all while struggling to keep employed amidst government corruption and few economic options on the island.’ – Broken Pencil reviews Joanne C. Hillhouse’s Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings

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Reading Room and Gallery 33

Sit back and enjoy, and when you’re done, if you want to sit back and enjoy some more, use the search feature to the right to search ‘reading room and gallery’ and visit the previous installments.

MISC.

“In these revisions, Brathwaite seems to be Caliban discovering his mother’s voice through the  computer for the first time.” – Professor Kelly Baker Joseph’s Kamau Brathwaite Lecture

VISUAL ART

THE BUSINESS

“My mind was blown. As a lifelong perfectionist, it had never occurred to me that I should seek out failure as a means to level up. I felt both embarrassed and eternally grateful. This eureka moment—a trusty hand-me-down from Liao—inspired me to make rejection my New Year’s resolution.” – Courtney Kocak

For more Resources, go here.

CREATIVES ON CREATING


POETRY

‘“Your fault you were drinking”
“Well, was she wearing a thong?”
“Sounds like she just wants attention or something”’ – There is Strength in Our Stories: MeToo# – Christian Garduno

***

“Rhiannon rings like a bell through the night and
Wouldn’t you love to love her?
Takes to the sky like a bird in flight and
Who will be her lover?

All your life you’ve never seen
A woman taken by the wind
Would you stay if she promised you heaven?
Will you ever win?

She is like a cat in the dark and then
She is the darkness
She rules her life like a fine skylark and when
The sky is starless

All your life you’ve never seen
A woman taken by the wind
Would you stay if she promised you heaven?
Will you ever win?
Will you ever win?

Rhiannon
Rhiannon
Rhiannon
Rhiannon

She rings like a bell through the night and
Wouldn’t you love to love her?
She rules her life like a bird in flight and
Who will be her lover? – two time Rock ‘n Roll Hall of Fame inductee Stevie Nicks

***

“The motherland had called our sons to her bosoms
come, sons come fight for your motherland, she said;
that bitch

Son, I have no language for this loss
him dead” – from Unwritten (Caribbean poets sharing poems inspired by the Caribbean experience in the second World War) on BBC Sounds 

FICTION

“My body was a well of fear, but the neighbor was asking if he could come in for a minute and get warm. He appeared cold and gray, and he was trembling. He smelled as if he were his own ashtray. I imagined these past weeks hard alcohol had been his water, cigarettes worked as food, but on this day he was beyond human, some kind of wild animal, all bones of limbs and ribs. His cheeks sunken, his presence felt witchy. If I had asked him to leave, he might have cast a spell on me.” – Snow Line by Elizabeth Brinsfield

***

“Meanwhile, the smell of bread, the taste of it. We’d split a loaf, slice it, and the steam would bloom up. We’d devour it. I’d bring out some butter and salt from the walk-in fridge and we’d stand in that kitchen, facing the empty bar and two-tops, eating our prize in silence. This was our communion, a religious moment, and there was nothing to contemplate but bread, and the soft inside was hot enough to burn you, and the crust could cut up the roof of your mouth.

Then I’d drive home. I’d circle my neighborhood, looking for parking, craving sleep, late afternoon, the sky turning orange. In my dreams I baked bread, ruined bread, ate bread. It went like this. Soon it would be early morning again, and I’d be trying to remember where I put my car so that I could drive back to the kitchen to bake bread, to make the kitchen dirty with flour again.” – Butter by Eve Gleichman 2016 Kenyon Review Short Fiction Contest Winner

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“She told me I could serve her in heaven. She accompanied me to school each day.” – from Genesis by Tope Folarin

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“They’re showing familiar-looking aerial footage, a SWAT team crossing the sports fields and the track, when I realize I’ve seen this all before, because I recognize that track.” – Breaking by Christopher Fox

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“I did write for a while in spite of them; but it does exhaust me a good deal— having to be so sly about it, or else meet with heavy opposition.” – The Yellow Wallpaper by Charlotte Perkins Gilman

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– Jojo Instiful and Tamera George reading from the children’s picture book With Grace by Joanne C. Hillhouse at a 2018 Black History Month event organized by the Barnes Hill Community Development Organization and held at the Barnes Hill Community Reservoir Park.

For published short fiction and/or poetry by Antiguans and Barbudans, click the links for A-M and N-Z.

