Tag Archives: Lorna Goodison

Mailbox – Goodison is Jamaica’s First Female Poet Laureate

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‘”I try as best as I can to be a true representation of the life of my people, the ordinary Jamaican,” said a spirited Lorna Goodison, CD, Poet Laureate of Jamaica for 2017-2020.

In a ceremony held at King’s House on Wednesday, Goodison, 69, was invested by Governor General Sir Patrick Allen as the second officially recognised Poet Laureate of Jamaica, the fourth since 1953 and the very first female holder.

A national honour, the title is bestowed on a distinguished Jamaican poet for his/her significant contribution to the literary community.

A Poet Laureate is expected to stimulate a greater appreciation for Jamaican poetry, write poems for national occasions, and preserve and disseminate the island’s cultural heritage through prose.

“I am inspired by our (Jamaican) dialect, our resilience, and just the way we value our humanity regardless of the negatives that are happening all around. Poets are supposed to give voice to the voiceless and a lot of my works reflect this,” the St Hugh’s High alumna told The Gleaner.’ READ MORE.

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Lorna Goodison to succeed Mervyn Morris as Jamaica’s Poet Laureate

“Goodison picks up the mantle from Professor Mervyn Morris, who was the first Poet Laureate of Jamaica appointed by the government. Goodison, who has authored 12 books of poetry as well as short story collections and a memoire will be invested as Poet Laureate of Jamaica on May 17, 2017, at a ceremony held at King’s House in Kingston. She will serve in the post from May 2017 through to May 2020.

Tanya Batson-Savage (Susumba) writes that poet Lorna Goodison will step into the role of Jamaica’s second official poet laureate, becoming the first Jamaican woman appointed to the post. Our warmest congratulations! Here are excerpts from Susumba: [. . .] Goodison picks up the mantle from Professor Mervyn Morris, who was the first Poet Laureate of Jamaica […]

via Lorna Goodison First Female Poet Laureate of Jamaica — Repeating Islands

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Reading Room and Gallery 22

The Reading Room and Gallery is a space where I share things I come across that I think you might like too  – some are things of beauty, some just bowl me over with their brilliance, some are things I think we could all learn from, some are artistes I want to support by spreading the word, and some just because. Let’s continue to support the arts and the artistes by rippling the water together. For earlier iterations of the Reading Room and Gallery, use the search feature to the right. This is the 22nd one which means there are 21 earlier ones (can’t link them all). Remember to keep checking back, this list will grow as I make new finds until it outgrows this page and I move on to the next one.

AUTHOR PROFILES

‘Goodison, who is married to the author and academic J. Edward Chamberlin, divides her time between Toronto, British Columbia, and Ann Arbor, where she teaches Caribbean literature at the University of Michigan. Though she no longer lives in Jamaica, the country, she insists, will always be the focus of her writing. “Part of it has to do with the sort of ways in which I feel a lot of people don’t know Jamaica,” she says. “They only have one image of Jamaica, from the news, or from meeting some Jamaican person who’s a creep or something, and they think all Jamaicans are like that.” She describes the Jamaica of her childhood as “a very complicated, complex, rich place” but concedes things have gotten worse. Does she feel a responsibility to correct the misconceptions? “I don’t know that I can do that, but I can just tell you — I can be a witness. I can say, ‘In my life I saw this, and I knew this about Jamaica. If it doesn’t exist now, believe me, it used to exist, and hopefully it can exist again.’ ”’ – from She comes through: Lorna Goodison is one of the best writers you’ve never read by Mark Medley

NON FICTION

“I had no way of knowing then the extreme ways we’d learn to hurt one another.” – Give Hostages to Fortune by Mehdi Tavana Okasi

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“I had this image of throwing yourself out into the water, only to have it spit you back out, over and over again. I didn’t need to ask why he’d kept trying, what he was looking for, because the answer was apparent. If there is nothing where you are coming from, then you are looking for something, for anything. No matter what you find, it will be better than what you had before, it will fill your empty hands. It was like casting a net out, if you were the net, your life unfurling out into an unknown adventure, falling over danger, looking for something to pull back in. I couldn’t imagine the kind of leaving that entailed—where your family faded into a previous life—what home could mean then, if every ship-taking was a search for somewhere else to belong.” – The Texture of Joy: A Stowaway Story by Akwaeke Emezi

CREATIVES ON THE BUSINESS

“While my own experience as an editor informs my approach to my writing, as a writer I’m still learning about working with other editors. Having your personal essay red-inked by someone at The New York Times is a different experience than having your roundup of local Irish pubs tidied up by your regional paper. And working with a professional on a novel you’ve labored over for years is another thing entirely.” – Jessica Strawser on 4 Truths that will Change Your Perspective on the Writer/Editor Relationship

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“Mastering other things taught me that one becomes something not by wishing to be, but by learning to be. Mastery is the result of hard work. And ardor.  And the slow accretion of knowledge that comes from study and from practice.”- Mary Jo Bang

VISUAL

“After each morning run, we would come home and raid the mango tree.” – go here to view Danielle Boodoo Fortune’s Mango Morning

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tpa-islandEric Fischl’s A Visit To/A Visit From/The Island uses two adjoining large canvases to contrast vastly disparate groups of people seemingly in the same setting. On the left he depicts what appears to be a white upper-middle-class American family of four vacationing at a sunny, holiday resort. The second panel portrays a frantic scene in which a group of black men and women, who appear to be refugees, try to pull themselves from a bluish black churning sea. Rendered in much darker, ominous hues than those of its counterpart, the frenzied image was based on a photograph of Haitian refugees arriving on the Florida coast. While the two canvases depict jarringly different scenes, the similarities between the images also emphasize their polarity. For instance, both depict foreshortened naked bodies lying diagonally in the foreground, highlighting the stark shifts in color and context between the panels. The relaxed laziness of the tourists pitted against the desperation of the Haitians emphasizes the inequalities between the two groups and the irony in the choices that racial difference and privilege allow—the whites are paying to visit an island that the residents risk their lives to leave.
Artist: Eric Fischl
Image: “A Visit To / A Visit From / The Island,” (1983)
Source: The Whitney Museum of American Art, New York website

CREATIVES ON CREATING

“I haven’t managed to draw my main character yet because even her image is giving me trouble…With Kieran, I learned that he was more than just a warrior and a prince but he has plans of his own.” – Want to know your characters? Try a character sketch by Dana Nuenighoff

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“Good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn’t to find these ideas but to recognise them when they show up.” – Stephen King and his big desk

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“Normally I enjoy the writing process, but in this case it was making me miserable. I would spend most of the day procrastinating before sitting down and forcing myself to hit my word count (1000), and even then I would find myself adding adjectives to beef it up. More than once my mother commented on how I’d clearly lost my love for writing, which she found alarming. But I didn’t listen to her because I thought I could get through it and turn my uninteresting story into something worthy of publishing. I was wrong.” – Maria Murnane on When to pull the plug on your book

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‘We need to be humble and dedicate ourselves to a lifelong study of the craft of writing. What I think he meant by “contempt” is trying to take shortcuts. Becoming a writer must involve reading widely, learning techniques from others and committing to a daily practice of developing the craft. If you don’t do this, if you just write something and publish it, then write more and publish that, then you’re showing contempt for writing.’ – Andrew Blackman reporting on a workshop he attended at the BIM lit fest

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“Currently completing the fourth draft, stalling somewhat as I approach the last eight passages that I believe need to be added in; experience has taught me that determining the end of a draft is rather like running towards the end of the rainbow.” – Louise Mabey blogging What an Unfinished Novel Looks Like

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“You have to learn how to interpret and not just imitate” – Jake Gyllenhall, breaking down his process

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“Don’t tell anyone the story until you’ve written it.  At least this is advice I wish I’d heard and listened to, early on.  I’ve found that if I tell my friends about any story or book I’m working on, I begin to lose enthusiasm for it – not because of their reaction or anything they’ve said but because, having said it, it’s like I feel less need to actually write it.  That’s difficult to explain but perhaps other writers will understand.” – Eugenia O’Neal blogs ‘My Top Writing Tips’

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“A slight girl with fawn’s eyes offers a plastic cup of water-angels to my mother. A fallen bamboo ceiling swallows the moon whole. There is so much wonder, awe and terror in every gesture, every movement. The moon washes the dust from her face, becomes her true self in the forest. Then it solidifies, comes together…” – Danielle Boodoo Fortune blogging on her Moon Water series of paintings

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“Here I was trying to get my daughter to stick to a specific formula for writing, and she was forging her own path. What worked best for her was writing by the seat of her pants, starting on the computer and editing as she wrote. The funny thing is, it is the same method I use.” – from One Size Fits All by Jewel Amethyst

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“On my way home from work tomorrow, I will bring myself to stop at Kinko’s and print out all one-hundred and seventy pages of my crappy first draft. I will hole-bunch the pages, stick it into a three-hole binder and get up Saturday morning, procrastinate a lot, curse out my editor, and then bring myself one step closer to the sweet pain of publication.” – Kara Stevens on what you need to know if you’re serious about becoming an author

POETRY

“Brown men crowd an island hilltop,
voice French-Creole and Spanish,
not the English patois of generations
assembled there before them.” – The Nation Builders by Althea-Romeo Mark, read it on her blog at Aroma Productions or view her reading of it (above) at the Medellin Poetry Festival in Colombia. Romeo-Mark was born in Antigua, grew up in the USVI, and has lived in the US, Africa, the UK, and now Europe.

