A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here – credit and link back if you use).
New from Antiguan and Barbudan artist’s Laikan’s The Lore.
To empower researchers in sharing their research, Antigua and Barbuda’s Education Ministry will be hosting its third annual research symposium, Wednesdays in May 2023, 5:30 – 7:30 p.m. Interested researchers are invited to submit abstracts up to 300 words in editable Word format to MOEresearchantigua@gmail.com by March 24th 2023. (Source – Daily Observer by Newsco)
The Brooklyn Caribbean Literary Fest has announced that it will be holding workshops ahead of its annual short story contest. Read about the first of them and more in Opportunities Too. (Source – BCLF email)
Late Brooklyn born artist of Haitian and Puerto Rican descent Jean-Michel Basquiat continues to be relevant. The Montreal Museum of Fine Arts ran an October 2022 to February 2023 exhibition “Seeing Loud: Basquiat and Music”. “Organized in collaboration with the Musée de la musique – Philharmonie de Paris, Seeing Loud: Basquiat and Music is the first large-scale multidisciplinary exhibition devoted to the role of music in the work of one of the most innovative artists of the second half of the 20th century.” – Montreal Museum of Fine Arts
“Released in English and French by the MMFA’s Publishing Department, in collaboration with Éditions Gallimard, this catalogue is an unprecedented study of the role of music in Basquiat’s painting. It includes essays by major art, music and culture historians as well as interviews with public figures who knew Basquiat or who were inspired by his work, such as George Condo, Anna Domino, Fab 5 Freddy, Michael Holman, Lee Jaffe, Nick Taylor and Toxic. It also includes new compositions by American poet Thomas Sayers Ellis and saxophonist James Brandon Lewis.
Richly illustrated, the book is divided into four sections, which follow the exhibition’s main themes and trace the history of Jean-Michel Basquiat’s artistic production. Each section comes with a playlist to further immerse readers in the artist’s sonic landscapes.”
This catalogue can actually be purchased online. (Source – a good friend who keeps me up on culture)
Barbadian visual artist Sheena Rose‘s Earth Black Lipstick Solo Show has been on at Johansson Projects, a gallery space in California since February 2023. Here she is with her mom and one of the images from the show.
The show is scheduled to run to April 1st 2023. (Source – Sheena Rose on Facebook)
Alwyn Bully of Dominica, founder and first chair of the Nature Island Literary Festival, passed on March 10th 2023.
(Bully pictured with Natalie Clarke White at the NILF)
While most recently known in this space, he has a long string of accomplishments including being the designer of the Dominica flag, a playwright, director, graphic artist, set designer, poet, short story writer, Carnival costume designer, and composer. His accolades include Dominica’s second highest honour, the Sisserou, induction in to Jamaica’s Culture for Development Hall of Fame, the National Drama Association of Trinidad and Tobago Cacique Award for contribution to regional theatre, the University of Technology of Jamaica’s Arts Award, the University of the West Indies Alumni Award of Excellence and a doctrate for his contribution to Caribbean society in the field of art and culture, the Golden Drum Award from Dominica’s National Cultural Council, and the LIME Creole Lifetime Achievement Award. He has worked as UNESCO’s Caribbean Culture advisor, chaired the CARIFESTA regional advisory body, was advisor to the Ministry of Culture in Dominica and a board member with the Festivals Commission. He has written 10 full length plays (including 2007’s “Hit for Six”, 2010’s “A Handful of Dirt”, and 2018’s “Oseyi and the Masqueraders” – all of which he directed), four radio serials, four screenplays, and numerous short stories. (Source – Nature Island Literary Festival on Facebook)
Halycon Steel Orchestra has lost soloist, percussionist, arranger, and pan player Fitzroy ‘Blakey’ Philip, who joined the Grays Green based pan orchestra in 1978 at just age 13. They describe him as an integral part of Halcyon’s 10 panorama titles – a utility player who could do it all, “the real deal”. More than that, though, it is the man they celebrate as they mourn, saying in Antigua and Barbuda’s Daily Observer newspaper, ‘To Halcyon you represented everything that was good and pure.. You were indeed the “heart” of the band.’ His individual accolades include being selected national solo champion in 1993 and his community contributions include being an instructor with the Halcyon school of pan. “We still feel like we’re in a bad dream and we are not ready to wake up without you.” – Halcyon and the entire pan fraternity. (Source – Daily Observer by Newsco.)
Politician and personal friend of the deceased Senator Shawn Nicholas eulogized Ivor Ford, a public figure with many roles perhaps best captured by her when she said at this funeral, “I never quite understood his role back then, but he was a staple at ABS Radio & Television, and was ever present to guide the younger ones in the field of broadcast media.” ABS could perhaps be substituted for the public sphere and the commentary he provided covered a wide span of public sector issues. Nicholas mentioned some of the projects she collaborated with Ford (also a producer of a number of the youth educational programmes which were staples on ABS) on, including The 150th Anniversary of the See and the City of St. John’s for the Anglican church in 1992 and the revised edition of historical tome The Struggle and the Conquest by Novelle Richards. She expressed a desire to continue the work started by Ford’s LAVONGEL foundation started in 2021 to document the history of Antigua and Barbuda “and to put to use the volumes of documents stored in the Fort Knox Archives that capture dates, times, places, and persons, and the social political history of Antigua and Barbuda.” (Source – Daily Observer by Newsco.)
Books and Other Reading Material
River Sing Me Home by Eleanor Shearer was launched in January 2023. Named a Good Morning, America book club pick, and one of Book Riot and BookBub‘s most anticipated, it is set in a Barbados caught between slavery and freedom – i.e. during the interim period known as apprenticeship in the then British West Indies. Rejecting apprenticeship the fictional Rachel runs away and travels the Caribbean to find her children, presumably sold away during enslavement. It was the Brooklyn Caribbean Literary Festival’s February read and was discussed on their Cocoa Pod podcast. The author is the grandchild of Windrush immigrants (from Barbados and St. Lucia) to Britain from the Caribbean. (Source – BCLF email)
To be a Cheetah, a collaboration between writer Joanne C. Hillhouse and artist Zavian Archibald, both of Antigua and Barbuda, is available for pre-order as announced in Publisher’s Weekly. It lands on July 4th and is currently available for pre-order. (Source – me)
March 1st kicked off Women’s History Month and a new CREATIVE SPACE landed on that day. It features two young Antiguan and Barbudan women in conversation. Read it here and watch below.
(Source – me)
Anderson Reynolds’ They Called Him Brother George: Portrait of a Caribbean Politician, is now in stores. The Vieux Fort Launch is at 4PM Sunday 5 March at the American Medical University building, and the Castries Launch is at 6:30 PM Saturday 18 March, at the Financial Center, Pt. Seraphine. The VFort South Parliamentary Rep, Dr. Kenny D. Anthony, is expected to provide special remarks at the Vieux Fort Launch, while Prime Minister Philip J. Pierre is expected to do so at the Castries Launch.
The book captures from multiple perspectives the political, artistic, and personal life of George Odlum. (Source – email Jako Productions)
We missed last season; we missed the start of this year; but we will have a Wadadli Pen Challenge in 2023. We need help though. See our recently posted Interns and Volunteers page and let us know if you can be that help. (Source – in house)
Wadadli Pen team member Barbara Arrindell is one of several women celebrated by the United Progress Party Women’s Forum. “For reinforcing the human right to freedom of information, via social media, and for balanced national discussion of political and social issues, respectively: Dr. Jacqui Quinn and Barbara Arrindell.” Arrindell who has written for the Outlet, Observer, Antigua Sun, and other publications, in addition to being an author, bookseller, and consultant, is the current host of Observer Radio’s Big Issues. Veteran broadcaster and politician Quinn hosts the station’s morning show. (Source – Antigua Newsroom)
The Bocas Long List has been announced.
Nine writers – three based in the region – from Grenada, Trinidad and Tobago, Jamaica, and Belize are in the running for the region’s most coveted book prize. On the poetry long list are Grenada born Canadian Michael Fraser (The Day-Breakers), Trinidad born United Kingdom based Anthony Joseph (Sonnets for Albert), and Jamaica born Canada based Pamela Mordecai (de book of Joseph), with special mention made of Guyanese born UK writeer John Agard’s Border Zone and Trinidad and Tobago writer Andre Bagoo’s Narcissus. In the fiction category are US based Jamaica born Marlon James (Moon Witch, Spider King), UK based Trinidad and Tobago born writer Ayanna Lloyd Banwo (When We Were Birds), and Barbadian-Canadian Jasmine Sealy (The Island of Forgetting). The longlisted non-fiction books were written by India born Trinidadian Ira Mathur (Love the Dark Days), Trinidad born US based Patricia Joan Saunders (Buyers Beware: Insurgency and Consumption in Caribbean Popular Culture), and Belizean Godfrey Smith (Diary of a Recovering Politician). Read about the books and authors, and read up on Bocas here. (Source – Bocas on Facebook)
It is one of 16 books in the running for the prestigious prize. Set amid the Jamaican diaspora in London at the dawn of 1980s, Fire Rush is described as a mesmerizing story of love, loss, and self-discovery that vibrates with the liberating power of music. Crooks’ short stories have been shortlisted for the Wasafiri New Writing Prize and the BBC National Short Story Award. Her story collection, The Ice Migration, was longlisted for The Orwell Prize for Political Fiction. Fire Rush is her first novel.
The winning essays in the Ethiopian Orthodox Church in Antigua and Barbuda’s essay competition are by Kaleb Hatton, Zanaba Simon, and Tella Martin. They wrote in response to the theme “Tribute to an African Queen” with 14-year-old Tella of Christ the King High School and Kaylee, 12, of Sir Novelle Richards Academy both writing about their moms, and Zanaba, 11, of the Nyabinghi Theocracy Church School writing about Queen Nzingha of Ndongo and Matamba (read about her in my She’s Royal series). (Source – Daily Observer by Newsco)
Canadian writer of Antiguan and Barbudan descent Motion (Wendy Brathwaite) is a writer on the digital series Revenge of the Black Best Friend which has been nominated for nine Canadian Screen Awards. The series features on all-Black writers room. Motion’s penned episode “The First One to Die” is up for Best Writing. It is one of two episodes written by her in the 2022 season. (Source – Motion email)
ETA: Observer Radio did a Big Issues segment about the award, and I’ve clipped and uploaded it to my channel:
(Source – me)
Sixteen young Barbudans were feted during Antigua’s sister islands first solo youth awards – a National Youth Awards covering youths in the entire country already exists. Among the recipients of awards, in the arts, are young poet-writer award honoree Kaylean Williams and young artisan Kyrollos Greaux. Culinary arts awardee was Glenesha Payne while Allyson Turner won for Culture and Performing Arts. (Source – Daily Observer by Newsco)
As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, and The Jungle Outside). All Rights Reserved. Subscribe to the site to keep up with future updates. Thanks.
A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here).
The Bocas Lit Fest Children’s Book Prize is back. It is given to one outstanding English-language children’s book for young independent readers, written by a Caribbean author. The Prize consists of a cash award of US$1,000, and Caribbean-born authors, resident anywhere in the world, of English-language books which have been published between 1 August 2021 and 31 August 2022 are eligible. The prize is open for entries from 20 June 2022 to 31 August 2022, and the winner will be announced in November 2022. The 2022 prize is administered by the Bocas Lit Fest, and is sponsored by the Wainwright family. Read about this and other opportunities with pending deadlines in Opportunities Too here. (Source – Bocas email)
Late Bahamian-American actor and director Sidney Poitier’s life is being adapted for the stage. The source material will be his memoir The Measure of a Man. Poitier spent his youth on Cat Island in the Bahamas before migrating to the US in young adulthood and going on to a stellar career, which includes being the first Black man and only the second Black person to win an Academy Award when he won best actor in 1963 for his performance in Lilies of the Field. Poitier died in January of this year. (Source – The Root)
Barbados has tapped star architect David Adjaye (the Ghanaian-British architect responsible for designing the National Museum of African American History and Culture in Washington D.C.) to design its Barbados Heritage District as a testament to the island nation’s culture and identity. Prime Minister Mia Amor Mottley announced the plan, which is to include a memorial, a global research institute, and a museum that will tell the story of slavery’s impact on Barbados and its inhabitants. The district will also house the Barbados Archives, a massive historical catalogue documenting 400 years of the slave trade in tens of millions of pages of documents. The archive, which includes sales ledgers, ship registers, manumission papers, and other documents, is one of the largest repositories of the British Transatlantic Slave Trade in the entire world. When complete, the center will be the first research institute based in the Caribbean dedicated to the Transatlantic Slave Trade. (It would be remiss of me, however, not to mention the African Slavery Memorial Project of Antigua and Barbuda which has been shared on this site before, including its plans for construction of a museum, also previously mentioned on the site). The first step in the development of the district in Barbados will be the building of the Newton Enslaved Burial Ground Memorial next to the site where the remains of 570 West African slaves were found in low earthen mounds and graves using LIDAR technology in the 1970s. Read more about the memorial which breaks ground in November 2022 here. (Source – friend in real life)
Barbadian visual artist Sheena Rose will be showing in ‘Holy Water’, an exhibition at the Eric Firestone Gallery in East Hampton, NY. The Zoe Lukov curated exhibition featuring 20 artists and exploring the mundane and mythological aspects of water. The show opens July 2nd and closes July 24th 2022. (Source – artist’s facebook)
Early in June, the organizers of the St. Martin Book Fair observed the 20th anniversary of the festival. Shujah Reiph, founder and coordinator (with Conscious Lyrics Foundation), said, “The journey that we began 20 years ago out of a Creative Writing Program organized by the House of Nehesi Publishers (HNP)not only gave birth to the book fair but to a new generation of St. Martin authors, many of whom contributed with youthful exuberance to the organization of the St. Martin Book Fair. We have had a symbiotic collaboration with HNP from the get-go. And with the University of St. Martin (USM) as well. Our modest ambition was to have a book fair that would bring the entire family closer to the book and,among other things, show as a lie the saying that if you want to hide something from a Black person, put it in a book.” Activities at the popular event included author and publicist roundtables, readings, masterclass, exhibition, and more featuring Yvonne Weekes, Sharma Taylor, Lasana M. Sekou, Max Rippon, N. C. Marks, Yona Deshommes, among others. (Source – House of Nehesi Publishers email)
The Antigua and Barbuda Youth Symphony Orchestra, a youth development non-profit music programme in Antigua and Barbuda is preparing (at this writing) for a musical event featuring movie theme songs. The event is scheduled for July 3rd 2022. Event details here.
(Source – Facebook)
I keep changing this sub-head title, not quite knowing what’s a fitting send-off, always wishing I didn’t have the need to include it. This is where we salute the ones who have impacted Caribbean art and culture, and there have been too many of these farewells by COVID and other means – but exacerbated by the pandemic – in recent years.
Renowned Antiguan and Barbudan pannist Victor ‘Babu’ Samuel has died. He passed on June 28th 2022, two years after a stroke diminished his capacity to function. Babu is one of our country’s most celebrated pan arrangers – notably for his work with one of the winningest pan orchestras, Halcyon (video link to an upload of the 1990 panorama tune arranged by Babu on the Halcyon Orchestra facebook page). He has also been a key figure in pan development through his work with the National Youth Pan Orchestra. His work bringing pan to the Police Marching Band was also acknowledged just this year. Babu was also well known as a pan soloist – regrettably I have not been able to find video of a Babu performance (and once again bemoan our failure to capture and catalogue the vibrancy of our Culture as a matter of intent/purpose). The last time I saw Babu was just before COVID at Carnival, a year in which Halcyon – again one of Antigua’s winningest pan orchestras – had to opt out of panorama due to lack of funds (at least that’s what he said to me when I asked him as we passed each other on Market Street during the Carnival parade). I don’t have a recent interview with Babu (whom I profiled years ago for a limited run newspaper column I called Vintage – there’s a lot from my archives that I need to dig through and share and this is one of them) but credit to Petra the Spectator for posting this interview with him in 2021.
Credit also to rival band Hell’s Gate for recently organizing Play one for Babu, fundraising concerts that were also a celebration of the art form that Babu loved so much. Catch the vibes (image borrowed from Hell’s Gate’s facebook page).
(Source – Observer Media by Newsco Ltd facebook page)
Lynn Sweeting of the Bahamas is known to us here on the Wadadli Pen blog. I posted an interview with her in 2012. She was committed to amplifying female Caribbean voices, our art and our words, and did via the Womanspeak journal.
Some of Lynn’s poetry has been shared by her friend Nicolette Bethel who edited and published the online Tongues of the Ocean literary journal. You can read her eulogy and the poems here. And like Lynn wrote in one of those poems, remember
“Fear is the meaning of their favorite song, but not the meaning of yours. Love up your own self fearlessly.” (from ‘Wheelbarrow Woman’, Tongues of the Ocean, 2009)
The last Womanspeak was published in 2018 and I know at least one was in the works after that and had to take a pause, and maybe now a full stop, in light of everything. (Source – Nicolette Bethel on Linkedin)
Antigua and Barbuda is mourning the passing of prominent son Gordon ‘Banks’ Derrick. Though he is best known for his contributions in sports administration (as president of the Caribbean Football Union and general secretary of the Antigua and Barbuda Football Association) and business, I add him here for the reason Cricket Association head Leon ‘Kuma’ Rodney said.
“Banks was not only known in football, but he was a Carnival man and came out of one of the better organised promotion groups, DSC Promotions, and there was a Mas’ troupe as well in Xtreme. He was chairman of the soca monarch when, I think, we had one of the biggest soca monarch shows ever in Antigua under the chairmanship of his buddy, Neil Cochrane.”
Signature DSC events included pre-Carnival fetes before pre-Carnival fetes (not including calypso tents) were their own cottage industry, notably Calypso Spektakula, which launched in the mid-1990s. He chaired the Party Monarch committee during its upsurge (between 2005-2007) to the head of the pack as far as popularity of main show Carnival events are concerned. He’s also a former chair of the Independence committee and co-founder of one of the original all-inclusive party mas bands, a pressure point between mas’ past and current flavours, Xtreme mas, which first hit the road in the late 1990s. I remember, I was there, for Spektakula limes and that first year of Xtreme. Banks’ death caught the community by surprise, prompting former West Indies cricket legend and fellow Antiguan and Barbudan Sir Vivian Richards to say, “It’s just some sad news today and I am going to agree with the rock group that sang ‘I don’t like Mondays’ because it’s a punch that hits you where it hurts.” (Source – Observer Radio 91.1 FM)
Puerto Rican writer Xavier Navarro Aquino in January 2022 released his debut novel Velorio with Harper Collins press. Velorio–meaning “wake”–is a story of strength, resilience, and hope; a tale of peril and possibility buoyed by the deeply held belief in a people’s ability to unite against those corrupted by power.
Fashanu Henry-Giddings has published her book Reading is Fun & Andre and the Bully. It’s her first book and it’s been added to the Children’s Literature and Antiguan and Barbudan Writing listings here on the blog. Congrats to her and to illustrator Anderson Andrews. (Source – email)
A street in Harlem has been renamed for founder of the Antigua Progressive Society Bishop James P. Roberts Sr. He worked as an elevator operator while pursuing studies at night after migrating to the US. He and 22 fellow Antiguans (Barbudans were later brought in) founded the group in 1934 during the Great Depression, to provide support for new immigrants. The Society has owned the brownstone at 12 West and 122nd Street where it is still headquartered since 1964. (Source – Daily Observer newspaper)
Canada based Jamaican writer and current poet laureate Olive Senior has received an honorary doctor of laws from Canada’s York University. “Nothing has prepared us for the moment, but we can seize it with courage and curiosity,” Senior said during the convocation ceremony. (Source – author’s twitter)
The Antigua Film Academy, the educational arm of the Motion Picture Association of Antigua and Barbuda, has had a short film, ‘Nobody hit me Pickney’, accepted to the Commffest Film Festival, September 15 – 22 2022, in Toronto, Canada. The script was reportedly developed by the Academy students during their two-week theory workshops and filmed over a period of time. Dr. Noel Howell, filmmaker and head of the Film Academy told the Daily Observer that the mix of practical and theory is part of the AFA’s summer workshops. The workshop’s 2022 dates are July 11 – 22. (Source – Daily Observer newspaper)
Canadian writer and producer of Antiguan-Barbudan descent Motion (Wendy Brathwaite) and Andrew Trotman-Burrows who is of Guyanese descent are two of only three people selected for the inaugural CBC-BIPOC TV & film showrunner catalyst programme. The other is Tanzania-born Ian Iqbal Rashid who is of Indian descent. The Showrunner Catalyst offers a high-level professional coaching opportunity, designed through an anti-racist and equity-focused lens, and provides participants with additional tools and support systems necessary to reach a showrunner level in the Canadian film and television industry. The Canadian Broadcasting Corporation, BIPOC TV & Film and the Canadian Film Center have made an initial commitment of three years to the program, with the opportunity to renew. (Source – BIPOC TV & Film on Linkedin)
As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, and The Jungle Outside). All Rights Reserved. Subscribe to the site to keep up with future updates. Thanks.
A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here).
I wasn’t going to write about Calvin Holder. This letter I came across in Guyana’s Staebrok News when googling to see if news of his passing was true (it was, February 7th 2022) changed my mind. Mr. Holder was a teacher of mine and one of the mentors along the way to me becoming the writer that I am. His English classes (at the Antigua State College) drew me out, I shared my writing with him and received feedback, I wrote plays for the college drama group he led. After college we lost touch – though we reconnected from time to time, though not in a long time. The writer of the February 21st 2022 letter, Roy Brummel, referenced Mr. Holder’s PhD thesis, Victim and Vehicle: The Political, Cultural and Intellectual Contexts of Martin Carter’s Poetry, which he successfully defended on April 5th 2007: “Calvin had served as a teacher in different parts of the hinterlands and, after graduating from UG, he returned, giving more years before being transferred to work as an education official on the East Coast of Demerara. Calvin migrated to Antigua to teach, but he came back to UG to read for his Masters in English and later completed his PhD at the University of the West Indies, with his thesis being on Martin Carter….I have been informed that Dr. Gemma Robinson of England has written a thesis on Martin Carter, but I don’t know of any Guyanese besides Calvin who has written a PhD thesis on Guyana’s national poet. Therefore, Calvin’s work is very significant. I’ve asked people whether they have knowledge of a Martin Carter biography, and they said no. Assuming there is no Martin Carter biography, the works of Drs. Robinson and Holder are even more important as they are the closest to that biography.” Sounds like a good idea to me. Rest in Peace to Mr. Holder. (Source – a friend)
Sarah White, who was the co-recipient of the first Bocas Henry Swanzy Award in 2013, has passed. She was described by Bocas as co-founder of New Beacon Books with her partner John La Rose, and “a true and practical friend to generations of Caribbean writers, artists, and activists…Her death is a great loss to Caribbean and Black British publishing and bookselling, writers and readers.” Sarah was born in 1944 and died in 2022. (Source – JRLee)
On Thursday, February 3, 2022, the Rex Nettleford Foundation celebrated Professor Nettleford’s life and legacy with a viewing of “Renaissance Man” A Documentary of the Life of the late Jamaican professor. Nettleford (full name Ralston Milton “Rex” Nettleford) was a scholar, social critic, choreographer, and vice chancellor emeritus of the University of the West Indies.
