Tag Archives: Joanne C. Hillhouse

Just Some Links I wanted to Share

“D. Gisele Isaac is an Antiguan and Barbudan writer.” From an article on my blog entitled ‘D. Gisele Isaac – Daughter of the Antiguan & Barbudan Soil’

“Musical Youth is the first book that I have read by Joanne C. Hillhouse, and I thoroughly enjoyed it!” From author Danielle McClean’s review of Musical Youth

“(My boss) said she can definitely see the improvement in my writing.” From a recent review by a past participant in the Jhohadli Writing Project

Thanks for reading.

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Lost! A Caribbean Sea Adventure, Musical Youth and With Grace). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

 

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Reading Room and Gallery 28

The Reading Room and Gallery is a space where I share things I come across that I think you might like too  – some are things of beauty, some just bowl me over with their brilliance, some are things I think we could all learn from, some are artistes I want to support by spreading the word, and some just because. Let’s continue to support the arts and the artistes by rippling the water together. For earlier installments of the Reading Room and Gallery, use the search feature to the right. This is the 28th one which means there are 27 earlier ones (can’t link them all). Remember to keep checking back, this list will grow as I make new finds until it outgrows this page and I move on to the next one. – JCH

ESSAYS/NON-FICTION

“I’ve referred to mas as some of my earliest exposures to theatre and storytelling. I especially enjoyed the huge King and Queen of the Band costumes which have largely disappeared from Antiguan mas but which, after showing off on the stage, would take up the whole of Market Street as the parade inched along. The younger ones lobbying for Carnival to be moved from the city to the wider, less cramped, safer spaces on its outskirts can’t imagine how intimate and joyful that feeling was. We would sing the calypso, dance to the soca, and as the costumes floated by, or were dragged or carried by revelers who, despite their size and presumed weightiness, seemed buoyed rather than burdened by them, our eyes would open wide at their grandeur. They were shiny and colourful, a moving canvas; big and bold, inventive and daring. The costumes designed by Heather Doram, still one of Antigua’s finest artists, and built by her husband Connie Doram, come to mind – this would have been later, I think, in my pre-teens, during the costume segment of the Queen Show. Time bends in memory. The when isn’t important, just that it was all mas, and that mas at its best was like visiting the L’ouvre in France or the Museum of Modern Art in New York; only it was our art, from arwe imagination, telling our stories, and it was beautiful, and powerful, and magical. Of course, I wasn’t thinking all of that back then, not at three or thirteen. Back then it was just a feeling that exploded in my body like fireworks. That’s what mas is at its purest, that feeling: pure joy.

I would capture that feeling from the inside for the first time the first time I played mas in 1989.” – Joanne C. Hillhouse, A Life in Mas in Moko: Caribbean Art and Letters

VISUAL ARTS

“This color scheme is quite challenging at the moment. It’s a weird variety of colors. I’m taking my time and I know I’m working slower than normal, but the final product matters more than just rushing every moment.” – Brandon Knoll at Chaotic Works discussing a work-in-progress

***

Madonna– “In Jamaica, all archetypes of the Virgin are painted white. Referencing images of black madonnas in several European countries, I am going back to archetypes of ancient Egypt, the continent of Africa, archetypes like Isis, from whom it is believed the patriarchs modelled the Virgin Mary. Archetypes who expressed wrath, anger, and revenge – not the present day image found around the island churches, but one who when you call on her justice will be served.

I am using a common ‘Mary’ mold which I have painted as a black female archetype and have installed her at various locations in the corporate Kingston area. Some were removed or stolen and only one remains in Manor Park, Kingston where the men sell newspapers and cigarettes.

…I created another Madonna to replace the one that was damaged. When I went towards the same newspaper, cigarette men in the wee hours of the morning, they asked me what I wanted. I told them I have come to replace her (she was missing her head). They just replied ‘we love Mary’ and they helped me by taking the statue out of the car and placing her in what they felt was a safe spot. They believed a mad man had pushed the other black Madonna down causing her to lose her head, but they promised to keep watch over this one.” – Kristie Stephenson re her ‘Lady Justice’ sculptures, in Interviewing the Caribbean Spring 2017, p. 148-152