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“Unexpectedly,
The street light began
To malfunction,
Coming on and off,
Plunging me into bouts of
Darkness and light.

Buzz, crackle, darkness,
Buzz, crackle, light.” – From Kimolisa Mings’ Dark Warrior

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“What if I told you
I’d never made love before” – from What the Spirit Knows by Soyini Ayanna Forde at SX Salon

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“I was left there, tutu shredded,

I couldn’t dance

anymore.” – This did not happen by Thylias Moss

INTERVIEW

“Many of my poems start with an image, but these started with language and weaved through images bringing me places I hadn’t been in a while.” – Angela Voras-Hills at the KR Conversations

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“One thing that I went in to Yale with was to make to sure I left exactly how I came in, because that’s who they accepted. Take what you need, get what you need for your tool belt, but don’t lose the essence of who you are. I think I did it.” – Atlanta’s Bryan Tyree Henry (aka Paper Boi)

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“The revolution for all Black lives starts in the mind and manifests in the physical, so I hope this book that contains so much true history mixed in with fiction can help people understand that nobody gets free unless we’re all free.” – Brooke Obie

FICTION

“This supposed to be our country. You shouldn’t have to sell your soul to feed yourself.” – Nassau Burning by Keisha Lynne Ellis

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‘For long minutes he forgot his knobby knees, scars and grizzled body hair. He forgot his big flat feet and narrow buttocks. Her gaze gave him beauty and grace. Her soft eyes pulled him out of his role as Cowboy and into the role of sweet pure lover. “Come, let me bathe you.”’ – The Cowboy’s Mermaid, or, A Story of Wet Love in the Dry World by Shannon Barber

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“She had looked him down, vaguely surprised and annoyed, with the air of those who are never asked where they are going.” – from Le Silence de Chagos by Shenaz Patel

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“Sometimes I’d stare in the mid-darkness at how white he was. If I pressed his skin, he’d bruise deep fuchsia and you’d be able to see it even in the dark. I was very dark compared to him. He was so white it was freaky, sometimes. Othertimes it was kind of cool and beautiful, how his skin would glow against mine, how our bodies together looked like art.” – from Gideon by ZZ Packer

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“You’re in this together now, and some part of you hopes you die together for the sake of simplicity.” – Last Chapter on Hotel Stationary: a Short Story by Ursula Villarreal-Moura

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Reading Room X

Like the title says, this is the tenth reading room. Use the search feature to your right and the term ‘reading room’ to find the others. Nine came before, pack-full-0 good reading: poetry, fiction, non fiction, and some visuals too. Good reading makes for good writing. So use the reading rooms like your personal library and enjoy. And remember, keep coming back; they’re never finished. As I discover things, things get added. And don’t be shy about sharing your thoughts re not only what you read here but also possible additions to the reading room.

POETRY

“De sun come idlin’

over de hills,

removin’ de shadows

from de tree limbs…” The poetry of Antiguan born poet Althea Romeo Mark, from her collection Palaver. Read more.

BLOG

“Reading inspires me and reminds me how much I love everything about literature. It makes me eager to join in the conversation.” – Tayari Jones. Read the full at her website.

INTERVIEWS/DISCUSSIONS

“Stories are incredibly powerful. They shape our understanding of history, culture, and ourselves. It’s why readers of all ages clung to the viral hashtag #WeNeedDiverseBooks recently: Seeing an honest representation of someone who looks like you when the world reflects a different norm can be life affirming. It says that your story matters. This is a fact that Andrea Davis Pinkney, an award-winning, bestselling children’s author and a vice president and executive editor at Scholastic, knows.” Read the profile and interview with Pinkney here.

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“In st lucia to a large degree the artiste has to create the kind of society that appreciates art” – Vladimir Lucien interview at The Spaces between Words.

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“I always wanted to be a writer. I did want to be a great violinist, too, but I had no ear or talent for it.” READ MORE of this Anne Rice interview.

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As well as directing The Coming of Org, you were also responsible for shooting, editing and scripting it. Will you continue to oversee every element of your work like this, or does it get quite exhausting?

It is quite exhausting, but I am a control freak, which is not good all the time because you don’t get enough distance from the project. Now, as I have stepped away, I see areas where I could have made the film much better. It is my first narrative film so I hope to learn from this experience; in follow up projects I want to focus on directing and writing… maybe editing too, but I can’t guarantee that I won’t shoot as well.

READ The Missing Slate’s full interview with Davina Lee.

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“My challenge to other publishers of Caribbean children’s titles would be: try and make books available throughout the region and beyond, make them affordable, translate as many titles as possible, and especially help create a literature with the readers in mind, not in a monolithic sense of “Caribbean,” but rather giving margin to different forms of expression that might work at regional levels. That means taking chances on local unknown writers and illustrators who may do well connecting with and inspiring their communities, if given a chance to reach them.” – Mario Picayo, publisher, Editorial Campanita/Little Bell Caribbean, participating in a discussion over at Anansesem on Broader, Better Conversations for Caribbean Children’s Literature

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Oonya Kempadoo interview on her book All Decent Animals.

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“She would later reveal that for her, writing was the pursuit of the perfect sentence and as well as an attempt to bring something new into the world. The laughingly stated that the hated learning that someone else had thought of something before she had.” – Read more of Kwame Dawes interview with Jamaica Kincaid at Calabash on the Susumba website.

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10 x 10 podcasts, a series of 10 minute podcasts with presenter and journalist Rosie Goldsmith. In each podcast Rosie spends 10 minutes talking to authors from five different parts of the world. This includes from the Caribbean region Jamaican writer Lorna Goodison and Belizean writer Ivory Kelly.

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This is one of my favourite writers Edwidge Dandicat (whose Farming of Bones and Create Dangeroulsly are among my all time favourite books) talking about another of my favourite writers Jamaica Kincaid (whose Annie John, My Brother, and Lucy are must-reads in my book). She also reads two Kincaid shorts including a personal favourite which I have actually used in workshop, Girl. Listen here.

NON FICTION

The essay featured in this post is the Texture of Fiction and in this excerpt you get to sample the texture of Kei Miller’s writing: “I remember a tree in Jamaica that bore as its fruit, prophecies. That’s what it seemed like to me. The tree was in a dust bowl right outside of my high school and there must have been a man or woman who used charcoal to write words like ‘Repent’ or ‘The Prime-minister must fall’ or ‘Know ye this day who you shall serve’ on squares of cardboard. These cardboard signs were hung up in the tree, and the branches had become overburdened with them, like a mango tree in season. Sometimes the wind would rattle these words, the cardboards would hit against each other, such a strange and terrible sound, as if angels were crowded together, back to back, and were beating their wings.”

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This edition of Antigua and Barbuda’s Historical and Archeological Society’s newsletter has information on early villages, traditions, why Guiana Island is an ecological gem (something to think about, all things considered), and the Silston Library – have a read: HAS Newsletter 2015 FINAL

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“What am I supposed to say to her?” I ask. “That it will get better twenty years from now? It sure didn’t get any better for me.” Read all of Saving April by M. J. Fievre.

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“To permit a book, to read a book, is not enough. We must engage with its history. Ask who challenges a text and for what reasons. When we read a book, let’s read with a mind for its censors: what is that thing inside The Things They Carried that stirs a parent’s need to protect?” – See more at: On Tim O’Brien’s The Things They Carried | PEN American Center

INDUSTRY TALK

“Write the best short story you can, submit to competitions and be ruthless about the quality of the piece. Of the millions of short stories written, there are a handful that are good enough to catch the attention of readers, and if they are good enough to do that an agent will be interested. Practice is essential – not every short story written, even by an experienced writer, will be good enough to be published, so working through any idea until you feel it can be held up to the light is part of the process.” More from literary agent Lucy Luck.