Tim Tim Bwa Fik podcast discussion with Rilzy Adams part 2 (2022) – “When writing, where this was concerned, the one thing that I really wanted it to feel like and be like was Antiguan… I was very intentional with everything from the food choices to the music…but I also wanted them for the most part to be not necessarily heartwarming but …my general brand, for everything I write…Antiguan, full of love, and spicy.” She added that while so much of our Caribbean fiction deals with our historical trauma she just wants to write about people meeting, falling in love, and having sushi.
Click here to watch the full Tim Tim Bwa Fik series by podcaster Maëlla K on Apple podcasts. It includes interviews with several Caribbean writers. (Source – WordPress feed)
You can now view ‘The Journey of a Book’, a webinar co-organized by The Antigua and Barbuda Intellectual Property and Commerce Office and the World Intellectual Property Organization, online. The presenters were Antigua and Barbuda’s Barbara Arrindell, Award winning authof of Love after Love Ingrid Persaud, Barbados’ Erica Smith, CEO of COSCAP – a collective management organization, and Brian Wafawarowa of South Africa, chief content and product officer, Juta and Company (Pty) Ltd.
Pictured during the webinar, above, are, left, Ricki Camacho, registrar of Intellectual Property and Copyright, and, right, Ingrid Persaud.
“Own your work and find your voice…voice is the key,” – Ingrid Persaud said during the webinar, held on February 10th 2022, giving the writer’s perspective. Arrindell, an author and bookseller, spoke about practical resources for writers (what we have and what we need in Antigua and Barbuda). Camacho hinted that one of the things writers have been asking for, the ability to legally copyright their writing locally, may be in the works. But don’t take my word for it. Watch the entire video. Follow this link and use this password (&F9+t1&r). Thanks to the organizers for making this available. (Source – Me)
The Filmmakers Collaborative of Trinidad and Tobago has announced an online workshop with Los Angeles based South African writer/director Phumi Morae. It will cover screenplay titles, loglines, taglines, and short impactful synopses. Dates February 22nd and 23rd 2022. More here. (Source – Ministry of Culture, Trinidad and Tobago on Facebook)
The PEN Out Loud series which has booked a number of Caribbean and/or Caribbean diaspora writers for conversations over the years has Aida Rodriquez who is American of Puerto Rican and Dominican descent coming up on March 22nd 2022.
After a two-year break due to the pandemic, Antigua’s Carnival is coming back. No, the pandemic isn’t over (at February 17th 2022, our dashboard shows 135 lives lost to date , 76 active cases, 75 isolated, 5 new, and blessedly only one hospitalized, with vaccine numbers around 60 percent) but (keeping in mind that a vaccine is not a get out of COVID unscathed card, we can still get it and transmit it) hopefully we’ll find ways to party safely to avoid a post-fete surge. (Source – Antigua Festivals Instagram)
‘Dreadness: the Mystic Power, Philosophy and Performance of Shadow 1941-2021’, in celebration of Trinidad calypsonian the Mighty Shadow’s 80th birthday, is a virtual symposium announced for March 3rd and 4th 2022. Organizers are the Groundation Foundation and the University of the West Indies St. Augustine. Go here for details and registration information. (Source – Amilcar Sanatan email on this issue of Tout Moun Caribbean Journal of Cultural Studies)
The NGC Bocas Lit Fest has been set for April 28th 2022 to May 1st 2022. The events will be live streamed. Stay tuned. (Source – Bocas email)
The short list of books for the Bocas Prize has been announced.
They are Cuba: An American History by Ada Ferrer (Cuban-American), Things I have Withheld by Kei Miller (Jamaican), The Disordered Cosmos: A Journey into Dark Matter, Spacetime, & Dreams Deferred by Chanda Prescod-Weinstein (American of Barbadian descent) contesting for the Non-Fiction prize; Pleasantview by Celeste Mohammed (Trinidad and Tobago), How the One-Armed Sister Sweeps Her House by Cherie Jones (Barbados), What Storm, What Thunder by Myriam J. A. Chancy (Haitian-Canadian) competing for the Fiction prize; Thinking with Trees by Jason Allen-Paisant (Jamaican), What Noise Against the Cane by Desiree C. A. Bailey (Trinidad and Tobago), Zion Roses by Monica Minott (Jamaican) in the running for the Poetry prize.
The judges will announce the winners in the 3 genre categories on 27 March. These will go on to compete for the overall #OCMBocasPrize2022 of US$10,000, to be announced on 30 April, during the 12th annual NGC Bocas Lit Fest. Each category winner will receive US$3,000. (Source – Twitter)
Late last year the Antigua and Barbuda JCI Youth Empowerment Programme recognized a number of young people. They are humanitarian award winner and Red Cross volunteer Daniela Mohamed, entrepreneurship award winner and Dadli Dose juice brand owner Kwesi Jarvis, sports awards winner and professional bikini fitness athlete Kimberly Percival, agriculture award winner and beekeeper Jamaul Philip, music award winner and pannist Jah-fari Joseph-Hazelwood, education award winner whose sede project is Eat ‘n Lime Tours Tiffany Azille, mental health activist awardee and associate clinical psychologist Regina A. Apparicio, leadership award winner and history teacher Kamalie Mannix, and culture award winner and translator Alfonsina Olmos.
(Source – Facebook)
Guyana born British based writer John Agard in late 2021 became the first poet to win the Booktrust Lifetime Achievement Award. “I feel happy that I’ve stuck with this craft since I was a 16-year-old boy writing in a classroom in a Caribbean ex-colony. It’s not just me receiving this award, but all the people that inspired me,” Agard said. Read the full article here. (Source – Repeating Islands blog)
Jamaican writer Kei Miller (Things I have Withheld) was on the Baillie Gifford Prize long list late last year. The prize ultimately went to Empire of Pain: The Secret History of the Sackler Industry by Patrick Radden Keefe. The prize recognizes the best in non-fiction. (Source – JRLee email)
Twenty early-career writers from seven different Caribbean territories have been shortlisted for the 2022 Bocas Emerging Writers Fellowships, to be awarded in two genre categories for poetry and prose. Scheduled to run for a period of six months, and offering tangible support for emerging writers to advance or complete a body of work, the two Bocas Emerging Writers Fellowships will include a cash award of TT$10,000, six months’ mentorship from an established author, participation in an intensive online workshop hosted by the UK literary organisation Arvon, and publication of a chapbook by Peekash Press. From a total of over 100 applicants, the shortlisted writers are, in alphabetical order:
Topher Allen (Jamaica) Xan-Xi Bethel (The Bahamas) Neala Bhagwansingh (Trinidad and Tobago) Johanna Gibson (British Virgin Islands) Ubaldimir Guerra (Belize) Jannine Horsford (Trinidad and Tobago) Jay T. John (Trinidad and Tobago) Gillian Moore (Trinidad and Tobago) Ruth Osman (Guyana/Trinidad and Tobago) Allyson Weekes (Trinidad and Tobago)
Tracy Assing (Trinidad and Tobago) Heather Barker (Barbados) Ayrïd Chandler (Trinidad and Tobago) Rachael Amanda Espinet (Trinidad and Tobago) Amir Denzel Hall (Trinidad and Tobago) Michelle John (Trinidad and Tobago) Garvin Tafari Parsons (Trinidad and Tobago) Rajiv Ramkhalawan (Trinidad and Tobago) Ark Ramsay (Barbados) Alexandra Stewart (Trinidad and Tobago)
The shortlists were selected by authors Andre Bagoo of Trinidad and Tobago (whose essay collection The Undiscovered Country was the winner of the 2021 OCM Bocas Prize for Non-Fiction) and Ann-Margaret Lim of Jamaica (whose book of poems Kingston Buttercup was shortlisted for the 2017 OCM Bocas Prize for Poetry).
“Caribbean Lit is in good hands,” remarked Lim of the fellowship applications. “Good, serious writers from the Caribbean, unafraid of subjects traditionally ‘taboo’ in their countries, are writing their truths, and doing so beautifully and as well as any international poet or fiction writer…. The voices are not stilted or affected. They are bold, true, and indeed shaped by skill and attention.”
“These writers all demonstrate a mastery of language in service of an artistic vision or point of view,” added Bagoo. “Their writing samples provide glimpses of a future in which Caribbean literature is bolder, more exhilarating than ever.”
The call for fellowship applications asked for writers working in innovative, genre-crossing forms, exploring themes of individual and personal identity, and ideas of belonging, displacement, and home.
The two successful fellows, selected from the shortlists, are expected to be announced in late March 2022, and will present their work in progress during the 2022 NGC Bocas Lit Fest, running from 28 April to 1 May.
The fellowships are made possible by generous donations from Canisia Lubrin, winner of the overall 2021 OCM Bocas Prize for Caribbean Literature; Dionne Brand, winner of the 2019 OCM Bocas Prize in the fiction category; Christina Sharpe, judge for the 2022 OCM Bocas Prize in the fiction category; and Allyson Holder, Friend of the Bocas Lit Fest. (Source – Facebook)
Motion, Wendy Braithwaite, a Canadian writer of Antiguan and Barbudan descent, is a Canadian Screen Awards nominee for her writing on the drama series, ‘Coroner’. From Motion’s Facebook: “Wow! So much of our heart and souls went into this one! To see Ruby (played by talented Avery Grant) on screen. To write a story inspired by the culture. To integrate the sounds and the artwork of our artists in this city. To tell a story about art, family, legacy and a courageous girl – young, creative and Black. To work with an awesome room of writers, and create/collabo once again with visionary Charles Officer! 10 Canadian Screen Award noms for Coroner, and 2 for this special episode – DRAMA SERIES, BEST WRITING and DRAMA SERIES, BEST DIRECTING!” Motion’s nomination is for the episode ‘Eyes Up’. (Source – Facebook)
Shouting out artrepeneur Barbados’ Nikisha Toppin, winner of the MicroPitch Best Female Entrepreneur Award at Micro Pitch Caribbean with her business Elaine’s Caribbean Crochet – “a registered social enterprise that provides Caribbean crochet artists with the knowledge, tools and resources needed to help their businesses be sustainable”.
MicroPitch is a combination of entrepreneurship trainings and a business plan competition that gives entrepreneurs and micro, small and medium-sized enterprises (MSMEs) of the Caribbean region the opportunity to boost their business by offering them capacity building and a platform to present (“pitch”) their business plans, solutions or ideas to a jury and audience, receiving personalised and instant feedback. Other finalists (more in the entrepreneur lane) are Jamaica’s Venice Irving, winner of the MicroPitch Export Award with her business Happy Teachers and Kavelle Hylton, winner of the MicroPitch Jamaica Award with her business STEM Builders Learning Hub; Dominica’s Jodie Dublin Dangleben, winner of the MicroPitch Best Entrepreneur Award with her Jaydie’s Naturals; Belize’s Miguel Huertas, winner of the MicroPitch Audience’s Favourite Award with his business Apilife and Mark Jacob, winner of the MicroPitch Belize Award with his business DML Foxtail Bamboo Straw; and Haiti’s Joseph Kendy Jules, winner of the MicroPitch Haiti Award with his business Haispot. (Source – N/A but finalists pulled from Micropitchcb Facebook)
Rise up, Sista by Kristine Simelda came out late last year. It tells the story of a Jamaican reggae artist and a British rocker who meet in London in 1963, sparking a powerful story of friendship and cultural revolution. . It is dedicated to the life of Nelly Stharre, a Dominican reggae artist who passed away in 2015 andexplores the amazing diversity of music written and broadcast during the 1960s and beyond—rhythms that served as a uniting force during times of change and political unrest. The book was published by Simelda, an American who has lived in Dominica since the mid-1990’s, River Ridge Press.
Horizon, Sea, Sound: Caribbean & African Women’s Cultural Critique of Nation by Andrea A. Davis was released in January 2022. Calling for new affiliations of community among Black, Indigenous, and other racialized women, and offering new reflections on the relationship between the Caribbean and Canada, Davis articulates a diaspora poetics that privileges our shared humanity. In advancing these claims, she turns to the expressive cultures (novels, poetry, theater, and music) of Caribbean and African women artists in Canada, including work by Dionne Brand, M. NourbeSe Philip, Esi Edugyan, Ramabai Espinet, Nalo Hopkinson, Amai Kuda, and Djanet Sears. Davis considers the ways in which the diasporic characters these artists create redraw the boundaries of their horizons, invoke the fluid histories of the Caribbean Sea to overcome the brutalization of plantation histories, use sound to enter and reenter archives, and shapeshift to survive in the face of conquest. The book will interest readers of literary and cultural studies, critical race theories, and Black diasporic studies. (Source – Twitter)
Rohan Balkin and The Shadows by Juleus Ghunta with illustrator Rachel Moss was an end of year Caribbean Reads release.
Rohan Bullkin is haunted by sinister Shadows that fuel his fear of reading. He hates books so much that he often rips their pages. But when the Shadows become intolerable, Rohan accepts an offer of friendship from a special book. This marks the beginning of a remarkable journey during which he not only learns how to conquer Shadows but also develops a love of books and life. (Source – Caribbean Reads email)
You know we’re all about promoting Antiguan and Barbudan books via our book lists, including Antiguan and Barbudan children’s literature. You know that we also promote Caribbean literature. Here’s a new one (or new to us), Jako Productions’ listing of St. Lucia Children’s Books. Just scrolling through it, I’m fascinated by Talking Talia Tattles or Tells – do I know the difference between tattling and telling? do you? this may be a book not just for children; lots of adventure tales – go Wyetta; love the use of the French creole – sak sa…sa ka fet…did I use those right?; the folklore – compere lapin to soucouyan… who looks as frightful as I remember from childhood tales in Antigua (my mother’s family is French creole from Dominica). Anyway, check out the listing of books for children and #readCaribbean (Source – Jako Productions email)
This is book news more than books, and the news is that American author of Haitian descent Roxane Gay has a new (new in 2021) imprint and a fellowship programme to provide opportunities to publish and/or learn the business, respecitively, to underrepresented voices. Read the announcement in this article in Poets & Writers, and then do your research. (Source – Poets and Writers email)
US based Trinidad and Tobago author Danielle Y. C. McClean’s The Whisperer’s Warning is the second book in her Secrets of Oscuros series after the Burt Award winning The Protector’s Pledge. It is illustrated by Rachel Moss and published by Caribbean Reads Publishing. Twelve-year-old JV has discovered that he’s one of a select few entrusted with preserving the balance between the world’s natural and unnatural realms and is now more driven than ever to know who his birth parents are. But there’s another mystery in the usually quiet village of Alcavere that he can’t ignore. He and his friends, Carol and Riaz, have received a cryptic warning from a supernatural being who dwells in the Oscuros Forest, launching them into a high-stakes mission. (Source – BCLF email)
The second book in Jamaican writer Marlon James’ Dark Star Trilogy Moon Witch Spider King landed in February. It follows on National (US) Book Award Finalist Black Leopard, Red Wolf. In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own. Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. James is a US-based author whose many accolades include the Man Booker Prize (only one of two Caribbean authors to claim that coveted prize) for A Brief History of Seven Killings. (Source – BCLF email)
Sabine, the first short story collection from Hazel Simmons-McDonald, St. Lucia-born linguistics professor emerita, first head of the UWI Open campus, and poet, was published in December 2021. The book presents a deft exploration of class, of how values are shaped by religion, and of the tensions that undergird family life. She makes a place for voices hitherto not heard and creates characters who closely guard the secrets of their hearts but who through her narrative dexterity come to experience moments of truth and clarity of memory. Sabine is published by UWI Press. (Source – JRLee email)
Co-founder of gender activist group Intersect Antigua and Barbuda Sarah Gresham has created a free online library. The purpose, to share reading recommendations from the Intersect team on each theme of the Caribbean Feminist Stories project. Access podcasts, articles, videos, blog posts, and books that illuminate the themes Resilience in the Face of Natural Disasters, Critical Green Theory, and Black in Environment! As the weeks progress, more resources will be added. (Source – Twitter)
Ana Portnoy Brimmer’s To Love an Island came out in late December 2021. Portnoy Brimmer is a poet and organizer from Puerto Rico. To Love An Island begins with the aftermath of Hurricane María and spans the summer insurrection of 2019 and subsequent earthquakes in Puerto Rico. It was originally the winner of the YesYes Books 2019 Vinyl 45 Chapbook Contest. (Source – N/A)
A Lantern in the Wind: A Fictional Memoir was released in 2021 by Hansib. It was written by Ameena Gafoor and offers rare insight in to Muslim life in Guyana. Additionally, her description of being an immigrant in London is a relatively rare revelation of the female experience. Ameena Gafoor is the Founder of The Arts Forum Inc; the Founding Editor of The Arts Journal; and author of Aftermath of Empire: The Novels of Roy A.K. Heath (2017). She has received two National awards as well as recognition from the Guyana Indian Commemoration Trust and the Guyana Cultural Association of New York for her outstanding contribution to the literary arts of Guyana and the Caribbean. She has also received an award from Caribbean Voice for her social work with Support for Vulnerable People through The Gafoor Foundation. Her critical articles are published in selected Journals. (Source – Hansib email)
One Day, One Day, Congotay by Trinidad and Tobago’s Merle Hodge is described, on the website of publisher Peepal Tree Press, as ‘A novel, like George Elliot’s Middlemarch that celebrates the small, hidden lives that make the world a better place. Like any richly documented historical novel, it has much to say, by implication, about the present’. It was released in January 2022. (Source – JRLee email)
St. Lucian writer Mac Donald Dixon’s A Scream in the Shadows launches this month. It is a crime story set in the rural Caribbean where traditional allegiances and a flawed criminal justice system provide a backdrop to the rape and murder of a young girl. When her father is accused of the crime, her brother joins the police to try and clear their father’s name. While the suspect languishes in jail on remand, the young detective makes some alarming discoveries. (Source – Jako Productions email)
As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, The Jungle Outside, and Oh Gad!). All Rights Reserved. Subscribe to the site to keep up with future updates. Thanks.
N.B. This is specific to items written for the stage or screen which have been published in book form (not including screen/plays excerpted in journals which will be posted to the journals list). It’s short but I decided to share it anyway. The list of produced plays and films is longer (though still comparatively short). Use the search feature to find it. This list is also cross-posted to the main list of Antiguan and Barbudan writing which I started building in 2005 for the Independence Literary Arts exhibition at the National Museum. Use the search feature to find that. For other genre specific listings , search for fiction, non fiction, poets, children’s literature, songwriters, or whatever else. This list is all books all the time, but you can also search this site for publications by Antiguans and Barbudans in journals, contest wins, and performances. Chances are it’s somewhere here on the site. Some listed books are traditionally published (i.e. the rights acquired by trade publishers for sale with writers receiving an advance and royalties per contract), published with a small or independent press (still traditional but on a different scale), published via a hybrid press (a mix of traditional publishing and self-publishing), or self-published (including vanity press or any mechanism through which the author pays to publish). If you’re looking for Wadadli Pen winners, use the drop down menu on the right or search Wadadli Pen by year, name, story or other feature. Do your own research re the quality of any books posted here (we even have some reviews posted to the site) and if you share, credit. Hope you find what you’re looking for.
Name: Zahra Airall
“Makeba’s Walk” (p. 96) and “You should have been there” (p. 102) in
Voices Monologues and Plays for Caribbean Actors (ed. Yvonne Weekes). House of Nehesi Publishers. St. Martin. 2021.
“Over the Hill and Through the Wood” in
She SEX – Prose and Poetry: SEX and the Caribbean Woman. Bamboo Talk Press. Trinidad. 2013.
About the Book:
Per Weekes’ introduction in Voices Monologues and Plays for Caribbean Actors, theatre arts was introduced as a CXC and CSEC course offering in 2001. Voices, which includes monologues on historical figures and real events, dramatically fictionalized, offers students across the Caribbean insight to the region and what sets it apart from the rest of the world.
Sex, Prose and Poetry, SEX and the Caribbean Woman has been described as “an important gathering of women’s voices” (Tiphanie Yanique, author of How to Survive a Leper Colony). Airall’s story, “Over the Hill and Through the Wood” is about an older woman finding sexual gratification for the first time.
About the Author:
Zahra is an educator, photographer, spoken word artist, poet, and stage and TV writer, director, and producer. She is a part of the following teams: Women of Antigua (which brought The Vagina Monologues and When a Woman Moans to the Antiguan stage), August Rush (producer of the Expressions Poetry series), and the team that brought the first TEDx event to Antigua. She’s also put on several well-received productions under her Sugar Apple Theatre and Zee’s Youth Theatre banner, in Antigua and abroad, and has racked up several awards as writer-director in local and regional secondary schools theatre competitions. See her credits for film-TV and stage productions in Playwrights and Screenwriters (The Antigua-Barbuda Connection). See also writings on her plays in CREATIVE SPACE here, here, and here. She is, also, a teacher, writer, and photographer.
Wadadli Pen connection: Zahra was part of a small grouping of Antiguans who organized a week of Black History Month activities culminating with the Wadadli Pen Challenge awards. This was the return of the Wadadli Pen Challenge after a three year break and the first year of the Wadadli Pen visual arts challenge. The Wadadli Pen/BHM week of activities included a national Museum exhibition of visual art by Antiguans and Barbudans including Zahra/byZIA Photography, who, also directed ‘Word Up! 2010’ (sequel to ‘Word Up! 2006’, a joint Museum-Wadadli Pen fundraiser and literary arts showcase) which was a mix of fashion, poetry, calypso, theatre, with Zee’s Youth Theatre headlining, and the Challenge awards. 2010.