INTERVIEWS

“A lot of critics think A Brief History of Seven Killings is horrifying, but I don’t think so, and I don’t think the characters think they’re living in horror. The fact is that even the most terrible situation is normal for the person living in it. In a lot of ways, this is the funniest book that I’ve ever written. It has the most humor and the most ridiculousness—certainly, it’s the most experimental. I don’t know about horror, but there’s violence and brutality. It opens up with a dead guy, but then again, death and horror is a Western association. It’s certainly not that way in the East. It’s certainly not in non-Anglo storytelling. This character’s horror comes from something quite living, not from anything spiritual—it comes from the fact that he was murdered. The horror that exists in the book isn’t supernatural: it’s the basic cruelty that human beings commit against each other. That is the scary stuff. Anything might happen at any time, and that’s what’s unnerving. It’s real, upfront, everyday fear.” – Marlon James

***

“Rumpus: Claire of the Sea Light is set in the fictional seaside town of Ville de Rose, a town shaped by its beauty—hence its namesake—but also the mountains above it, the sea at its border, the buzz of its single radio program, and the corruption of its civil servants. Talk to me about building this world. Specifically, I’m interested in how you break up and bring together social classes using topography.

(Edwidge) Danticat: When my first book, Breath, Eyes Memory, came out, I wrote about many real Haitian towns and a lot of people who were from those towns would say “you got this wrong” and “got that wrong,” so I decided to write about my own town by borrowing elements of different places. If you are inventing a town, you have all freedom. I added the lighthouse. Langston Hughes has a children’s book called Popo and Fafina, set in Haiti during the U.S. occupation because he used to travel to Haiti quite a bit. And I remembered that the story has a lighthouse in it, so I reread it and thought, I want a lighthouse, and the lighthouse went in. I could visually see the town and see myself walking around in it, but that takes many, many layers of writing. Sometimes in writing you have to live with things before you inhabit them, and that takes a very long time for it to stop feeling constructed and to start feeling like something real.” Read the full interview.

***

“Who do you write for?
Myself, who else? A great deal of stories that I ever write have been based on things I see in the news or people I hear about. Just the other day I sit down listening to my aunt and cousin talking about somebody who smoking out their whole house for ghosts.

There’s also another story that was in the news way back when in La Brea—where a whole family, granny and all, was taking care of this dead baby. The story fall out of the news a week later—we never get to know why any of this happen. Writing gives me the ability to imagine the bedlam of some of these situations. To figure out why.” – Kevin Jared Hosein interview with Caribbean Literary Heritage

***

‘What is most attractive and crucial about Kamau is that the world he creates erodes the invisible structures that govern how/why/what/from where we write. Walcott’s “White Magic” in The Arkansas Testament [1987], for instance, has always troubled me in the way it defends and argues for a world that, in tone and outlook, it is so distant from. The world of a spirituality that is quite real to me. Now, had the epistemic underpinnings of “White Magic” been different, we would’ve had a different poem. These underpinnings determine how we understand metaphor and what we can or do draw upon in creating figurative language. It decides what devices become the engines of our expression. Kamau gives me this, both through what he has done and what he gives me the courage to attempt.’ – Vladimir Lucien in conversation with John Robert Lee about the work of Kamau Brathwaite

***

“Because nothing in Brief History started the way it ended up. The first page I ever wrote is now on page 458. I was writing a crime novel starring a hitman who was trying to kill this Jamaican drug lord. I remember writing that, and thinking in the back of my head, “He’s one of the guys who tried to kill Marley.” But that was just going to be this sort of “Gotcha!” at the end, and my brief 120-page novel would have been finished. I just couldn’t finish it. I got to a part where I just couldn’t go any further. And I just figured, well, let’s find another character. So I created this character, another hit man, called Bam Bam. Then it was the same thing: writing the character for maybe forty, fifty pages, until I ran into a dead end.” – Marlon James in interview with Joshua Jelly-Schapiro

***

‘“Get Shorty” showrunner Davey Holmes asked Calderon Kellett if she feels an added pressure to get her show right, to which she replied: “For sure, especially when there aren’t a lot of Latinx shows right now on TV. Tanya and I know each other and we’ve done a million panels together. We’re like ‘the two.’”

To the horror of her fellow panelists, Calderon Kellett recollected the story of how when the two showrunners previously worked together in a writers’ room in 2012, they were called “sp– and span.” The only show that the two have worked together on is “Devious Maids.”