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First there’s this “It felt like possibility. It felt like hope” and then there’s this “I thought about where I submitted my work and what the editors would think. I imagined how the piece would fit in with the journal’s aesthetic. I wondered whether or not my work was too experimental or too trite or too coy. I worried that my work was too wrong for the journals I submitted to, too wrong for any journal, really, too wrong to be read by anyone at all.” Eventually, you realize though “(it’s) out of our hands.” – Emily Lackey on submissions.

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“I’m not sure where the idea got seeded that author platform equals social media, but it’s time to dislodge that from your head if you believe it to be true. Social media alone is pretty ineffective at moving people to action.” Read what else is needed.

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“Before I started working on the editorial side of the publishing industry myself, I had no idea how long it took for the publishing cycle to complete its orbit around a book.” – Jonathan Eyers on Understanding the Publishing Process.

ABOUT WRITING

“You give your character opinions, needs, likes, and dislikes; you give him fears, joys, anxieties. Let’s call these ‘personality markers.’ What are her pastimes, fantasies, hopes, memories, and preoccupations? Be sure that some of these are not connected directly to theme and story. Diversify. That’ll avoid creating a character who seems controlled by the needs of her creator, simply a representation of a type. A protagonist might be a lawyer, but certainly not all her waking hours will be spent thinking about the law. These personality markers serve to add surprising and interesting layers to your characters that may indirectly connect to the needs and movement of your story and the themes that compel you.” Read More.

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LIke Bridgett M. Davis infers in this piece, there’s no rush; you finish your novel when you finish it. So ease up on yourself. And keep writing.

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Writing Advice from C. S. Lewis.

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On building a collection and breaking with old habits, by Abby Geni.

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“The opening line is a promise to your reader of the type of tale about to unfold.” Read more of Opening lines: Rules of Engagement by Shelley Jones.

 

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READING ROOM IX

Like the title says, this is the ninth reading room. Use the search feature to your right and the term ‘reading room’ to find the others. Eight came before, pack-full-0 good reading: poetry, fiction, non fiction, and some visuals too. Good reading makes for good writing. So use the reading rooms like your personal library and enjoy. And remember, keep coming back; they’re never finished. As I discover things, things get added. And don’t be shy about sharing your thoughts re not only what you read here but also possible additions to the reading room.

INTERVIEWS

Haitian American writer M. J. Fievre, who interviewed me for her website recently, has this really cool interview of her own.

***”

My work is never finished. Even as I read something that’s published, I still want to change it.” – Chimamanda Ngozi Adichie. Read full interview here.

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“I don’t chase what I hear on the radio. I try not to compete with anybody. And even though I’m a musician, I don’t necessarily follow a certain set of rules. Sometimes my mistakes turn into interesting music because I do things that aren’t supposed to be done. Really it’s more about a state of mind. I grew up with a certain standard of music, watching my father and his peers. For them, music had a deeper purpose than one’s own selfish gain. It was never just a business.” – Ziggy Marley, full interview here.

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“I am inspired by kindness. When I see ordinary people practicing kindness in ordinary ways—smiling at strangers, getting up to give a seat to someone else on the bus, helping someone with their luggage, stopping to speak to a homeless person—I am inspired because I am reminded of humanity.” – Dena Simmons. Read more.

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Chimamanda Ngozi Adichie – funny, as many interviews as I’ve seen and read with her, I never realized I’d been pronouncing her last name wrong. So, thanks for that Tavis Smiley. And thanks to both the Nigerian writer (Adichie) and American interviewer (Smiley) for an interesting conversation on the things people would rather not talk about. Here’s to uncomfortable conversations.

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Commonwealth podcasts featuring writers from across the Commonwealth including, from the Caribbean Lorna Goodison (Jamaica) and my girl Ivory Kelly (Belize).

That's Ivory, to the right, with me in Glasgow, 2014.

That’s Ivory, to the right, with me in Glasgow, 2014.

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I hope you didn’t miss this one, but in case you did, Jamaican writer (poet, fiction writer, essayist) and professor Kei Miller in 2014 won the Forward Prize. It’s kind of a big deal, made bigger still by the fact that he’s the first non-white poet to take the British-based prize in more than 20 years. For that, you get two links: his interview/profile in the (UK) Guardian and the Forward Prize announcement.

That's Kei to the right - hanging in Glasgow (with me and others), 2014.

That’s Kei to the right – hanging in Glasgow (with me and others), 2014.

Bonus, peep Kei in this British Poetry Book Society line-up of 20 poets to watch. And listen to the poet talk about his work and journey as a writer, here.

Another bonus: Kei’s Carcanet interview.

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Renaee Perrier (now Smith) was one of my block sisters during my UWI days. Check out this interview about her writing life.

FICTION

“Gramma had told me stories about jumbies—people who had died but could walk about in the night. They lived in dark shadows and all the bad scary places. But my jumbie daddy was different.” Read all of Neala Bhagwansingh’s Jumbie Daddy.

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Audio clip of A-dZiko Gegele and Roland Watson-Grant reading at Bocas 2014 – good stuff.

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Love this story (The Headstrong Historian by Chimamanda Ngozi Adichie), first because it’s a good story well told…and a good example of a story having an epic span…but also for its view of pre-colonized Africa and the slow process of that colonization and the deliberateness of that/the trade off and of the decolonization of the mind…it resonates… it really does in unexpected ways… “Nwamgba was alarmed by how indiscriminately the missionaries flogged students: for being late, for being lazy, for being slow, for being idle, and, once, as Anikwenwa told her, Father Lutz put metal cuffs around a girl’s hands to teach her a lesson about lying, all the time saying in Igbo—for Father Lutz spoke a broken brand of Igbo—that native parents pampered their children too much, that teaching the Gospel also meant teaching proper discipline.” Makes you wonder, what’s really our culture (as once colonized descendants of Africa), a culture we defend so arduously, and what was thrust upon us until we didn’t know how to separate ourselves from it. Colonization is a hell of a thing. When people say get over it, it’s in the past, they don’t know. Anyway, you can also find this story in The Thing Around Her Neck, an Adichie book I highly recommend.

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“This story moves. With each stop and each passenger, the reader becomes more invested the bus driver—and more worried about the pig. The final line is satisfying in way that made me want to cheer.” – Kenyon Review on why it selected Karen Lin-Greenberg’s Care  

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Wanna hear something weird? While reading this story, which I really liked by the way, I pictured everybody in it as black, and specifically African American – the man, the sick woman, the angel, all black. There was no detail in the story (or none that I found on first read) to contradict me and yet there was detail enough to make these people – and angel – fully realized beings. It didn’t occur to me until I got to the end, and saw the picture of the author, that they may or may not be. Hm. That’s the funny thing about reading sometimes, how we project our reality or a context that makes sense to us (since my reality while black is not African American) unto the characters. It defaulted to what was famliar. But it just goes to show, though, that details of a character’s race, hair colour, eyes (details that, like any other, should really be used only in so far as they serve the story) may or may not be necessary to seeing the characters and the world of the characters. Maybe we see them as we’re meant to see them. Like I said, black or white, I found these characters to be really interesting (for the things unsaid between her and her lover, for the angel’s other worldliness and bewilderment with our world, and oddly enticing sensuality, for what it says about the nature of living and dying). Read Amy Bonnaffons’ Black Stones here.

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This excerpt of Roland Watson-Grant’s Sketcher tickled me in all sorts of ways. First, New Orleans. Been enamoured with New Orleans in literature since my Anne Rice college years. Second, born in the 70s myself, I laughed out loud at the narrator (also a child at the 70s) rolling his eyes about the 60s:  “It must have been the time o’ their lives, the Sixties, what with all that music and bell-bottom tight pants and lots of free love and everything. But I bet they still had headaches and mosquitoes and taxes, so I don’t know what all the fuss was about.” Third, intriguing characters, setting, scenario…and the CB craze of the early 80s…I remember that…remember my brother was into that too. Fourth, the writing…this isn’t just a nostalgia trip for me…the writing is alive and has the music and magic and sweltering energy of the landscape it describes. Moving this book up my to-read list. You will want to, too, after reading this.

NON FICTION

Poetry notes from my former mentor and teacher, Mervyn Morris.

“Poems work not just by what they say but by how they say it.” – See more here.

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The Pain of Reading is all kinds of heartbreaking. Read it here.