REPORTING

“I propose we start by giving the prophets honour in their own land while they’re alive. Let us like Barbados and Jamaica establish positions of writer laureates or poet laureates in our country for a defined period for each of our accomplished writers, giving them the opportunity to promote writing and their own missions either in schools or in other public spaces.” – Chairman of the Folk Resource Centre, St. Lucia, Embert Charles

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“As a child of generations of immigrants and a victim of civil war, she communicates her experience of feeling naked in a new and often unwelcoming environment. Thus, the poems in the collection reflect her attempt to get into the marrow of the immigrant’s ordeal.” – Ghana Writes Editor, Ekuwa Saighoe, interviews Prof. Mark-Romeo on The Nakedness of New

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“Gonnella depicts boxing great Muhammad Ali as young and strong in his fighting stance, the slightest hint of amused confidence hiding in his eyes; smoke escapes in a sinewy wisp from Jimi Hendrix’s lips, parted in a playful smile.” – Pop Phiz Fantastic by Naydene Gonnella as reported by Andrea Milam in Maco

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‘“Ryan really wanted them to have these blankets close off their costumes because he wanted them to have this moment of reveal, where they push the blankets back and you see their weaponry and they go into battle,” said Carter of her work on Black Panther. “Ryan felt he couldn’t really do the Black Panther story without having gone to Africa, so he went and spent some time with the Basotho people [in Lesotho] and he fell in love with these blankets and I see why — they’re beautiful.”

Having purchased 150 Basotho blankets from South Africa and “stamped [the fictional metal] vibranium on one side to make them like shields for the warriors,” Carter said, the blankets were inevitably screen-tested by Marvel as too thick and unusable. So one of Carter’s assistants spent hours shaving each one of the 150 blankets with a men’s shaver to get it right.’ – 10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs

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“Of course, Debbie Eckert, I feel like there are two main lanes to her visual art – her portraits, she has an incomparable knack for capturing the light in her subject’s spirit, especially when it comes to children; and her nature canvases which are all about that magical glow. Right away I knew Approach, the full moon’s golden glow hitting the water and rippling out, was hers.” – from ANTIGUA AND BARBUDA: AN ART, HISTORY, CULTURE TOUR 2 – CREATIVE SPACE #14 OF 2018 (coverage of the 2018 Independence Visual Arts Exhibition, spotlighting several local artists including one former Wadadli Pen finalist) 

REVIEWS

Doe Songs
“This is a fascinating collection, recommended for readers who like their poetry with teeth, claws and a dash of surrealism.” – PN Review of Doe Songs, an acclaimed poetry collection by Danielle Boodoo Fortune (past Wadadli Pen judge and patron, Trinidad and Tobago writer, illustrator – including of Lost! A Caribbean Sea Adventure by Wadadli Pen founder Joanne C. Hillhouse) – Also check out Danielle Boodoo Fortune in Reading Room and Gallery 31, 30, 26, 25, 22, 18, 17, 14, 11, 5, 4, 2, and 1

For reviews of works by Antiguans and Barbudans, go here.

INTERVIEWS

“I think a great many of us thought that Independence would lead to a kind of progress; that things that seemed inadequate like education, medical care, infrastructure that we feel had been neglected – we thought well they denied it to us, at least that was my view – but now that we were in control, we would proceed and show them how to manage small places with small, dedicated, intelligent people and morally good people, people on the right side of history. So when I returned I met kind of a universal chorus of ‘oh, they’re so corrupt, oh this, oh that, and the disturbing thing I think for me was the way the citizens reveled in it.” – Jamaica Kincaid on the BBC (interview also features Jacob Ross and Claire Adam)

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“When you live in Baltimore City, especially coming up in the crack era, people dying is not a strange thing. Witnessing murders is not a strange thing, or being in a situation where you’re on a basketball court and somebody starts shooting is not a strange thing.” – Baltimore author D. Watkins in conversation with NPR

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“I got a message a few years ago from a minister of government when I returned to Grenada accusing me of giving the island a bad name and I said to the messenger I’d like you to tell the minister I’ not writing tourism brochures.” – Jacob Ross  – interview with Jacob Ross, Jamaican Kincaid, and Claire Adam with the BBC

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“It was really fun to get inside each others’ heads and understand how we see the world.” – Jennifer Miller w/Jason Feifer in conversation with quickanddirtytips.com

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“First and foremost, I think she is an unquestionably talented writer whose books and poems shed light on a very interesting literary and geopolitical period.” – Eliot Bliss biographer Michela Calderaro in conversation with Jacqueline Bishop. Read the whole thing: Bookends Eliot Bliss

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“We inhabit the life of a theoretical stranger and we really get to know a point of view that we might not otherwise really understand.” – Barbara Kingslover (interview on BBC) 

