Tag Archives: Joy Lawrence

Reading Room lV

Yep, it’s a new Reading Room; lots of stuff to share so it was time to expand from Reading Room and Gallery, Reading Room and Gallery II,  and Reading Room and Gallery III. But I still hope you’ll check them out.

DISCLAIMER: By definition, you’ll be linking to third party sites from these Links-We-Love pages. Linked sites are not, however, reviewed or controlled by Wadadli Pen (the blog, the Wadadli Youth Pen Prize nor coordinator/blogger Joanne C. Hillhouse); and Wadadli Pen (the blog, the Wadadli Youth Pen Prize and coordinator/blogger Joanne C. Hillhouse) disclaims any responsibility or liability relating to any linked sites and does not assume any responsibility for their contents. In other words, enter at your own risk.

Here you’ll find stories, interviews, reviews, poems; you name it…a totally subjective showcase of (mostly) Caribbean written (sometimes visual and audio visual) pieces that I (Joanne) have either personally appreciated or which have been recommended (and approved) for posting/linking. If you’re looking for the winning Wadadli Pen stories (and I hope you are!), check Wadadli Pen through the years. You can also see the Best of Wadadli Pen special issue at Anansesemwhich has the added feature of audio dramatizations of some of the stories.

POEMS
This poet acknowledges that her English is broken an not by accident. The poem’s a quick read but it will stick with you.

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Tanya Shirley’s poetry is vivid and steeped in the rhythms of rural Jamaica and the tensions between the characters that inhabit it…if these three  (Matey*Shall not Conquer, Waiting for Rain (Again), and Every Hoe have him Stick a Bush) are any example.

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I had mixed feelings about the poems in Aloud Voices from the Nuyorican Poets Café Nicole Breedlove’s An Open Letter to Myself was one I liked. Also her ‘Front Page or Bust’ but I can’t find a link to that one. Also on my must-read list
Diane Burns’ Sure You Can Ask me a Personal QuestionTough Language and American Sonnet by Wanda Coleman;
Martin Espada’s Two Mexicanos Lynched in Santa Cruz, California, May 3 1877  and Latin Night at the Pawn Shop ; Pedro Pietri’s Telephone Booth Number 905 ½ , La bodega sold dreams , the Book of Genesis according to St. Miguelito , and the Records of Time by Miguel Pinero; Born Anew at Each A.M. by Piri Thomas; Asha Bandele’s In Response to a Brother’s Question about what he should do when his Best Friend beats up his Woman; and For the Men who still don’t get it by Carol Diehl.

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When Antiguan and Barbudan folk history writer and poet Joy Lawrence said this is her favourite poem, I had to look it up. Like she said it has a force that impresses on all the senses.

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W. H. Auden’s Musee des Beaux Arts is one of my all time favourite poems. I also like Stop all the Clocks.

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“My beauty was never the common beauty of a pampered and petted whore
Whoever seeks such beauty deserves whatever uselessness he finds.
Tepid and tasteless like watered down coffee.
My beauty is so fierce,
so dark, so thick
so ancient, so strong,
you will have to grow new eyes to drink it in.” – love these lines from Donna Aza Weir’s Uncommon Beauty in the Afro Beat Journal… in fact I love the entire Haiti-themed poem.

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Opal Palmer Adisa writes of

“Obedient daughters.
Patient women.
Compliant wives.
Loving mothers.”

in Watching and Waiting.

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Poetry posting by Althea Romeo Mark – I especially liked ‘Whisperer’ and ‘Because I am Woman’.

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She by Eric Merton Roach – posted to the Caribbean Writers tumblr.

SHORT STORIES

NON FICTION

West Virginia native Natalie Sypolt writes of her struggle with writing what she knows in a way that resonates as both powerful and true: “My decision to move away from ‘what I knew’ to safer stories also had to do with the rejections I’d been receiving from literary journals, the models I’d been reading in class (which were nothing like my stories), and, ultimately, the old fear that who I am and where I’m from is seen by the rest of the world as a joke.” The last one is what really bites. Read the whole piece here.