As she described looking back on her career when the Me Too Movement broke out, “everyone did a self-audit. I went through mine and thought: ‘Oh, my God. I’m so broken.’”’ – from Variety’s A Night in the Writers’ Room with Michael Schur (The Good Place), Peter Farrelly (Loudermilk), Tanya Saracho (Vida), Gloria Calderon Kellett (One Day at a Time), David Holmes (Get Shorty), Rachel Bloom (Crazy Ex-Girlfriend), Judd Apatow (Crashing), Andrea Savage (I’m Sorry), Gemma Baker (Mom), Jennie Snyder Urman (Jane the Virgin), Stephen Glover (Atlanta)

***

“Arimah: I often don’t care what things are called, or what the right word for something is, as long as what is said is understood. Magical realism, speculative, fantasy, science fiction—these are all terms I (and others) have used to describe my work, and I’m fine with all those labels. I’m sure there are arguments for the appropriateness of one or the other, but I’m not heavily invested (unless someone is trying to disparage any one of those genres. Then I’ll likely come to its defense).” – Lesley Nneka Arimah

***

“(BRUCE) MILLER We had a very long discussion in our room about what it actually feels like to get your period and how can you tell or not when you start to bleed. And the room, all they did was disagree with each other.

(LENA) WAITHE Because everybody has a very different experience.

MILLER Right. And it’s funny because you think, “Oh, there’s a universal answer to this.” And really, I just need a line. (Laughter.) But it doesn’t help if you just have one person. It’s one person’s opinion and there is no one to challenge it.”  – Courtney Kemp (‘Power’), Peter Morgan (‘The Crown’), Bruce Miller (‘The Handmaid’s Tale’), David Shore (‘The Good Doctor’) and Lena Waithe (‘The Chi’) in conversation with The Hollywood Reporter

***

“NPR’s LYNN NEARY: Woodson says she’d love to get rid of labels like struggling reader or advanced reader and encourage young people to concentrate more on how a book makes them feel or think.

AUTHOR JACQUELINE WOODSON: Labeling is not the best way to get young people to deeply engage in reading. I mean, at the end of the day, you take the qualifier away and they’re a reader. Childhood, young adulthood is fluid. And it’s very easy to get labeled very young and have to carry something through your childhood and into your adulthood that is not necessarily who you are.” Read the full interview.

FICTION

“We are in a graveyard,” Dionne said. She traced the name of her ancestor while Trevor’s hand worked its way beneath her dress and along the smooth terrain of her upper thigh. She liked the way it felt when Trevor touched her, though she hadn’t decided yet what she’d let him do to her. She’d let Darren put his hands all the way up her skirt on the last day of school. But here, where girls her age still wore their hair in press and curls, she knew that sex was not to be given freely, but a commodity to ration, something to barter with.’ – Excerpt of The Star Side of Bird Hill, by Naomi Jackson

***

“As she can no longer see the shore, The Woman has decided it is time to bail ship, to jump into the water she cannot swim in, wearing her heaviest shoes and heart of great mass. She leaves on her red hat, hoping it will be her grave marker, should anyone wonder what happened to the boat and why it is floating out in the great lake.” – Zombie V. by Melanie S. Page 

***

“We all got married — Suzanne, and Virginia, and I — and it was all we ever wanted to be at the time. I fought with my parents to get married, and Suzanne ran away from home with her boyfriend to get married, and Virginia saved her money for a year and eight months, eating a bag lunch at work every day and walking up from the square to save the five cents for the transfer and making her own clothes and only seeing movies when they came to the drive-in — all to get married.” – We by Mary Grimm

***

“I like Markham, but I’d like to kill him. I dream of doing it in front of a huge pack of boys. Clinically.” – Stickfighting Days by Olufemi Terry

***

“Two white boys sat on a bench outside the closed door while a white man in a billed cap kept watch over them. Walter thought maybe the Funhouse couldn’t be so bad, with white boys here too—until a crack of leather striking flesh came from inside, and a boy’s scream. Walter had never heard anyone scream that way except Mama, in her dying. His blood burned cold.” – The Reformatory by Tananarive Due

THE BUSINESS

“She (Kima Jones) reminds me that the first step in breaking out is actually taking the time to turn inward and look within.” – Poets & Writers in conversation with literary publicists Lauren Cerand, Kima Jones, and Michael Taekens