Name: Edson Buntin
Anu Bantu: Treasure Island and Haunted Park. Antigua Printing and Publishing. Antigua. 2007.
About the Book:
“The format of this book is that of both a novel and a play rolled into one”–p.324.
About the Author:
Edson Buntin is a dramatist and an instructor in French at the Antigua State College. His contributions to theatre are both onstage and off, as an actor including serving as a cast member in the 1979 production of Dorbrene O’Marde’s Tangled Web and as founder of the Scaramouche Theatre and overseeing several productions at the College, such as Conjugal Bliss. Plays written by Buntin include Con Man Sun Sun, Mr. Valentine, and Wedlock. He has also acted in local films such as Once in an Island.
Name: David Edgecombe
Lady of Parham.Caribbean Reads Publishing (second edition). St. Kitts. 2014.
About the Book:
Lady of Parham, set in Antigua, introduces the audience to five revelers who have come together to form a Carnival troupe but settle for dramatizing the tale of the Parham ghost. In the telling of the ghost legend, Justin, Tulip, Sauna, Kyle, and Mabel must confront the demons that threaten to derail their lives. Lady of Parham is based on a local Antiguan legend. The play has been staged, including an eight night run at the Little Theatre, University of the Virgin Islands.
About the Author:
Edgecombe’s inclusion on this list is due to the Antigua-specific nature of this play. He hails from neighbouring Montserrat where he was the founder of touring company, the Montserrat Theatre Group. He has written over a dozen plays which have been staged throughout the Caribbean, in Canada, and in Nigeria. He joined the faculty of the University of the Virgin Islands in 1990 to teach English and was artist-in-residence in 1991. He also taught Journalism, Speech Communication, and Theater before becoming Director of the Reichhold Center for the Arts. He went on to become a full-time professor in the College of Liberal Arts & Social Sciences, University of the Virgin Islands. He has published several of his plays with Caribbean Reads Publishing; but, notably, Lady of Parham was shortlisted for the Guyana Prize for Literature Caribbean Award.
Name: Gus Edwards
The Offering & Other Plays by Gus Edwards.
Black Heroes in Monologues (ed.). Heinemann. US. 2006.
50 African American Audition Monologues (ed.). Heinemann. US. 2002.
More Monologues on Black Life (ed.). Heinemann. US. 2000.
Monologues on Black Life (ed.). Heinemann. US. 1997.
Classic Plays from the Negro Ensemble Company (w/co-editor Paul Carter Harrison). University of Pittsburgh Press. US. 1995.
The Offering. Dramatists Play Service Inc. US. 1978.
Old Phantoms. Dramatists Play Service Inc. US. 1969.
About the Books:
Black Heroes in Monologues – What is a hero? How is one defined? When Gus Edwards discovered that the majority of the young actors, playwrights, and teachers he encountered didn’t know who Nat Turner was—nor many other key men and women in black history—he summoned the power of theatre to correct the situation. Black Heroes in Monologues brings these and other influential African Americans to life once again.
50 African American Audition Monologues – Finding authentic African American material has never been easy for actors. Gus Edwards continued to remedy that situation with this third collection of powerful, original monologues for African American men and women. The pieces offer a refreshing alternative to recycled standards. And they showcase the language and frame of reference that are immediately recognizable, both emotionally and culturally, to the people who will perform or view them. Edwards has arranged the monologues by performance length, a key component in auditioning.
More Monologues on Black Life – This collection presents fresh material written in a voice that reflects the modern African American experience. The collection offers the complete text of Gus Edwards’ remarkable ‘Lifetimes on the Streets’, in a volume with another collection of monologues entitled ‘Reaching for the Dream’. Together, these two sets of monologues are a vital resource for actors and actresses looking for honest, vibrant material. The characters in ‘Lifetimes on the Streets’ range from a woman on her way to her hairdresser who enters into a strange relationship with a painter who invites her to have a cup of tea with him, to the Common Man, an old man carrying a bag who warns that Harlem is entering a new ice age, to a businessman who, on the death of a homosexual friend, wanders into a porn movie and is forced to confront his own discomfort and lack of confidence. The rest of this volume is a collection of monologues for men and women, ranging in age from 15 to 50.
Monologues on Black Life – In acting classes all over the country, African American students are routinely given monologues either from old Black plays like A Raisin in the Sun or contemporary Anglo plays, prompting them to ask, “Where are the new works aimed at us?” Students need material that is fresh and authentic, material that speaks in their language and to their concerns.
Classic Plays from the Negro Ensemble Company – This anthology celebrates more than twenty-five years of the Negro Ensemble Company’s significant contribution to American theater. Collected here are ten plays most representative of the eclectic nature of the Negro Ensemble Company repertoire. The Negro Ensemble Company (NEC) was formed in New York City in 1967 with support from the Ford Foundation to aid in the establishment of an independent African-American theater institution. Under the artistic directorship of Douglas Turner Ward, the NEC offered a nurturing environment to black playwrights and actors who could work autonomously, guaranteeing authenticity of voice, full freedom of expression, and exploration of thematic views specific to the African-American experience. Since its inception, the NEC has introduced audiences to more than 150 theatrical works. Classic Plays from the Negro Ensemble Company allows scholars to review a diversity of styles which share common philosophical, mythic, and social ideals that can be traced to an African worldview. A foreword by Douglas Turner Ward and an afterword by Paul Carter Harrison and Gus Edwards assess the literary and/or stylistic significance of the plays and place each work in its historical or chronological context.
The Offering – The scene is a shabby basement apartment on New York’s West Side, where Bob Tyrone, an aging black, lives with his young wife, Princess. Now on welfare, Tyrone spends most of his time dozing, or glass in hand, watching television. Unexpected visitors arrive in the form of Martin, an obviously prosperous young black man, and Ginny, his beautiful white girlfriend. Martin offers Tyrone a large sum of money, but Tyrone declines and invites his visitors to stay the night. In a series of highly atmospheric scenes, it develops that Martin, a hired killer, had known Tyrone when he too was a power in illegal activity, and he still regards him with awe. At first the action seems to be concerned with Martin’s desire to help his former mentor. But gradually, as the sense of menace deepens, we are aware that a struggle for sexual dominance has now become the focus of their relationship – as Tyrone seduces Ginny, and Martin, suddenly powerless, yields to the psychological battle of wits to which his now reinvigorated master has subjected him. Successfully produced by New York’s renowned Negro Ensemble Company, this arresting first play blends menace and humor, with unique stylistic originality, as it details the confrontation between a young man, his aging mentor and the women with whom they share their lives.
About the Author:
About the Author: Gus Edwards was born 1939 in Antigua and raised in St. Thomas. He moved to New York in 1959. His plays have been showcased by the Negro Ensemble of NY among other companies across the US. Initially, a protégé of Stella Adler, he worked as an actor in films and on stage. But limited by his accent, he began writing his own material. These included The Offering (1977), Black Body Blues (1978), Old Phantoms (1979), These Fallen Angels (1980), Weep Not for Me (1981), Tenement (1983), Manhattan Made Me (1983), Ramona (1986), and Louie and Ophelia (1986). Most of his plays are reportedly set in “the slums and ghettoes of New York…his characters often exist outside of the boundaries of what is thought to be appropriate behavior in society.” (Notable Caribbeans and Caribbean Americans: a Biographical Dictionary, p. 157). His works for television include Aftermath (1979) and a TV adaptation of James Baldwin’s novel Go Tell It on the Mountain. He also wrote narration on the Negro Ensemble Company for PBS. Though self-taught, the critically acclaimed playwright has taught theatrical writing at several US colleges and became associate professor of theatre at Arizona State University, directing where the multi-ethnic theatre and teaching in the film studies programme. In 2000, he was appointed artistic director to the Scottsdale Ensemble Theatre in Scottsdale, Arizona. “Gus Edwards is one of the first Caribbean writers to contribute to American theatre.” (Notable Caribbean and Caribbean Americans: a Biographical Dictionary, p. 158)
Name: Fransene Massiah-Headley
Pepperpot…A Caribbean Woman’s Story…Poems for the Stage. Dominica. 2008.
About the Books:
Pepperpot is a Look at the Antigua culture. It documents a Caribbean woman’s life story while revealing some of Antigua’s rich history employing the Antiguan Nation Language to tell the story of the characters.
About the Author:
Fransene Massiah—Headley is an Antiguan educator, writer and dramatist. Writer and Dramatist.
Name: Ian McDonald
“The Tramping Man” (one-act play) in A Time and A Season (a collection of eight Caribbean plays). UWI’s School of Continuing Studies. 1976.
About the Books:
“Tramping Man” was performed in Guyana in 1969, broadcast by GBS in 1972, and published in A Time and A Season ed. Errol Hill, 1976. It is about a Dionysian carnivalesque figure, a spirit of unquenchable freedom who is seen by the state to challenge its power. The play has been frequently staged.
About the Author:
McDonald is the author of several books of fiction and poetry, including Caribbean Classic The Hummingbird Tree – which has been made in to a BBC production. He has described himself as “Antiguan by ancestry, Trinidadian by birth, Guyanese by adoption, and West Indian by conviction.” Ian McDonald’s Antigua connection is through his father (who is of Antiguan and Kittitian extraction, while his mother is Trinidadian). He himself was born in Trinidad in 1933 and went to Guyana in 1955. He has lived there ever since. From a white West Indian family, he worked in the sugar industry, pre-and-post retirement. He wrote a weekly newspaper column and worked to revive the seminal literary journal Kyk-over-Al. His writing began in the 1950s with publications in BIM and New World. He has considerably more publications than mentioned here, including appearances in The Caribbean Writer, Poui, and the Caribbean Review of Books. He has received an honourary PhD from the University of the West Indies. Adept at sports – specifically tennis – he was Guyana’s 1957 Sportsman of the Year. His backstory includes a five times great-grandfather Edward Dacres Baynes, 1790 to 1863, who served as a soldier in Jamaica just after emancipation and after that a colonial civil servant in the Leeward Islands including the post of President of the Council of Montserrat, who eventually settled in Antigua with his wife and fifteen children. Baynes published a poetry collection entitled Child Harold in the Shades. His family line also includes a great-uncle Donald McDonald, an Antiguan trader, businessman and Assembly member who also wrote verse and published a volume in London in 1917. His grandmother, Hilda McDonald was the first female member of the Antiguan House of Assembly and author of a small booklet of verse, Sunflakes and Stardust.
“Aneemah’s Spot” (pg. 181 – pg. 207) in Give Voice: Ten Twenty Minute Plays from the Obsidian Theatre Company Playwright’s Unit (edited by Rita Shelton Deverell). Playwright’s Canada Press. 2011.
About the Books:
“Aneemah’s Spot” is a riveting dramatic duet set over one night in the Toronto mega-city. The real-time tale is a stealthy mix of dialogue, rhyme and spoken word that follows two childhood friends – Aneemah and Wan – left to deal with the fallout of a tragedy that comes too close to home. The murder of “G” brings them together to mourn and share histories as they are forced to let go of the past, and decide how they will navigate life from this moment on – apart or together. Written by Motion, the most recent award-winning production (up to this posting in 2018) was directed by Charles Officer, starred Amanda Parris and Shomari Downer, and featured an infectious sound-scape by DJ L’Oqenz.
About the Author:
Motion is the daughter of an Antiguan mother. She is an award winning artist whose accolades began when she became the first female Hip Hop artist to be nominated for MuchMusic’s Best Rap Video. Her pioneering presence continued when her commentary on urban life and love in Toronto made her the winner of the CBC National Poetry Face-Off with her nationally acclaimed poem ‘Connect the T.Dots’. Motion is the first Hip Hop artist in Canada to publish a collection of writings, Motion in Poetry, with the companion album, the Audio Xperience. She’s performed at Russell Simmonds Def Poetry Jam on HBO and is a member of the Obsidian Theatre’s Playwrights Unit. She’s written for stage and screen.
As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,Oh Gad!, Musical Youth, Dancing Nude 10th Anniversary Edition and Other Writings, Lost! A Caribbean Sea Adventure, and With Grace). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.
I’ve been stumbling over summer reading lists like…like…potholes in Antigua. And I thought, well, if everybody’s doing it!
But first, I wondered, what makes a good summer read. I mean, we have summer pretty much year round in Antigua but I imagine the summer read means something different to people from other places, the ones we see lying out on our beaches during their summer. What are they reading? Is it what’s hot, what’s new, what’s easy …the kind of book you read and discard? My parents worked in hotels when I was growing up, I got some of those left-behind books …but for the life of me I can’t remember a single one. Is that a criterion that it entertain but then go away…like a clown? No that couldn’t be it. I turned to the book blogs for a definition and found one that I decided to let guide me in creating my own Summer Reading List of Antiguan and Barbudan books. This blog broke it down to books that are escapist, interesting, fun to read– not haha fun necessarily but it should have some popular appeal and not be so ponderous it feels like a chore to read. It’s summer time after all and the reading should be easy – but hopefully NOT disposable.
Other things to keep in mind before you curse me about why your favourites – or your book – isn’t on the list: I have to have read the book and I have to be able to back up my pick with one other recommendation (which will err on the side of reader recs because it’s that kind of list); if there is more than one author, the primary author/s must be from Wadadli and/or Wa’omani; Availability – so available you can walk in to a book store or order it online without having to special order it and cross your fingers hoping it’s not out of print; I know e-readers are the lick but my picks must not only be a physical copy but one that can travel easily in your beach bag, in keeping with the whole summer reads theme; quality can be subjective but I’m not reccing anything that feels slapped together and unedited; finally, I’m a novelist – I have books too and I’m going to mention the ones I think fit the criteria (yes, it’s a conflict of interest, but this is a fun summer reading list nothing here is binding and you are free to leave your own picks and recs in the comments).
Here now are my picks for your Summer Reading List – Wadadli Edition
1. Lucy by Jamaica Kincaid – Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. Lewis and Mariah are a thrice-blessed couple–handsome, rich, and seemingly happy. Yet, almost at once, Lucy begins to notice cracks in their beautiful facade. At the same time that Lucy is coming to terms with Lewis’s and Mariah’s lives, she is also unravelling the mysteries of her own sexuality. Gradually a new person unfolds: passionate, forthright, and disarmingly honest. Why I picked it: Of all Jamaica’s books, the ones I’ve read, this is the best fit for this particular list – though you are encouraged to check out her extensive and extensively important, acclaimed, and awarded catalogue. Jamaica Kincaid is a bona fide literary star – her words have both heft and poetry – but in Lucy, a girl (not unlike characters in shows like Girls) is a young woman trying to figure her life out in New York City (after relocating there from a small island). If another Kincaid favourite, Annie John is about growing up, Lucy is about finding yourself and coming out of your girlhood into your young-woman-hood. I read it for the first time over a few days during a summer in the city, and not only did the poetic flow of her prose seduce me, because of that time, reading it in the park, on the train, in an apartment in Harlem, I will always identify it with summer in the city…and clearly it travels well.
Back-up rec: “This is a very simple story which starts off with several conventional plot twists but ends on a poignant, and somewhat surprising, note.” – reader review Amazon
2. Dancing Nude in the Moonlight by Joanne C. Hillhouse – Young Dominican single mother Selena Cruz is trying to make a new life for herself in Antigua, dealing with prejudice, poverty, and her interfering sister. When she meets handsome cricket coach Michael Lindo, her world is turned upside down. The course of true love is never smooth, and Michael and Selena’s story is no exception as they try to bridge the gap between their two cultures and their personal expectations of love. Romantic and delightful, this novella by Joanne C. Hillhouse looks at immigration and cross-cultural relationships in a warm and very human way. This anniversary edition includes a part two filled with selected poems, stories, and fan fiction.
Why I picked it: One word: romance. It was, also, the Best of Books’ summer read pick of 2008, six years before this 10th anniversary edition was published.
Back-up rec: “Engaging account of the complications of Caribbean life and a cross-cultural, inter-racial romance.” – Fiona Raye Clarke, critic, writing in Broken Pencil: the magazine of zine culture and independent arts
3. Considering Venus by D. Gisele Isaac – Lesley, an African-American, is straight, recently widowed with three children, and looking for a friend, while Cass is Antiguan, gay and looking for love. They meet again 25 years after high school. What happens when girlfriends becomes more than friends?
Why I picked it: Released back in 1998 it was ahead of its time in its exploration of love between two women – one of whom happens to be Caribbean. What’s boundary pushing is not so much the idea and reality of lesbian love but the now topical fluid love – that sexuality is not fixed, but more about person to person connection. That this book is also about grown woman love not young love is also still sadly boundary pushing.
Back-up rec: “Isaac has written a lovely book, with just the right fusion of prose and poetry make it a joy to read.” – at Sistahs on the Shelf blog where it’s tagged “mature lesbians” and “romance” and given a 4-star review
4. Time to Talk by Curtly Ambrose with Richard Sydenham – Sir Curtly Ambrose is one of the most famous cricket players of all time. He is also notorious for his silence. Now, for the first time, he tells his story. From his colourful upbringing in Antigua, through to the turbulent politics of both nation and dressing room, the book takes the reader behind the scenes to give a fascinating insight into the career of an iconic sportsman, and his take on the extreme highs and debilitating lows of international cricket.
Why I picked it: I’ve only just started reading it but I’m liking it, as sport biographies go. I think actual cricket fans will too. I was walking with the book in my hand the other day when a man asked me about it, said he didn’t realize such a book existed AND asked me where he could get it. And that right there tells me it needs to be on this list.
Back-up rec: “a series of insightful opinions” – ESPN cric info
5. Through the Window by Floree Williams – Anya is a 23 year old, complex and often complicated, woman who has to navigate through a maze of friendships, love, a dysfunctional family and finding love for herself.
Why I picked it: Pink Teacups and Blue Dresses is still my favourite Floree Williams book but this one, all about young love and the drama it brings, is made for easy beach reading.
Back-up rec: “I found this to be a very thoughtfully written book, a very enjoyable read.” – Amazon reader review
6. Ladies of the Night and Other Stories by Althea Prince – Women’s loves and lives are the focus of these stories, filled with dramatic twists and turns: some humorous, others shocking and disturbing, all leaving a haunting melody behind. The Toronto stories capture the issues women face as they walk the ground of intimate and family relationships in that city. The Antiguan setting of some of the stories are reflective of Prince’s insight into relationships, captured in her novel and essays. The characters reveal their different ways of managing a range of struggle, pain, rage, love and pure unadulterated joy. The humour of some stories complement the plaintive sadness and emotionality of the strings some other stories pluck.
Why I picked it: These women’s stories may make you sad, though if you keep digging you’ll see they are fighters, survivors not victims for the most part. Because of the (heavy) subject matter I considered holding this one back but that (matter of fact with a side serving of humor) tone tipped the scale.
Back-up rec: “Enjoyed the prose and dialogue. The story itself though made me sad.” – reader review on goodreads
7. Gilly Gobinet’s Cool Caribbean series – Books in the series includes the Cookery Book, the Cocktail book, the 20 Place in Antigua book, the book of hot spices-luscious fruit-and-herb all illustrated in full colour by the artist, using her classic watercolour technique as well a her humorous cartoons. Each is less than 50 pages – making for a quick read that you’ll come back to again and again as you explore the flavours of the Caribbean.
Why I picked it: These are actually handy to carry around and beautifully illustrated (in fact one of the books won the Gourmand award for best illustrations) – there’s one for your cocktails, one for your meals, one for your fruit and spices, one for all the places (well 20 of them anyway) you’ll want to see while in Antigua.
Back-up rec: “… classic watercolours interspersed with humorous cartoons… small but functional” – Search Antigua
8. Unburnable by Marie Elena John – Lillian Baptiste fled Dominica when she was fourteen after discovering she was the daughter of Iris, the half-crazy woman whose life was told of in chanté mas songs sung during Carnival—songs about a village on a mountaintop littered with secrets, masquerades that supposedly fly and wreak havoc, and a man who suddenly and mysteriously dropped dead. After twenty years away, Lillian returns to her native island to face the demons of her past—and with the help of Teddy, a man who has loved her for many years, she may yet find a way to heal. Set in both contemporary Washington, D.C., and post-World War II Dominica, Unburnable weaves together West Indian history, African culture, and American sensibilities. Richly textured and lushly rendered, Unburnable showcases a welcome and assured new voice.
Why I picked it: I’m of two minds about this one. It’s a really good read and there’s no way I could leave it off any list of essential Antiguan and Barbudan reading (though it is set largely in Dominica) – but that’s not what this list is – so the other mind is reminding me that it’s a thick book that deals with weighty issues – there are traumatic scenes and shifting timelines – a lot to keep track of, a lot to absorb – but a good, page turner of a read; so it will stay.
Back-up rec: “Strong writing and interesting supporting characters should keep readers occupied through the end” – Publisher’s Weekly
9. To Shoot Hard Labour: the Life and Times of Samuel Smith, an Antiguan Workingman, 1877 – 1982 by Keithlyn and Fernando Smith – Sections cover THE FAMILY: Planting Sucker Follow the Root; ESTATE LIFE: Planter Kill King and Rule Country; VILLAGE LIFE: It Wasn t Just the Doctoring We Have To Do for Ourself; THE POWERFUL: Massa Was King and King Do No Wrong; LIFE S UPS AND DOWNS : God Was With Me All the Way; HARD TIMES: Nega Even Though Them Right, Them Wrong; FIELD AND FACTORY: It Was Work Like a Bull Why I picked it: Well, if we’re going to wade in to heavier territory no reason not to include this (oral/folk) history which really ought to be required reading if you want to understand the nature of the Antiguan and Barbudan. It set the template for folk histories locally, reversing the trend of all histories being written by people elsewhere in a way that held us as objects (acted upon) not subjects in our lives. Coming in its wake have been the writings of by Joy Lawrence and Monica Matthew, notably. And let me just say that though the terrain is pre and post emanciption, a dark time for black/island people…when is it not, right?… but you won’t regret giving up some of your sunshine to this. You’ll feel like you’re talking to Papa Sammy Smith, a man who lived long and told us a lot about ourselves.