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What to call this? A reverse rejection letter? Not throwing any shade but it’s fun when writers are able to get their own back now and again. Here’s the End of the World of Books from Letters of Note – a pretty cool site with letters of note like that. Such as the letter exchange re the evolution of the Outsiders, a movie I remember for its beautiful sunsets and poetry (nothing gold can stay…) and music (Stevie Wonder’s ribbon in the sky), the delightful teenage angst and suburban style class warfare, across the tracks romance, the epic rumble at the end and all the Rob Lowe-Matt Dillon-C. Thomas Howell-Ralph Macchio hotness; a movie both my sister and I loved back when we were tweens crushing on Pony Boy and Soda Pop.

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I found this to be an interesting read. It includes references to teaching Jamaica Kincaid’s Lucy and other Caribbean books in college/university level courses in the US where the culture of the book is so different from the students’ lives; how do you access and understand the nuances of that culture without having a knee jerk sort of superior response. Here’s an example:

‘One of the things students often say when I teach a book like      this (Lionheart Gal) is “Oh, my gosh, their lives are so rough. They’re      so mistrustful of men. It’s supposed to be nicer than that.”      And “Why can’t they just get along?” I ask them to      answer the same questions that the women in Sistren were asked      to answer in order to create these stories. Questions like “When      did you first realize that you were oppressed as a woman?”      not just “What is your life like?” I ask my students,      “If you were to ask the same questions, what would your      story come out sounding like?” That is often a very good      way to make them understand the parallels between the issues      they are dealing with and the commonsense wisdom, the women’s      wisdom, articulated in these stories.’

Beyond the themes, it also talks about the challenges surrounding how students (including creole speaking students socialized to reject the creole in an academic space) engage with the language in these texts. For these and the other issues it explores, I found this article by Professor Rhonda Cobham-Sander to be share-worthy.

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So I’m intrigued by this Lorna Goodison interview for a few reasons. Because she’s a kick ass poet. Because of what she said about measuring (or not measuring) yourself against others. Because she always comes across like a cool down to earth Caribbean sister in spite of the lofty heights to which her talent has taken her. Because she loves Keats. And because of the question and answer re Antigua at the end.

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Beware self censorship…that’s the moral of this story.

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“These days, I have been learning to write with optimism. The kind of writing that enjoys life, whether it’s a talk on the phone, sunlight on a pier, or the wild joy of a rumba.” This is from Summer Edward’s article, On Writing for Adults. It’s a novel idea for too many of us writers who write from such dark spaces. I like this idea.

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Two things…what she said here… but also how our stray words can sometimes stifle an emerging creative light… one of the things Wadadli Pen urges is to write/draw/express your truth freely…if you can’t be free in the imagination, then where.

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“It isn’t personal. It feels personal, you’re sure it’s personal, how could be anything BUT personal…but it isn’t. The work is simply a widget, and this particular widget didn’t fit. So try again. If it comes back, re-examine your widget and edit as needed. Then try again.” Yeah, you guessed it, this is about processing and handling rejections (the bane of every writer’s existence).

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“Truth be told, some of my most rewarding research didn’t feel like research at the time I was experiencing it; it just felt like life.” Read more.

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Rex Nettleford wrote of dance:

“So, you know, the power of the body, it’s your instrument, it doesn’t  belong to anybody else, and you can use it to carve designs in space — by  which I mean create a vocabulary. I learned from early that just a turn of  the head, the drop of a shoulder, can say a thousand words.”

Read More.

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Words can be powerful deterrents; this blog post by Danielle Boodoo Fortune is a reminder that we should be about using our words to encourage our young people to express not repress.

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That fine line between when it’s still yours and when it isn’t anymore is not an easy one  to walk. But the writing is still… you just (just, ha!) have to learn how to switch gears.

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Publishing may be changing, and this article breaks down how, but it also says in simple terms that what we do remains the same – tell good stories.

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What I like about this article (Extended Family: When Fictional Characters show up in your Living Room by Nancy Kricorian) is how it illustrates what a slow, subtle, deliberate process writing often is. Ten years sounds like a lot especially compared to the “six months” or less spouted by other writers but this is a reminder that it’s not about time but about space, about worlds inhabiting each other. And that’s not to say that that can’t happen more quickly than 10 years; after all Zora Neale Hurston wrote one of the classic works of literature Their Eyes were watching God over seven weeks while on a trip to Haiti. But there’s no rush (publishing deadlines notwithstanding). I haven’t read Nancy’s book (All the Light There was) but the author’s attention to detail in building the world of her characters makes me want to. Plus I can relate to the need to steal time from the demands and expectations of your life, time to write.