CREATIVES ON CREATING

‘When I taught writing, I told my students there was no reason to worry about punctuation until they had written something worth punctuating correctly. I was trying to show them that the important part of writing—the part their teachers didn’t teach them—was the revision process. The stopping and starting, the rethinking, the crossing out, the sharpening of a thought—that’s writing. It’s a verb, after all. Punctuation, which their teachers had “taught” them, was simply politeness, no different from covering your mouth when you sneeze.’ – Piano Lessons: Do Writers Need a Teacher or a Coach? by Jim Sollisch

***

‘TD: This was a very, very tough moment for me to write in the story. But it was always the moment I was writing up to, which is beyond the violence, trying to find some hope on the other side—how to process that violence. Why is there so much? There is even more violence than the excerpt I read that I cut out. This is the bogeyman, for the most part, this whipping shed. In real life it was called “The White House.” I call it “The Fun House” in my story. But this was the place where these boys very often lost their innocence and where their lives were in some ways damaged a great deal for the rest of their lives. Just the trauma of the violence. And there were also accusations of sexual abuse. But for the most part the accounts I read have been about the physical beatings. A man to my face, and this was a white man, talked about how he had the skin whipped off of his back. He could not see his parents on visiting day because of the damage to his skin and the doctor literally had to remove the fabric from his injuries. This is brutality, brutality against children. To me it would be a cheat not to express the full brutality of the experience. And it is difficult to do that to a twelve year old protagonist, or even have him witness it, or be afraid it would happen to him, frankly, when I think of my own son. But it would not be fair to the survivors of this school, and the survivors of the system overall, to gloss over the violence, because violence and sexual abuse mark so many experiences in the criminal justice system. Where you are removed from a home environment, where you have measures of safety and control, and put in an environment where you have no control, no name. There are statistics that show that the majority of sexual abuse in juvenile detention centers is not perpetrated by other prisoners, it is perpetrated by guards. Horror, typically, is violence by the monster, the daemon, the zombie.  In this story, the horror is human, and the ghosts are just survivors in their own way.’ – Tananarive Due on writing The Reformatory

***

‘Yeah, the president is just such a different joke world, because it’s a moving target that’s constantly evolving and it’s constantly changing. You could write 20 minutes about one thing and then he reverses his opinion. Well, now what are you going to do with that material? I could start writing my act today, but in five weeks when we go and tape, 20 different things would’ve happened by then. It’s not something I enjoy because it forces you to stay on topic with an issue. To report every week on what Trump did, you’re just saying he did this, here’s a joke about it, and here’s why you shouldn’t think that way. There’s got to be more. There’s got to be something bigger to that. To me the issue isn’t Trump, it’s the people in office who don’t stand up to him. That’s the bigger deep dive. Because if you look at all of the president’s antics since he’s been sworn in, the one consistent narrative is that nobody stands up to him. So to me, that’s what I want to talk about. I want to talk about who are all these people who don’t go, “Hey, man, don’t fucking tweet today.”’ – Roy Wood Jr. on writing jokes

***

‘From the moment the idea for the story first came to me, I imagined it as a story in which the main character is falling and is considering the most important moments and people in his life. I think that framework gives some flexibility to the narrative, some elasticity, because that experience would be very different for each of us, depending on our personal and larger history, who we are, what we value most, and who or what we are most concerned about. Another news item that often catches my attention here in Miami is how many construction workers fall while working to build very expensive hotels or apartment buildings that they would not be able to afford to stay or live in—so that became one of the elements at play in “Without Inspection.”’ – Edwidge Dandicat

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Oh Gad!, Musical Youth, With Grace, and Lost! A Caribbean Sea Adventure). All Rights Reserved. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. Respect copyright.

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Pepperpot – New Review****

Date Read: November 10th 2017 Published: 2014 Publisher: Peekash Press / Akashic Books Pages: 224 The Blurb Akashic Books and Peepal Tree Press, two of the foremost publishers of Caribbean literature, launch a joint Caribbean-focused imprint, Peekash Press, with this anthology. Consisting entirely of brand-new stories by authors living in the region (not simply authors […]

via Pepperpot: Best New Stories from the Caribbean edited by Olive Senior — African Book Addict!

