Tag Archives: Kemal Osmel Nicholson

A & B Writings in Journals, Showcases, and Contests (H – N)

This page has grown fairly quickly, so I’m breaking it up in to four pages. For A – G, go here, for O – T, go here, for U – Z, go here. and for books, go here. This is exclusively for creative pieces by Antiguans and Barbudans accepted to established literary journals, festivals (and other notable literary platforms), and contests (not pieces posted only to personal blogs) as I discover (and in some cases, re-discover) them. Primarily, the focus is on pieces accessible online (i.e. linkable) because those are easiest to find; but it is not limited to these. It is intended as a record of our publications and presentation of creative works beyond sole authored books. Naturally, I’ll miss some things. You can recommend (in fact, I welcome your recommendations), but, as with all areas of the site, additions/subtractions are at the discretion of the admin.

HECTOR, LEONARD ‘TIM’ – Excerpt from The Art of Carnival and the Carnival of Art (non-fiction, previously published in The Outlet newspaper) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

HENRY, E.T.Christmas Stringband GreetingCardChristmas Stringband (visual art – greeting card),

Calypso dancers

‘Calypso Dancers’, and John Bull painting (visual art – painting) John Bull – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

HILLHOUSE, JOANNE C. Ixie and Izzy in Moko: Caribbean Arts and Letters – December 7th 2021

Excerpt: Grey was a palomino, pale and freckled and blonde, an unusual breed for the island but here nonetheless, as anomalies are everywhere. Perhaps it was their differentness that made them such good companions. The horse had waited patiently through the night. Now, she snuffed and fidgeted, as she rarely did, and when that didn’t get Ixie’s attention, she neighed. Ixie looked over to see a man standing, watching.

HILLHOUSE, JOANNE C.  – Presenting on ‘The Art of Writing Children’s Books’ at Write the Vision’s 2021 Aspiring Authors and Writers Virtual Literary Event – October 7th 2021


HILLHOUSE, JOANNE C. – Ah Write!, She Lives There, She Works, Ghosts Lament, When We Danced, Ode to the Pan Man, excerpt from With Grace, Da’s Calypso (poetry, fiction) – Festival Internacional de Poesia de Medellin (samples ‘Una Oda al Pan Man’ [An Ode to the Pan Man], ‘El Lamento de las Fantasmas’ [Ghosts’ Lament], ‘Ella viva Alla’ [She lives There], ‘Ella Trabaja’ [She Works], ‘El Calipso de Da’ [Da’s Calypso], and ‘Escribo!’ [Ah Write!] also published on the Festival site and ‘El Lamento de las Fantasmas’ [Ghosts’ Lament] and ‘El Calipso Da Da’ [Da’s Calypso] p. 279-282 in the official festival publication ‘Revista Prometeo Numero 115-116’ Agosto de 2021 Revista Prometeo 115-116 (JCH in Revista Prometeo)- August 10th 2021

HILLHOUSE, JOANNE C.Times A-Changing (fiction) – CREATIVE SPACE #15 of 2021 in the Daily Observer newspaper

Excerpt: “The already narrow road was made narrower by the line of cars. There were always cars there, even when the bars up and down both sides of the road were officially closed due to Lockdown.”

HILLHOUSE, JOANNE C.Antigua, at Night (poetry) – in BIM: Arts for the 21st Century Volume 10 – 2021

antigua-at-night

HILLHOUSE, JOANNE C.Carnival Hangover (fiction) – in intersectantigua.com – 2020

HILLHOUSE, JOANNE C.  –   reading excerpt from Rhythms (poem, Vol. 18, The Caribbean Writer) and Ode to the Pan Man (poem, Vol. 27, The Caribbean Writer) – (virtual) lit conference and journal launch of The Caribbean Writer – 2020

HILLHOUSE, JOANNE C. – reading excerpts from award winning teen/young adult novel Musical Youth as part of St. Lucia’s Caribcation Caribbean Author Series – 2020

HILLHOUSE, JOANNE C. – Lost! A Caribbean Sea Adventure read during the Read2Me virtual series out of Trinidad and Tobago  – 2020

HILLHOUSE, JOANNE C. – Grandmother and Child, Waste Not, Weather Patterns (poetry) – Skin Deep magazine Is this the End? (UK) – 2020