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“That is how I feel sometimes with my art, that you have ideas but to some persons, it looks like nothing. But to me…nothing is something.” That’s a quote from Bajan artist Sheena Rose’s first performance piece (if you don’t count this intriguing Sweet Gossip project). I like this review because it gives enough of a play by play that you can kind of see it but it also provides an interpretation of the actions that it’s not simply a play by play. As a long distance fan of Rose’s, I’m liking the daring suggested by this brave new step. I had an online discussion with someone who wondered if the nudity was necessary to communicate all the piece hoped to. Necessary? Perhaps not…but gratuituous, I sense not…there is substance behind the artifice and figuring out what that is is the interesting bit.

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This is an interesting piece on publishing from the Caribbean Book Blog. It addresses what to do if your book goes out of print. This is something I’ve actually had to deal with with my first two books which were originally published with Macmillan and which despite positive response didn’t sell as well as the publisher anticipated and as such were allowed to go out of print. It was a low point for me, but I rebounded when after seeking the reversal of rights, I was able to get The Boy from Willow Bend so far back in print with Hansib. This article deals with one of those things writers need to consider about publishing contracts when it comes to rights. Now, it would be ironic if I posted this and found myself, despite my best efforts to be well researched and well advised each time before signing on the dotted line, ensnared in the very things it warns against down the road…but I won’t let that possibility stop me from sharing this because if you’re thinking of publishing, you need to be mindful of the pitfalls and the potholes. We all need to be.

INTERVIEWS

Emily Raboteau on memoir writing and her book Searching for Zion.

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Maya Angelou’s poetry and prose are legendary; so too the woman herself. Here’s a recent interview. In it she talks about her writing rhythms, heartwarming encounters, Martin Luther King, James Baldwin and much more. Part of what stood out for me was the challenges of the writing process itself because sometimes you imagine that it comes easy for the greats while you struggle to find the right word. She said: “Easy reading is damn hard writing.” and every writer, every writer struggling for the right word, feels the truth of that. I was struck by the condescension with which one writer spoke of her decision to write for Hallmark. To quote Rick Santorum (and I never thought I’d say that), what a snob. Glad to have Maya confirm that not only does a well worded greeting card have the power to affect people as surely as a work of great literature, it’s just as difficult to find the right word: “I would write down a paragraph that expressed what I wanted to say, and then try to reduce it to two sentences.”

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Recently someone who knows Edwidge Dandicat indicated that she’s just as warm and generous as she appears to be in her interviews. All that and talented too. She remains one of my literary inspirations. Check out her frank discussion on women writers, tokenism, and more hard truths from the world of publishing…don’t worry, while she doesn’t sugar coat, she still manages to inspire. Oh, and like her, I, too, think Alice Walker’s In Search of our Mothers’ Gardens should be required reading especially for black women writers. As for Dandicat’s books, for my money you can’t go wrong with the Farming of Bones and Create Dangerously.

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Junot Diaz interview at the Caribbean Literary Salon. If you haven’t read Diaz yet, you should; meanwhile, go read this interview.

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Zadie Smith on The Root, frank discussion on a lot of literary issues including reviews …my favourite line on the question of multiculturalism “We are people; we exist.”

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My interview at PhD in Creative Writing; a blog that asks writers in five not so easy questions, how’d you become a writer.

VISUAL ART

The relationship between sisters is so much a part of my writing, how could I not share Claudette Dean’s Sisters? One of the things I find beguiling about it is how at first glance you see the obvious similarities – notably the shape of the face and eyes but that the longer you look you see that each of those eyes tell a different story. I find myself wondering what those stories are. It’d make a great writing prompt.

Love this! (Requiem for Haiti by Chantal Bethel)

N.B. For some of my stuff, visit http://jhohadli.wordpress.com

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Filed under Links We Love

Antiguan and Barbudan literary works reviewed

As I come across reviews or dig through archived reviews, I’ll add them – first to last, and not necessarily in the order they were written. Been finding so many, I had to tie off this list and continue the series in other posts (use the search feature to find them).