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Dawtas of the Soil

dawtas(I’ll add pictures to this post when I get them but in the meantime) I wanted to share some moments from an event I was honored to be a part of yesterday (March 25th 2018), Queens’ Collaboration presentation of Empress Menen’s Dawtas of the Soil Appreci-Love Day, which was held at the Nyabinghi Theocracy Church School Grounds.

Dawtas

Queens’ Collaboration, as radio host and Queens member Nikki Phoenix explained at the event, is a movement of women supporting each other and doing positive things. “If we unify, we learn how to give love and support to our sisters, and to love ourselves more.” (this quote might have been from Kai Davis – I wasn’t in reporter mode so I didn’t note as carefully as I should have but, either way, it speaks to the ethos of Queens’ Collaboration)

Empress Menen, we learned during a presentation and slide show, was the wife of Emperor Haile Selassie and a formidable woman in her own right (e.g. as founder of the first all-girls school in Addis Ababa) and survivor (having first been married at 11 and married three times before, at age 20, marrying the ruler who is seen by Rastafari as the returned messiah). The presentation on Empress Menen emphasized her belief that “we be unified as women”.

The Nyabinghi Theocracy School and Church Grounds is a home and gathering place for one section of Rastafari in Antigua, and Kai Davis, a member of the community and teacher at the school, is one of the Queens behind Sunday’s event.

Dawtas of the Soil Appreci-Love Day was the first event of its kind, though indicators are that it won’t be the last. The first Dawtas were Edith Oladele, Joy Lawrence, and me (Joanne C. Hillhouse). Using an adapted song and spoken word version of Maya Angelou’s Phenomenal Woman, accompanied by live drumming and pre-recorded music, young women from the community shared the achievements of the selected honourees – including Oladele’s missionary work in Africa and advocacy work with the African Slavery Memorial Project, National Award recipient Lawrence’s research in to the folk history of Antigua and Barbuda, a mission that has yielded several books and is still ongoing, and my publications (including 6 books) and literary arts advocacy (e.g. Wadadli Pen). Oladele did a presentation in which she reminded of the reason why we do the work we do. “It’s not for fame or popularity but it’s in order to serve others.” Her words were steeped in Christianity (“I never write before asking God to write, that’s how I write”) and Afro-centricity (“The ancestors speak to us if we allow ourselves to be open to them”).

It’s fair to say that the ancestors spoke to us through the young people and their performances – such as the little ones singing the Garnett Silk classic, ‘Hello, Mama Africa’.

Beautiful day: good  positive vibes, good ital food, good uplifting music, and much love for the Appreci-love.

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, With Grace, Lost! A Caribbean Sea Adventure, and Musical Youth). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Antigua & Barbuda Literary Works Reviewed Vlll

This picks up where the previous installments of Antigua and Barbuda Literary Works Reviewed pages left off (use the search feature to the right to dig them up).  As with those earlier pages, it features reviews about A & B writings that I come across as I dig through my archives or surf the web. You’re welcome to send any credible/professional reviews that you come across as well. They’re not in any particular order, I just add them as I add them; some will be old, some will be new. It’s all shared in an effort to underscore Antigua and Barbuda’s presence in the Caribbean literary canon.

“The cinematographer (of the film Skate Kitchen) really captures the rush of skateboarding in an urban setting, on sidewalks, on busy streets, around people, in parking lots…” – that cinematographer is none other than Antigua and Barbuda’s Shabier Kirchner. Watch the full review.

The Travel Bag site (not a review site but a site of recommendations by travel experts) makes several literary recommendations with regards to Antigua and Barbuda (excerpted below) in 2014:

unburnableautobiography of my motherohgadno-seed-poster-emailskinposter-carl-veronnewmango-poster-email

“Essential Holiday Reading…For a thrilling read, on your next trip to this tropical paradise, pick up the remarkable Unburnable, by Marie-Elena John. This sprawling crime drama/murder mystery is split between the Caribbean and Washington DC, and follows Lillian Baptiste as she is drawn back home by the lure of scandals and secrets from her past. It is a truly storming read, and would suit any avid book fan with a penchant for darker mysteries…

“Notable Antiguan Books…The 1995 novel, The Autobiography of My Mother, by Jamaica Kincaid, is very well known in Antigua. It is also highly regarded, despite being surprisingly controversial amongst western scholars. This book, which follows the tale of Xuela Claudette Richardson, explores themes of motherhood, colonialism, race, love, loss, fear and redemption… If you have any interest in the history of this beautiful island, Kincaid is a more than skilful (sic) guide – take a chance and pick up one of her novels for your next trip.