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“Read publishing contracts carefully before signing them… When selling rights to any work, remember that the fewer rights you sell, the better.” Read more.

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This is actually very similar with what I’m trying to do with the Jhohadli Writing Project – it gives me hope. Read, how I built my own literary scene and saved myself by Julia Fierro.

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Hell is my own Book Tour by Adam Mansbach made me laugh out loud and also strangely envious, as in at least you got to go on a book tour… ah the writing life, it’s not all glitz and glamour…in fact, often there’s no glitz and glamour at all… just four people at a book reading whom you nonetheless give your all.

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“The other way to escape the curse of knowledge is to show a draft to yourself, ideally after enough time has passed that the text is no longer familiar. If you are like me you will find yourself thinking, “What did I mean by that?” or “How does this follow?” or, all too often, “Who wrote this crap?” The form in which thoughts occur to a writer is rarely the same as the form in which they can be absorbed by a reader. Advice on writing is not so much advice on how to write as on how to revise.” – read more of Steven Pinker’s article on The Curse of Bad Writing.

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Kwame Dawes talks about how he writes. One of my favourite bits…

“My brain is a kind of cesspool that collects material unfiltered – or it may be filtered. I’m not conscious that I’m putting things into it. I may remark that something as interesting, but in truth what I’m doing is pulling something into that pool. When I make the decision to write a poem, I don’t know what is going to come from that pool. The act of writing brings together various and complex things. What I may access from that pool might happen immediately, or it may take years.”

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I’ve been given and received feedback, edited the works of others, been edited…and as I ruminate on both sides of that journey, I think it bears remembering that if you’re either hired to edit or just asked to give feedback on a piece of writing, “You’re being asked to consult—not commit a hostile takeover”, “Think of your reading mission as understanding the piece,” and “Don’t sacrifice feeling for critical thinking. Don’t forget to feel the piece.” Editing, like writing, is not paint by numbers. As writer, I try to listen to my characters and try to tell their tale authentically and insightfully. As editor, I try to come to each piece open to what the piece is trying to say and how the author is trying to say it, and hopefully guide them toward saying it clearly yet in their unique and distinct way. As I said in this article, it’s a delicate dance. Ten Essentials of Reading for Writers is an interesting read for those who’ve ever been asked to give feedback on a writer’s work in terms of striking the necessary balance.

REVIEWS

Black-ish – initial thoughts:My first requirement of a comedy is that it make me laugh. I can forgive a lot of things if you make me laugh. Black-ish, which debuted this Wednesday on ABC, made me laugh, sometimes. I run hot and cold with series star Anthony Anderson but found myself liking him in this role. His high pitched humour works here; and it better, as his perspective – his real moments and hyper real fantasies – are what drive the plot. It’s a family drama but, at least in the first episode, it’s the story of Anderson’s character struggling with the idea that the price of success is losing your blackness/your identity (as if there’s a simple definition of what blackness is) while at the same time, on the job at least, rebelling against being defined solely by his blackness (see the irony?). The show could do with more nuance, but I’d watch it again. Because it made me laugh; even if the humour wasn’t always fresh nor cuttingly funny. This is network television after all; the edge was a bit blunted and the message was laid on a bit thick. The performances are solid; the somewhat underused Laurence Fishburne’s dry wit balancing out Anderson’s hysterics, and Tracee Ellis Ross is a more natural fit as his wife than his last TV wife – I love you Vanessa (of the Cosby show) but I wasn’t buying the chemistry. The kids don’t really stand out yet, only in the general sense that they “don’t see colour”, which makes for some easy laughs. The challenge the show faces going forward, I suppose is being fresh and daring with both its humour and commentary, foregoing tired tropes and the easy laugh for laughter that makes you not only cut-up but consider and –re-consider your own prejudices. In that sense, it has the perfect lead-in in Modern Family, a show that’s all about challenging your assumptions while making you laugh out loud. And if it imprints the way Modern Family has, it’ll not only be a funny half hour comedy but ground breaking television. Time will tell.

POETRY

“And maybe in their eyes

it may seem I got punked out

‘cause I walked a narrow path

and then went and changed my route

But that openness exposed me

to a truth I couldn’t find

in the clenched fist of my ego

or the confines of my mind

or in the hipness of my swagger

or in the swagger of my step

or the scowl of my grimace

or the meanness of my rep

‘Cause we represent a truth, son

that changes by the hour

and when you opened to it

vulnerability is power.” |

Saul Williams

http://loquence.tumblr.com/

***

“The best laid schemes o’ Mice an’ Men

Gang aft agley” – Robert Burns’ To a Mouse is copied here in Scottish and explained.

***

When I read Scottish writer Liz Lochhead’s Kidspoem/Bairnsong, I was immediately drawn in. On the surface, an innocent scene – a mother prepping her daughter for school; an structurally almost a round, like those songs and poems we did as children. But it’s commentary on how we lose our mother tongue is deep and for the Caribbean person deeply relatable.

“…the first day I went to school

so my mother wrapped me up in my

best navy-blue top coat with the red tartan hood

twirled a scarf around my neck

pulled on my bobble-hat and mittens

it was so bitterly cold

said now you won’t freeze to death

gave me a little kiss and a pretend slap on the bottom

and sent me off across the playground

to the place I’d learn to forget to say

it wis January

and a gey derich day

so my Mum happed me up in ma

good navy-blue napp coat wi the rid tartan hood

birled a scarf aroon ma neck

pu’ed oan ma pixie an my pawkies

it wis that bitter.”

Here’s Liz Lochhead reading the poem and talking about the genesis of the poem and the importance of writing our reality in our way, which, you know, is a foundation of the Wadadli Pen Challenge.

***

This Tom Leonard poem immediately appealed to me for its defiant claiming of its mother tongue (Scots) – something we can relate to as Caribbean people, yes? Because as he writes “all livin language is sacred”.

***

Ego Tripping – Nikki Giovanni

***

“I sit and wring my hands,
at last old enough and sad enough,
and pathetic enough in my impotence
to do this” – Talking to Hamas by Alice Walker

***

Beauty by Bermudian poet Dane Swan:

Bag lady, your eyes tell stories
of glory, despair, success, failure
deceit, withdrawn ineptness.

BLOG

The Art of Submission…or how to handle rejection without becoming bitter.

***

So, you know how in Julie and Julia, a young writer undertakes the challenge of cooking and blogging Julia Child’s recipes for a year, and gets a book deal out of the experiment? Well, British writer Ann Morgan had a similar experience reading the world. Here’s an update re her book deal…and a big of inspiration for others laboring in the blogosphere.

VISUAL

Music video featuring Promise No Promises and directed by Jus Bus …very artistic visuals…very resonant lyrics…and a good bounce

***

This is a film by Francoise Bowen. Filmed in Antigua, it re-imagines a moment of island history:

***

cricket

This image of women playing cricket in St. Lucia, circa 1905 is one of my favourites from Rastas, Royals, and Revolution: 100 Years of Photography in the Caribbean. I was actually flipping through to see if there were any Antigua and/or Barbuda images and this one caught my eye. Good stuff. See more images in the series here.

***

This film short is out of Barbados…summary: Auntie is a middle-aged seamstress and respected caregiver in her rural Barbadian community. 12-year-old Kera is her latest ward and a special child to whom she has grown uncharacteristically close. Seven years after Kera’s mother emigrates to England in search of a better life, Auntie is confronted with the day she long dreaded when the plane ticket arrives that will reunite Kera with her mom.

For more films of this type, visit AfroPop TV.

***

Disbanded by John Pettie.

Disbanded by John Pettie.

The Starz series Outlander and my visit to Glasgow early in 2014 probably have something to do with this one catching my eye but the truth is I’ve always had an interest in Irish and Scottish culture and history. I came across this image while reading The Other Tongues: an Introduction to Writing in Irish, Scots Gaelic and Scots in Ulster and Scotland and looked it up online. According to this site, this is an image by John Pettie of a Scottish Highlander after his defeat at the Jacobite rebellion of 1746.

Here’s a bonus Scottish image from that same book(c) The Fleming Collection; Supplied by The Public Catalogue FoundationIt’s ‘Lochaber No More’, an 1863 image painted by John Watson Nicol. The title ‘Lochaber No More’ forms part of a popular 17th century Scottish folk song

“These tears that I shed, they are all for my dear,
An no’ for the dangers of attending or weir;
Tho’ borne on rough seas to a far distant shore.
Maybe to return to Lochaber no more” (full lyrics here)

The song is a lament. Lochaber, based on my research, was where Bonnie Prince Charlie recruited the first clans to his cause, sparking the Jacobite rebellion. The mournful nature of the song reflects the rebellion’s defeat at Culloden Moor in 1746.