HILLHOUSE, JOANNE C. – readers sharing an excerpt from With Grace at the Barnes Hill Reservoir Park Black History Month event (fiction) – 2019

HILLHOUSE, JOANNE C. – Development and Summer One (poetry) – Angles of Light series on Chapel FM (UK) – 2019

HILLHOUSE, JOANNE C. – Ode to the Pan Man during Antigua and Barbuda Independence literary arts showcase (poetry) – 2019

HILLHOUSE, JOANNE C. – excerpt from Musical Youth during Antigua and Barbuda Independence literary arts showcase (fiction) – 2019

HILLHOUSE, JOANNE C. – The Night the World Ended (fiction) – The Caribbean Writer Volume 32 – 2018

HILLHOUSE, JOANNE C.A Life in Mas (non-fiction) – Moko: Caribbean Art and Letters – 2018

HILLHOUSE, JOANNE C. Papa Jumbie (flash fiction)- Akashic Books’ Duppy Thursday series – 2017

Excerpt: “… he choops to heself. Only picknee believe in jumbie. Dead na speak an’ Papa dead long time.”

HILLHOUSE, JOANNE C.The Other Daughter (fiction, included in a test question in the Denmark Ministry of Education’s 2019 English Evaluation Written Exam for upper secondary and higher preparatory students. Plus there’s analysis and breakdown on the Danish version of study net – 2019) – Adda (the Commonwealth Writers online literary magazine) – 2017

Excerpt: “The day we went uphill, my corn-rowed head level with Mom’s melon-sized chest, my inquiries about where we were going were met with silence and a determined tug on my arm as I dragged my feet.”

HILLHOUSE, JOANNE C.Little Prissy Palmer (flash fiction) – The Machinery – 2017

HILLHOUSE, JOANNE C. – The Bamboo Raft and Election Season (poetry), and Zombie Island (fiction) – Interviewing the Caribbean Vol. 2 No. 1 – 2016

HILLHOUSE, JOANNE C. – Game Changer (fiction) – Moko: Caribbean Arts and Letters, Vol. 9 – 2016

HILLHOUSE, JOANNE C. – When we Danced (also winner of the Caribbean Writer’s 2014 Flash Fiction Prize) (flash fiction) and Election Season ll (poetry) – The Caribbean Writer Volume 29 – 2015

HILLHOUSE, JOANNE C. – What’s in a Name? (fiction) – BIM: Arts for the 21st Century Volume 7 – 2015

HILLHOUSE, JOANNE C.Children Melee (poetry) – Moko: Caribbean Arts and Letters Issue 3 – 2014

Excerpt: “Peanuts roasting
 Music pumping
 Obsti prancing about in pigtails”

HILLHOUSE, JOANNE C. – To Market, Snapshot (flash fiction) – Susumba’s Book Bag Issue 1 – 2014

HILLHOUSE, JOANNE C. – Civi-li-za-tion (poetry) – Artemis Volume XXl- 2014

HILLHOUSE, JOANNE C.Summer 1 (poetry, also published in Tongues of the Ocean) & Something Wicked (fiction, Story of the Week) – The Missing Slate – 2013/2014

Excerpt (from Something Wicked): “Essie is flamboyant as ever; her full and curvy frame hugged up by a red bustier straight out of a burlesque show, black leather pants, and dangerously (sexy, she would say) red heels that still only bring her up to Claudette’s chin. Claudette is also in black, tall and svelte in a black strappy ankle-length maxi dress, black combat boots and a black beaded cloche hat someone like Louise Brooks might have worn during the jazz era; her red-red lip stick and the red beading in the fitted cap, the only pop of colour. Essie had given the whole get-up an eye roll when she’d picked her up. Claudette had done her own mental eye roll at the way her friend, enviably comfortable in her own skin, still doesn’t get the concept of size-appropriate clothing.”