Tameka Jarvis-George’s film, Dinner, based on her poem of the same name and directed by Christopher Hodge of Cinque Productions premiered in 2011 at the Reggae Film Festival in Jamaica, where it received the following review:

“Featuring an attractive pair of lovebirds, Dinner is a sweetly poetic and vivid 12-minute verse-to-screen clip from an Antiguan writer/director with an appealing, if slightly provocative, voice. It’s a small film with a big heart that explores intimate love, employing a slyly clever approach – cloaked in the guise of meal preparation. While getting dinner ready a radiant young lady (played by Jervis-George, who also provides a lyrical voice-over) is surprised by the early arrival home of her virile Rastafarian man, and before you can say ‘Come and get it’ a dining of a totally different variety plays out on-screen. Shot in vibrant hues by a surprisingly steady camera, Dinner is romp that ends all too quickly, but it was tastefully delightful while it lasted. B”

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The Devil’s Bridge is an evocative work that will establish itself as another classic of the Caribbean and particularly Antiguan writing. It walks confidently, making its own path somewhere between Jamaica Kincaid and Wilson Harris. Because of its powerful visionary and ego-transcending achievements, this work will be compared to Harris’s Palace of the Peacock and Jamaica Kincaid’s Annie John.”

Professor Paget Henry,
Sociology & Africana Studies
Brown University

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Just came across this mention of my Boy from Willow Bend at Behind the Marog Kingdom listing it alongside Flying with Icarus by Curdella Forbes and the Legend of St. Ann’s Flood by Debbie Jacob as “useful stories for discussion” in getting Caribben boys to deal with their feelings. That’s kinda cool. It’s also listed as recommended books for boys here.

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“The beauty, economy and precision of Kincaid’s prose transports even the most curmudgeonly and aloof reader into the abject state of gushy fandom.” – Saidiya Hartman, professor of English and comparative literature at Columbia university, introducing Jamaica Kincaid for a reading.

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Re Unburnable

“John expertly weaves history and fiction into an integral narrative that takes the reader on a fascinating journey where instincts, magic, intuition and, above all, love are the real protagonists.” – from this blog.

“UNBURNABLE is good, if not great. It is a magnificent attempt on a very large theme: recognizing and releasing the sins of the fathers (in this case, mothers, in a matriarchal society) to embrace one’s own destiny.” – from this blog.

“Marie-Elena John graciously takes you inside the history and lives of the people in Dominica. You will visist the island’s original Carib people, who discovered Columbus when he arrived in 1493. Yes, be careful because you may actually learn something by reading this novel. Don’t worry. Marie-Elena weaves a wonderful tale that will also feed some of your thirst for sex and action, while simultaneously increasing your knowledge of Africa and the Caribbean.” – from this blog.

“The diversity of the African diaspora is often overlooked in modern African American literature, and this page-turner fills in some gaps.” – from Booklist, found here.

“Strong writing and interesting supporting characters should keep readers occupied through the end.” – from Publishers Weekly, found here.

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Re Considering Venus

“An interesting thing about Considering Venus is that Lesley’s sexuality is never defined. It’s just love between two women–with no barriers.

Isaac has written a lovely book, with just the right fusion of prose and poetry make it a joy to read.” – this from Sistahs on the Shelf in 2008.

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Encouraging review (September 2011) of unFRAMED, a play by Antiguan born, American based Iyaba Ibo Mandingo:

“Artist and performer Iyaba Ibo Mandingo is undeniably talented. Though he describes himself “as a painter and
a poet,” in unFRAMED, Mandingo also demonstrates his abilities as a singer, dancer, performance artist, standup
comedian and storyteller…Visually, unFRAMED is a treat. Mandingo’s painting is colorful and expressive, and lighting designer Nicholas Houfek does an excellent job enhancing the various emotions that Mandingo conveys throughout his story. UnFRAMED is also very funny at times, especially in a sequence in which Mandingo makes light of his own name. Best of all, unFRAMED is worthwhile because it shares a different perspective on America, one that stands in stark contrast to most people’s naïve notion of a land of equality and opportunity.”

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Life as Josephine comments on Dancing Nude in the Moonlight:

“There is no way an Antiguan or an individual who lives on the island cannot relate to this story. The island is too small and the story too concise to be shortsighted. As a returning national, I found it answered many questions as to the cultural dynamics of present day Antigua.”