***

“… it was while dancing and touring the nation and European continent that he chanced to visit The Louvre Museum in Paris that he “met his Muse”. As he walked the halls there, he was consumed by what he saw. Looking at the work of the Masters in The Louvre, he was reminded of what he had unconsciously reached for in his sprawling graffiti pieces; he recognized realms of color, style, passionate expression and possibilities that he had never before imagined.” – from About Frank Morrison at Morrison Art

I see a Queen in Me by Frank Morrison

I see a Queen in Me by Frank Morrison

***

Some good insights here….

***

Cover image Summer One by Glenroy Aaron inspired by Summer 1, a poem by Joanne C Hillhouse.

Cover image Summer One by Glenroy Aaron inspired by Summer 1, a poem by Joanne C Hillhouse.

Glenroy Aaron’s Summer One is the cover image of the Tongues of the Ocean Antigua and Barbuda issue. Here’s his bio from the site: Glenroy Aaron has always had a passion for anything artistic. Drawings and doodling captivated him in his childhood years and this love of the arts was nurtured in primary and secondary school and later honed under teachers in the Cambridge art programme at the Antigua State College. Upon leaving school he continued with his passion, branching into oils, which is currently his primary medium. He strives to capture the beauty in nature and human emotion.

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Fish Outta Water, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about WadadliPen and my books. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. Respect copyright.

2 Comments

Filed under A & B WRITINGS, Caribbean Plus Lit News, Links We Love, Literary Gallery, The Business, Workshop

Reading Room lV

Yep, it’s a new Reading Room; lots of stuff to share so it was time to expand from Reading Room and Gallery, Reading Room and Gallery II,  and Reading Room and Gallery III. But I still hope you’ll check them out.

DISCLAIMER: By definition, you’ll be linking to third party sites from these Links-We-Love pages. Linked sites are not, however, reviewed or controlled by Wadadli Pen (the blog, the Wadadli Youth Pen Prize nor coordinator/blogger Joanne C. Hillhouse); and Wadadli Pen (the blog, the Wadadli Youth Pen Prize and coordinator/blogger Joanne C. Hillhouse) disclaims any responsibility or liability relating to any linked sites and does not assume any responsibility for their contents. In other words, enter at your own risk.

Here you’ll find stories, interviews, reviews, poems; you name it…a totally subjective showcase of (mostly) Caribbean written (sometimes visual and audio visual) pieces that I (Joanne) have either personally appreciated or which have been recommended (and approved) for posting/linking. If you’re looking for the winning Wadadli Pen stories (and I hope you are!), check Wadadli Pen through the years. You can also see the Best of Wadadli Pen special issue at Anansesemwhich has the added feature of audio dramatizations of some of the stories.

POEMS
This poet acknowledges that her English is broken an not by accident. The poem’s a quick read but it will stick with you.

***

Tanya Shirley’s poetry is vivid and steeped in the rhythms of rural Jamaica and the tensions between the characters that inhabit it…if these three  (Matey*Shall not Conquer, Waiting for Rain (Again), and Every Hoe have him Stick a Bush) are any example.

***

I had mixed feelings about the poems in Aloud Voices from the Nuyorican Poets Café Nicole Breedlove’s An Open Letter to Myself was one I liked. Also her ‘Front Page or Bust’ but I can’t find a link to that one. Also on my must-read list
Diane Burns’ Sure You Can Ask me a Personal QuestionTough Language and American Sonnet by Wanda Coleman;
Martin Espada’s Two Mexicanos Lynched in Santa Cruz, California, May 3 1877  and Latin Night at the Pawn Shop ; Pedro Pietri’s Telephone Booth Number 905 ½ , La bodega sold dreams , the Book of Genesis according to St. Miguelito , and the Records of Time by Miguel Pinero; Born Anew at Each A.M. by Piri Thomas; Asha Bandele’s In Response to a Brother’s Question about what he should do when his Best Friend beats up his Woman; and For the Men who still don’t get it by Carol Diehl.

****

When Antiguan and Barbudan folk history writer and poet Joy Lawrence said this is her favourite poem, I had to look it up. Like she said it has a force that impresses on all the senses.

***

W. H. Auden’s Musee des Beaux Arts is one of my all time favourite poems. I also like Stop all the Clocks.

***

“My beauty was never the common beauty of a pampered and petted whore
Whoever seeks such beauty deserves whatever uselessness he finds.
Tepid and tasteless like watered down coffee.
My beauty is so fierce,
so dark, so thick
so ancient, so strong,
you will have to grow new eyes to drink it in.” – love these lines from Donna Aza Weir’s Uncommon Beauty in the Afro Beat Journal… in fact I love the entire Haiti-themed poem.

***

Opal Palmer Adisa writes of

“Obedient daughters.
Patient women.
Compliant wives.
Loving mothers.”

in Watching and Waiting.

***

Poetry posting by Althea Romeo Mark – I especially liked ‘Whisperer’ and ‘Because I am Woman’.

***

She by Eric Merton Roach – posted to the Caribbean Writers tumblr.

SHORT STORIES

NON FICTION

West Virginia native Natalie Sypolt writes of her struggle with writing what she knows in a way that resonates as both powerful and true: “My decision to move away from ‘what I knew’ to safer stories also had to do with the rejections I’d been receiving from literary journals, the models I’d been reading in class (which were nothing like my stories), and, ultimately, the old fear that who I am and where I’m from is seen by the rest of the world as a joke.” The last one is what really bites. Read the whole piece here.

***

What to call this? A reverse rejection letter? Not throwing any shade but it’s fun when writers are able to get their own back now and again. Here’s the End of the World of Books from Letters of Note – a pretty cool site with letters of note like that. Such as the letter exchange re the evolution of the Outsiders, a movie I remember for its beautiful sunsets and poetry (nothing gold can stay…) and music (Stevie Wonder’s ribbon in the sky), the delightful teenage angst and suburban style class warfare, across the tracks romance, the epic rumble at the end and all the Rob Lowe-Matt Dillon-C. Thomas Howell-Ralph Macchio hotness; a movie both my sister and I loved back when we were tweens crushing on Pony Boy and Soda Pop.

***

I found this to be an interesting read. It includes references to teaching Jamaica Kincaid’s Lucy and other Caribbean books in college/university level courses in the US where the culture of the book is so different from the students’ lives; how do you access and understand the nuances of that culture without having a knee jerk sort of superior response. Here’s an example:

‘One of the things students often say when I teach a book like      this (Lionheart Gal) is “Oh, my gosh, their lives are so rough. They’re      so mistrustful of men. It’s supposed to be nicer than that.”      And “Why can’t they just get along?” I ask them to      answer the same questions that the women in Sistren were asked      to answer in order to create these stories. Questions like “When      did you first realize that you were oppressed as a woman?”      not just “What is your life like?” I ask my students,      “If you were to ask the same questions, what would your      story come out sounding like?” That is often a very good      way to make them understand the parallels between the issues      they are dealing with and the commonsense wisdom, the women’s      wisdom, articulated in these stories.’

Beyond the themes, it also talks about the challenges surrounding how students (including creole speaking students socialized to reject the creole in an academic space) engage with the language in these texts. For these and the other issues it explores, I found this article by Professor Rhonda Cobham-Sander to be share-worthy.

***

So I’m intrigued by this Lorna Goodison interview for a few reasons. Because she’s a kick ass poet. Because of what she said about measuring (or not measuring) yourself against others. Because she always comes across like a cool down to earth Caribbean sister in spite of the lofty heights to which her talent has taken her. Because she loves Keats. And because of the question and answer re Antigua at the end.

***

Beware self censorship…that’s the moral of this story.

***

“These days, I have been learning to write with optimism. The kind of writing that enjoys life, whether it’s a talk on the phone, sunlight on a pier, or the wild joy of a rumba.” This is from Summer Edward’s article, On Writing for Adults. It’s a novel idea for too many of us writers who write from such dark spaces. I like this idea.

***

Two things…what she said here… but also how our stray words can sometimes stifle an emerging creative light… one of the things Wadadli Pen urges is to write/draw/express your truth freely…if you can’t be free in the imagination, then where.

***

“It isn’t personal. It feels personal, you’re sure it’s personal, how could be anything BUT personal…but it isn’t. The work is simply a widget, and this particular widget didn’t fit. So try again. If it comes back, re-examine your widget and edit as needed. Then try again.” Yeah, you guessed it, this is about processing and handling rejections (the bane of every writer’s existence).