HILLHOUSE, JOANNE C. – Carnival Blues (fiction, also published as Something Wicked in The Missing Slate), Is Like a Like It (screenplay excerpt), Music and Ode to the Pan Man and On Seeing Euzhan Palcy’s Rue Cases Nègres  (poetry) – The Caribbean Writer Volume 27 – 2013

HILLHOUSE, JOANNE C. – All Fall Down (fiction) and Feather in Her Ear, Another Garden, Prison for Two, and Corporal Punishment (poetry) – Womanspeak: a Journal of Art and Writing by Caribbean Women Volume 7 – 2013

HILLHOUSE, JOANNE C.The Cat has Claws (flash fiction) – Akashic Book’s Monday’s are Murder online noir series – 2013

HILLHOUSE, JOANNE C.  – Caribbean Woman (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – The Columbia Review – 2013

HILLHOUSE, JOANNE C. – She Works (national contest selection 2009), She Lives There, and Development (also published in Tongues of the Ocean) (poetry, all subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Womanspeak: a Journal of Literature and Art by Caribbean Women Volume 6 – 2012

Excerpt (She Works):
“A thin row of cane stalks marks
The boundary of the land
She carries a bath heavy with clothes in her hands”

HILLHOUSE JOANNE C. – Mango Season (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – The Caribbean Writer Volume 26 – 2012

HILLHOUSE, JOANNE C. – Differences (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Theorizing Homophobias in the Caribbeean: Complexities of Place, Desire, and Belonging – 2012

HILLHOUSE, JOANNE C.Teacher May (fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Poui: Cave Hill Journal of Creative Writing Number XII – 2011

HILLHOUSE, JOANNE C. – At Sea (flash fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Munyori – 2011

HILLHOUSE, JOANNE C. – Ghosts Lament (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – SX Literary Salon – 2011

Excerpt: “…as someone beats a pan; a skanking Marley jam…”

HILLHOUSE, JOANNE C. – Somebody (fiction; subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – St. Somewhere – 2010

HILLHOUSE, JOANNE C.Scenes from a Caribbean Childhood (poetry) – Anansesem – 2010

HILLHOUSE, JOANNE C. – Country Club Kids (fiction) and Tongue Twista (poetry,  both subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – The Caribbean Writer Volume 24 – 2010

HILLHOUSE, JOANNE C. – AfterGlow (fiction) – Tongues of the Ocean – 2009; subsequently published in So the Nailhead Bend, So the Story End – 2012 and Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014

HILLHOUSE, JOANNE C. – Venus Ascending (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Mythium: the Journal of Contemporary Literature and Cultural Voices – 2009

HILLHOUSE, JOANNE C. The Arrival , Prospero’s Education , and Da’s Calypso (poetry, all subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Calabash – 2008

Excerpt from Da’s Calypso:

“He na min school pon
Shakespeare,
but he understan’ well
de ingenuity o’
wan pun,
weave imagery o’
everyday life
inna song –”

HILLHOUSE, JOANNE C. – Friday Night Fish Fry (fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – published in Sea Breeze and read at the Breadloaf Writers Conference – 2008

HILLHOUSE, JOANNE C. – Cold Paradise and Portent (fiction) and Benediction before the Essences: A Prayer, Caribbean Sunset, Caribbean Spirit, The Sea (poetry, all subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Women Writers – 2008

HILLHOUSE, JOANNE C. – Soca Night (fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) and excerpt from Oh Gad! (fiction, a novel subsequently published by Simon & Schuster, 2012) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

HILLHOUSE, JOANNE C. – Rhythms (fiction) and Ah Write! (poetry, later published, 2010, in PEN America: a Journal of Writers and Readers) (both subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – The Caribbean Writer Volume 18 – 2004

HILLHOUSE, JOANNE C. – Martin, Dorie, and Luis: a Love Story (fiction, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Jamaica Observer Literary Arts – 2004

HILLHOUSE, JOANNE C. – Philly Ramblings 8 (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Ma Comère: Journal of the Association of Caribbean Women Writers and Scholars Volume 3 – 2000

HILLHOUSE, JOANNE C. – Bitter Memories (fiction) and Hope Springs Eternal and Old People (poetry, subsequently published in Dancing Nude in the Moonlight: 10th Anniversary Edition and Other Writings – 2014) – Collective Soul – 1998

HILLHOUSE, JOANNE C. – reading excerpts from unpublished manuscript Closed for Repairs (fiction) and Second Middle Passage and Apocalyptic Dance (poems) while a participant in the Caribbean Fiction Writers Summer Institute at the University of Miami – 1995