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“I acknowledge the assimilation of many writers from what I think of as a Caribbean Tradition in the writing of my first novel Witchbroom. Africa, India, Europe all mixed up – a creole culture, so many languages. That’s what I celebrate. Beacon movement, our part in Harlem Renaissance, but also what I call the greats of the 50s, 60s, 70s novelists, poets and historians and now such a lot going on, many many more women: poets, story tellers, novelists, historians, Bridget Brereton; critics – Ramchand and Rohlehr, setting the pace in 1977. Dear Pat Ismond! London calling: New Beacon, Bogle Overture. And let’s adopt Jimmy Baldwin. I went on pilgrimage last December to St Paul de Vence. Volunteering at The George Padmore Institute. I get so excited at the lives and the works that are being archived there.” – Lawrence Scott

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“When I was writing my dissertation in the 80s, this was my initial quest to unearth the first and earliest novel/poem/play, anything by a Caribbean Woman. As a teenager I had read Herbert G. De Lisser, 1929, novel The White Witch of Rose Hall, but I yearned for the stories of black enslaved women and free working class Caribbean women. I read the Wonderful Adventures of Mrs. Mary Seacole in Many Lands,1857; The History of Mary Prince: A West Indian Slave, 1831, and I wanted to find the Caribbean equivalent to Phillis Wheatley. I had read poems by Una Marson, and of course everything by Louise Bennett. Read Sylvia Wynter’s novel, The Hills of Hebron, 1962, then stumbled on Phyllis Shand Allfrey, The Orchid House, 1953; Ada Quayle’s first novel, The Mistress, 1957; Eliot Bliss’ Luminous Isle, 1934; and finally Alice Durie’s One Jamaican Gal, 1939. Although, Durie is an outsider, a white American who married a Creole Jamaican, her text offers important insights. Sadly, when I was doing field research in Jamaica and sought out and met her son, he confessed to burning her papers and other unpublished novels, because he didn’t know what to do with them, he claimed. This was a man with a successful business and warehouse. I was so angry I gritted my teeth to keep from slapping him. If this was the fate of an upper class white woman, then what chance during those earlier times for the poems and novels of a poor black woman, especially in the Caribbean.” – Opal Palmer Adisa  – Also check out Opal Palmer Adisa in Reading Room and Gallery 21, 13,  5, 4, and 1.

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James book
“MARLON JAMES: A lot of it came out of all the research and reading I was doing. African folklore is just so lush. There’s something so relentless and sensual about African mythology. Those stranger elements aren’t about me trying to score edgy post-millennial points. They are old elements. A lot of this book was about taking quite freely from African folklore, specifically from the area below the Sahara Desert. And that’s important to me. Mostly when people think of sophisticated Africa, they think of Egypt. And even that they attribute to aliens.” – Interview magazine. Also check out Marlon James in Reading Room and Gallery 31, 28, 18, 1514, 6, and 1.

For Antiguans and Barbudans discussing their art, go here.

As with all content on Wadadli Pen, except otherwise noted, this is written by Joanne C. Hillhouse (founder and coordinator of the Wadadli Youth Pen Prize, and author of The Boy from Willow Bend, Oh Gad!, Dancing Nude in the Moonlight 10th Anniversary Edition and Other Writings, Musical Youth, With Grace, and Lost! A Caribbean Sea Adventure). All rights reserved. Subscribe to this site to keep up with future updates.

 

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New Book – It’s Madness, Plus

(21/01/19 – ETA: Also new, Peepal Tree Book of Contemporary Caribbean Short Stories, “The collection includes the work of, amongst others, Opal Palmer Adisa, Christine Barrow, Rhoda Bharath, Jacqueline Bishop, Hazel Campbell, Merle Collins, Jacqueline Crooks, Kwame Dawes, Curdella Forbes, Ifeona Fulani, Kevin Jared Hosein, Keith Jardim, Barbara Jenkins, Meiling Jin, Cherie Jones, Helen Klonaris, Sharon Leach, Alecia McKenzie, Sharon Millar, Breanne Mc Ivor, Anton Nimblett, Geoffrey Philp, Velma Pollard, Jennifer Rahim, Raymond Ramcharitar, Jacob Ross, Leone Ross, Olive Senior, Jan Shinebourne and Elizabeth Walcott-Hackshaw.” Read more.

I’ve been meaning to share announcement re this Caribbean collection focused on madness in the writing of Caribbean wordsmiths.