“Notable Antiguan Authors…If you are looking to dive into something fresh and modern, give the magnificent Joanne C Hillhouse a try …In some ways, Hillhouse is a natural successor to authors like Kincaid – Oh, Gad (Oh Gad!) certainly shares certain narrative characteristics with The Autobiography of My Mother. For a fresh and contemporary read, give this young author a try.”

“Notable Antiguan Films…No Seed, a drama which explores the subtle nuances of Caribbean politics. …also horror flick, The Skin, which follows a young couple as they encounter strange occurrences, in the wake of finding and selling an ancient artefact. In 2001, The Sweetest Mango was released to acclaim on the island – it tells the story of a woman who returns to her island home and becomes involved in a complicated love triangle.”

The named films were written by D. Gisele Isaac (No Seed, The Sweetest Mango) and Howard Allen (The Skin).

Read the full article which also includes recommended music from Antigua and Barbuda here.

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Reading Room and Gallery 26

The Reading Room and Gallery is a space where I share things I come across that I think you might like too  – some are things of beauty, some just bowl me over with their brilliance, some are things I think we could all learn from, some are artistes I want to support by spreading the word, and some just because. Let’s continue to support the arts and the artistes by rippling the water together. For earlier installments of the Reading Room and Gallery, use the search feature to the right. This is the 26th one which means there are 25 earlier ones (can’t link them all). Remember to keep checking back, this list will grow as I make new finds until it outgrows this page and I move on to the next one. – JCH

NON-FICTION

“When the blackness of winter descends, small signs of ordinary life are especially pleasing. People use the decorative rituals of Christmas as if to wave at their neighbors and call out, “We are still here!” The human race resists obliteration; our spirits are not so easily destroyed.” – Leslie Kendall Dye

***

“So he argues that it was natural for Percy Bysshe Shelley, who was farsighted, to create poems that themselves capture a wide scope, with their far-off vistas, mountain ranges, and expansive landscapes. Nearsighted Keats, on the other hand, favored images that are self-limiting, close-up, and auditory rather than visual. The sense of hearing, Trevor-Roper suggests, is intensified in Keats’s work for neurological reasons: when the sense of sight is damaged or limited, the other senses develop greater sensitivity in order to compensate for the loss.” – Myopic Keats by Ann Townsend

WRITERS ON CRAFT

“Some of my fiction is set in Southeast Asia. You’ve probably heard the writing advice: Write what you know. I know this region. But stories don’t just arise from the known. They come from things that make you stop and go: “Whoa. WTF?” Stories grow from questions.” – Location and Writing: A Guest Post by Elka Ray, Author of Saigon Dark

***

“The place where someone grows up molds a person. So does an era. Fiction is no different; setting is deeply embedded in the history of a character, and therefore integral to the story’s development and the character’s journey.” – Lorena Hughes

POETRY

“Caesar’s double-bed is warm
As an unimportant clerk
Writes I DO NOT LIKE MY WORK
On a pink official form.” – The Fall of Rome by W. H. Auden

***

“After Gilbert, father brought a woman to survey my face.
She pressed my broad nose against his, dark skin against skin,
told him a fi yuh damage dis—this damage is yours.” – Damage by Juleus Ghunta

***

“my father’s eyes
were tinged
with sadness
even when
he smiled” – Reading Three Newspapers a Day by Leonard Durso

***

“the balloons needed blowing,

and so in the evening

we sat together to blow

balloons and tell jokes” – from Coffee Break by Kwame Dawes

***

 – “I ain’t one of you all peers/I’m the sum of all fears” – Black Thought of The Roots, planting his boot in the Greatest Of All Time debate #topfive

VIDEO

– Black Thought, “who is he?”