Excerpt: “A sister pimping her soul
A baby with a gun in his hand
Love gone cold”

HOLDER, ZURI – The Scary Night (fiction, 2011 award winning Wadadli Pen story) – Anansesem (the Wadadli Pen special issue) – 2011

HUNT, SIENA K. MARGRIE – Nuclear Family Explosion (fiction, 2004 award winning Wadadli Pen story) – Anansesem (the Wadadli Pen special issue) – 2011

HUNTE, JOSEPH ‘CALYPSO JOE’ – Bum Bum (calypso lyrics – 1970 Carnival road march tune)  – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

ISAAC, D. GISELE – Excerpt from In Search of a Road (fiction, unpublished-in-progress novel) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

ISAAC-GELLIZEAU, DOTSIE – Home (poetry) – national contest selection (no word of announced publication) – 2009

Excerpt:”Her soul and heart rejoiced
Upright and locked position”

JACKSON, ANNETTAUnlearning Anti-Blackness – in intersectantigua.com – 2020

“It is Sunday, May 4th, 2014 and I am in my bathroom with blue handle scissors cutting off 6 years’ worth of permed hair from my head. My afro is like a mushroom and my face looks like a boy. I had been growing my hair out for a few months and my biological mother had been washing my scalp with red stripe and aloe. I got tired of battling with the two textures, so I cut it off.”

JACOBS, OGLIVIER ‘DESTROYER’ – Message from Gorkie (calypso – from his album The King and The Patriot) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

JAMES, S. E. – (fiction) Excerpt from the chapter Carnival in her book Tragedy on Emerald Island – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

JARDINE, AKILAH – (fiction) Excerpt from the chapter Blue Devils in her book Living Life the Way I Love It – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

JARDINE, ARTHUR ‘BUM’ (youngest member of Brute Force, the first recorded steelband) – The Man and His Pan and My Travels with Brute Force (non-fiction from memoir in progress The Man, His Pan, and The Conflict), Pan Rhapsody and Song for Fundu (poetry) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

JARVIS-GEORGE, TAMEKA Woman to Woman (fiction) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

JARVIS-GEORGE, TAMEKA Ugly (poetry) – featured in/providing narrative structure for film of the same name

JARVIS-GEORGE, TAMEKA – Dinner (poetry) – featured in/providing narrative structure for film of the same name

JENNINGS, HUDLE – (visual art – illustration for Shakeema Edwards’ The Curse of the Kumina and for Devra Thomas’ Sand and Butterflies (2011 Wadadli Pen art and fiction) – Anansesem (the Best of Wadadli Pen special issue) – 2011

JOSEPH, CLIFTON – That Night in Tunisia  – performed in the documentary Dark Arts in the Plastic Hallway – 2009

JOSEPH, CLIFTONI Remember Back Home & Slo Mo (poetry) – performed at the Words Aloud 4 Spoken Word Festival in Canada – 2007

Excerpt: “It wasn’t all bright smiles, sea sand, sun and
fun/Back home had its share of oppression in the sun/
Back home had its share of dreams burnt in the sun”

JOSEPH, JAMALReturning to Natural Roots (visual art) – intersectantigua.com – 2020

KINCAID, JAMAICA2021 Langston Hughes Festival – Evening Ceremony Honouring Jamaica Kincaid – 2021

KING, X-SAPHAIRTurmoil Within and  Strength through Pain (visual art – painting) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

KINSELLA, MARIE – ‘Drum Man @ Boy’, ‘Two Pan Drummers’, and ‘The Joy of Pan’ (visual art – painting) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

LAKE, EDGAR O. – Little Richard’s Second Coming (poetry) – Calabash – 2007

Excerpt: ‘But, the Faithful wait for the King of Pommade, Tuti
The Monarch of Mascara, pre-Pink Floyd, Tuti-Fruti
He’s turned his back on Hollywood – protesting!
He’s the King of Rock-and-Roll – will take it back –
“This Little Light of Mine – Say What?”
The tired Daughters of the Carolinas toss their curls
Little Richard’s seen the fork in the road – and took it

Praise his name!’