***

“Truth be told, some of my most rewarding research didn’t feel like research at the time I was experiencing it; it just felt like life.” Read more.

***

Rex Nettleford wrote of dance:

“So, you know, the power of the body, it’s your instrument, it doesn’t  belong to anybody else, and you can use it to carve designs in space — by  which I mean create a vocabulary. I learned from early that just a turn of  the head, the drop of a shoulder, can say a thousand words.”

Read More.

***

Words can be powerful deterrents; this blog post by Danielle Boodoo Fortune is a reminder that we should be about using our words to encourage our young people to express not repress.

***

That fine line between when it’s still yours and when it isn’t anymore is not an easy one  to walk. But the writing is still… you just (just, ha!) have to learn how to switch gears.

***

Publishing may be changing, and this article breaks down how, but it also says in simple terms that what we do remains the same – tell good stories.

***

What I like about this article (Extended Family: When Fictional Characters show up in your Living Room by Nancy Kricorian) is how it illustrates what a slow, subtle, deliberate process writing often is. Ten years sounds like a lot especially compared to the “six months” or less spouted by other writers but this is a reminder that it’s not about time but about space, about worlds inhabiting each other. And that’s not to say that that can’t happen more quickly than 10 years; after all Zora Neale Hurston wrote one of the classic works of literature Their Eyes were watching God over seven weeks while on a trip to Haiti. But there’s no rush (publishing deadlines notwithstanding). I haven’t read Nancy’s book (All the Light There was) but the author’s attention to detail in building the world of her characters makes me want to. Plus I can relate to the need to steal time from the demands and expectations of your life, time to write.

***

“That is how I feel sometimes with my art, that you have ideas but to some persons, it looks like nothing. But to me…nothing is something.” That’s a quote from Bajan artist Sheena Rose’s first performance piece (if you don’t count this intriguing Sweet Gossip project). I like this review because it gives enough of a play by play that you can kind of see it but it also provides an interpretation of the actions that it’s not simply a play by play. As a long distance fan of Rose’s, I’m liking the daring suggested by this brave new step. I had an online discussion with someone who wondered if the nudity was necessary to communicate all the piece hoped to. Necessary? Perhaps not…but gratuituous, I sense not…there is substance behind the artifice and figuring out what that is is the interesting bit.

***

This is an interesting piece on publishing from the Caribbean Book Blog. It addresses what to do if your book goes out of print. This is something I’ve actually had to deal with with my first two books which were originally published with Macmillan and which despite positive response didn’t sell as well as the publisher anticipated and as such were allowed to go out of print. It was a low point for me, but I rebounded when after seeking the reversal of rights, I was able to get The Boy from Willow Bend so far back in print with Hansib. This article deals with one of those things writers need to consider about publishing contracts when it comes to rights. Now, it would be ironic if I posted this and found myself, despite my best efforts to be well researched and well advised each time before signing on the dotted line, ensnared in the very things it warns against down the road…but I won’t let that possibility stop me from sharing this because if you’re thinking of publishing, you need to be mindful of the pitfalls and the potholes. We all need to be.

INTERVIEWS

Emily Raboteau on memoir writing and her book Searching for Zion.

***

Maya Angelou’s poetry and prose are legendary; so too the woman herself. Here’s a recent interview. In it she talks about her writing rhythms, heartwarming encounters, Martin Luther King, James Baldwin and much more. Part of what stood out for me was the challenges of the writing process itself because sometimes you imagine that it comes easy for the greats while you struggle to find the right word. She said: “Easy reading is damn hard writing.” and every writer, every writer struggling for the right word, feels the truth of that. I was struck by the condescension with which one writer spoke of her decision to write for Hallmark. To quote Rick Santorum (and I never thought I’d say that), what a snob. Glad to have Maya confirm that not only does a well worded greeting card have the power to affect people as surely as a work of great literature, it’s just as difficult to find the right word: “I would write down a paragraph that expressed what I wanted to say, and then try to reduce it to two sentences.”

***

Recently someone who knows Edwidge Dandicat indicated that she’s just as warm and generous as she appears to be in her interviews. All that and talented too. She remains one of my literary inspirations. Check out her frank discussion on women writers, tokenism, and more hard truths from the world of publishing…don’t worry, while she doesn’t sugar coat, she still manages to inspire. Oh, and like her, I, too, think Alice Walker’s In Search of our Mothers’ Gardens should be required reading especially for black women writers. As for Dandicat’s books, for my money you can’t go wrong with the Farming of Bones and Create Dangerously.

***

Junot Diaz interview at the Caribbean Literary Salon. If you haven’t read Diaz yet, you should; meanwhile, go read this interview.

***

Zadie Smith on The Root, frank discussion on a lot of literary issues including reviews …my favourite line on the question of multiculturalism “We are people; we exist.”

***

My interview at PhD in Creative Writing; a blog that asks writers in five not so easy questions, how’d you become a writer.

VISUAL ART

The relationship between sisters is so much a part of my writing, how could I not share Claudette Dean’s Sisters? One of the things I find beguiling about it is how at first glance you see the obvious similarities – notably the shape of the face and eyes but that the longer you look you see that each of those eyes tell a different story. I find myself wondering what those stories are. It’d make a great writing prompt.

Love this! (Requiem for Haiti by Chantal Bethel)

N.B. For some of my stuff, visit http://jhohadli.wordpress.com

2 Comments

Filed under Links We Love

Reading Room and Gallery

UPDATE! The Gallery is now closed. Continue reading at Reading Room and Gallery II, Reading Room and Gallery III, and Reading Room and Gallery IV.

DISCLAIMER: By definition, you’ll be linking to third party sites from these Links-We-Love pages. Linked sites are not, however, reviewed or controlled by Wadadli Pen (the blog, the Wadadli Youth Pen Prize nor coordinator/blogger Joanne C. Hillhouse); and Wadadli Pen (the blog, the Wadadli Youth Pen Prize and coordinator/blogger Joanne C. Hillhouse) disclaims any responsibility or liability relating to any linked sites and does not assume any responsibility for their contents. In other words, enter at your own risk.

Here you’ll find stories, interviews, reviews, poems; you name it…a totally subjective showcase of (mostly) Caribbean written (sometimes visual and audio visual) pieces that I (Joanne) have either personally appreciated or which have been recommended (and approved) for posting/linking. If you’re looking for the winning Wadadli Pen stories (and I hope you are!), click on ‘Categories’ and go to the respective year for ‘2004 Winners’, ‘2005 Winners’, ‘2006 Winners’, ‘2010 Winners’, 2011 winners… You can also see the Best of Wadadli Pen special issue at Anansesem which has the added feature of audio dramatizations of some of the stories.

POEMS

http://tonguesoftheocean.org/2011/02/over-hawkins-hill/ – hard to believe this writer is only 13; some interesting insights and beautifully rendered language here.

http://afrobeatjournal.org/en/Issue_2_Spring_2011/1/129/Debris-Poetry-Jamaica-Marcia-Douglas.htm – From Afro Beat Journal, Debris by Marcia Douglas, a British born, Jamaican writer, who reportedly teaches in the US. We are a migratory people, aren’t we; kind of like the juice bag she writes about that still floats somewhere in the sea.

http://tonguesoftheocean.org/2011/08/the-magic-mirror-tempts-lilys-white-daughter-1951 – a literary mash-up of Snow White and racial politics. Very interesting.

http://www.anansesem.com/2011/10/earths-water.html – imagery, personification…nature comes alive in this one by Summer Edward.

http://www.nyu.edu/calabash/vol5no1/0501042.pdf – literary shout outs aplenty suffuse this lively poem (When I Die by Ann-Margaret Lim).

http://www.poetryfoundation.org/poetrymagazine/poem/179809 – A little hip action: Hip-Hop Ghazal by Patricia Smith.

http://www.online-literature.com/frost/748 – Nothing Gold Can Stay; love love this poem…and can relate to/understand it better now as a 30 something than I did when I first heard Pony Boy say it in one of my fav movies a a kid The Outsiders …years later I actually visited Frost Farm (Aside: visited Little Women  author Louisa May Alcott house that summer, too :-)) – Summer ’08, walked a good road that summer, which calls to mind another Frost favourite, The Road Not Taken.

http://oldpoetry.com/opoem/7126-William-Shakespeare-Sonnet-116—Let-me-not-to-the-marriage-of-true-minds— a favourite from the English bard, Shakespeare.

http://www.youtube.com/watch?v=JqOqo50LSZ0&feature=related – Maya. Enough said.