Back-up rec: “What a rich read, nicely written with well assisted footnotes.” – Amazon reader review
10. The Road to Wadi Halfa by Claudia Elizabeth Ruth Francis – In 1998 London born Roosevelt Mohammed Lion is chairman of a property empire in the UK. While overseeing a hotel project in his father’s native island in the Caribbean, he is kidnapped by Islamic extremists. He learns that Brayton- Harper, a former Cabinet minister in the British Government is using his ordeal to further his own ends in Africa. Roosevelt struggles to survive life in a training camp and to understand the philosophy of his colleagues in the Sudan. He must be seen to cooperate or risk the life of his precious wife Venus, and his devoted twin brother, Washington, both left in London, to mourn his loss. Washington’s marriage is on the brink of collapse, but it is Roosevelt who meets the Sudanese beauty, Allaya, on the road to Wadi Halfa. Will he learn to trust her or is she plotting her own agenda? Will Al Qaada succeed in their mission to avenge western missile attacks by bombing foreigners in Khartoum? Will Roosevelt be in a position to prevent such an atrocity? Lennox Lion sets out to find his father, but will he rot in jail? The Road to Wadi Halfa is the sequel to Tides That Bind and continues the lives of the Lion brothers and their families.
Why I picked it: Another summer staple is the action-spy-thriller, i.e. international intrigue; am I right? You can have a go at the whole Lion series if you wish but this one makes for a good standalone read for the kind of reader who enjoys a cross-continental (spy-ish) drama wrapped in political intrigue.
Back-up rec: “The story draws you into the world of the ‘Lion’ family and examines class, culture and gender while creating romance, suspense and mystery.” – reader review on Amazon
But what about the children, you say…?
Age 3+ (younger if adults make it for bedtime reading)
Beautiful Blackbird by Ashley Bryan – Long ago, Blackbird was voted the most beautiful bird in the forest. The other birds, who were colored red, yellow, blue, and green, were so envious that they begged Blackbird to paint their feathers with a touch of black so they could be beautiful too. Although Black-bird warns them that true beauty comes from within, the other birds persist and soon each is given a ring of black around their neck or a dot of black on their wings — markings that detail birds to this very day. Coretta Scott King Award-winner Ashley Bryan’s adaptation of a tale from the Ila-speaking people of Zambia resonates both with rhythm and the tale’s universal meanings — appreciating one’s heritage and discovering the beauty within. His cut-paper artwork is a joy.
Why I picked it: Good for readalong with little kids and if you can’t read along because you’re deep in your own summer read, there are lots of pretty pictures to keep them distracted…I mean stimulated. The Sun is so Quiet and the Dancing Granny (for slightly older kids) are also great Ashley picks.
Back-up rec: “Bryan’s lilting and magical language is infectious.” – Publisher’s Weekly
How the East Pond got its Flowers by Althea Trotman – A young girl Tulah, born with a caul, is thought to be destined for great things and learns important lessons from Mother Sillah.
Why I picked it: A read for the mid-to-upper primary schooler in your life – a young female protagonist, historical without being dated.
Back-up rec: “literature that represent(s) the range of cultural experiences and histories that make up the national and international communities that touch all of us.” – from Frontiers of Language and Teaching (recommending How the East Pond got its Flowers as an example of this type of literature)
The Legend of Bat’s Cave and Other Stories by Barbara Arrindell – a glimpse of Antiguan history through three engaging stories set in three distinct periods of time. See the Kalinago through the eyes of Antigua’s first Governor’s wife. Meet a priest who was almost defrocked after allowing two former enslaved Africans to get married in an Anglican church. Meet the boy who would become a legendary doctor in St. Kitts.
Why I picked it: History made accessible. Adults will enjoy it too as they do her colouring and activity book Antigua My Antigua, which also will keep your child engaged and informed. My book, The Boy from Willow Bend is a good fit for this age range as well but I don’t have it listed as a summer pick given that some of them are already reading it in school – for those who aren’t though, have at it. For this age group you might also want to check out S E James’ adventure books especially Tragedy on Emerald Island and Forest Fever – I had a time finding links to them online but I believe there are still physical copies in local bookstores.
Back-up rec: “I love it! Wish the stories were a bit longer though” – reader on Smashwords
Musical Youth by Joanne C. Hillhouse – Zahara is a loner. She’s brilliant on the guitar but in everyday life she doesn’t really fit in. Then she meets Shaka, himself a musical genius and the first boy who really gets her. They discover that they share a special bond, their passion for music, and Zahara finds herself a part, not just of Shaka’s life, but also that of his boys, the Lion Crew. When they all get roles in a summer musical, Zahara, Shaka, and the rest of the Lion Crew use the opportunity to work on a secret project. But the Crew gets much more than they bargained for when they uncover a dark secret linking Shaka and Zahara’s families and they’re forced to confront some uncomfortable truths about class, colour, and relationships on the Caribbean island of Antigua. Musical Youth placed second in the 2014 Burt Award for Caribbean Literature.
Why I picked it: My teen pick is one of mine – there are not a lot of teen-specific books in the Antiguan and Barbudan bibliography – or Caribbean for that matter – one reason why the Burt Award giving it a push by encouraging and rewarding books in this genre is a good thing. Musical Youth was first runner up for the Burt Award in its first year 2014. It’ll appeal to all teens and young adults but especially those with a love affair with music and love.
Back-up rec: “The story is modern; the teens are technology savvy.” – Amazon reader review
What? No Poetry?
I don’t know…does poetry make for good beach/summer reading? (Don’t all come for me at once…pace yourselves)
If so, of the ones I’ve read, my top (5) picks would probably be Motion in Poetry by Motion, I am that I am by Tameka Jarvis-George, then Tameka’s Thoughts from the Pharcyde and Motion’s 40 Dayz, then She Wanted a Love Poem by Kimolisa Mings – probably in that order, too.
I can’t speak to their availability but I will say that I had difficulty even sourcing pictures for some of them. But, true confessions, it’s late, I’m tired, I’ve been at this way too long, and I’m posting.
You’ve read the list and my reasons…you’re up.
As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, Fish Outta Water, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on WordPress and/or Facebook, and help spread the word about Wadadli Pen, my books and writing, and/or my writing-and-editing services. You can also subscribe to the site to keep up with future updates. Thanks.
From about 2006 to 2010, I (Joanne C. Hillhouse) wrote a blog on My Space called ‘Read Anything Good Lately’. In 2010, when I left My Space, that migrated here, sort of; that is, I started adding favourites or books which I found interesting in some way to Wadadli Pen. I’m still moving some of those earlier reviews (and marking them with an asterisk*). That initial posting was called Blogger on Books and continued to late 2012. Which is where this begins. As before, I won’t necessarily write about every book I read, but if there’s something I feel like commenting on, here’s where I’ll do it. Feel free to join in in the comments section and keep checking back, this is a growing list. To see books featured previously just use the site’s search feature and search for ‘Blogger on Books’. Oh and for reviews by others of my books, go here.
Marlon James’ Book of Night Woman – I kind of hate this book and I also could never turn away from it…if that makes any sense. It is completely absorbing; completely an immersive experience, and because that space and time into which you’re being immersed is a slave plantation in the Caribbean in a time when white men had the power of gods over the lives of black people and wielded that power like the devil, it’s not an easy place to be. But the book also doesn’t allow you the easy, familiar, often simplistic narratives and responses – even as a black person who KNOWS that they were wrong and we were done wrong. As such, and because of the visceral nature of the writing, it feels like an emotional pummeling with next to no relief. Violence is treated casually, just a normal part of life on the plantation, which it was, hard though it is to read – to have, for instance, a vibrant character like Dulcima introduced only to be thrown away in a matter of pages with such deliberateness as if to punish us, the reader, for being foolish enough to care for her, for forgetting where we are. Main character Lilith’s reactions in such times mirror our own or vice versa; she is getting a schooling in the ways of her world as surely as we are. It is also true of the book though that tragedy with no ease up is not the sum total of the slave experience – not when the enslaved African (not the beast his enslaver tells him/herself they are though they will f*ck that animal and have the temerity to act disappointed and hurt when the abused ‘animal’ bites) has the capacity, as most humans do, to love and be loved, to form trust, to dream. Even the one who betrays the rebellion has a dream, after all, a narrative beyond just her role as traitor. Book of Night Women doesn’t let you stay in your comfort zone of feelings – anger toward whites, empathy toward blacks etc. For instance the first time Lilith has sex with the white man she falls into a ‘love affair’ with, the reader’s feelings are as confused as hers because there’s an eroticism to the writing of it that makes you feel guilty because your brain is telegraphing this is rape, this is rape…only it’s not written like rape…and Lilith is as perplexed as we are by her feelings, musing that the pain makes it easy to remember why you’re supposed to hate but the niceness is dangerous. Needless to say, for me anyway, the book is a roller coaster of emotions and an uneasy narrative …but one you appreciate certainly by book’s end. Yes, the ending is unexpectedly somewhat satisfying, notwithstanding that near the end of the book I had to pause to talk sense to myself, to remind myself not to expect a happy ending – and it’s not, happy – but it left a powerful impression if nothing else of the power of story, of being able to tell your own stories, to write your history as you lived it, not as it was told to you by an other. Long and short of it, Book of Night Women, highly recommend, even if historical fiction (or historical magical realism – as this has some elements of that) really isn’t your thing. Good story is good story and this is a good story.top
The Art of Mali Olatunji: Painterly Photography from Antigua and Barbuda by Mali Olatunji and Paget Henry – I finished this just a few days before Christmas and ended up drafting in a single night a long form review for submission to the Antigua and Barbuda Review of Books. In part because I was trying to distract myself from the need to punch someone (long story); in part because the book inspired a lot of thoughts. The images are technically inventive and imaginative, critical and captivating, and sometimes confounding as they explore what Olatunji calls the jumbie aesthetic using his woodism technique, the layering of precise pieces of bark or other parts of trees over specific images to create a commentary on the images and suggest a jumbie perspective. Part coffee table book, part technical photography book, part philosophical read, it’s not entirely clear who the preferred audience for the book is but what’s clear is that this is a photographer with a perspective and the technical skills to indulge it, a human searching for meaning in the world around him, and a man trying to connect with his departed ancestors. It’s an interesting book and I can honestly say I haven’t come across one quite like it before.top
Juletane by Miriam Warner-Vieyra proved to be quite compelling (and melancholy) – though I admit it took a couple of attempts for me to get into it. Set in the French Caribbean, France, and a Muslim-based African country, this feminist protest novel tracks one woman’s descent into madness after an ill-fated polygamous marriage. The narrative is unambiguous about polygamy (and quite possibly marriage generally) being ill-fated, if you’re a woman. Everything in the book angles towards that; characters not so much inhabiting their world as playing their roles within a narrative with a point to make and a tragic endpoint to get to. Structured as a series of journal entries, the writing is strongest when the title character is at her least lucid, floating between dream and reality. Of course, by virtue of that it’s among the hardest sections of the book to read; delving as it does into a fractured consciousness.top
Whew! That’s my first thought on completing Bob Marley Lyrical Genius by Kwame Dawes, a book I picked up in 2007 at the Calabash festival because one, I’m a Bob fan and two, I’m the kind of music fan who enjoys reading liner notes for the history and insights on how the songs came together. This was more weighty, of course; it dug deep, it felt epic, and, frankly, it was slow going and took me forever…well since the second quarter of 2008 at least. Still, though not as reader friendly as anticipated, it was a worthwhile read and quite insightful in terms of breaking down the lyrics through a social, cultural, political, and personal lens. Also, it reinforces my view that Bob was one of the great songwriters of the rock era, as dismissive as some are of his skills and the weight of his message. Dawes comes to the work as someone who clearly loves the music, knows the culture, and has the chops to break it down musically, lyrically, and in terms of context. It was no doubt challenging, but also inspiring; reminding me of my own desire (some years in the making now) to chronicle Antigua’s calypso journey. One other thing though, more extensive quoting of the song lyrics would have helped, especially with little known or less familiar lyrics.top
Claudia Elizabeth Ruth Francis’ The Road to Wadi Halfa – I actually read this a few years ago, but I can’t find any evidence that I posted my thoughts here, so here…An intriguing read, perhaps the first political spy/international thriller novel by an Antiguan author with ripped from the world headlines immediacy. I felt the plot could have been considerably streamlined but, while it took a while to draw me in, all in all it ratcheted up the tension and invested me as the reader in the outcome. Once I got into it, I was in.top
The Caribbean Writer Volume 28 – It takes me a while to get through the Caribbean Writer (it’s thick, as journals go) but it’s always a worthwhile read for discovering new Caribbean voices and/or re-familiarizing myself with ones I’ve previously enjoyed. In Volume 28, the 2014 edition, favourites included Rebellious Roots by Shelly-ann Harris, At the Karaoke Bar, 21st Century Hotel by Ann Margaret Lim, Rivers by Khalil Nieves, Saint Ignatius by Guillermo Rebollo-Gil, Abeng in Beijing by Fabian Thomas, and The Lemon Cure by Joey Garcia in poems; the short story Soldier by Jacqueline Bishop; in non-fiction Roster and Genealogy of Emigrants from the British Antilles Settled in Chiloe by Pablo A. Perez; and in reviews Junot Diaz bring Yunior and his Views on Racism and Hyper-Masculinity to El Barrio by Lavern McDonald.top
Maeve Binchy’s Evening Class – in a book with adultery, petty crime, deception, rape, abuse, threats of murder, murder (well, manslaughter), a book that though primarily located in a small village in Ireland moves between world capitals, it’s reassuring to know all’s well that ends well – and it did, no spoilers – that’s just Maeve Binchy for you – lots and lots of characters, richly detailed, the subtle shifting of a society in transition but which still has not lost its soul, a world where dark things happen but the majority of people are essentially good …her books are as ever filing, satisfying, with hints of home…wherever home may be.top
Through the Window by Floree Williams – this didn’t charm me the way her first book Pink Teacups and Blue Dresses did. This is not to say that it lacked charm, the quirk of my lips at odd times in the reading testify to some of that lingering charm – and the prose is as clear and the characters as affecting (yes, affecting) as I’d come to expect. Here, Williams graduates from girlhood to the dramas and ‘dramas’ of young love with mixed results.There’s a breezy rhythm to the telling that makes the story feel buoyant in spite of the angst and drama – contrived or other wise. But it is a mite predictable (it is a romance and they tend to be). At the same time, it is a quick read that will entertain especially but not exclusively lovers of the genre. For those who are not fans of the genre…it’s hard to tell…there’s nothing in particular that sets these characters apart …but I think once you pick it up you’ll get in to it. There is a groundedness to the storytelling that made me care about the outcome – root for Anya to make the right call whatever that is in situations like this – and there was at least one instance where I was still carrying vexness for her when she had clearly already moved on – so Williams does make you care about her characters without being too heavy handed about it. There’s a bit of overwriting in the descriptions – noticeable because simplicity is her style. Plus, the editing and/or proofing could have been tighter (things will slip through the cracks, yes, but I’m inclined to mention it when it proves to be a distraction from the story itself and, if I’m being honest, at times it was). Overall though a light, quick, mostly fun. long lazy day read; and one any one who’s ever been young and in love…and a little bit paranoid…will likely be able to relate to.top
Mio’s Kingdom by the renowned Swedish children’s author Astrid Lindgren…so definitely not a book for my age group. But I found it appealed to my sense of fantasy and adventure – albeit relatively uncomplicated fantasy – and deals with fairly adult concepts such as the loneliness felt by an unloved orphan child, overcoming great – seemingly insurmountable odds, facing death, finding courage even when feeling great fear etc. but in a way relatable to a young child and in a way that resolves it while preserving their innocence. The language is a bit old timey and occasionally rhymey but I actually quite like the in-built poetry of it at times and can see it appealing as a bed time parent child read aloud over a series of nights, given the sometimes lulling effect of the language. And no “lulling” there is not a euphemism for boring, there’s plenty of adventure here to keep young minds entertained (there’s even a flying horse…or hundred). I can picture this book as a film, that’s the other thing, an adventure film with appeal to the same kids and grown-assed-kids (like me) who flock to films like Lord of the Rings. The evil here is pretty straightforward and the magic simple but there’s a certain beauty and appeal in that especially for younger readers. If you’re looking for reads with good lessons, you can’t go wrong here – for instance when Mio promises to stay by his dying friend’s side because the love and companionship of a good friend is worth more than glory. The actual battle is not Helm’s Deep, in fact it’s fairly anti-climatic considering the build-up (so low on the action)…also the adult in me was hoping for some clarity as to why the big Danger had to be this single boy’s quest, and perhaps certain death, while his father remained behind and greeted him with open arms on his return. Huh? Aren’t parents supposed to throw themselves in the way of danger for their kids, not send them in to it …but then I have a feeling that’s the adult in me, only 80 percent not 100 percent committed to the fantasy like a kid might be. Besides the book is from the kid’s perspective and this question never comes up (but adults are gonna adult, you know). Bottom line, Mio’s Kingdom is fun read-together read for parents and kids alike.top
Reading the World: Confessions of a Literary Explorer by Ann Morgan – This phrase “…the linguistic and cultural jolts and jarrings as two languages grind against each other…” inadvertently, I think, drive home Ann Morgan’s point about the awkward beauty of things getting lost in translation. In my Antiguan-Barbudan/Caribbean culture, grinding can call to mind heavy (sometimes brutal) teasing or an especially sexy wine (a certain type of dance rooted in Africa and synonymous with the Caribbean where a twerk by any other name is still a wine) involving a man and a woman…guess where my mind went? But, yes, back to the text. What a remarkable undertaking, what a compelling read! I felt genuinely happy at times wading through this highly sourced book which probably just reinforces that I’m a nerdy bibliophile but, whatever, nerdy bibliophiles need their Carnival rides too. And British writer, Morgan’s project is nothing short of a Carnival ride with its jolts and wide turns, stomach dropping plummets and more. If I’d been there at the beginning when she decided to read the world in a year, I might have said, “girl, yuh crazy?!?” even while rooting for the audacity of the experiment. Likely she felt like giving up along the way (even given her tangible passion for the project) but I’m glad she didn’t. If, like me, you follow Ann’s blog, you’ll have already read her thoughts on the books she read (and if you follow this blog, you might have read her thoughts on some of the Caribbean books she’s read) and even so you might be somewhat surprised that the book isn’t about the books she read nor is it simply about the process, though it covers that in spades, and about the community she discovered along the way, even in this vast world
“Many were the mornings when, stumbling bleary-eyed to the computer in the grey half-light of dawn, I was galvanized by an enthusiastic comment, an offer of help, or news that a stranger thousands of miles away had turned up a lead on a story or manuscript for me out of no other impulse than the desire to see me succeed in my endeavor.”
…but it’s primarily about what she learned along the way not just about her own privileges and prejudices but about how the world is configured, about the value of story even in the increasingly IT world (and she has some thoughts on that increasingly IT world as well)
“Increasingly, what we see reflected back at us when we look for something online is not the world but a reading of our world – a mathematically calculated reflection of the insides of our own heads.”