LAKE, EDGAR O.Walcott Reads to Brodsky’s Godmother (poetry) – Calabash – 2007

LANGLEY, CHARLESBlack Woman Cry (poetry) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

LAWRENCE, LISCIA – The Day I saw Evil (fiction, Wadadli Pen award winning story) – Anansesem (the Wadadli Pen special issue) – 2011

LAVELLE, ARDIS – PreSchool Days (poetry, 2011 Wadadli Pen award winning story) – Anansesem (the Wadadli Pen special issue) – 2011

LI, DENISE – Carnival 1988 (visual art – drawing) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

LI, SARAH ANN – Lucky Dollar (fiction, 2005 Wadadli Pen award winning story) – Anansesem (the Wadadli Pen special issue) – 2011

LIBURD, EDISON – ‘Mysteries and Contradictions’ – Caribbean Writer 29(visual art, cover art) – The Caribbean Writer Volume 29 – 2015

MARTIN, COLIN ‘WANGA’ – selected images (visual art – costumes: Bush Doctor, reminiscent of the old time medicine; Calabash and Can Cup, one time household utensils; Cane Cutters, referencing the sugar plantations that once dominated; Can Can and Hot Pants, referencing past fashions; and Perry Grey Ghost, referencing an old time folk character) from Reveller’s Mas Troupe’s 2003 presentation ‘Ole Time Something Come Back Again’ and ‘Spirit of Carnival’ (designed for 2005 Antigua Carnival Queen finalist Kimmorna Otto, to her ReggaeSoCalypso theme) – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

MCDONALD, HILDA – Dawn and Evensong – KYK-OVER-AL No. 22: Anthology of West Indian Poetry, edited by A. J. Seymour (p. 47) – 1957

MEADE, SHANNONI, Atlas (fiction) – intersectantigua.com – 2020

MEADE, SHANNONMy Old Foe (poetry) – intersectantigua.com – 2020

MEDICA, HAZRADiscretely Antiguan and Distinctly Caribbean  (non-fiction) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

Excerpt: “Near twenty years ago and entirely by chance, I discovered my first Antiguan novel.”

MEDICA, HAZRA – The Greeting (fiction) – Poui: Cave Hill Journal of Creative Writing XIII- 2012

MEDICA, HAZRA Ode to a Night in Ale – finalist in the Wergle Flomp Humor Poetry Contest – 2010

MEDICA, HAZRAThe Banana StainsHighly Recommended in the Commonwealth Broadcasting Association Short Story Contest – 2008/9

Excerpt: “I see my father motioning for me to come to him. His face is grim- the inspector had not been kind to him. On the drive home I think of Mr. Massiah and his stained clothing. Mr. Massiah has calloused hands. His hands make me think of the banana trunk in my dream.”

MENTOR, KEILLIA Mongoose in a Hole (fiction, 2011 award winning Wadadli Pen story) – Anansesem (Wadadli Pen special issue) – 2011

MERANTO, JENNIFER – ‘Carnival Mask’ (visual art – photography) – originally shot 1996; silver prints  – in Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

MINGS, KIMOLISALittle Red Hoodie (fiction) – Tongues of the Ocean (special issue – Artists and Writers of Antigua and Barbuda edited by Joanne C. Hillhouse) – 2014

NANTON, ERROL ‘BUMPY’ – ‘Dance of the Masks’ and selections from Dynamics’ 2007 mas which revisited the best of Antigua’s Carnival over 51 years (visual art – costumes; 2001’s presentation ‘Dance of the Masks’  grew out of Nanton’s fascination with the tribal masks of Africa) – Carnival is All We know: an Anthology Celebrating 50 Years of Antigua’s Carnival and the Creativity of Our Writers & Artists (edited by Joanne C. Hillhouse and published as a supplement in the Daily Observer) – 2007

NICHOLAS, NNEKANaima and Forgiveness (fiction) – in intersectantigua.com – 2020

NICHOLSON, KEMAL OSMELMa Belle (fiction, 2006 Wadadli Pen short story award winner) – Anansesem (the Wadadli Pen special issue) – 2011

NICHOLSON, LIATekin’ Ahn Dey (fiction, 2004 Wadadli Pen short story award winner) – Anansesem (the Wadadli Pen special issue) – 2011

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, Oh Gad!, With Grace, Lost! A Caribbean Sea Adventure, and The Jungle Outside). All Rights Reserved. Please do not repost artist images without permission and credit. If you enjoyed this post, check out myJhohadli  page and/or Facebook, and help spread the word about Wadadli Pen, my books, and my freelance writing-editing-coaching-workshop services. You can also subscribe to the site to keep up with future updates. Thanks.