http://www.bartleby.com/126/52.html – ‘When I have fears that I may cease to be’ by another personal favourite John Keats.

http://ananseseminfo.blogspot.com/2010/12/sugarcane-dance.html – I just love how this feels. Summer Edward’s Sugar Cane Dance at Anansesem, a site for Caribbean children’s literature.

http://www.nyu.edu/calabash/vol4no2/0402115.pdf – Mervyn Morris (my writing mentor during my UWI days) says so much with such few words in this endearing piece.

http://tonguesoftheocean.org/2010/04/liberian-curfew/ – This poem set in war torn Liberia and written by Antiguan, Althea Romeo-Mark has been described as “powerful”, “touching”, and “strong”.

http://tonguesoftheocean.org/2010/12/chameleon-thoughts – Danielle Boodoo Fortune is a relatively new discovery (first heard her read in 2008) who’s quickly become an old favourite. Here’s an example of why. Here’s another example: Evening in the Room Built from Words.

http://tonguesoftheocean.org/2009/03/the-joy-of-planting-banana-suckers-in-your-own-land – The Joy of Planting Suckers in Your Own Land; of the compulsion to grow things (a plantain, a child, a nation, an idea…)

http://tonguesoftheocean.org/2010/06/1-o-clock-mass  – ‘1 o’clock mass’ – the line that jumps out at me from this “do nations unite or do they divide”.

http://tonguesoftheocean.org/2010/08/sip-an-talk – a related piece (borders, immigration and themes of that nature) by Angelique Nixon.

http://tonguesoftheocean.org/2010/06/what-you-cryin-for -The causes and symptoms of crime take centre stage in this piece ‘What you Crying for?’ by Anku Sa Ra, well complemented by the Stevie Burrows image entitled, appropriately, ‘Crime’. Tongues of the Ocean is a multi-media site and this is one of the postings that have, in addition to the written, an aural presentation of the work.

http://tonguesoftheocean.org/2009/11/wheelbarrow-woman – Readers describe this Lynn Sweeting poem which challenges readers to “love up your own self fearlessly” as “refreshing and candid”.

http://www.nyu.edu/calabash/vol4no2/0402128.pdf – Delores Gauntlett’s Pocomania appeared in Volume 4 Number 2 in the Spring 2007 issue of Calabash.

http://tonguesoftheocean.org/2010/03/marassa-jumeaux/ – Geoffery Philp’s perspective on Haiti had an interesting “angle” on things. And for those who think Anansi is always up to no good for no good reason, check out his ‘Anancy Song’ here

http://tonguesoftheocean.org/current/ – This leads to Xan-Xi Bethel’s ‘Sister, Love’, a poignant piece on Haiti, complemented by Lindsay Braynan’s touching image ‘Help a Sistah Out, Man’.

http://tonguesoftheocean.org/2010/07/walcott-in-nassau – Walcott in Nassau; very effective analogy.

http://www.kipling.org.uk/poems_if.htm – If.

http://oldpoetry.com/opoem/show/119806-Edna-St–Vincent-Millay-To-A-Friend-Estranged-From-Me – Actually discovered this as a teen in my much-dog-eared (translation: much loved) copy of Stephanie Tolan’s The Last of Eden. Love the imagery in the first verse, especially and the sense of loss and longing it evokes.

http://imani.wordpress.com/2007/05/13/for-my-mother-may-i-inherit-half-her-strength/ & http://www.tfl.gov.uk/tfl/corporate/projectsandschemes/artmusicdesign/poems/poem.asp?ID=161 – two faves by Jamaica’s Lorna Goodison

http://sheeralmshouse.blogspot.com/2010/07/no-more-smalling-up-of-me.html – ‘No More Smalling up of Me’ by Jean Wilson

SHORT STORIES

If you’ve been to the Blogger on Books recently, you may remember my mini-review of American writer Will Allison’s What You Have Left. Here’s an excerpt from that very book. ALSO, you’ll remember me raving about Nigerian Chimamanda Ngozi Adichie’s The Thing Around Your Neck; I just came across one of my favourite stories from the book. So, read.

http://www.munyori.com/novioletbulawayo.html – a story by Zimbabwe-American writer Noviolet Bulawayo.

http://dloc.com/AA00000079/00009/19j – Pamela Mordecai’s Cold Comfort is all kinds of funny.

http://ananseseminfo.blogspot.com/2011/05/sun-moon-darkness-rain-and-heart.html – A Caribbean folk tale from Anansesem.

http://ananseseminfo.blogspot.com/2010/12/beaumont-and-moonflower.html – A children’s story; perhaps a bit of inspiration given Wadadli Pen’s 2011 theme.

http://visitstsomewhere.blogspot.com/ – The St. Somewhere Journal features new writings from across the Caribbean. Among your blogger’s faves in the Autumn 2010 issue are Kittian writer Carol Mitchell’s ‘Kept Promises’ on Page 4 and Trinidadian Shakira Bourne’s ‘Crossing Over’ on Page 6. While you’re there, check out my story ‘Somebody!’ on Page 30 and my essay ‘On Writing’ on Page 37.

http://tonguesoftheocean.org/2009/10/the-rain/ – This “delightful but dark” Christi Cartwright story was hailed by readers for its “vivid imagery”.

http://tonguesoftheocean.org/2010/03/landscape-without-horizon/ – “Brilliant”, “vivid”, “beautiful” are a few of the words that have been used to describe this short story by Bahamaian, Sonia Farmer.

http://tonguesoftheocean.org/2010/05/when-coffee-time-come/ – Randall Baker’s ‘When Coffee Time Comes’ was credited for its “great characterization”.

http://ananseseminfo.blogspot.com/2010/12/yohan.html – Check out this imaginative children’s piece by Antiguan author Floree Williams.

http://www.munyori.com/miriamshumba.html – Straight out of Africa and yet familiar to all.

NON FICTION

This Jamaican children’s author asks ‘who are we writing for?’

I remember watching a group of kids at the national Youth Rally recently (Nov. 2011) chat and walk about during the Antigua and Barbuda National Anthem remembering how we couldn’t even twitch to scratch our nose singing the anthem every morning on the grounds of Holy Family School. How times have changed. It’s for this reason that I found the article ‘Tales out of School: Singing the National Anthem Word Perfect’ by Mary Quinn   to be at once sobering and amusing.

I’ll be the first to admit, I have my reservations about self-published material; while I appreciate the frustrations of the traditional route, and the desire to bypass them (been there, done that), there’s a part of me that believes the hurdles help ensure that what’s turned out is the best it can be – in terms of physical quality of the product and the quality of the content (stumbling over basic grammatical errors, plot gaps, character inconsistencies or other things that should have been caught and refined in editing takes away from the reading experience). That said, I’ve read poor material from the traditional route and really good self-published works (usually where the writer exercises the patience and good sense to invest in editing). So, with self-publishing more accessible than ever, as you consider the best route for your literary baby, I’m happy to share this article balancing both arguments while ultimately making a pro self-publishing case (in specific instances). Incidentally, the site is the online home of Bahamian writer Nicolette Bethel where there are other interesting postings on a range of topics.

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This is just one of the interesting points made in Susan Lowes’ article on Social Relations in Antigua in the 1940s: “In fact, it was by traversing this terrain that young people often came to know their “class.” Thus a young man would suddenly find that he was not allowed inside the gate of a close school friend, and realize that he was socially unacceptable to his friend’s parents. Or men who were good friends nevertheless did not visit each other inside their houses; those who reported that they were “very close” often got no further than the veranda. Women, as keepers of the indoors, controlled the most intimate types of socialization, ranging from house visits to marriage. Men, in contrast, socialized outdoors, on the streets and playing fields, in rum shops and clubs, arenas where they were less constrained by indoor standards of respectability. It was by and large the women who policed the distinctions of social class: who knew, and cared about, the genealogies, who determined who their children could socialize with inside the house and who had to remain an “outdoors” friend, and so on.”