9783319981796.jpg

From an Antiguan-Barbudan standpoint, writings referenced include Freida Cassin’s With Silent Tread and Jamaica Kincaid’s writing in general, it seems, in, for one, a chapter entitled ‘Fighting Mad to Tell Her Story’: Madness, Rage, and Literary Self-Making in Jean Rhys and Jamaica Kincaid. The latter, if I’m reading the preview correctly, argues that “Jean Rhys and Jamaica Kincaid make(s) purposive use of ‘raving’ and ‘raging’ women in projects of literary self-making that are finely attuned to the geopolitical and cultural legacies of colonialism.”

More broadly, the book, Madness in Anglophone Caribbean Literature: On the Edge, published by Palgrave Macmillan in 2018, edited by Bénédicte Ledent, Evelyn O’Callaghan, and Daria Tunca, “takes an original view of madness as a potential space of political, cultural and artistic resistance, (and) looks at a wide range of Caribbean texts, including recent work”.

I’m interested in this, having touched on mental health issues (born of societal pressures in an uneven world) in my novel Oh Gad! and women dealing with the external and internal messiness of being in a lot of my writing – with the possible exception of Lost! A Caribbean Sea Adventure (lol). And I agree that it (madness) has been under-discussed not just in criticism but in our Caribbean reality – plus I’m just interested in feminine emotions and how they are sometimes mis-categorized as irrationality and/or madness, and how on the page female characters are, problematically, expected to be likeable (or else) – and things of that sort.  So, I’ll likely check it out at some point; and you can too.

(summary)
“This collection takes as its starting point the ubiquitous representation of various forms of mental illness, breakdown and psychopathology in Caribbean writing, and the fact that this topic has been relatively neglected in criticism, especially in Anglophone texts, apart from the scholarship devoted to Jean Rhys’s Wide Sargasso Sea (1966). The contributions to this volume demonstrate that much remains to be done in rethinking the trope of “madness” across Caribbean literature by local and diaspora writers. This book asks how focusing on literary manifestations of apparent mental aberration can extend our understanding of Caribbean narrative and culture, and can help us to interrogate the norms that have been used to categorize art from the region, as well as the boundaries between notions of rationality, transcendence and insanity across cultures.”

Chapters listed are “Kingston Full of Them”: Madwomen at the Crossroads by Kelly Baker Josephs, “Fighting Mad to Tell Her Story”: Madness, Rage, and Literary Self-Making in Jean Rhys and Jamaica Kincaid by Denise deCaires Narain, Madness and Silence in Caryl Phillips’s A Distant Shore and In the Falling Snow by Ping Su, Speaking of Madness in the First Person/Speaking Madness in the Second Person? Junot Díaz’s The Brief Wondrous Life of Oscar Wao and “The Cheater’s Guide to Love” by Delphine Munos, What Is “Worse Besides”? An Ecocritical Reading of Madness in Caribbean Literature by Carine M. Mardorossian, Performing Delusional Evil: Jamaica Kincaid’s The Autobiography of My Mother by Rebecca Romdhani, Horizons of Desire in Caribbean Queer Speculative Fiction: Marlon James’s John Crow’s Devil by Michael A. Bucknor, When Seeing Is Believing: Enduring Injustice in Merle Collins’s The Colour of Forgetting by Alison Donnell, Migrant Madness or Poetics of Spirit? Teaching Fiction by Erna Brodber and Kei Miller by Evelyn O’Callaghan, and (Re)Locating Madness and Prophesy: An Interview with Kei Miller by Rebecca Romdhani. (Palgrave)

Should be an interesting read.

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Wadadli Pen founder, coordinator, and blogger Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Musical Youth, Lost! A Caribbean Sea Adventure, and With Grace). All Rights Reserved.

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A Small Place Now A Big Play

“This staging of Kincaid’s book is so faithful an adaptation that it performs the text in its original and entire form, spoken to the audience with no dialogue between actors. Director Anna Himali Howard underlines, rather than hides, the fact: the opening scene features an unnamed actor (Cherrelle Skeete) reading from the essay by torchlight. She puts the book away when a second actor (Nicola Alexis) joins her, but they narrate every word of the essay together.” Read more of this Guardian review of the controversial book by Antigua and Barbuda’s leading international writer Jamaica Kincaid

…and read this animated social media discussion on the artist and her work and relationship with home, beginning with A Small Place.

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Oh Gad!, Musical Youth, With Grace, and Lost! A Caribbean Sea Adventure). All Rights Reserved. You can also subscribe to and/or follow the site to keep up with future updates. You’re also invited to follow me on my author blog http://jhohadli.wordpress.com Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. Respect copyright.