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Amos Morrill’s children’s book Augusta and Elliott received some positive feedback from readers and reviewers, such as:

“…there is much on the page to delight the eye, both in color and in content. The
text is simple but the message to children (and their parents) is clear: help
save our oceans.” – Charlotte Vale-Allen @ Amazon.com

“This simple storybook is filled with colorful drawings to tell the tale. Without harping on negativity, the fish throw a party to drum up support and start implementing change…This would be a great gift for anyone with kids. Amos would love to know that future generations will be more conscious of the fragile nature of our ecosystems and our need to minimize human impact.” – Kimberley Jordan-Allen

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“…it’s often thought that there  was next to no literature produced in the Caribbean until the mid-20th century.  It makes Frieda Cassin one of the region’s first recorded woman writers, and it makes her novel the first such book to be published in Antigua. But much more interesting than these historical details is the novel itself,  a distinctly dark and disturbing look at West Indian society…

There is much that is bad about this book. The dialogue is at times excruciating,  and the familiar clichés of Caribbean life rather trying. But, as an insight into some of the phobias surrounding small-island society a century  or so ago, it is fascinating. And what makes it all the more bizarre is that  this dark indictment of a racist and neurotic world was written by a respectable  lady who was probably a pillar of that very society.” – Caribbean Beat review, in its November-December 2003 issue, of Freida Cassin’s With Silent Tread.

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A mixed review of Althea Prince’s Loving this Man from January magazine begins:

“Toronto author Althea Prince writes with such sensuality and grace that it creates a heady spell, drawing the reader into the center of the story. If only this were all a novelist needed to do, Loving This Man would have been a triumph. The fact that the novel does not come together as a satisfying read is connected to technical things like structure and voice, and even deeper underpinnings such as intent.”

Do you agree? Read the book, read the rest of the revew here and decide for yourself.

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From my own review in Volume 3 Number 1 Summer 2010 edition of The Antigua and Barbuda Review of Books, of Althea Prince’s body of work:

“By writing not only plentiful but plenty-plenty of who we are beyond skin and bones and the condition that landed us here, by rebelling with polite but persistent resolve against the hegemony that would box us in, by writing with heart and hardiness, with poetry and compassion, by nudging writers like myself to trust what we intuit, Prince continues to be an example to Antiguan writers yet becoming.”

Full review Althea Prince Writing What She Intuits by Joanne C. Hillhouse.

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Just found this fleeting but delightful reference by Jamaican Helen Williams to Ashley Bryan’s Beautiful Blackbird, referencing a reading of the book to a grade four class:

“This delightful story, with its rhythmic prose and adequate repetition, is adapted from a tale from ‘The Ila-speaking peoples from Northern Rhodesia (now Zambia)’ by Edwin Smith and Andrew Dale, (1920). The bold illustrations could be seen by the children at the back of the class. (Thanks to Pam Witte for sending me this book.) Several children asked me to read the story again…”

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Referencing the writings of Althea Romeo-Mark:

“The gusting, twisting, reaching complexity of Romeo-Mark’s poetry and narrative matches the twisting, gusting complexity of her thought. And yet, the poems and narratives are not insistently complex. The rhythm and the ideas are both simple and matter of fact. Romeo-Mark’s wit is neatly carried by a direct cadence and where enjambment occurs; she states her case plausibly, clearly developing a seamless organization without falling into monotony.” – Review of If Only the Dust would Settle, P. 341 – 342, The Caribbean Writer Volume 25, 2011

“The voice of African-American writing” –  Poetry@Suite101, 2011

“This book is also interesting…for the insight it offers to the immigrant experience.” – Daily Observer, 2010

“Romeo-Mark’s knack for connecting the inner and outer world, shifting easily between moods, and making connections across time and space, coupled with vivid imagery, make this a thoroughly engaging read.” – customer review, Amazon.com, 2010

and this review of her earlier work:

“The relationship between Romeo-Mark and the persona in her poems is complex. The poet seems to maintain a psychic distance from her persona. The voice in her poetry describes the ironies of the human experience in the Caribbean, North America, and West Africa.” – Vincent O. Cooper, JSTOR, 1994

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Cris on Facebook on Considering Venus:

“If D. Gisele Isaac wrote “jiggy poo poo” on a piece of paper, I’d want to read it. She
has one of those writing styles that just draws you in and wraps you up in the
flow of her words. I felt like the characters in the book were real people that I could actually
bump into if I went down to the road in the supermarket. Now lemme tell you
bout the book: Considering Venus explores the lives of a heterosexual widow, who finds herself
falling in love, and teetering into a relationship with an old school friend
who just happens to be a lesbian female. The pair undergo the typical battles of a new “same sex” relationship
as the story unfolds. Now I have two BIG problems with this book. Number one: the book actually had
an ending, I wanted to stay in Cass and Lesley’ lives forever (no homo lol) and
number two: WHEY THE SEQUEL SO LANG WOMAN!”