I understand better the context for her comment in her review of Pepperpot: Best New Stories from the Caribbean in which my story “Amelia at Devil’s Bridge” appears, “A number of the writers have chosen to represent the dialects of their characters for a Standard English-speaking reader (so that someone who uses British or American English could pronounce the words phonetically and get them to sound as the characters would say them). While there are practical reasons for this choice, it has the effect of implying a reader who comes from elsewhere…” which mildly bugged me at the time of reading as it does when any critic implies that I’m/we’re deliberately pandering to an American/British audience. Having read Reading the World, however, I understand better that Ann’s concerns are coming from a deepened awareness of the imbalances in the publishing world…and the conscious…and, yes, unconscious influence of colonizing forces, still. Still, assumptions shouldn’t be made. That said, and there’s no denying this, and if the book has an overarching theme, it’s in its reinforcement of the idea that stories can shape and erase culture, can define the character of a nation and speak to one nation’s relationship with another, with another hemisphere, with world history. For someone interested/invested in such issues, this was an illuminating read. For the Caribbean leg of her journey, Ann read Lucy by Jamaica Kincaid (Antigua and Barbuda), Thine is the Kingdom by Garth Buckner (the Bahamas), Song of Night by Glenville Lovell (Barbados), On Heroes, Lizards and Passion by Zoila Ellis (Belize), Afro-Cuban Tales (Cuentos negros de Cuba) by Lydia Cabrera – translated from the Spanish by Alberto Hernandez-Chiroldes and Lauren Yoder (Cuba), The Snake King of the Kalinago by Grade 6 of Atkinson School (Dominica), The Brief Wondrous Life of Oscar Wao by Junot Diaz (Dominican Republic), The Ladies are Upstairs by Merle Collins (Grenada), Buxton Spice by Oonya Kempadoo (Guyana), I am a Japanese Writer (je suis un écrivain japanais) by Dany La Ferriѐre (Haiti), John Crow’s Devil by Marlon James (Jamaica), Only God can make a Tree by Bertram Roach (St. Kitts-Nevis), Neg Maron: Freedom Fighter by Michael Aubertin (St. Lucia), The Moon is Following Me by Cecil Browne (St. Vincent and the Grenadines), and One Scattered Skeleton by Vahni Capildeo (Trinidad and Tobago). If you’re wondering where’s Guadeloupe, Martinique, Montserrat, St. Martin, Anguilla et al… you’ll need to read Ann’s chapter on the nightmare of configuring the world…who knew that this deep in it wasn’t definitive? For the full list of Ann’s world, check her site or get the book; it’s a worthy addition to your collection – especially for booklovers and among those for those with a particular interest in world literature, and isn’t it all world literature?top
All Over Again by A-dZiko Simba Gegele – I’ll be honest, my copy of All Over Again was inadvertently left behind between switching from one street car to the next in NOLA when I was only one page from the end. This means that I didn’t really get to finish it (I mean I tracked down a copy and read the words but I was no longer in the story); it also means that I don’t have direct quotes (since I don’t have my dog-eared copy to remind me of pieces I absolutely had to share). Buuuut I do know that this Burt Award winning book is one I sincerely recommend especially for young readers, especially boys. It is steeped in the young boy’s perspective with all of its cockeyed (makes perfect sense to me) justifications and frustrations as it episodically moves from one life defining or life changing chapter in his life to the next. The interesting cast of supporting characters include his unintentionally annoying little sister Mary Janga, his mom who practically passes on life lessons to him, his terrifying father who may get him after all, his cousin who is like his moral compass, his arch rival at school, the whole world of ‘unfairness’, and the girl, you know there had to be a girl right? The writer achieves the feat of seating you firmly in his point of view with her use of the second voice, effective use of the second voice; the pacing and comic timing of the book are to be applauded; and yet for all the humour we get a real sense of the all too serious world of the boy, a world not without its struggles including and beyond his personal dramas. Adults will enjoy it, teenagers (it’s intended audience) will be able to relate to it, but as the boy is on the line between boyhood and young adult hood, younger boys may enjoy taking the ride with the boy as well. In fact, I’m pretty sure they will.top
The Dancing Granny by Ashley Bryan – When I wrote this originally, we had just read this at the Cushion Club (the reading club for kids with which I volunteer) and once again Anancy – that enduring character – was front and centre, distracting Granny with the music she couldn’t resist and making off with her food. Anancy will never change, eh! Some say he’s a bad example for young people. I say he’s a testament to the craftiness that can trump sheer muscle; he’s a survivor, just like us. And that makes him a kind of hero as surely as his badmindedness makes him a sort of villain. Besides, think about it, doesn’t he usually pay for his lyin’, thievin’ ways in the end? This was my and the club’s introduction to Bryan’s very musical narrative – and it had us tapping out beats and making up rhythms for the numerous songs in it. And as he mailed me a handful of his books earlier this year, we’ll be discovering more of his writings. I look forward to it; for the works in their own right, but also because when I had the opportunity to interview him, I found him to be a delight and thought if I could have half the youthfulness and joy and appreciation of life that he has at his age, then I’d be very lucky indeed. ETA: Bit of trivia about my book Musical Youth; Ashley Bryan’s Dancing Granny is the literary work the characters interpret for their summer production.top
The Whale House and Other Stories by Sharon Millar – “She is a Trinidad writer who eschews Port of Spain and the more familiar geographic, ethnic, and emotional landscapes of the land and the literature of the land for something a bit more on the fringe, something not as easily categorized. And she does it masterfully – I almost want to coin something like Mistressly there because she is most decidedly a woman writing women, primarily, and digging into the hurt, grazing her fingers familiarly over the spots where the hurt has scabbed over.” This is an excerpt from my full reaction to (not review of) this book which ran long. Read the full, here.top
Mansfield Park by Jane Austen – I read and remember enjoying Jane Austen in college (Persuasion, Sense and Sensibility, and Pride and Prejudice) though the details are vague now – with the exception of Pride and Prejudice thanks to Kiera Knightly’s Elizabeth Bennett and Matthew Macfadyen’s Mr. Darcy (love that film!) Still it wasn’t nostalgia that made me pick up a copy of Mansfield Park when the logos ship of books came through one time. Or it might have been, I don’t know, but I know the fact that the book referenced my island-home Antigua (so I’d read) was part of my curiousity. In the end, that became the most difficult bit to separate because when I think of Antigua in the time that Sir Thomas would have visited, I can’t help thinking of the horrific reality of the Africans (my ancestors) working on plantations there (the wealth which made communities like Mansfield Park possible). It didn’t stop me from engaging with the book but there was an awareness of this genteel, class conscious society being propped up by something much darker. No, what kept me from engaging with it as much as I would have liked was main character Fanny – I just found her judgmental and puritanical and passive(aggressive). Her silent disapproval of the play her peers intended to put on (what’s wrong with putting on a play? Even if for fun and flirtation), her silent (and classist) disapproval of her former home (it’s urban, it’s chaotic, horrors!), her silent disapproval of, well, everything. She’s initially quite sympathetic. Pried from her family and reluctantly brought to the much more affluent but much colder Mansfield Park with the intent of improving her station – but never being allowed to forget her place in her new family. Like Edmund, her (first) cousin, the reader is meant to feel sympathetic toward Fanny and does for the most part but her lack of spirit in time gets wearying. By turns I find myself wanting her to speak up or loosen up, or something, but to be fair she is a young woman from a different time and it is never a good idea to impose your time on the world of the narrative you’re reading (I know this!). And I do agree with Fanny on some things – for instance her disregard for men who like Mr. Crawford play with women’s feelings. Still. By the end, I’m supposed to be charmed by her and convinced of her “mental superiority” and I’m just not – though of her steadiness, longsuffering-ness, and a certain amount of discernment, yes…I suppose. I mean, as far as that discernment goes, okay, yes, I know she was right in the end about Mr. Crawford who turned out to be, as she had correctly assessed, frivolous and all of self, lacking in steadiness and a moral compass. Still, even with that, there’s an awareness on my part that few but ‘perfect’, compassionate, but kinda dull Edmund could stand up to Fanny-level judgment. And (no doubt Fanny’d find my compass broken too but) I never quite got what made Ms. Crawford a villain, as opposed to just a young woman being young (okay, this is a tale of manners so her spiritedness would be contrary in such a world, and yes, she is sort of frivolous; but she was always nice to Fanny who was nothing but cold toward her, so as far as manners go, I find it hard to see Ms. Crawford as the villain she’s meant to be). Fanny’s aunt, Ms. Norris, is a totally different matter altogether – nothing redeeming there. Still, I never feel quite as disapproving as Fanny does of everything and in fact find her censure and weepiness (the only real emotion we see her overtly exhibit) tiring …and tiresome. And this grand inevitable love between her and Edmund, assuming I could put aside my own modern biases and accept that in such times and such families there’s nothing objectionable in marrying your first cousin, I just don’t see any chemistry between them. Friendship, yes, but no more, really. I’m adding this here nonetheless because overall I still find Jane Austen’s crafting of the narrow world of her times and her ability to make drama even when very little happens quite interesting, her subtle way of critiquing that world and its “manners” instructive, and her use of language quite beautiful (so beautiful I found myself quoting long excerpts of it much to the consternation of the fans of my facebook page no doubt). She remains a pioneer in women’s lit (writing at a time when women writers were very scarce indeed). So, if Mansfield Park wasn’t my cup of tea, some of that is my baggage; you may quite enjoy it. For a much more enthusiastic (and frankly, ,more informed) review, read http://www.telegraph.co.uk/culture/books/10987048/Mansfield-Park-shows-the-dark-side-of-Jane-Austen.html.top
Le Freak – I know I saw Nile Rodgers performing at the Grammys not that long ago – that Daft Punk song, Get Lucky – so I know he’s alive and still making music…right? But the end of his autobiography Le Freak still felt like a cliffhanger. He’d just got a cancer diagnosis, and made a decision to die living rather than live dying. And though I’d seen him since the publication of the book in 2011, my brain still short circuited over, what happened next??! Thank God for Google; according to Wikipedia, he announced in 2013 that he’d beat the cancer. Well. Can you tell that I got caught up? I may not be a fan of reality shows but, though my definition of celebrity is specific to those who rode their talent to success not those famous just because, I certainly understand our obsession with celebrity culture; my enjoyment of celebrity biographies and autobiographies – my ingestion of celebrity ‘news’ – may be categorized as light-hearted distraction but it is somewhat voyeuristic. And in Le Freak, Rodgers throws all the windows and doors wide open and walks around naked. Not just figuratively. Sex, drugs, and the decadence of rock ‘n roll are on full display. But as my friend who recommended it noted, what makes it most interesting, is the insight to the creative process, his creative process. You’ll have a new appreciation for his disco tracks after reading this and new perspective on some of your favourite pop hits. Nile has literally worked with everyone, every one. His take on their interactions and how they worked together make for interesting and enlightening reading. His life is a bit of a horror show at times – seriously, stay away from drugs kids – but there’s no denying that he lived. And created some indelible music that will survive him. And his candor about his struggles with esteem and his creative struggles make Le Freak more than just a voyeuristic thrill, but a real look beyond the flash, at the soul of a man.top
Okay, so I just finished Prince Lestat, the latest in the Vampire Chronicles, a series I fell in love with as an undergraduate in university. I mention that to underscore the fact that Louis, Lestat, Armand, the whole gang and I have been together for a while. I loved Interview with the Vampire, the Vampire Lestat, Queen of the Damned, Tale of the Body Thief, Memnoch the Devil (when I finally got around to reading it)… these were probably my favourites in the series. I have mixed (like 65/35) feelings about Prince Lestat. Not because it feels overpopulated – though sometimes it does – because some of the back stories were quite fascinating; not because there wasn’t nearly enough Louis – because when he started his melancholy musings at the end, I remembered just how melancholy his musings can be, a reminder that Louis is probably best in small doses. Not because I couldn’t get into the Rose storyline, though I couldn’t. I think because the bulk of the book was all about the build-up (so much so that when Lestat in a fit of pique jumped onto a table and took decisive and bloody action I practically pumped my fist realizing how much inaction there’d been to that point) but then the climax was somewhat anti-climatic – the Brat Prince is now an actual Prince, Prince of the immortals if you will. Meh okay. Someone who’s minded his own business forever and ever is suddenly so easily manipulated (no, I’m not talking about Lestat, and I didn’t buy it, but there’ve been debates and I may be alone in this).The referencing of the book that started it all showed how far Louis has come, though far for Louis is still baby steps, he’s still the most handwringingly human of the blooddrinkers, but it was also a reminder of how self-referential the book felt at times. All that said, I still love this series and you should read the book for yourself – Anne Rice still writes beautifully lush prose, intriguing characters whose moral dilemmas and the choices they lead to can be compelling when they are, narrative which probes at the bigger questions – where do we come from, why are we here, what does it all mean, and as far as Vampire lore is concerned she remains the Don (her Vampires are out there walking the night, they are!). Even a weaker entry in the series is readable if you’re a fan of the series, and if the book reads as a set-up to a new direction in the series, then that means there’ll be more in the series. Right? Right? If you’re not, the book is actually a pretty good primer.top
BIM Arts for the 21st Century – this elder of Caribbean literary journals is as always well balanced and insightful. I am happy to be a part of this collection with my story What’s in a Name. On reflection, and oddly given that I primarily read fiction, I especially enjoyed the poetry followed by the non-fiction sections. My picks for poetry at once accessible, aesthetically pleasing, and rich with layers of meaning are Velma Pollard’s Kicking Daffodils?, Winsome Minott’s Meeting a Fake West Indian – (even the title’s funny, right?), As Usual Thursday Morning by Ann Limm, The Language Situation in Puerto Rico by Loretta Collins Klobah – (and I appreciated the opportunity to read, or attempt to read it, in both English and Spanish), A Birthday Reflection in Verse for Fidel by Kendel Hippolyte, also his Unlife. On the non-fiction side Tennyson S D Joseph’s piece on Hilary Beckles – Ploughing in Hard Soil – was particularly interesting to me. The journal was a balance of revered and new voices, and some that are both new and revered – making for a solid view of some of the best of Caribbean literature now.top
She Wanted A Love Poem by Kimolisa Mings – It’s good to see Kimolisa, a favourite of the Antiguan open mic poetry scene, begin to put her poetry to print. Her self-published collection moves through the stages and variations of love. The best pieces are the mini-stories; the details of mood and moments, character and plot, things observed and things unsaid – as in Ago – laced through her seductive flow, helping to lift some of those stories above the easy clichés of love poetry. Edit: I will add this. I think Kim has talent, I love her flow, but I don’t think this collection is the best of her simply because it feels there are moments that could have been …sharpened, if feels there are times she could have dug a little deeper, it feels there are times when it could have benefited from a critical eye (the specific input of not just a lover of poetry or language, or even a general editor, but a poetry editor in particular). But it’s a pretty engaging read overall with some quite poignant moments and there’s no denying the music (jazz, blues… maybe) in her words and the fact that the collection tries to probe at more than the obvious definitions of love. Look forward to more.top
40 Dayz – Motion – (this is not a new read; it’s newly added here though) – I have to admit I found her Motion in Poetry to be a more satisfying read. But there’s no denying her way with words and the power of her voice. Here are two excerpts from my article on the book, to be published in the Daily Observer: “My favourite section is WombStory and my favourite poem, I think – this changes – blues. Like the blues themselves, it sings of one thing while seeming to sing of another and does so in a tone at once mournful and yearning.” and “In 40 Dayz, the images flicker in and out, sharp and precise but almost too quick to grasp; in my case a few readings were required for it all to begin to sink in. In the end, I found a collection that startles and questions – no, demands – as it pushes and prods at things.”top
Just finished reading Kei Miller’s Writing Down the Vision and, sigh, wrote the author another fan letter. You’ll remember I did the same after reading Fear of Stones. Let me say this, this book isn’t just for writers and though it’s fairly Jamaican-centric, it’s not just for people from Yard. It’s a book that delves into the social-psychology of what it is to be a Caribbean person and a Caribbean artist writing that Caribbean person in this time. Kei articulates it well.top
The Other Tongues – I didn’t understand half of this but I’m glad I read it…and I think I get the gist in terms of the span and general tone of Scottish writing…interestingly there’s a bleakness in the imagery and experiences that seem, on the surface of it at least, to be the opposite of the Caribbean experience…and yet pull at something very, very familiar and relatable. I kept being drawn to things…a stray line, a stirring image, a sense of a complicated history and people.top
A letter for my mother is an emotional read, and isn’t that an understatement. As one of the contributors, I can honestly say I’m not half as brave as these other women who left everything about the most complex relationship most women have right there on the page. It’s the kind of book that will make you tear up as you encounter the jarring recognition that grown as we are, we are still sometimes just little girls in need of mommy’s love, even as we stand up and move through life, sometimes dragging a bag of hurts behind us, sometimes striding purposefully as she taught us whether through words or in response or opposition to her example. The book is especially powerful because I don’t think it’s a stretch to say that in the African American as in the Caribbean community, you just don’t unpack your personal history like that – not without getting creative about it. Unadorned like that and laid out for other people to chat ‘bout would have taken, to borrow a Junot Diaz turn of phrase “ovarian fortitude”. They likely would have had to retreat to a quiet place inside themselves to where it was okay to be vulnerable. What results is a book that does what so many things claim but fail to to do, it keeps it real. I recommend it for mothers and daughters.top
I just finished reading Volume 27 of the Caribbean Writer and I’m going to hold it to the same high bar it set for Caribbean writers to hurdle over; there were some messy aspects to this issue – the lack of order and absences in the contributor section and the need for additional proofing to address some repetitions and errors that may be a result of formatting leap immediately to mind. But there’s no denying that the United States Virgin Islands publication, under the stewardship of new editor Alscess Lewis-Brown, remains the gateway for new, quality Caribbean voices. Many who themselves now set the bar among modern Caribbean writers saw some of their earliest works published here. And now we have – among my favourites from Volume 27, the 2013 issue:–
Yashika Graham’s Directions from the Border (in which she maps the way to her place of origin and her heart in the uniquely Caribbean way of giving directions), Figment (in which she uses language beautifully to map the empty space between daughter and daddy), and My Mother (a loving ode to same) – her first publications in print according to her public facebook page; fellow Jamaican, award winning poet Monica Minott’s instructive and evocative Reggae Until Jesus Come and in celebration of another musical icon, Shabba; Rashad Braithwaite’s rumination on geography and opportunity in We Who were born of the Ocean; Rohan Facey’s brief but striking Postcard Image and the Artful Fist, both about illusion and reality; Darryl Roberts’ Tourist and I want to Learn Flamenco Guitar, both capturing certain rhythms of island life; Shanarae Matthew-Edwards’ nostalgic and somewhat epic Fish and Fungi; Antiguan-Dominican Glen Toussaint’s booming Dat; and, rounding out my poetry favourites, Joey Garcia’s haunting Deep.
Whew! How’s that for an over-loaded sentence!?!
The short fiction list is lighter though, since fiction is my love, no less significant. The ones I dog-eared, and mention them here hoping you’ll keep an eye out for these stories and the writers who penned them, Lizards by L J Swanson; My Jumby by Jody Rathgeb; the Annual Christmas Cuss-out by Cheryl Corbin; the Imported Wife by Dwight Thompson; The Hechicera’s Ace by John Russo; Miss Tally’s Last Dance by Ashley Ruth-Bernier; Island Joe by Ryan Rising; Where Dreams Die by DC Laidler; and Paradise Just for Us by Rosalyn Rossignol.
Yes, here you will find some of the all too familiar tropes of Caribbean fiction, and it’s a challenge to not allow ourselves to be ensnared by them, but there are also write-arounds, jump-overs, and the turning of fresh soil in some of these pieces, all of which made for entertaining – and sometimes, deep – reading.
Thanks to the reviews, some new selections are added to my to-read list. Well, some like Dorbrene O’Marde’s Nobody Go Run Me, which I’ve recently been invited to review by the Antigua and Barbuda Review of Books have already been read, but D. Gisele Isaac’s enthusiastic review, not always in agreement with the author always engaged by him, make me eager to revisit it. Edwidge Dandicat’s Claire of the Sea Light was already on my to-read list, because I have never not absolutely loved anything she’s written, but Patricia Harkins-Pierre’s review provided additional incentive. New to the to-read list, though, are Frank Mills’ The Last Witness, reviewed by S. B. Jones-Hendrickson because, hello, a Caribbean murder mystery, the very idea intrigues; Ann Margaret Lim’s Festival of Wild Orchid, reviewed by Loretta Collins Koblah, who stands tall among contemporary Caribbean poets in her own right; and And Sometimes they Fly by Robert Edison Sandiford, a most interesting and unusual read based on the review by H. Nigel Thomas.