***

“They don’t see creative industries as serious. We dissuade young people from pursuing the arts as careers. We dissuade them from studying literature, we dissuade them from studying film, or art. We shepherd them in to industries that we think are more conducive to the two main revenue streams that we see in our budget – financial services and tourism…they don’t see the economic value to the country; what do we benefit by having theatre, books…” – Richards Georges’ TEDx in the BVI

FICTION

“If it’s that serious . . . ,” said the younger woman. She paused a moment. “Then you’ll have to make some concessions.” – from The Bamboo Stalk by Saud Alsanousi, translated from Arabic by Jonathan Wright.

***

“The child she was carrying seemed to grow twice as heavy, and the sky, whose clear blue had been such a welcome contrast to the gray clouds of the past few days, began to stir with an unseasonal southerly wind. As they turned out of the alley where the clothes shop was situated, the contrast could not have been greater: from a lonely place where gusts of wind pursued fallen leaves and scraps of plastic lay idle in the gutter, to the vast expanse of the central road.

There, where the mass celebrations would soon be taking place, the street looked like some fierce wild beast, shaking its mane and roaring. Bristling with posters and placards, strong sharp lines of red writing that made the eye wince to look at them; lined on both sides with innumerable flags, their fabric snapping taut in the wind; pierced by shrill whistles, underlining each new announcement or command; rent down the middle by a dark blue broadcast car, blaring slogans through its loudspeaker, again and again so that the whole street rang with them. Punctuated every so often by a plane looming low in the city’s skies, rising from takeoff or coming onto land; even their engines seemed to explode into an unprecedented roar, agitating the figures who moved below, causing them unconsciously to quicken their step.” – A short story smuggled out of
North Korea. From Bandi’s (aka ‘Firefly’) Newly Translated Collection of Fiction.

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“Hyacinth Ike wanted to kill himself because he had lived a fulfilled, successful life and couldn’t think of anything else he was loitering in the world for.” – By Way of a Life Plot by Kelechi Njoku

INTERVIEWS

‘People think they are interested in women who don’t play by society’s rules, but when they see it in action, it is too disturbing. A question I kept getting was why is she “like that”? My question was “like what?” After all, in my view, Celestial is a person who wants the same things that anyone wants—to live her life in a way that fulfills her. This emotional limbo of being married but not really, of having one foot in her life as an artist and one foot emotionally serving the needs of her husband—it was too much.’ – Tayari Jones

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“I wanted to include self-published works because it can be hard for those authors to get readers to discover their work. A lot of authors who are self-published have reached out to me in hopes that We Read Too can be a place for them to get more reader discovery for their work. I know that for authors of color it can be hard to get into the publishing world, so I want to support those who haven’t gone through the traditional routes. I want all authors of color to have their work highlighted in We Read Too, regardless of how they got their work out there.” – We Read Books Too app founder Kaya Thomas

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‘I have a beanbag chair in my office, and there are days when I am sitting in it, looking from my window overlooking Central Park from the 36th floor of the Hearst Building and thinking, “They’re paying me to read?”’ – Leigh Haber

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CaribbeanReads  …How did that day dreaming influence your illustrations, Danielle.

Danielle Boodoo-Fortuné  …Dolphin’s daydreaminess really helps define him, I think. It was the first thing that struck me when I started doing concept sketches of each of the characters. It set him apart from his friends…. aside from his nose of course. In the illustrations, I wanted his eyes to always be wide and filled with wonder.” – conversation between Danielle Boodoo Fortune, Caribbean Reads Publishing, and Joanne C. Hillhouse about collaborative project, children’s picture book Lost! A Caribbean Sea Adventure

BLOG

“Always close to home, it has been a delight seeing a private student, a little girl of eight whom I tutor, experiencing the antics of Anansi for the first time through Philip M. Sherlock’s Anansi the Spider Man.  She had never before read or been read the stories.  An essential primer, the book can be enjoyed either way.  I was told by Ayesha Gibson-Gill, the National Cultural Foundation’s literary arts officer, that the Bajan book stall at Carifesta XI in Suriname couldn’t stock enough Anansi titles by our authors: everyone was after the trickster.  One of the other books I have on Anansi is actually a Dutch title purchased in 2003 at Carifesta VIII, also in Suriname.” – Robert Edison Sandiford on Carifesta Xlll

LISTS

“The IndyList, as we like to call it, is a selection of 12 Barbadian books to make friends with over the coming year.” Check them out.