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Cris also said about Floree Williams’ Through the Window, also on Facebook:

“I really enjoyed this book. What I loved most about it was the author’sability to get you to ‘see’ the characters, and the places the
characters in the book went.”

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Finally, her reader-review of my book Dancing Nude in the Moonlight (yep, on Facebook) said, among other things:

“What stood out to me the most was that Joanne managed to “flesh out” such real characters and spin such a realistic story line into such a small book.”  Thanks, Cris.

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See a short write-up on Tameka Jarvis-George’s Unexpected at 365Antigua.com. Excerpt:

“‘Unexpected’ is a poignant, true-to-life tale that reflects a Caribbean-inspired ‘voice’ but is easily transferable and relatable to other cultures.”

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Came across this old(ish) write up of young writer (and Wadadli Pen alumna) Rilys Adams’ first spoken word CD, Laid Bare. Excerpt:

“Her poetry is timely and captures the urgency to preserve the culture that is  left, to uplift the nation, and savour memories with loved ones.”

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Search Antigua has been making its pick of essential Summer reads. On its non fiction list, you’ll find Keithlyn Smith’s To Shoot Hard Labour (“a book every Antiguan should read”) and Symbol of Courage, and Monica Matthews’ Journeycakes. On its fiction list, you’ll find Marie Elena John’s Unburnable (“a suspense novel with many twists, turns and secrets”), my (i.e. Joanne C. Hillhouse’s) Dancing Nude in the Moonlight (“a nice, light, summer read for the romantics”), and Tameka Jarvis-George’s Unexpected (which “will have you curled up on the couch for a while”). Teen picks include my Boy from Willow Bend, Akilah Jardine’s Living Life the Way I Love It and Marisha’s Drama, Marcel Marshall’s All that Glitters, and Floree Williams’ Through the Window (“a great read for older teens and young adults”); while on the kids’ list are A Day at the Beach (“beautiful illustrations and the charming story of two children’s day at the
beach”) by writer Calesia Thibou and illustrator Gail M. Nelson, Floree Williams’ Pink Teacups and Blue Dresses, and Rachel Collis’ Emerald Isle of Adventure.

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What did the late critic Tim Hector think of Dorbrene O’Marde?… Just came across this review of the latter’s last play (to date) This World Spin One Way…and it’s full of high praise indeed:

“Dobrene O’Marde is a valuable asset in a community with few valuable
assets. That is why this article was extended beyond the limits of a mere
review, proving that without the artistic integrity of the likes of Dobrene
O’Marde all dialogue is silenced, and we have only the tiresome monologue of
rulers.”

“…Let me say at once, that “This World Spins One Way” is Dobrene’s best written play, and probably the best play written by an Antiguan.”

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A great resource for reviews of Antiguan and Barbudan books is The Antigua and Barbuda Review of Books edited by Brown University Professor Dr. Paget Henry. The 2011 issue includes reviews of the late Dr. Charles Ephraim’s The Pathology of Eurocentrism (“a major work of Africana existensial philosophy andBlack existentialism” – Lewis R. Gordon); Emily Spencer Knight’s Growing up in All Saints Village, Antigua: The 1940s – the late 1960s (“history written in a personal style” – Bernadette Farquhar); Leon H. Matthias’ The Boy from Popeshead, Theodore Archibald’s The Winding Path to America, Hewlester A. Samuel Sr.’s The Birth of the Village of Liberta, Antigua, and Joy Lawrence’s Bethesda and Christian Hill: Our History and Culture (collectively described as “…a goldmine for those who want to learn about the culture and cultural practices of each period” – Susan Lowes); and Paget Henry’s Shouldering Antigua and Barbuda: The Life of V. C. Bird (“an enlightening narrative of the leadership style and philosophy of Bird…” – George K. Danns). I’m delighted that it also includes a review of my own Boy from Willow Bend by the esteemed Columbia University Assistant Professor and daughter of the Antiguan and Barbudan soil, Natasha Lightfoot:

“For its thoughtful rendering of complex issues such as
gender, class, migration and death, for the swiftness of Hillhouse’s prose, and
especially for the captivating personality with which she endows the title
character, readers will be instantly drawn to this narrative.