Leave a comment

Filed under Uncategorized

More (Unnecessary) Wadadli Pen Trivia

I was curious to see which of the winning Wadadli Pen stories were proving to be most popular among visitors to the site. Thankfully, Wadadli Pen spits up info like that routinely. So, here they are, the Wadadli Pen Top 10:

The Legend of Banana Boy by Chatrisse Beazer (2011)

Road Trip to Paradise by Angelica (Ayoka) O’Donoghue (2006)

Sands and Butterflies by Devra Thomas (2011)

The Scary Night by Zuri Holder (2011)

Ma Belle by Kemal Osmel Nicholson (2006)

The Lost Coin by Orique Gordon (2011)

The Curse of the Kumina by Shakeema Edwards (2011)

Stray Dog Prepares for the Storm by Gemma George (2004)

Skin Deep by Shakeema Edwards (2010)

The Village Obeah Woman by Verdanci Benta (2006)

 

So, that’s the top 10 based on views and clearly 2011 is a popular year. Some years, like 2005, don’t even come close to the top 10… no indication, I assure you, of the quality of the stories. So check ‘em out. And it’s early days yet for 2012, but the winning story Smitten is gaining ground fast, only two spots away from the top 10 of most viewed winning Wadadli Pen stories.

And there you have it, your days’ installment of unnecessary Wadadli Pen trivia. As you were.

Leave a comment

Filed under Wadadli Pen News

Ma Belle by Kemal Osmel Nicholson

 

[2006 Young Explorer Wadadli Youth Pen Prize honourable mention]

She was a character, the old woman, and the villagers feared her. She lived alone through a small dirt road at the backside of the village. Hardly anyone walked so far back into the village.

Her house itself was small but neat looking. Somehow when you saw it (her house) you would think of the old lady who lived in a shoe. It was surrounded by a small yard which was unfenced. Behind her house “cassi” trees flourished.

Now, no one in the village was really that close to Ma Belle. Baysiders thought her queer and commonly referred to her (though not to her face) as “Medusa.” Occasionally one would say a quick “howdy” to her when she paid her rare visits to the shop, and even then she was avoided. No one was of blood relation to Ma Belle, an uncommon occurrence in Bayside where family was kept for generations. But as far back as any one could remember Ma Belle had existed.

Bernie, the oldest man in Bayside (almost 90) claimed that, “When me a likkle bwoy, she (ma belle) min dun owl a ready.”

The brave in heart attributed Bernie’s theory to loss of memory.

Others took heed…

In the front of her yard, Ma Belle kept a white ram. She called him “Rambo”, he looked fierce, and if he saw any one coming into the yard he would charge. Some of the more boorish Bayside youth noted that there was strong resemblance between Ma Belle and Rambo. They hypothesized as to whether there was any blood relation between them. Any way…

The superstitious of the village have it that at nights, Ma Belle can be seen riding on “she ram goat” wearing all black, and searching for souls. Once again the brave hearts dispelled this, saying that Ma Belle was a poor old soul and should be left alone.

“She no trouble nonbady, ayu ha fu ‘low she”

And what does Ma Belle think of the villagers…

“Dem people in dis village ya weird, fifty years me a lib ya and not one smady a talk to me, a good ting me ha you see Rambo, no dem weird, ugly one dey,” she said chuckling; she gave the goat a little pat and fed him some grass. The Ram bared his teeth as if smiling.

THE END

COPYRIGHT INFORMATION & TERMS OF USE

Copyright of the winning Wadadli Pen stories and/or art work featured on this site belongs to the creators of the individual works and are used here purely for promotional and educational purposes. Other blog content, except otherwise noted, is created and/or maintained by Joanne C. Hillhouse – coordinator of the Wadadli Youth Pen Prize, and author of The Boy from Willow Bend and Dancing Nude in the Moonlight. Site content should not be copied, distributed, transmitted, used for commercial purposes, altered, transformed, or built upon without the consent of the copyright holders.

Comments Off on Ma Belle by Kemal Osmel Nicholson

Filed under Wadadli Pen 2006