A feature of The Caribbean Writer – in addition to sharing new works by new and established writers, introducing additions to the Caribbean canon, coverage of a wide cross section of genres – that make it a tribute to everything Caribbean arts is the tributes section where even when you don’t know the artiste, the writing can make you feel the loss of that, such was the case with Jane Coombes detailed and stirring tribute to Smokey Pratt
I must add that it’s thrilling to have several of my pieces – poetry, fiction, and an extract from a screenplay – included in the Caribbean Writer Volume 27, it’s been a long journey from that first, first of many rejections, to this point, even knowing that this is not a point of arrival, because with the Caribbean Writer you have to earn your place every time, which is as it should be as they continue to set the bar for good writing in the Caribbean.top
The White Witch of Rosehallwas interesting to me not so much for the character themselves (in fact, their limited dimensionality was one of the book’s shortcomings in my view) but what it says about the nature of Caribbean slave society – the sickness that it was to all involved. In such a situation, the tale suggested, it’s inevitable to become infected with either megalomania or mistrust; and given that the tale is set in a time when Jamaica is on the cusp of an uprising of the enslaved people, all involved would have been well advised to sleep with one eye open. It all moves very quickly, three weeks, give or take, from beginning to end, too quickly for all that happens to the characters internally (from how the main character adapts to the world to how suddenly and unbelievably outside of a Mills and Boon maybe the various romances manifest. But the detailed rendering of atmosphere and setting, most of it filtered through the newbie eyes of the main character, does attempt and largely succeed in slowing the pace, and grounding the story. I also think that though the language and narrative style is understandably dated (the book was first published in the early 1900s and the story is set in early 1800s), the writer has a good sense of the layers of meanings in words or in certain words grouped together, and of the weight of the situation he reports upon, so for all that’s unlikely about it, it did from time to time prompt me to pause and reflect. So, while it’s not a favourite, it was not without effect. One of the book’s strengths is its effective handling of the supernatural elements – there is a spook factor that both the characters and readers are aware of – though with reactions ranging from fear to doubt to something like, well maybe. The end itself holds no surprise though I realized that I had come to care, however mildly, when news of Rider’s fate stirred a tinge of regret. I’m sharing my thoughts on it because, all told, I’m glad I read it finally, this classic of West Indian literature based on a reality that haunts the Caribbean to this day.top
Pepperpot: Best New Stories from the Caribbean – Outstanding entries from the 2013 Commonwealth Short Story Prize with a preface by Olive Senior. I just finished reading this collection and it’s a good one. I really liked most of the stories but my top five might be Janice Lynn Mather’s Mango Summer, Sharon Millar’s The Whale House, Barbara Jenkins’ A Good Friday, Ivory Kelly’s The Thing We Call Love, and Dwight Thompson’s The Science of Salvation possibly tied up with Kimmisha Thomas’ Berry. But it really comes down to preference because the crafting of all of these stories is exquisite and …experimental, and the Caribbean landscape they reveal has shadows, not just sunlight; there is heart and humanity but there is also darkness. Really well done; and I’m happy to be a part of it.top
I’ve owned Strunk and White’s Elements of Style since my college days; I re-read it recently prompted by Stephen King after reading his On Writing in which he really talked it up as the definitive book on writing. On re-read, I found myself tugging against some of the rules but even then have to admit that S & W though somewhat conservative know their stuff and back up their chat. So that just as you’re tugging against “Do Not Use Dialect”, which I’ve been known to do, you have to admit they have a point when they complete that thought with “Unless Your Ear is Good”. Their information is sounder than sound; so much so you’ll find yourself re-learning grammar, vocabulary, and writing rules you forgot…and, frankly, learning some for the first time. Bottom line, if you’re a writer or want to be one, it’s a good an essential reference book to have to hand. You’ll need to refer to it again…I know I will.top
She Sex, Prose & Poetry, Sex & the Caribbean Woman (edited by Paula Obe and Carol N. Hosein) – Just finished reading She Sex Prose & Poetry, Sex & the Caribbean Woman (edited by Paula Obe and Carol N. Hosein), a collection of writing by Caribbean women. The fact that I took this long to read this is not an indication of its quality, as I actually recommend it as a read and not just because I’ve got pieces in it. In fact, true confession, I’m not terribly confident about the two pieces selected for the collection. Another true confession, I write more poetry than fiction probably but I feel more sure-footed in the world of fiction. Of my pieces in the collection, One is probably my favourite; it grew out of a visual prompt, a painting by Antiguan artist Glenroy Aaron. I remember the thing that struck me about the image was how intertwined the man and woman were, almost like they were extensions of the same body; hence the poem title ‘One’ – “I want to be so deep inside you/it be like/I’m wearing your skin/when I touch your nipple/it be my lips tingling.” Though it’s blatantly physical, I wanted to suggest emotional intimacy equal to or beyond the physical, and I wanted it to feel like a seduction not at the beginning of a relationship when they barely know each other, but when they’re already in – deep. My other piece – “A Religious Experience” is borderline sacrilegious since it’s using sacred terminology for something considerably less sacred. But the choice of terminology is meant to suggest the reverence with which they’ve embraced this connection they have – “and so we prayed/then the breeze sang a Holy song.” I’m hoping their selection suggests that I communicated something of what I was trying to communicate. But you, readers, will be the judge. As reader, my favourites included: READ ON.top
Dido’s Prize by Eugenia O’Neal – Dido’s Prize is old school romance like I haven’t read in a good long while – you know the template; boy meets girl, he tall dark and strapping, she a beautiful spitfire, they feel something intense for each other but amidst misunderstandings and other obstacles tug-o-war until inevitably they find their way to their happily ever after. That’s not a spoiler – that’s what this genre promises. That is to say that like most romance novels you know the end from the beginning because in romance novels the hero always gets the girl and the girl always gets her man. But its alignment with the genre notwithstanding, in Dido’s Prize, British Virgin Islands author Eugenia O’Neal deftly ups the ante – intricately weaving in tension, excitement, and uncertainty – by setting her historical romance against a backdrop of piracy and adventure. Pirates are popular these days, from Pirates of the Caribbean to Black Sails. But you’ve never met a pirate quite like this plucky heroine who masques her true identity and holds her own as deals with the uncomfortable realities of being a woman on a ship full of rowdy men. By turns spirited and fool hardy, Dido’s a pirate you root for – but still a pirate who tries to hang on to her principles even as she gets her hands bloody. what Dido’s Prize does that most pop culture pirate tales don’t is meet the reality of the world – the reality of slavery (and misogyny) in their world – head on (well, not as head on as say Roots or 12 Years a Slave but it doesn’t ignore it as they do in the world of Captain Jack). Kudos to O’Neal for managing that; for confronting the harsh realities of that world and yet keeping the story buoyant – not always edge of your seat but never dull. But because she adhered so closely to historical reality I doubted at times, even as I had my fingers crossed for, O’Neal’s ability to deliver on the happily ever after; especially as the pages wound down and the lovers remained separated – him beaten and facing the hangman’s noose, her resolved to free him and sail off into the sunset. Together. But deliver she did, even managing to make it somewhat believable that despite the realities of a world in which people who look like our heroine and her hero are commonly enslaved, they could find a space where they, their families, and a whole community of others like them could live free. And to do so in a way that feels, okay a little bit fanciful, but not strictly speaking out of sync with history. It’s my kind of romance; there’s too much else going on – pirate raids, slave rebellions etc. – for me to get bored, as I’ve been known to do, given the predictability of the genre. In fact, not only did I enjoy reading Dido’s Prize (which I won in an online contest on O’Neal’s website), if it did make it to the big screen, it’d be a fresh take on the genre of pirate films, one I’d pay good money to see. Think Hollywood would go for it?top
Little Rude Boys Girls by Deshawn Browne– First things first, the author of this book was 12 years old at the time it was published – the book and his improved grades came of a challenge put to him by the book’s publisher Dr. Noel Howell, a doctor and filmmaker who seems to have made it something of a mission to work with talented young people. I wasn’t keen to read and review the book because the authors’ a kid; so one, I’m not really the market, two, if I didn’t like it I couldn’t say that I did and I didn’t want to discourage a young boy admirably rising to a challenge. After all challenging young people to realize their potential and find their voice is what Wadadli Pen is all about. So the book’s merits or demerits as a literary work wasn’t really the point….I read it recently and while it’s not a masterpiece, it delivers an entertaining story with a bonus moral arc to its demographic (late primary boys and girls) and was quite enjoyable (for me, an adult). It’s a book about rivalries (harmless rivalry between boys and girls), family, and, unexpectedly, HIV/AIDS – it’s about pushing yourself, rising to the occasion. It reads less like fiction and more like a pretty detailed and vivid how I spent my summer – a very organized, episodically plotted, lively report from the perspective of a mischievous narrator who shows growth by the story’s end. I suspect good editing is also at play here but the young writer also has good story sense. It’s a bit overcrowded – a lot of characters to keep track of and not enough shading to give you a real sense of them beyond the roles they play in the book – but it’s neither exhausting nor, at the other end, is it ever dull. In fact it’s pretty satisfying and in the end shows itself to have a lot of heart, as well. I’d definitely recommend the author take some writing classes as he continues to grow and he may, down the road, have a book that is closer to a masterpiece in him because I’d say there’s potential there.top
Womanspeak (2013) – This is a well ordered collection, at times inspirational, at times provocative, at times beautiful, at times disturbing, universally insightful. It is also a fun and compelling read. Fun is an odd word for it given that this edition of Womanspeak speaks so profoundly to so much of what women go through and yet as the language wraps its colourful self around ideas of self and independence and the other big issues women grapple with it is, fun. I am delighted to be a part of it, happy that my poems and short story feel a part of it, part of this community of women Bahamas’ Lynn Sweeting has called together on the page. From a purely reader standpoint, my favourites included Althea Romeo-Mark’s A Kind of Refugee/Living in Limbo (which I may or may not have read before, I can’t be sure, in her collection If Only the Dust would Settle) from the essays section which also included interesting entries by Vahni and Leila Capildeo, Victoria Sarne, and Ashley Akerberg – stories that show women finding their footing with the rug pulled out from under them and to reference the Capildeo piece, “(creating) better circumstances, not the endless coping with situations”. In the fiction section which opens the journal, I think I responded to each of the stories on some level – landing each in the favourites category as well. My lip curled up in distaste three short paragraphs into Vashti Bowlah’s Vindira’s Day, a strong opener to the collection. My displeasure wasn’t with the story but with the man who was so distasteful he hadn’t even done anything to that yet and I already wanted to wash him off me. In Cherise A. Charleswell’s story, the way the story describes the character’s reaction to the male gaze and the pssst is very familiar to me; could relate as well to the way some became particularly menacing, the way you can feel abused by those encounters, even when nothing specific happens, even though it’s not something others would describe as particularly abusive. I was reading Shakira Bourne’s story We always smile for Photos in two places (it’s also in the Trinidad and Tobago anthology She Sex) and liked both experiences of it, and especially her use of irony; as I did the use of detail and the foreshadowing in the pre-Columbian world of Rhonda Claridge’s In the Distant Waters Land. The poetry section was rich as well, and I found myself finding things to like, images and insights that stopped me, even in the poems I didn’t love-love like the mother and daughter murdered for making a video of themselves laughing in the rain (Lynn Sweeting who also writes profoundly of masks and priorities in I like the Disguise). Poems to make you ponder, as Angelique Nixon’s Occupying Dissent Long Time if we haven’t in fact gone back to sleep despite its assertion that this is our time and its challenge to “us to stay woke together”; poems like ARM’s that make you marvel at the way she grounds the poems with earth-bound details – “rain-soaked clothes (clinging) to her frame. Cold (gnawing) at her shoulders. Her beige skirt, grass-stained, (and) hemmed in mud” – and yet untethers them with more abstract imagery – “dark clouds (crossing) her moon. Her thoughts (scattering) leaves after a storm”; poems, defiant in spirit like Opal Palmer Adisa’s; poems that pack a punch like Lynn Sweeting’s Woman of God which is stronger for its simple telling sans editorializing of an encounter between a pious woman and a domestic violence survivor. This is not passive poetry…these are revolutionary pieces about women’s (and men’s – e.g. “the forest man willing to die rather than step aside for the bulldozers because without the forest he will die anyway” – LS) encounters with the ‘justice’ system, about the failure of love, their anger, their defiance…and yet there is considerable beauty (variously dark or delicate but beauty nonetheless) to be found in poems like Charlotte Dunn’s Sea Grape Leaf Jump, Tanya Evanson’s Apocalypsiata…other poems that come to mind for various reasons as I write this reflection on a stirring collection are Anita Macdonald’s Seized, Sonia Farmer’s This is not a Fairytale, Nancy anne Miller’s Life Jacket, and Attilah Springer’s Dance Pretty Fight Deadly. In the fairy tale section – yes, there is a fairy tale section – my favourite was probably Barbara Arrindell’s feminist spin on an anansi tale – though there was much I liked about Brenda Lee and Lelawatee’s tales as well, most especially their freshness in an under-developed genre, stories perfect for that stage of childhood where you’re defining reality through imagination. In some way that’s all stages of life if you’re open to seeing…and if you’re open to seeing one of the impressions this collection makes is the precariousness and fragility of reality and on the other hand the strength and strategizing required to be a woman in the Caribbean, and in the world.top
Silver Sparrow by Tayari Jones – The thing Tayari does in this story that I find fascinating is how she ‘plays’ with the reader, this reader’s, emotions…I don’t mean that in a negative way….but…the story starts with the perspective of the daughter of the other woman, a girl who is always second best, or so it seems to her, in her father’s affections compared to his ‘real’ daughter and his ‘real’ family. We see the lawful wife and child as the other, the villains of the piece if you will, and the father as a weak man. Then, just when we think we have a handle on how we’re supposed to see this, how we’re supposed to feel about it, Tayari flips the script on us. Suddenly we’re in the perspective of the legitimate daughter, and suddenly she is the sympathetic one, and the one we’ve been following is, if not a villain, then a perplexing mystery. We find ourselves liking and feeling for this second daughter and her mother with equal passion, and even liking the father a little bit, seeing him, as we are, through the eyes of the daughter who has no reason to find him lacking. So, who’s the bad guy, who’s the good guy? In Silver Sparrow, as in life, it’s complicated. In Silver Sparrow, as in life, things just sort of unravel…and in Silver Sparrow, as in life, the ending is bittersweet…no happily ever after, no matter what the fairytales promise. And yet, like a fairytale, Tayari makes the meeting of hearts, as pedestrian and messy as it gets, seem magical, fated, and epic:
“And this is how it started. Just with coffee and the exchange of their long stories. Love can be incremental. Predicaments, too. Coffee can start a life just as it can start a day. This is the meeting of two people who were destined to love from before they were born, from before they made choices that would complicate their lives. This love just rolled toward my mother as though she were standing at the bottom of a steep hill. Mother had no hand in this, only heart.”
Part of the genius of her approach is the telling of the story from the perspective of the children – the two daughters – on opposite sides of the story because of their mothers and their love for their mothers and their desire to be first in their father’s heart, but bound to each other in a way their mothers would never be and their father could never understand. They are both heartbreaking, these girls, and if I feel any dissatisfaction with the novel it’s in the way that it swings back, at the end, to the daughter we first meet, as though we haven’t come to know and care about the ‘other’ daughter as well, and aren’t just as curious about what became of her (or her take on it), after. SIDEBAR: I met Tayari, sort of, in summer 2012 when I went to a joint reading she did in New York with another favourite of mine (Judy Blume). Wrote about it here. And I had the opportunity to meet her when she came to Antigua last year, but, regrettably, missed that opportunity. I prefer meeting the writers I like on the pages of their books anyway; this is the first book I’ve read for Tayari (though I follow her blog and fb page) and she is officially an author I like. top
Nobody Go Run Me: the Life and Times of Sir Mclean Emmanuel by Dorbrene O’Marde is, in my estimation, a perfect marriage of writer and subject. O’Marde knows the players and the context of his story well, he respects them but isn’t hesitant to critique them. He understands the link between the movements in the world of calypso and the real world movements that inspired or were inspired by them. He has unprecedented access to personalities and insights that flesh out the tale, and he clearly knows and loves the art form.Read more.top
“Okay so, On Writing by Stephen King, mi lub dis book bad (English translation: I really liked this book). It’s hard to know where to begin with the sharing because it’s so bookmarked. What I can say, in general, is that it reads more like a memoir than a how-to book though at the end you will have learned a thing or two about how-to…including that some of it is a kind of magic that is unexplainable even to the person doing it, a fact King acknowledges up front when he said, “…most books about writing are filled with bullshit. Fiction writers, present company included don’t understand very much about what they do – not why it works when it’s good, not why it doesn’t when it’s bad.” And yet the only thing I disagreed with King about was the change of a character’s name in an edit of a sample from one of his stories at the end of the book; because the man knows his stuff and he reinforced some of what I already knew and added to it, teaching me new things. And because the book is memoir style, he teaches mostly by doing; as we read the stories of his childhood we’re learning how to tell a good story and then, bonus, he connects the dots. I’ll share some of my favourite bits.top
“I have climbed back into life over and over on a ladder made of words…” So Alice Walker says in the preface of Her Blue Body Everything We Know. There some crisp imagery especially in the Africa pieces, which are like emotional snapshots. Those are almost serene next to the angrier, lengthier, America pieces and the introspective anti-romantic pieces such as Warning which says, “to love a man wholly/love him/feet first/head down/eyes cold/closed/in depression”. One of my favourites among the latter is Never Offer Your Heart to Someone Who Eats Hearts – don’t you just love that title – as dark and cynical a piece as you’ll find in this collection but which ends on a hopeful note. There’s one about Janie Crawford, you know from Zora Neale Hurston’s Their Eyes Were Watching God; loved that one too because it pretty much sums up how I saw the Janie character. I liked the one about Lorraine Hansberry too which is really about the fortitude it takes to be a revolutionary. Another of my favourites is How Poems Are Made: A Discredited View, “to the upbeat flight of memories./The flagged beats of the running heart.” I also liked Songless which asks “what is the point of being artists if we cannot save our life?” ; Each One, Pull One – another Hansberry inspired piece – in which Alice charges, “we must say it all, and as clearly as we can. For, even before we are dead, they are busy trying to bury us.” There are blatant activist pieces like These Days which I liked and you realize that for Alice writing is always political. And there is something searching and beautiful there too as in another of my favourites If There Was Any Justice in which she communes sort of with a favourite artist of mine Van Gogh. Two of the stronger pieces, for me, come near the end: A Woman is not a Potted Plant and Winnie Mandela, We Love You. I realize as I’m writing this that I actually liked this collection more than I realized, I read it over weeks of bus rides, bookmarking as I went. I shouldn’t be surprised. Alice is ever one of the more stimulating writers I’ve found, stimulating in that reading her work is not a passive exercise, it makes you think, feel, engage, write, and even without all that, there is enough truth here that I couldn’t dismiss it even if I had a mind to:
In These Dissenting Times
To acknowledge our ancestors means
we are aware that we did not make
ourselves, that the line stretches
all the way back, perhaps, to God; or
to Gods. We remember them because it
is an easy thing to forget: that we
are not the first to suffer, rebel,
fight, love and die. The grace with
which we embrace life, in spite of
the pain, the sorrows, is always a
measure of what has gone before.
I like autobiographies. No surprise then that every time I left the house for the bus stop, I usually grabbed Makeba: My Story (by Miriam Makeba with James Hall) from by current active pile of books. It was more than that though. She is an interesting person who’s led an amazing life and whose story, as if that weren’t enough, is part of the tale of the shameful story of apartheid South Africa. There was weirdly so much that was relatable in this book (certain customs and attitudes really did travel with my ancestors across the Atlantic) but there is much as well that’s distant from my own experience (perhaps closer to what my ancestors would have experienced in a world when and where they were considered less than human). The reason I most liked this book, however, is that I was almost utterly charmed by Miriam; I say almost because there is one chapter much later on that hasn’t settled…we are, none of us, perfect….but her humility, her talent, her passion all make for a very charming tale indeed, even amidst the tragedies of her life. Here’s a taste of her music:top
Forty Years of Struggle: the Birth of the St. Kitts Labour Movement by Sir Probyn Inniss – This is not something I would normally pick up but the author (a teacher, lawyer and former Governor) and I met during a reading at Greenland Books and Things in St. Kitts and gave me a copy. As I’d found his reading interesting – mostly for how similar the experiences of these islands are when all is said and done – I decided to give it a go. it was an interesting read. Of course, the book makes a case for the uniqueness of St. Kitts colonial era experience and in so doing suggests that things weren’t as rough on other islands. I suspect those in neighbouring islands like Antigua who lived through the post-Emancipation, contract laws binding adult workers and their offspring to plantations (like slaves), and pre and post labour days would have their own – contradictory – opinion on that; hell, I didn’t live it and I found myself being contradictory on occasion while reading. For example: “Antigua, by contrast, experienced better relations between the different classes and racial groups. This was evident in Antigua since the early nineteenth century and no doubt contributed to the fact that Antigua had no Apprenticeship period, moving from slavery to full freedom in 1834.” Really? Yes, we had no apprenticeship but not because things were sweet as mango between the planter class and the working class…Statements like this made me question some of the book’s other judgments (not the facts, the book stands strong on facts, but the conclusions reached based on those facts). That said, it’s an important perspective, one that sits on the same shelf as books like Antigua and Barbuda’s To Shoot Hard Labour and (I suspect since I haven’t actually read it) No Easy Pushover both by Keithlyn Smith. That it explores – beyond the broad division between the two main classes of people, the white planter class and the black working class, and the ways their history shaped a society defined by race-based value and deep power imbalances as a result – the Portuguese and middle Eastern (Syrian, Lebanese) immigrants that came to dominate retail commerce and other areas of business, and the complex relationship between the Eastern Caribbean and the Dominican Republic (in particular the export of workers from these parts for work in the cane fields of the Spanish nation and their poor treatment there…a reversal of which we are now experiencing) adds a dynamic that’s important to understanding the social history and reality of our countries. One lingering question the one posed by the writer at the end is how much has really changed, how fully have we embraced the opportunity to move beyond the patterns put in place by colonial era politics that did not favour (in fact had no real interest in) the working man (the black working man). That’s a question with resonance in St. Kitts, in Antigua, and no doubt in other parts of the region.top