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http://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story.html – This is not a written piece but rather a piece on the power of writing and the danger of a single story. It’s one of the more circulated TED talks on the net, featuring Nigerian writer Chimamanda Adichie, author of Purple Hibiscus, Half of a Yellow Sun, and The Thing Around her Neck – which I read and reviewed in the Blogger on Books. On the strength of the latter book and the TED talk – which I can relate to so much as a girl from the Caribbean – she’s a new favourite of mine.

http://www.thereviewreview.net/publishing-tips/what-editors-want-must-read-writers-submitti – Submitting to literary journals? Read this first.

http://accordingtohoyt.com/2011/08/30/you-say-editing-i-say-proofreading – The importance of editing.

http://www.shewrites.com/profiles/blogs/the-criticism-that-changed-my – It may not feel like it at the time but constructive criticism helps us grow as writers.

http://ananseseminfo.blogspot.com/2011/05/writing-up-storm.html – tips for unlocking the literary imagination among students.

http://www.guidetoliteraryagents.com/blog/7+Things+Ive+Learned+So+Far+By+Danica+Davidson.aspx – What aspiring writers need to know.

http://www.365antigua.com/cms/content/news-community-marcella-andre-commentary-haiti-march-27-2011 – I can FEEL Haiti in this piece.

http://summeredward.blogspot.com/2010/06/caribbean-picture-books-importance-of.html – Interesting piece on illustrations for Caribbean children’s literature; perhaps particularly interesting to me given that it ties in with our effort in 2011 to generate art to support the Caribbean children’s literature themed word entries for Wadadli Pen.

http://www.poetryfoundation.org/harriet/2007/03/poetry-terrors/ – On the writer and the blank page (by Kwame Dawes)

http://tonguesoftheocean.org/2010/02/me-writing/ – On writing (by Trinidadian Paul Hadden).

http://www.candw.ag/~jardinea/ffhtm/ff971219.htm – The late Tim Hector putting into perspective the writing and life of (one of my favourites) the late Martin Carter.

http://tonguesoftheocean.org/waves-and-murmurs/senior-lecture/ – Olive Senior, former winner of the Commonwealth Writers Prize, was actually my workshop leader when I attended the Caribbean Fiction Writers Summer Institute at the University of Miami back in 1995. Here she speaks at the Bahamas Writers Summer Institute in 2010 on ‘Writing and the Politics of Imagination in Small Spaces’. It’s a lengthy but interesting read.

INTERVIEWS

An interview with the always outspoken Dr. Carolyn Cooper, whom I personally remember as one of my favourite professors at the University of the West Indies.

“I find that in order to write your characters well, you have to be a little bit in love with them, even the ones that aren’t lovable at all.” – from Nalo Hopkinson’s 5 Minute Interview on Date with a Book.

“There was an idea I wouldn’t have been able to conceive of [the narrator] Precious’s life unless I had lived it,” said Push writer Sapphire. Push, some of you may know is the book that birthed the academy award winning film, Precious. Read her full comments on fact/fiction and assumptions/labelling here. This struck me because I’ve actually gotten a lot of the same assumptions (or questions) about my books – The Boy from Willow Bend, Dancing Nude in the Moonlight – that the stories were biographical when they are in fact fiction (and no more biographical than any other work of fiction, in fact less so I’d say). Never thought of it as racism though since most of the questioning came from my own community. Hm.

The Farming of Bones remains my favourite book by Edwidge Dandicat, one of my favourite contemporary writers. In this interview, she talks about the book (good reading).

This interview with Tiphanie Yanique is quite engaging and revealing, plus how many of us can say Maya Angelou read a poem of ours while we were still in high school.

http://maudnewton.com/blog/?p=9295 – as I post this, I haven’t yet read Marlon James’ books (though they’ve been recommended to me time and again, especially Book of Night Women) but I found this interview quite interesting. My favourite line comes in the section where he talks of his struggles writing a love scene: Someone once scared me by saying that love isn’t saying “I love you” but calling to say “did you eat?” (And then proceeded to ask me this for the next 6 months).    All that and he’s a Buffy fan; I think I’m going to have to book mark his blog (http://marlon-james.blogspot.com/index.html) and get to reading those books.

http://antiguaspeaks.com/news/?p=204 – Linisa George’s Brown Girl in the Ring – inspired by the children’s nursery rhyme and her experiences as a dark skinned sister growing up in a shade conscious society – is a staple of not only her When A Woman Moans productions but the local (i.e. Antiguan and Barbudan) performance poetry scene. In this article, she discusses the piece with her sister-friend and collaborator, ZIA.

http://sheroxlox.tumblr.com/post/1640248532/she-rox-tameka-jarvis-george– “Write from your heart. Write about your experiences good or bad. Everything in your life happens for a reason, so let those moments big or small be your inspiration to teach or help other people.” – excerpt from interview with Antiguan author of 2010 release Unexpected. Follow the link to read the rest.

http://www.nyu.edu/calabash/vol5no1/0501104.pdf – One of the interesting aspects of this Opal Palmer Adisa interview featured in Calabash was her insights on the Caribbean aesthetic.

VISUAL ART

http://afrolicious.com/2011/08/16/the-missing-peace-is-beautiful – This is a short film, The Missing Peace, by Rachel Benjamin; it’s based on a story by Haitian-American writer Edwidge Dandicat.

http://www.youtube.com/watch?v=ymvk3HsocqQ – Motion in motion.

http://www.youtube.com/watch?v=C-DWLzbPmcQ – She Rox Lox – Zahra Airall’s rendering of locked women who are just beautiful.

http://tonguesoftheocean.org/2010/06/crime – This Steven Burrows piece calls to mind for me the Bob Marley song ‘Johnny Was’: “woman hold her head and cry, ’cause her son has been shot down in the street and die”…a commentary on the unsettling state of affairs on our streets and in our homes.

http://wn.com/UNICEF_oneminutesjr__Dear_Dad – This is a winning piece in a UNICEF competition by Antiguan Carlon Knight; it’s entitled ‘Dear Dad’ and is quite touching.

http://tonguesoftheocean.org/2010/06/help-a-sistah-out-man – This was posted on Tongues of the Ocean, the Bahamian-Caribbean multi-media arts journal. The artist is Lindsay Braynen.

…AND HERE’S SOME OF MY STUFF

Excerpt from Oh Gad! (my new book due in 2012)

Friday Night Fish Fry (fiction) @ Sea Breeze – http://www.liberiaseabreeze.com/joanne_c_hillhouse.html

After Glow (fiction) @ Tongues of the Ocean – http://tonguesoftheocean.org/2009/11/after-glow

How to Make Cassava Bread and Other Musings on Culture (non fiction) @ Antigua Stories – http://antiguastories.wordpress.com/food-2/food

At Calabash (non fiction) @ Caribbean Literary Salon – https://wadadlipen.wordpress.com/2010/09/20/at-calabash

Defining Moments (non fiction) @ Geoffrey Philp’s blog – http://geoffreyphilp.blogspot.com/2010/12/defining-momentsjoanne-c-hillhouse.html

Off the Map (non fiction) @ Signifying Guyana –

http://signifyinguyana.typepad.com/signifyin_guyana/2010/12/guest-post-writing-off-the-map-by-joanne-c-hillhouse.html  

What Calypso Taught Me About Writing (non fiction) @ Caribbean Literary Salon – http://caribbeanliterarysalon.ning.com/profiles/blogs/what-calypso-taught-me-about

At Sea (fiction) @ Munyori – http://www.munyori.com/joannehillhouse.html

Pushing Water Up Hill (non fiction) @ Caribbean Literary Salon – http://caribbeanliterarysalon.ning.com/profiles/blogs/pushing-water-up-hill-one

Wadadli Pen – Nurturing Another Generation of Antiguan and Barbudan Writers (non fiction) @ Summer Edward’s blog – http://summeredward.blogspot.com/2010/08/guest-post-by-joanne-c-hillhouse.html

Cold Paradise (fiction) @ Women Writers – http://www.womenwriters.net/aug08/fiction_poetry/Hillhouse_ColdParadise.htm

Somebody! (fiction) @ St. Somewhere – http://visitstsomewhere.blogspot.com

Reflections on Jamaca (non fiction) @ Caribbean Literary Salon – https://wadadlipen.wordpress.com/2010/09/19/reflections-on-jamaica

Portent (fiction) @ Women Writers – http://www.womenwriters.net/aug08/fiction_poetry/Hillhouse_Portent.htm

Philly Ramblings 8 (poetry) @ Ma Comère – http://dloc.com/AA00000079/00004/36j

Ghosts Laments (poetry) @ Small Axe – http://smallaxe.net/wordpress3/prose/2011/06/30/poem-by-joanne-hillhouse

Benediction before the Essence (poetry) @ Women Writers – http://www.womenwriters.net/aug08/fiction_poetry/hillhouse_poetry.html

Prospero’s Education, The Arrival, Da’s Calypso (3 poems) @ Calabash – http://www.nyu.edu/calabash/vol4no2

Interview @ Caribbean Literary Salon – http://caribbeanliterarysalon.ning.com/profiles/blogs/interview-with-joanne-c

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