“Hillhouse has crafted a story that adult and young readers
alike can enjoy, that truly captures the spirit of Antigua’s recent past.”

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Online review of  Dancing Nude in the Moonlight (“an honest depiction of attitudes toward cultural mixing and interracial dating”)…love the name of this blog, btw: lifeasjosephine.

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U.S. (specifically Rawsistaz’s) review of The Boy from Willow Bend reposted by 365Antigua.com: three out of five stars, the reviewer had some struggles with the language but liked the descriptions (“I could picture myself walking down the dirt roads looking at the willow trees or listening to the street musicians as I walked down the street”).

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Jamaican children’s author Diane Brown’s review of Antiguan S. E. James’ Tragedy on Emerald Island

“The descriptions of the eruptions beginning, the ash, the fright of not knowing
at first what it is, what was actually happening, and then once reality dawned,
the fear of what would happen next, grabbed me. I was sitting ‘scrunched up’ in
my bed (which is where I read) with fright.”

and other books for older readers.

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Reader comments on Floree Williams’ Through the Window can be found at the book’s Facebook page including:

“beautiful novel ” (Eric Jerome Dickey, author)

“The storyline was good, albeit one that …is not uncommon, however the characters and the way they unfolded during the telling of the story was indeed interesting.” (Marcella Andre, media personality)

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Unburnable, Marie Elena John’s book attracted wide acclaim and a Hurston Wright nomination. Follow this link and this to see what other critics have to say about the Antiguan authors debut novel. Here’s a teaser:

“wondrously intelligent” (Chimamanda Adichie)

“electrifying” (Essence)

“compelling” (Booklist)

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“Vibrant and powerful” are two of the words that have been used to describe Women of Antigua’s When a Woman Moans first staged in 2010 as a successor to its stagings of Eve Ensler’s Vagina Monologues. It was co-scripted and directed by Zahra Airall and Linisa George of August Rush Productions w/input from Marcella Andre, Carel Hodge, Floree Williams, Greschen Edwards, Melissa Elliott, and me (your Wadadli Pen blogger/coordinator Joanne C. Hillhouse) in 2010 with the addition in 2011 of pieces by Tameka Jarvis-George, Salma Crump, Brenda Lee Browne, and Elaine Spires. Here’s what they had to say about the 2010 production over at 365 Antigua and see what audience members said at the When A Woman Moans group page on Facebook.

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on Amazon and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Filed under A & B WRITINGS

Flashback – Word Up! 2006

Word Up! was a literary showcase held for the first time in 2006 – with a revival in 2010 – in collaboration with the Museum which hosted the event. It was a joint fundraiser and an opportunity to shine the spotlight on Antigua’s literary stars such as

S. E James, author of the children’s adventure series that includes Tragedy on Emerald Island, A Narrow Escape, and Kidnapped at the Beach

S. E. James

Joy Lawrence, author of Island Spice, Colours and Rhythms, The Way We Talk, and The History of Bethesda and Christian Hill

Joy Lawrence

Dotsie Isaac Gellizeau, who can be heard on the Spoken Word CD Absouluuutely Dotsie
 
Tamo Zakela

Tamo Zakela, also known as Antigua's High Priest of Poetry

 Jermilla Kirwan, star of The Sweetest Mango and Diablesse (with which she also served as co-writer)

Jermilla Kirwan, writer and former Carnival Queen

 Kush David, poet and activist

Kush

Tameka Jarvis author of the poetry collections, I Am That I Am and I Am, and book of fiction (released 2010) Unexpected
 
Zeina Hechme who won the first of the Independence Literary Arts competitions in 2005
Sandrena Martin, 2005 Wadadli Pen Winner
and others. It was a really fun night, emceed by Natalie Clarke White, and well attended. Proceeds helped with the 2006 Wadadli Pen competition and part proceeds went to the museum. When Word Up! was held for the second time in 2010 it was directed by Zahra Airall with performances by her Zee’s Youth Theatre – interpreting the work of various Antiguan authors – and others . Proceeds from that were donated to the Red Cross for Haitian relief in the wake of the quake.
Photos by Laura Hall and/or Gemma Hazelwood

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Filed under Literary Gallery