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings, Oh Gad!, With Grace, Lost! A Caribbean Sea Adventure, and Musical Youth). All Rights Reserved. Do not re-use content without permission and credit. If you enjoyed it, check out my WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Antigua and Barbuda Literary Works Reviewed Vl

This picks up where the previous Antigua and Barbuda Literary Works Reviewed pages left off (there was one, two, three, four, five – use the search feature to the right to dig them up if the links don’t work).  As with those earlier pages, it features reviews about A & B writings that I come across as I dig through my archives or surf the web. You’re welcome to send any credible/professional reviews that you come across as well. They’re not in any particular order, I just add them as I add them; some will be old, some will be new. It’s all shared in an effort to underscore Antigua and Barbuda’s presence in the Caribbean literary canon.

“The book (The Art of Mali Olatunji) is engaging, and in reading it, we travel into Paget’s passion for Antigua, his country, and the impulses of anti-imperialism that have deep roots in colonial Antigua and Barbuda trying to find its way in today’s globalized world.” – Rekha Menon ‘Paget Henry: the Classic Afro-Caribbean Savant’ in the Antigua and Barbuda Review of Books Volume 10 Number 1 Summer 2017

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In the Black cover“This cadent collection of poetry and prose from some of Canada’s most gifted black writers is moving, and sometimes disturbing, for readers of any colour.” – Philip K. Thompson writing in The Herald about In the Black: New African Canadian Literature edited by Althea Prince

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Troubling Freedom

Dr. Lightfoot signs copies of Troubling Freedom at the launch event organized by the Friends of Antigua Public Library. (Photo by Barbara Arrindell of the Best of Books/Do not use without permission and credit)

Reviews of Natasha Lightfoot’s Troubling Freedom: Antigua and the Aftermath of British Emancipation:

“By tracing the development of Antigua in the post-emancipation period, Lightfoot has produced a work that will interest scholars who study conceptions of freedom, working-class solidarity, labor, Antigua, and the wider Caribbean. Recommended.” — J. Rankin, Choice

“Lightfoot’s Troubling Freedom sheds light on how freedpeople in Antigua negotiated the terms of their labor and the conditions of their freedom in Antigua….The book also illustrates that space and spatial relations were at the heart of Antiguans’ struggle for freedom after emancipation: between Antigua and Barbuda, the city and the country, the free villages and estates.” — Kaneesha Cherelle Parsard, American Quarterly

“Instead of a ‘narrative of valiant and unified subaltern struggle,’ a moral tale of progress and expanding unproblematic liberation, Lightfoot offers a more complex and ambivalent history of freedom, which contains not only hope and solidarity, but also internecine conflicts and violence. For this very reason, this is an important and insightful history that deserves to be read.” — Henrique Espada Lima, Canadian Journal of History

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Antigua launch of Oh Gad at Best of Books photo by BYZIAPhotography

Me at the 2012 launch of my book. (Photo by byZIA Photography)

“Oh Gad! is a major artistic triumph of which all Antiguans and Barbudans can be justly proud. I certainly am delighted by this publication of this novel and I thoroughly enjoyed reading it. As a work of fiction, it is beautifully written and flows like a river on its way to the sea. The conversations between the characters are well crafted dialogues, often very sharp, with verbal darts that pierce the thick armors of several of the characters.

Along with being very well written, this is a very Antiguan and Barbudan novel. Hillhouse’s fiction bears and reflects the cultural marks and tensions in our society, its patterns of in and out migration and its dependence on metropolitan cities like New York. Oh Gad! very artfully encodes in its characters and plot lines rich slices of the culture of Antigua and Barbuda…we encounter very directly the cultural values, proverbs, practices, and everyday crises that make up life in our twin-island state. Many of the difficulties that challenge her characters, Hillhouse links to slave past and the matri-focal family structure that it has left us. Thus, among the major achievements of this novel is the extent to which the social and cultural life of our society gets woven into its most basic fabric.

In spite of its carefully embedded cultural riches, Oh Gad! is a character driven novel. Its characters are very well developed, clearly delineated, and very artfully kept alive by Hillhouse.” – Badminded Nikki: A Review of Joanne Hillhouse’s Oh Gad! by Paget Henry in the Antigua and Barbuda Review of Books and in Journeys in Caribbean Thought: the Paget Henry Reader. Other reviews of Oh Gad! in the Antigua and Barbuda Review of Books here.

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