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Antigua & Barbuda Literary Works Reviewed Vlll

This picks up where the previous installments of Antigua and Barbuda Literary Works Reviewed pages left off (use the search feature to the right to dig them up).  As with those earlier pages, it features reviews about A & B writings that I come across as I dig through my archives or surf the web. You’re welcome to send any credible/professional reviews that you come across as well. They’re not in any particular order, I just add them as I add them; some will be old, some will be new. It’s all shared in an effort to underscore Antigua and Barbuda’s presence in the Caribbean literary canon.

“Meticulously researched and highly readable.” – Bridget Brereton, Professor Emerita, University of the West Indies on Sue Appleby’s The Cornish in the Caribbean.

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“It is significant to note that in her writing, especially her works for young adults, Hillhouse refrains from “pontificating.”  She creates scenarios for her characters and allows them to be themselves.  Even though the “normal” behaviors or pranks of teenagers with their accompanying confusions, heartbreaks, and poor choices aren’t documented, her youth are portrayed as real children.  They are a group of youth who are typical in their behaviors.  They are music lovers with a passion for the art.  Music lovers will identify and enjoy the genuine references to different types of music and musicians, while non-musicians will accept the youth’s passion for their music and champion their cause for an audience in pursuit of their dreams.” – Valerie Knowles Combie re Joanne C. Hillhouse’s writings in The Antigua and Barbuda Review of Books Volume 11 Number 1 Summer 2018

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Nisbett’s Life as Josephine is a quick read of an authentic story of a determined girl who starts her quest for identity at a very young age and learns to love herself in the process. This is another coming-of-age work by another Antiguan author that should be required reading for all youth.” – Valerie Knowles Combie re Claytine Nisbett’s Life as Josephine in The Antigua and Barbuda Review of Books Volume 11 Number 1 Summer 2018

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“I find the poems refreshing and insightful.” – Lionel Max Hurst re Marilyn Sargent’s Carbon is Yellow  in The Antigua and Barbuda Review of Books Volume 11 Number 1 Sumer 2018

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“This inventive performance of Kincaid’s celebrated 1988 essay has the barbed satire and bold message of the original.” – This inventive performance of Kincaid’s celebrated 1988 essay has the barbed satire and bold message of the original, Guardian review

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“The cinematographer (of the film Skate Kitchen) really captures the rush of skateboarding in an urban setting, on sidewalks, on busy streets, around people, in parking lots…” – that cinematographer is none other than Antigua and Barbuda’s Shabier Kirchner. Watch the full review.

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The Travel Bag site (not a review site but a site of recommendations by travel experts) makes several literary recommendations with regards to Antigua and Barbuda (excerpted below) in 2014:

unburnableautobiography of my motherohgadno-seed-poster-emailskinposter-carl-veronnewmango-poster-email

“Essential Holiday Reading…For a thrilling read, on your next trip to this tropical paradise, pick up the remarkable Unburnable, by Marie-Elena John. This sprawling crime drama/murder mystery is split between the Caribbean and Washington DC, and follows Lillian Baptiste as she is drawn back home by the lure of scandals and secrets from her past. It is a truly storming read, and would suit any avid book fan with a penchant for darker mysteries…

“Notable Antiguan Books…The 1995 novel, The Autobiography of My Mother, by Jamaica Kincaid, is very well known in Antigua. It is also highly regarded, despite being surprisingly controversial amongst western scholars. This book, which follows the tale of Xuela Claudette Richardson, explores themes of motherhood, colonialism, race, love, loss, fear and redemption… If you have any interest in the history of this beautiful island, Kincaid is a more than skilful (sic) guide – take a chance and pick up one of her novels for your next trip.

“Notable Antiguan Authors…If you are looking to dive into something fresh and modern, give the magnificent Joanne C Hillhouse a try …In some ways, Hillhouse is a natural successor to authors like Kincaid – Oh, Gad (Oh Gad!) certainly shares certain narrative characteristics with The Autobiography of My Mother. For a fresh and contemporary read, give this young author a try.”

“Notable Antiguan Films…No Seed, a drama which explores the subtle nuances of Caribbean politics. …also horror flick, The Skin, which follows a young couple as they encounter strange occurrences, in the wake of finding and selling an ancient artefact. In 2001, The Sweetest Mango was released to acclaim on the island – it tells the story of a woman who returns to her island home and becomes involved in a complicated love triangle.”

The named films were written by D. Gisele Isaac (No Seed, The Sweetest Mango) and Howard Allen (The Skin).

Read the full article which also includes recommended music from Antigua and Barbuda here.

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