Memnoch the Devil by Anne Rice -*warning: this is a long one* – I’ve read a fair amount of Anne Rice (Interview with the Vampire, Vampire Lestat, Queen of the Damned, Tale of the Body Thief, Cry to Heaven, The Witching Hour, Blackwood Farm and some others) but not in a good long while. I remember thinking that Memnoch the Devil wasn’t for me…probably the girl that was raised Catholic including Catholic school, Holy Communion, Confirmation classes etc unconsciously turning from the perceived blasphemy. I say unconsciously because chances are if I thought it was so I would no doubt have read it in rebellion (another characteristic of Catholic girls). No, I think at the time I had just become disenchanted with the authoress I discovered in my college years, the same way I eventually became disenchanted with romance novels and other genres I consumed once upon a time but don’t feel particularly drawn to now. So I have to give mad props to Glen of Best of Books Antigua for his ambush sale of Memnoch the Devil, thanks for re-introducing me to one of my favourite writers. This book remind me of all the reasons the reader and writer in me was drawn to Rice’s writing in the first place. She is a boundary pusher and rule breaker – the ultimate Catholic girl rebel – on an epic scale. You kind of feel like you’re pissing God off a little bit by reading it, as much as Memnoch did with all his questioning, but you read on anyway (like him, you can’t help yourself). Re writing rules, as far as exposition is concerned, teachers often rap our knuckles with show don’t tell show don’t tell…well huge sections of Memnoch is exposition, there’s some showing but there’s a fair amount of telling as well…but it never feels dull in part because one of Anne’s signatures is the delicious descriptiveness of her narrative. Her words are alive so that even when nothing in particular is happening, the grass is growing, can’t you hear it? You know what I mean, she milks sensation from each moment so that even the still moments are not stagnant. Another rule, pare it back, don’t overwrite…hm, well, Anne’s writing is as lush and showy/flamboyant as a Caribbean sunset, and just as beautiful. The atmosphere she created in rendering the New Orleans setting of so many of her stories is part of what landed this city on my bucket list, half doubting that the actual city can live up to the one that lives in my imagination. She doesn’t rush the moments and at the same time creates amazing tension, hooking the reader to turn the next page and the next and the next even as nothing much more happens than one Being in conversation with another Being, trying to make his case. I love her writing – lines like “the story devoured the night” – I really do and I’m glad I was reminded of that. Let me say a word about genre. I don’t really believe in genre-fiction. I read what I read, I like what I like, genre be damned; and I really feel that folks who dismiss not just Memnoch but Rice’s Vampire chronicles (and this can apply to other of her supernatural fare) are missing out. She’s a great storyteller and I look forward to reading both Servant of the Bones, thanks to the teaser at the back of Memnoch, and the Wolf Gift (because, yeah, I guess the idea of were-fic in Anne’s hands intrigues me). Thematically, she remains in Memnoch, as bold as when she created a vampire with a conscience in Louis and paired him with an unrepentant rebel rock star of a maker in the first book in the series. Not enough Louis in this for my taste (I love Louis with all his human angst and complexity) but Lestat is very much present if not the star of this tale. No the very nature of creation, of heaven/hell, of God and humanity hogs the spotlight –and how bold is she to take on such grand and controversial themes? Bolder still to cast God as the villain (or as too removed from human feeling to be relatable) and Memnoch/Lucifer/the Devil, the beleaguered hero (the one trying to do good, the one working in the best interest of humankind), maybe, depends on your reading of it. Bottom line, Memnoch is a mind trip. And Rice doesn’t allow the reader to look away from it, nor from the disturbingly erotic image of Lestat sucking on Dora’s womb blood (not my favourite image, uh, but my new favourite word for that by the way). I will add only that I don’t know what prompted Anne to write this; if it was just the next inevitable stop on Lestat’s wild adventure – he’d done everything else right? Or if it was driven by her own questioning about the nature of God (and especially God in relation to human suffering something many of us have grappled with). I don’t know; I do know that tonally, it feels a bit like a cry of frustration – “we are in the hands of mad things” – and of despair – “why are we never never to know”. These are characters’ words, of course, but the whole book, entertaining and thought provoking and epic as it is, also feels deeply personal in that sense. Or perhaps I’m reading into things.top
Pineapple Rhymes by Veronica Evanson Bernard – This poetry collection is a bit of a time capsule…a fair amount of the references (such as the celebration of Queen Victoria’s birthday) are way before my time…think 40 years before my time as they reference the conditions and realities during the author’s coming of age in 1930s and 40s Antigua…but for an Antiguan of any age, or anyone with an interest in Antiguan culture, Pineapple Rhymes is a good blend of folk history and folk poetry in the folk language which is more than just a variation or bastardization of English as implied in the glossary. If you’re a regular to the blog or are at all familiar with my literary tastes, you already know that Women of Antigua was my introduction to the writing of the late Veronica Evanson Bernard. It remains my favourite poem in the collection, and a quintessential Antiguan and Barbudan poem in my view. Other pieces bookmarked were A Mudder’s Lament, Nutten Nar Bite, Shappin fuh a Wedding Frack, Laas at Sea, Congo Man, Wite Cloaz, Teachah Teachah, Twenty Fourth O’ May, and De Obeah Oooman. She writes the Antiguan as it sounds, the work is strongest when she uses that to get a good rhythm going as she chronicles the struggles and joys of the folk…without overly romanticizing it. It’s a book that calls to mind the now elusive Antiguan character.top
Living History by Hillary Clinton – I can’t imagine how at once scary and liberating it must be to write an autobiography; digging around the dark and uncomfortable corners of your psyche, revisiting your past triumphs and failures, exposing your soft underbelly. By comparison with others I’ve read, Hilary’s feels very controlled and as such didn’t draw me in as completely though she’s led a very dynamic and interesting life. The most interesting aspects for me were her early life; once Bill entered the picture, I felt it was too much about him (and having already read his biography and being a Hilary fan, I guess I wanted more of her and less of the president and presidential policy but when you’re a supporting player to the president, I suppose it’s going to shake out like that). The latter part of her journey (pre-senate) was interesting, and a bit more revealing, as well…but still restrained. Liked it enough to add it to this list though.top
Rebecca’s Revival: Creating Black Christianity in the Atlantic World by Jon F. Sensbach isn’t my usual cup of tea but it was interesting and provided some insights to the experience of African enslavement (particularly with respect to the grey areas) that I hadn’t considered. And the roots of the Moravian church…wow, some interesting insights there.top
Dreams from my Father by Barack Obama – Beautifully written, insightful, engaging…and humanizing. He may be President but he was once upon a time just a confused boy seeking his place in the world. This book is evidence of that.top
Just got through reading New Writing: Poetry & Prose by Shoestring Press. It’s actually not that new anymore as it was released in 2001, and I’m not sure there are even copies in circulation any more. I borrowed a copy from one of the authors, Wadadli Pen chief judge Brenda Lee Browne. And I’m not just saying this because of her association with Wadadli Pen but she does a great job of capturing the rhythm of the island in her Diary from the Wet Side of the Moon and I was starting to get invested in the characters when the snippet ended so that’s good. As we do with older pieces she probably curls her lips when she looks back at this, if you’re a writer journeying, your work is going to keep on growing but if this was 2001, I’m even more eager to see what she’s come up with circa 2012. The other stories are all set in Europe, England especially and, I suspect, in East Midlands primarily. It was an alright read overall.top
The Shack by William P. Young – So, a friend insisted I read this…and I have. But honestly I’m not sure what to make of it. It starts out quite mysteriously and with deft pacing that mystery draws you in…then slows considerably after the big reveal (during the pages of exposition that follow)…but that big reveal (three in one, in fact) is significant and it does end satisfyingly with an open-ended (unstated) challenge to believe or not believe. It’s quite beautiful in parts, quite eloquent and insightful in parts, thought provoking (with respect to the nature of being, of fear, of surrender, of forgiveness, of our relationship with the divine). I can’t say this book had the powerful impact on me it did others (like my friend) but I appreciated reading it, in the end; and feel pretty certain the questioning it has provoked will linger. Post note: Actually it’s been a while since I read this and it hasn’t lingered as much as I thought it might but all other sentiments remain.top
Womanspeak is a literary and visual art journal edited by Bahamian Lynn Sweeting and featuring women writers from across the Caribbean. I’m in it, so this isn’t really a review, but I did have some thoughts about why I liked it. Yes, I do.top
Evening is the Whole Day – Preeta Samarasan
This book was written by my Breadloaf ’08 roommate Preeta Samarasan. I’m glad I discovered it and her, and discovered, too, that though from different parts of the world, there was a lot that connected us, in part due to the common cultural elements born ironically enough of our shared British colonial experience…or the residue thereof. As a Caribbean reader certain things will feel startlingly familiar when you read this; and the parts unknown, well that’s part of the discovery, isn’t it? I’ll admit it took me a while to get through it, it’s not an easy or light read; sometimes I was caught up, sometimes distracted, and sometimes I simply needed to look away. It’s very vivid and not always pleasant. Uncomfortable details aside, it is a stirring if at times claustrophobic tale (in the sense that I didn’t enjoy a minute spent with any of these people though I appreciated the author’s realistic and complex rendering of them). Speaking of style, I was immediately caught by the atmospheric punch (the thereness of the place) and by how the author captures the speech patterns of the Malaysian people in a way that makes it both relatable to the non-Malaysian reader and authentic (or at least authentic-sounding since I’m not qualified o speak to its actual authenticity)…it’s certainly one of the challenges I grapple with as a Caribbean writer, and I think this Malaysian writer does a good job of it here. The book is informative regarding the shifting mood in Malaysia for the span of the tale but really the country is primarily the context for a family drama marked by secrets, disaffection, hypocrisy, deception, and the politics of being.top
For In the Black: New African Canadian Literature, I decided, instead of sharing favourite stories or poems, to share favourite moments. Read More.top
I suspect for the Caribbean reader there will be much that resonates in Volume 26 of the Caribbean Writer. Though it deals with the natural environment, it is not about paradisiacal vistas so much as it is about the stories (in verse and prose) running through the veins of the natural environment. I count among my favourites Tregenza A. Roach’s poem The Grove in Bethesda which speaks of the bridges formed by the environment across which people choose not to cross (“…no love passes between”); and Meagan Simmons’ Drunk Bay Cliffs, a place of natural wonder and painful history (“we stand on the cliffs/and try to drink this place/in without feeling the violence in it:/this wide ocean/gaping like an open mouth”). The Last Crustacean by Shakirah Bourne uses perspective to effectively convey the disturbance caused by unchecked ‘development’. And while June Aming’s Two by Sea delivers bitter justice to those who take advantage of nature, Diana McCaulay’s Sand in Motion has the immediacy of a journalistic feature of nature being laid bare on the altar of development, and in Barbara Jenkins’ The Talisman (one of her two gems in this collection, the other being the adventure Healing Ruptures) nature is a vividly rendered backdrop for a complex and haunting tale of human interaction. Plus, there’s an honest to goodness ghost story, Aaron Adesh Singh’s The Duenne, while childhood takes an even darker, albeit less supernatural turn in Stanley Niamatali’s Girl-Child in which awakening sexuality, domestic violence, and violent nature converge. The protagonist in Thomas Reiter’s poem A Boy Harvesting wonders “Does everything on this island tell a story?” Yes, it does. The Caribbean Writer, the annual print journal of contemporary Caribbean literature, continues to gather the best of them.top
I have mixed feelings about Girl with the Dragon Tattoo. The Lisbeth Salandar character was interesting, intriguing, and well drawn (though that made most of the other characters seem less so by comparison), the writer threads the tension tightly holding your curiousity and at times making you tense up the way a good mystery should. But it’s also fairly slow at both ends of that mystery, especially the back end (i.e. the section after the mystery of the missing girl is solved which feels both anti-climatic and emotionally unsatisfying though it did provide an interesting education on the world of international finance). Still, I’d lost interest in the outcome and still feel troubled that the many dead bodies were so quickly forgotten …but then moral ambiguity even by heroes and heroines is part of this book’s appeal so perhaps that’s intentional. I’d read another one in the series but I’m not hungry for it. I do want to see the film though.top
(excerpted from my review in the Daily Observer), Sugar Barons “is a lengthy read and the territory is generally familiar but the perspectives culled from personal journals, private communications and the like offer up fresh anecdotal tales and colourful personal narratives…” with contemporary resonance and/or ripples re the social and economic impact of sugar and its companion trade in African humans. An interesting read for history buffs and “…a reminder that the impact of the trade in indefinable ways is still being felt to this day.” Warning, the book does humanize the planters/slave owners, but even so slavery as practiced in our hemisphere was unprecedented in its level of brutality, so brace yourselves.top
As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.
I wanted to create a separate page for playwrights and screenwriters. You won’t find these in the listing of Antiguan and Barbudan writers or any of the genre listings, unless they’ve written books. This list refers specifically to contributions as writers for screen and stage, and specifically to productions which have had a public viewing. It is a work in progress, so please inform me of any errors/omissions/oversights. T’anks.
Antiguan & Barbudan Theatre – a brief background (source: The Cambridge Guide to Theatre edited by Martin Banham) – “A party of amateurs opened Antigua’s first theatre in 1788…visiting companies came for a week’s run, their performances reinforced by local actors. The West India Sketchbook (1835) mentions a theatre in Antigua with amateurs performing Goldsmith’s She Stoops to Conquer along with a PANTOMIME called Harlequin Planter, or The Land of Promise. This latter – containing ‘aboriginal savages’, their evil spirit Maboya, white settlers, black slaves [edit: enslaved Black people], Astraea, the goddess of justice, members of the Anti-Slavery Society, HARLEQUIN and Columbine – might count as one of the earliest pieces of native Caribbean theatre, dealing as it does with the local scene…Antiguans recall, from the 1930s, the OPERETTAS and MUSICALS presented by one Nellie Robinson of the TOR Memorial High School. In 1952 the Community Players were formed, causing a stir in local circles when, led by the drama tutor of the University of the West Indies, they created the village play Priscilla’s Wedding using local dialect…in 1967 the Antigua University Centre was established, with a 400-seat open-air theatre. Several short lived theatre groups sprung up at this time.” (p. 319) – bold and italics mine.
(Playwright?) – Rising from the Ashes (toured to Dominica, 1988). Performed by Popular Theatre Movement (“…started in village communities, where role-playing, discussion and creative play-making help to identify issues and suggest solutions” – The Cambridge Guide to African and Caribbean Theatre).
Eleston Nambalumbu Nambalala Adams – b. 1954. Founder, in 1979, of the Rio Revealers, which according to the World Encyclopedia of Contemporary Theatre, Volume 2, the Americas Volume 2, his plays, referred to as “slapstick drama, have been taken to the islands of Montserrat, St. Martin, and St. Thomas.” The bibliography of drama in English by Caribbean writers, to 2010
compiled by George Parfitt and Jessica Parfitt indicates that he is believed to have authored 14 plays but could not confirm. Adams has been a teacher, reporter (Daily Observer newspaper), and minister of government, including a stint as culture minister. (listing lacks itemization of individual plays and year of first production – help fill the gaps if you can)
Zahra Airall – Airall has founded, written, and directed several theatre companies. Her Zee’s Youth Theatre produced the well-received School Bag (2009). In 2015, her adult company, Sugar Apple Theatre, teamed up with Dorbrene O’Marde for a revival of Harambee’s Tangled Web (read my reaction post). Sugar Apple Theatre returned with Eve Ensler’s Vagina Monologues (previously staged in Antigua by Women of Antigua of which she was a founding member and co-director) in 2019 (my review here).
It’s worth noting that Airall, a teacher, also took the winning local team (Antigua Girls High School) to the 2015 Caribbean Secondary Schools Drama Festival where she served as writer and director for their performance of her play The Forgotten. Read review/coverage of that outing here. She followed up this production with Whispers in Wallings which netted her and her Antigua Girls High School students best production, best direction, and a number of other prizes (8 overall) at the 2015 National Secondary Schools Drama Festival. She’s also taken youth theatre to other Caribbean countries e.g. in 2018, AGHS’ Honey Bee Theatre went on a UN sponsored tour to Turks and Caicos with her play Light in the Dark which was also performed domestically. In 2019, Honey Bee Theatre presented The Long Walk (reviewed here) in Antigua and again, that summer, at the Caribbean Secondary Schools Drama Festival, winning a plethora of prizes including best production, direction, and screenplay. Also in 2019, Honey Bee Theatre took on Derek Walcott, while Sugar Apple Theatre, after a triumphant 2019 outing with the revival of the Vagina Monologues, announced plans for an original production and its take on Shakespeare in 2020. Zahra Airall, a multi-National Youth Award winner, and Woman of Wadadli awardee for fine arts, was born in the theatre, figuratively speaking, as her parents were performers with Dorbrene O’Marde’s Harambee; and she won her first prize in 1992 at age 9 as the youngest person to submit to the Rick James Ensemble One Act Play Competition.
Antigua Community Players – This group was inaugurated in 1952. Musical dramas written and performed by the players include Priscilla’s Wedding (groundbreaking for its time as a benchmark in local theatre), Night Must Fall, Guest in The House, Outward Bound, See How They Run, Charley’s Aunt, A Christmas Carol, and Celebration in the Market Place – all collaborative pieces written by the Players. The group eventually morphed into a choral group well known for its folk music presentations and musical productions. Dame Yvonne Maginley (deceased as of 2019) was instrumental in this aspect, taking on the role of musical director in 1957. The Antigua Community Players’ first operetta was Betty Lou; annual concerts followed, and, in 1972, the Players produced Ballad Antigua, written by well known composer of Caribbean songs Irvine Burgie, and presented it in Antigua, Montserrat and in Guyana. Following the success of Ballad the Community Players produced Gilbert & Sullivan’s Mikado (in 1973), HMS Pinafore (in 1975 to commemorate the 250th anniversary of the commissioning of Nelson’s Dockyard and in 1995 to mark the Players’ 43rd Anniversary), and Pirates of Penzance (in 1986). The Antigua Community Players performed at the 1982 World’s Fair in Tennessee, and, in 1984, during the 150th anniversary celebrations of the founding of the city in Rochester, New York and also in the Annual Lilac Festival. The Players have performed in New York; Miami; Washington; Toronto; London Ontario, Canada; Birmingham and Leicester; the News Day Parade in London, England; Syracuse; St Croix; and St Thomas. As musical director, Dame Yvonne Maginley composed many songs over the years that have added to the Antiguan and Barbudan catalogue of folk music.
Antigua Dance Academy – Antigua and Barbuda’s premier Afro-Caribbean folk dance group since 1991, ADA has put on several productions that have included drama scripted by members of the troupe. This includes, as part of ADA’s Out of the Drum folk rhythm festival, a 2008 street theatre presentation on national hero King Court/Prince Klaas/Tackey’s rebellion with guest performances by Nevis’s Rhythmz Dance Theatre and Trinidad’s Shashamane recreating, respectively, plantation fieldwork and African stick fighting. Francine Carbey, as the ADA’s resident drama tutor and artistic director, is, with founder Veronica Yearwood, the force behind these dramatic turns. Other members have contributed plays to ADA productions – e.g. Samantha Zachariah who wrote her first play for the group in 2010. Read more on ADA.
Barbara Arrindell – Call Me Klass (1998) – based on and inspired by the life of National Hero and leader of an aborted 1736 uprising of enslaved Africans in Antigua and Barbuda Prince Klaas/King Court/Tackey. Initially staged as a Black History Month fundraiser.
Dreams…Faces…Reality (2001). The play tells the story of a healthy young man whose life is turned upside down following a routine physical which showed that he was HIV positive. Arrindell was author and director. Stagings included an initial 2001 World AIDS Day performance by the Optimist Club of St. John’s Youth Drama Group, a 2002 Black History Month performance, several 2003 stagings, including one in Anguilla, by the Optimist Club at the Pares Secondary School. Between 2005-2006, it was staged over 15 times by the Friends Hotline for Youth to stir conversation among secondary school students in Antigua and Barbuda. Another drama group performed select scenes in 2007 at churches across the island to reduce the stigmatization of HIV/AIDS. It has been adapted for radio broadcast, running for several years on Observer Radio in the build-up to World AIDS Day.
Barbara Arrindell speaks with the audience after a performance of the AIDS themed ‘Dreams…Faces…Reality’ performed by the Optimist Club of St. John’s Youth Drama Group
Jamian Benta is a teacher and his productions seem to be primarily in the area of secondary school productions. As an english teacher at Pares secondary, he took the students to the National Seconday School Drama Festival with his first production A Mother’s Heart. At his second school Clare Hall Secondary, he formed the Dramalites. His other plays include Problem Child, Village Boy, Family Jumby, and A Tale of Massa’s Wine.
Edson Buntin –Anu Bantu: Treasure Island and Haunted Park (published). Dramatist, instructor in French at the Antigua State College; his contributions to theatre have been both onstage and off, as an actor including serving as a cast member in the 1979 production of Dorbrene O’Marde’s Tangled Web and as founder of the Scaramouche Theatre and overseeing several productions at the College, such as Conjugal Bliss. Plays written by Buntin include Con Man Sun Sun, Mr. Valentine, and Wedlock. He has also acted in local films such as Once in an Island. (Dates unknown – help fill the blanks if you can)
Child’s Play – this is a youth theatre group formed in 1992 by Jamaican dramatist Amina Blackwoods-Meek (as mentioned in this youtube video). She was also the founder, as noted on her website, of Zebra Theatre Group in 1987, also in Antigua and Barbuda. No details as yet re original productions but wanted to document their place on the theatre scene for the record.
David Edgecombe – (Edgecombe passed in November 2021, RIP) Edgecombe, a theatre and public speaking lecturer at the University of the Virgin Islands, is not Antiguan and Barbudan but his play Lady of Parham (shortlisted as of 2015 for the Guyana Prize for Literature), published by Caribbean Reads (2014), is set in Antigua and based on the mystery surrounding the ghost of Parham. Per the Caribbean Reads description, it “introduces the audience to five revellers who have come together to form a Carnival troupe but settle for dramatizing the tale of the Parham ghost. In the telling of the ghost legend, Justin, Tulip, Sauna, Kyle, and Mabel must confront the demons that threaten to derail their lives.” Lady of Parham premiered in St. Thomas and has since played in other Caribbean countries like Dominica and Montserrat, where Edgecombe was a founder of the Montserrat Theatre Group. His other works (unrelated to Antiguan and Barbudan theatre – to the best of my knowledge) include For Better For Worse, Making It, Coming Home to Roost, and Heaven.
Gus Edwards – b. 1939 in Antigua and raised in St. Thomas, he moved to New York in 1959 – his plays have been showcased by the Negro Ensemble of NY among other companies across the US. Initially, a protégé of Stella Adler, he worked as an actor in films and on stage. But limited by his accent, he began writing his own material. These included The Offering (1977), Black Body Blues (1978), Old Phantoms (1979), These Fallen Angels (1980), Weep Not for Me (1981), Tenement (1983), Manhattan Made Me (1983), Ramona (1986), Louie and Ophelia (1986), Moody’s Mood Cafe (1989), Lifetimes on the Streets (1990), Restaurant People (1990), Tropicana (1992), Frederick Douglass (1992), Testimony (1993), Confessional (1994), Dear Martin, Dear Coretta (1995), Slices one-acts (1996), Drought Country (1997), Night Cries (1998), and Black Woman’s Blues (1999). Most of his plays are reportedly set in “the slums and ghettoes of New York…his characters often exist outside of the boundaries of what is thought to be appropriate behavior in society.” (Notable Caribbeans and Caribbean Americans: a Biographical Dictionary, p. 157). His works for television include Aftermath (1979) and a TV adaptation of James Baldwin’s novel Go Tell It on the Mountain. He also wrote narration on the Negro Ensemble Company for PBS. Though self-taught, the critically acclaimed playwright has taught theatrical writing at several US colleges and became associate professor of theatre at Arizona State University, directing where the multi-ethnic theatre and teaching in the film studies programme. In 2000, he was appointed artistic director to the Scottsdale Ensemble Theatre in Scottsdale, Arizona. “He has published Classic Plays of the Negro Ensemble (1995), Monologues on Black Life (1997), and More Monologues on Black Life (2000). Several of his plays have also been published… Gus Edwards is one of the first Caribbean writers to contribute to American theatre.” (Notable Caribbean and Caribbean Americans: a Biographical Dictionary, p. 158)
Lonne Elder – Ceremonies in Dark Old Men (1971) – performed by the Open Air Theatre.
Oliver Flax – A Better Way (1976) – directed by Edgar Davis – and The Legend of Prince Klaas (1972) – the latter of which was sent to be performed at Carifesta in Guyana in 1972. Performed by Bobby Margetson’s Little Theatre.
Linisa George – one of the writer/directors and producers (as part of Women of Antigua) behind the production When a Woman Moans (below). Brown Girl in the Ring, a poem from that production has become a significant part of her brand (as a publication aesthetic) and has been performed at different fora including the CARA Festival in Antigua in 2009 , the 2012 Poetry Parnassus in London, and, after publication in a special Antigua and Barbuda edition of online journal Tongues of the Ocean, Shakespeare in Paradise, 2015, in the Bahamas.
Tom Green – Tom Green is British, not Antiguan, though he did lead a masterclass on playwriting here in Antigua and is listed here because of a play of his that is based in Antigua. The play is entitled Antigua and it is the story of bestselling writer Katherine Sampson, whose second book is overdue by two years when her agent sends her to the Caribbean with instructions not to return without a finished manuscript. In Antigua, she meets an enigmatic American be-devilled by his own problems. This play was first produced at the Tabard Theatre in London in 2006. Green’s other plays (unrelated to Antigua and Barbuda – to the best of my knowledge) include The Death of Margaret Thatcher, A Place in the Sun, and Talking in Bed.
Joanne C. Hillhouse – known, primarily, as a fiction writer/published author, but some of her first public writings were plays: e.g. Barman’s Blues, not staged but joint second placed winner (her first creative writing prize) in the Rick James Theatre Ensemble One Act Play Competition in 1992; Changes (Sisters and Daughters), Hillhouse’s first full length play, staged in 1990, by the State College Drama Society one of two done while she was a student at the Antigua State College; and Trials of Life, showcased as a Taylor Hall entry in dramatic competition at the University of the West Indies while she was a student there (sometime between 1992 and 1995). The actress in that play received honourable mention. Several of her poems were incorporated into scripts for stagings of Women of Antigua’s When a Woman Moans in the early aughts. Hillhouse who has scripted documentaries, ads, and public service announcements for clients or as part of public education programmes, on the creative tip had her (short) screenplay, Is Like a Like It, excerpted in The Caribbean Writer Volume 27 in 2013.
Cleopatra Isaac, Paula Henry, and Darleen Beazer -co-scripted Journey to Heaven which was performed by participants in The Young Leaders programme at Sir McChesney George Secondary School and members of the Barbudan community. (article published April 10th 2006 in the Daily Observer)
The play, performed in 2006 in Barbuda and Antigua, focused on a young man’s gradual understanding of repentance and forgiveness ‘after death’, and explored the concept that no more than 6 degrees of separation exists between people, meaning an individual’s actions always affects the lives of others. The actors were Devon Warner, Tenesha Beazer, Salim Cephas, Adonia Henry, and Leona Desouza. “Shaping the Future” was the theme of the 2006 Young Leaders’ project, and it encompassed cherishing life, embracing family values, and respecting one another. In the play, the value of respect is addressed in drama, dance, and song, using all aspects of the arts to embrace a vision.
Owen Jackson – As writer/director with the National Youth Theatre, Jackson produced several plays including After 9/11 (2007) and My Birthright (2007). (entry incomplete – help fill in dates and other productions if you can)
Owen Jackson taking high school students through a drama warm up exercise.
Youth drama club – tableau in downtown store window … and attracting a small crowd doing it
George ‘Rick’ James – deceased September 2018. Various plays including the one man play Oulaudah Equiano (1990) about “the engrossing story in living detail of an Igbo prince, his enslavement, and freedom” (book summary), Gallows Humour in 2005, and 2007’s Our Country, timed to coincide with the bicentenary of the abolition British Empire Atlantic Slave Trade, and unique for telling, on a stage constructed in the open air of the King George V grounds, drawing a vast cast from a mixed pool of local professionals who were amateur thespians, and tracking the life of Antigua and Barbuda from pre-Columbian times to present.
Our Country: an arawak chief Our Country: Slave ship scene
slaves at market
His Rick James Ensemble encouraged young and future Antiguan and Barbudan writers like Zahra Airall and Joanne C. Hillhouse through its One Act Play Writing Competition. James was also an actor in US and especially British theatre and television
James performing in Sit Quietly on the Baulk
for many years, and an award winning costume designer in local mas.
Colin Jno Finn – playwright and director with the Nazarene Drama Team – On the Block (2008) of a young man’s struggles with the church; Nine to Five (2009) about challenges in the work place; It’s Too Late (2010) of a strained relationship between a father and son; and Power Struggle (2011) of one person’s attempts to boost another from office. Read my review of Power Struggle here.
Jamaica Kincaid – Her 1998 book A Small Place was staged at the Gate Theatre in London in 2018 in what was described as so faithful an adaptation that the text is performed entirely in its original form.
Edgar O. Lake – Some Quiet Mornin’; Matters of Antiguan Conspiracy: 1736; The Stone Circle; The Killing of Arthur Sixteen; more… (incomplete + unsure of publication production status + dates unknown – help fill in dates and other productions if you can)
Iyaba Ibo Mandingo – ‘He is a Poet, Painter, Writer, Sculptor, Actor, Teacher, Mentor, Author and “continued work in progress”, as he puts it…His Self-Portrait, a one-man play performed in his studio, speaks of his life through poetry and prose, concurrent to him painting his self-portrait during the show.’ – from this interview with the artiste which also references his chap books (41 Times and Amerikkkan Exile), his company (Iyabarts), his art series (War, Spirit Drawings), in addition to his plays (Self-Portrait which has grown into unFRAMED, his first full length play), and forthcoming work (novel Sins of My Fathers, chap book 30 Days of Ink, ad the off Broadway run of unFRAMED). As his biography shows, he is a native Antiguan who migrated to the U.S. as a boy. These roots as well as his experiences in America infuse unFRAMED as seen in this excerpt.
Andrew O’Marde – O Lord, Why Lord? and Tell It Like It Is with Harambee Open Air Theatre.
Dorbrene O’Marde – – synonymous with quality theatre in Antigua and Barbuda in theatre’s heyday (i.e. the 1970s to early 1980s), his Harambee Open Air Theatre (a 1972 merger of the Grammarians and the University Centre’s Open Air Theatre) is “considered the most important group of recent times” (from The Cambridge Guide to Theatre by Martin Banham). O’Marde is a graduate of the Antigua Grammar School, UWI Cave Hill, University of Toronto, and Tulane University where he obtained a Masters of Public Health. He has been credited as a playwright, director and producer of theatre and music, newspaper/magazine columnist, public speaker, and calypso writer, judge and analyst. His involvement in calypso has included crafting hits for artistes like Scorpion, Stumpy, Singing Althea, and others; though his biggest contribution to the art form is arguably the seminal Calypso Talk magazine, an annual chronicle of the art and the issues surrounding the art. He also wrote Nobody Go Run Me, the biography of Antigua and Barbuda’s Monarch King Short Short, which was longlisted for the 2015 Bocas prize, in addition to the novel Send Out You Hand.
O’Marde’s career in theatre began with the Antigua Students Association in 1965 (You the Jury, Devil’s Advocate, Androcles and the Lion – English classics). Jezebel (1955) and Star Bomber (1962) are credited as two of his earliest works. His involvement in theatre continued, between 1968 and 1971, with the Cave Hill Drama Group (UWI, Barbados) when other theatre notables like Dominica’s Alwin Bully, St. Kitts and Nevis’ Clement Bouncing Williams, and St. Lucia’s Robert Lee were all students.
O’Marde was a member of the Theatre Information Exchange (TIE) and the Eastern Caribbean Popular Theatre Organization (ECPTO) and was involved in cultural research with both these organizations. He formed Harambee in 1972.
In addition to directing plays by other notables from the Caribbean theatre scene and beyond, O’Marde wrote and directed Homecoming, For Real: A Caribbean Play in Three Acts(1976), Fly on the Wall (1977), Fire Go Bun, For Real, We Nativity, The Minister’s Daughter – which was adapted from the novel of the same name by Nigerian writer Obi Egbuna, We Nativity – which included songs by Antiguan and Barbudan lyricist Shelly Tobitt, Tangled Web (1979), Badplay (1991 for the Family Planning Unit), and This World Spin One Way (1998); and directed several others. Read more about his work in calypso and on the stage, plus his other cultural work in BIOGRAPHY deo 2010 . Tangled Web, according to the World Encyclopedia of Contemporary Theatre, Volume 2, the Americas, Volume 2, prompted the government to legislate against civil servants participating in plays critical of the government.
Before going dormant in the late-eighties, Harambee took productions to Montserrat, St. Kitts, Dominica, Barbados, St. Thomas, and Saba.
O’Marde has returned with a couple of productions since then, notably 1998’s This World Spin One Way – which has also had stagings by directors Jean Small, Director UWI Creative Arts Centre, and David Edgecombe, Director Reichhold Centre, and a revival of Tangled Web with Zahra Airall’s Sugar Apple Theatre in 2015. He also lent technical support to Women of Antigua’s first staging of the Vagina Monologues in 2008. Read my review of This World Spin One Way. Read my ‘review’ of Tangled Web. (some dates still missing + full listing – help fill in dates and other productions if you can)
Sislyn Peters – One of her plays, Trust, was adapted by the City College of New York’s English Department, Division of Humanities & Arts, and performed at the Aaron Davis Hall, in 2001. Peters was born in Antigua and graduated Princess Margaret High School. As a child, she wrote verses, and short stories. As a teenager, she sang with local bands, including Pat Edwards’ Playboys, and Vere Anthony’s Teen Stars. See poetry for her other accomplishments.
Eustace Simon – several plays including Crossroads, The Awakening, Betty’s Hope, and Illusive Dreams. 1990s. Modern Theatre. 2000s. National Theatre Group. Announced launch of a National Theatre channel on CTV in 2012. (dates missing + full listing – help fill in dates and other productions if you can)
Lester Simon – Obeah Slave (taken in 1969 by the Grammarians to Montserrat and Barbados).
Monique S. Simon – The Antigua-born, US-based writer adapted Adynah from a novel-in-progress, which has been illustrated, excerpted and published in Carib Beat, and which won a NY Council on the Arts Award for (First Chapter of a Novel in Progress) and a Cropper Foundation grant. The play was based on one of the book’s character’s Adynah Williams, described as the kind of local cook whose delicacies are sold from her house on weekends and who is first to be called for catering a local event. The story was produced as a three vignette play for Know Theatre in New York in the Fall of 2003. Simon scripted and directed voices of Caribbean people living and working in the area, pre-recorded and editing those voices so that they could provide off stage interaction during the one-woman show. Simon not only wrote, directed, and starred in the play, she designed the set – all while working as a full time professor at Broome Community College in Binghampton, NY.
Elaine Spires – Elaine is from Essex in the UK and in the 2000s, after years of bringing tours to Antigua, also established a seasonal home here. She’s run workshops in Antigua and participated (as writer and actress) in Women of Antigua’s When a Woman Moans. She’s also created content for the stage and screen, some inspired by and set in Antigua. Her Adventures of Maisie and Em (later adapted to film with Spires playing Em and Heather Doram playing Maisie, characters debuted on stage in When a Woman Moans). Her Antigua plays include Singles Holiday, about a group of vacationing Brits, which was adapted in to a novel and then had a third life as a play on the English stage (2014), and Sweet Lady, about a mother and daughter and an island tryst, which was staged in Antigua before also becoming a novel. (missing dates – fill in if you can)
Stage One – This youth drama collective led by Kanika Simpson-Davis favours adaptations (which involves some re-scripting) of popular tales like Cinderella , Snow White, and Anansi and Snake. 2004 – present (?)
Stage One: Anansi and Snake
Stage One: Cinderella Reloaded 2007 Stage One: scene from Cinderella
Leon Chaku Symister – Voices of Protest (1976); and Time Bomb (1977); Tilting Scales (1980). Third World Theatre. According to the World Encyclopedia of Contemporary Theatre, Volume 2, the Americas, Volume 2, it was thought to be too libelous for public airing but played to crowded houses at the University Centre.
Various writers – Women of Antigua – playwrights/actresses/directors Linisa George and Zahra Airallshepherd this femalecentric brand of theatrical activism. The original production When A Woman Moans was staged in 2010 and 2012, and mostly scripted by Airall and George with inputs from Dotsie Isaac Gellizeau, Joanne C. Hillhouse, Floree Williams, Greschen Edwards (another WOA founding partner), Melissa Elliott, Marcella Andre, Carel Hodge, Mickel Brann, Brenda Lee Browne, Craig Edward, Nekisha Lewis, Kimolisa Mings, Elaine Spires, and Jihan Lewis. Women of Antigua debuted with Eve Ensler’s Vagina Monologues in 2008 and this locally conceived, similarly themed production, was its successor. Both productions over two nights brought the curtain downon WOA’s theatrical activities in 2012.
Vaughn Walter – deceased as of 2019. Culture Director and head of Antigua and Barbuda’s CARIFESTA planning committee. Active in theatre and film, and in staged productions for pageants and festivals through the years. (entry incomplete – if you can help fill it out email email@example.com)
Amber Williams-King – In 2010, Amber Williams-King participated in the AMY (or Artists Mentoring Youth) project, helping to create Step Right Up which received 3/4 stars from Toronto’s NOW magazine. In 2011, she wrote a play: Love and its Dialects which ran in the Paprika Festival at Tarragon Theatre in Canada where she resides. In 2010, she received first-honourable mention in the Scarborough Arts Council’s inaugural Writer’s Month literary competition. Her poetry has been published in the anthology Holla! A Collection of Womenz Wordz and in So the Nailhead Bend, So the Story End.
Zahra Airall – When No One Is Looking (2012, short film, an ABS TV Production in collaboration with the Caribbean Broadcast Media Partnership on HIV/AIDS) – also co-director.
Howard Allen (also producer/director) – (w/Jermilla Kirwan) Diablesse (2005, HAMAfilms); and The Skin (2011, HAMAfilms) – reviewed here.
Alexis Andrews – Vanishing Sail – here’s the trailer. Winner of the Caribbean Spirit Award for Best Overall Feature at the Caribbean Tales awards and People’s Choice for Best Documentary at the Trinidad and Tobago Film Festival.
Oteh Thomas Anyandjuh (African born, resident in Antigua) – Love that Bites (2010, OTA Entertainment and Third Eye Studios) – also director.
*** Shashi Balooja (also an actor, director, casting director, and producer on stage and screen; from Antigua but resident in the US) – w/Cecile George and Michael Sandoval, film short Ariana (2004, ABC Film & Video/Andrisk Inc/Media at Large, USA); w/Roger Sewhcomar, documentary The Altruist (2009, Media at Large/ABC Film & Video, USA); w/Caytha Jentis Exposed (2012, Media at Large, USA) – winner feature film award and genre award at the New York International Independent Film and Video Festival; w/Stephen Kelleher, film short Promises of Home (2012, Media at Large/Reverse Momentum Films, USA). Balooja had plans to extend Ariana into a feature film.
Francoise Bowen conceived and wrote Back to Africa (directed by Anderson Edghill) which she described as a “short documentary (depicting) a little piece of Antigua and Barbuda’s history (specifically that enslaved people thought Africa was nearby). Bowen went on to found the Francoise Acting Studio which, among other things, has run workshops and produced The Story of Four (a video series promoting safe sex).
Centelia Browne – Idle Hands – (A Wadadli Plus production, a short film). Credits say ‘A Film By’ which is usually the director credit and there is no separate screenwriter credit. 2019.
Courtney Boyd – The Grove – (A Wadadli Plus production with C-BEN Pictures, a Nut Grove Production – web series pilot written and directed by Boyd who also directed other Wadadli Plus productions such as The Diagnosis) – 2019.
Sadé Clacken Joseph – Ponyboi (2019) is described as the world’s first intersex-made narrative film. It is co-directed by Clacken Joseph and River Gallo, who stars, as their graduation project. Clacken Joseph is from the Bronx, born to Antiguan and Jamaican parents. Sadé, at this writing (2021), is directing Issa Rae’s Rap Shit. Ponyboi can be viewed on Sadé‘s site (click her name). Other director credits include shorts What to Expect (2015), Hats (2017), Finding Phoebe (2019), Samir (2019), and more.
Cinque Productions (Chris Hodge and Melissa Gomez, also producer, director) –Deaf Not Dumb (2000, short fiction film), 2 Dolla Picture
Melissa assessing a shot as her camera man looks on.
(2001, animated short), Share and Share Alike (2008, documentary – 2010 winner of Best Documentary Production at the Berlin Black International Cinema Festival), Changing Course (2009, film short), and Silent Music (2012, documentary) silent-music-poster co-writer/producer/editor Jay Prychidny. Silent Music, a portrait of Gomez’s deaf family won Best Documentary at the 2014 Maine Deaf Film Festival and the 2012 Caribbean Tales Film Festival, as well as the Audience Choice Awards at the 2013 Toronto Deaf Film & Arts Festival. Gomez, resident in the US, also has a project known as the Baby Mini Doc Project which creates day in the life documentaries which capture “every day moments and milestones with your littlest ones”. Melissa has worked on a number of other projects in the US, including co-producing Makers (PBS) and Nine for IX (ESPN), producing behind the scenes content for Hell on Wheels and Low Winter Sun (AMC), and serving as supervising producer on Me on My TV (FLOW). She has worked as a freelance production manager on advertising campaigns for H & M and Malibu Rum. Melissa has a Masters of Arts degree in Screen Documentary from Goldsmiths College, University of London, and a Bachelor of Arts in New Media from Ryerson University in Toronto.
Alvin Glen Edwards – Once in an Island
on the set of ‘Once in an Island’ Jermilla Kirwan in a scene from Once in an Island
(2009, Wadadli Pictures) – also producer. The feature film has since been adapted into a book (released 2012).
Bridgette Hanniford – My Time Now (A Wadadli Plus production, a film short directed by Melissa McLeish, 2020)
Roland ‘Mayfield’ Hosier – He didn’t work from a written script but he’s the pioneer behind Antigua and Barbuda’s earliest forays into (largely improvised) film production producing The Fugitive, 1972, and Midtown Robbers, 1978.
Noel Howell – He was the co-writer (with Courtney Boyd), director and producer of Redemption of Paradise (2009, Color Bars Production) – best actress and best Caribbean film at the 2010 Jamaica Reggae Film Festival; as well as a video producer and independent publisher on projects like Once in an Island (co-producer/co-director). In 2017, he also directed (per IMDB) a film adaptation of The Little Rude Boys/Girls, a child-written book he published in 2010.
D. Gisele Isaac –
The Sweetest Mango (2001, HAMAfilms); and No Seed (2002, HAMAfilms). Antigua and Barbuda’s first and second feature-length films. Isaac also wrote regularly for the stage in the form of the skits included in the annual (in the 2000s) ‘Programme’ put on by the Professional Organization of Women in Antigua and Barbuda; usually a political satire.
Tameka Jarvis-George –
Ugly – short film (2011, Wadadli Film Studios) for which she provided character monologue – 2011
On the set of Dinner, Tameka with her co-star and husband.
Jamaica Kincaid – Life and Debt (a documentary film by Stephanie Mack; written by Jamaica Kincaid). 2001. New Yorker Films. USA.
Shabier Kirchner – a cinematographer cum filmmaker with his short, Dadli (2018).
Jermilla Kirwan – (w/Howard Allen) Diablesse (2005, Hamafilms) – also actress in this and The Sweetest Mango.
Dr. James Knight – The Making of the Monarch – independently produced documentary on the Monarch King Short Shirt. 2013.
Lawson Lewis – Redonda: The Road to Recovery – Environmental Awareness Group executive produced documentary (with various international donor partners). 2022.
Motion (Wendy Brathwaite) –
Coroner (Canadian TV series) – Motion wrote Season 2’s ‘Borders’ in 2020 and Season 3’s ‘Eyes Up’. It earned her a 2022 Canadian Screeen Awards nomination for writing ‘Eyes Up’.
Rebirth of the Afronauts: a Black Space Odyssey (episode 7 of season 2 of Obsidian Theatre’s 21 Black Futures series) – New Year’s Eve 2059, the night before the long-awaited Reparations Day. Chariott receives a mysterious call that leads her on a curious ride through the world outside her bubble – where cities are sky high, curfew is in the streets, and it’s harder to tell hue-mans from the holograms. On this surreal road trip, she tunes into BlackSpaceX, along with a cadre of cryptic guides, finding herself on the astronomical journey of her life. Directed by Jerome Kruin, Performed by Chelsea Russell, with Music by NON. 2021.
Akilla’s Escape – the Antiguan-Canadian poet/writer co-wrote this feature with writer-director Charles Officer stars Saul Williams and explores what happens when a simple, routine drug handoff goes sideway, landing 40-year-old drug trader Akilla Brown in the middle of a violent robbery. Akilla must set things right and retrieve the stolen goods over the course of one arduous night. Akilla’s Escape debuted at the 2020 Toronto International Film Festival.
Nadya Raymond – The Diagnosis– (A Wadadli Plus production in association with Wadadli Creatives and C-BEN Pictures, a short film directed by Courtney Boyd). 2019.
Elaine Spires – Elaine is from Essex in the UK and in the 2000s, after years of bringing tours to Antigua, also established a seasonal home here. Her writing credits (Spires is also an actress) include the TV series Paradise View, the Lawson Lewis edited promotional film shorts The Adventures of Maisie and Em – episodes Fix a Flat and Best Friend(Spires playing Em and Heather Doram playing Maisie, characters debuted on stage in When a Woman Moans) –
the vid clips were posted to youtube in 2013. Her novel Singles Holiday was reportedly also made in to a TV pilot.
Chavel Thomas (credited as director; no writer credit is given) – Silence, Screams – short film (2016, Dotkidchavy x Jamzpari)
Nigel Trellis (born Guyana, resident in Antigua)– Hooked (2009, Tropical Films) Working Girl (2011, Tropical Films)
Unknown/Uncredited – The Guest (2020, short film by Wadadli Plus)
Various (Joel Lewis, Noah Yeboah, Destiny Simon, Delicia Howell, Shenika Bentick, Sheneilla Somerset: members of the Antigua and Barbuda Film Academy) – Don’t hit me Pickney (2022, short film, producer Dr. Noel Howell)
Keron ‘K-Wiz’ Wilson (credited as director; no writer credit is given) – The Date – short film (2013, Black Roots Records); Mechanic – short film (2013, Black Roots Records); Stationary – short film (2013, Black Roots Records)
As with all content on Wadadli Pen, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure/Perdida! Una Aventura en el Mar Caribe, and Oh Gad!). All Rights Reserved. If you excerpt, please credit the source. If you enjoyed it, check out my page on WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.
In the Black is a late 2012 collection out of Canada. It launched recently, twice. As part of publisher Insomniac’s Fall release and during a special community launch at A Different Booklist.
I’m reading it right now and I’m liking it, but as one of my stories ‘Man of her Dreams’ is in it, I’m not technically an unbiased source. But so far I’m really liking a little something about almost everything. I’ll share my faves in Blogger on Books when I’m done. I did find one solitary reader review which declared it “a diverse” collection with “a good selection”. Said reader review singled out poems by Dwayne Morgan (“very to the point”) and George Elliot Clarke (“very powerful and vivid”) for special mention. I know it’s only one fan but I was tickled to see that she mentioned my story as well and Althea Prince’s Push (for both the language and emotions) though, full disclosure, my niece during a reading exercise using the book picked Motion’s lovely Locks and Love over mine. The point is that as you read you’ll find your own personal favourites, whether you like your fiction with a little or a lot of drama, comedy, romance, sadness, joy, or something else; whether you like your poetry old school or new, traditional or dub or inflected with the rhythm of hip hop. Point is with In the Black, Althea Prince continues to be one of Antigua and Barbuda’s most prolific while at the same time putting out material that says something, that means something. Check earlier works like Being Black, Feminisms and Womanisms, Ladies of the Night, Loving this Man, and the Politics of Black Women’s Hair (see my thoughts on some of these in the first Blogger on Books). The same week as the launch, she was part of an elite group of writers receiving the Caribbean Canadian literary awards – others were Earl Lovelace, Olive Senior, Ramabai Espinet, Nalo Hopkinson, Dwayne Morgan, Jody Nyasha Warner, and another Antiguan Dr. Carl James.
Althea’s always in good company.
She’s also got a serious network of quality African Canadian writers whom she managed to tap for her freshly pressed collection.
Be sure to save some dollars for another forthcoming collection from Prince, this one featuring new Antiguan writing. That too should be launched before the end of the year.
As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.
My trip October 2011 to Canada was quite stimulating and not just because of the brisk weather, or gastronomic adventures, the opportunity to catch up with old friends, or even the day spent at Niagara …no the good vibes began with Telling Our Stories, an Evening Showcasing Antigua and Barbuda’s Writing. For me, it was a sigificant night and not just because I dread readings. But I’d upped the ante by deciding to read, for the first time, ever, from my forthcoming book Oh Gad! – my first with a major American publisher, my first full length novel … a lot was riding on the audience’s response to the reading. Not least of which whether an audience would be able to connect with this world and these characters that have consumed my writing life these past several years, through more drafts than I can remember, and more rejection (and finally acceptance) than I like to think about. Now, I look back on that night fondly because there was so much love and acceptance in that room; I shared Ah Write and Da’s Calypso, two sections from Oh Gad! plus The Arrival and Scenes from a Caribbean Childhood before ending with From Ottos. The mood was good, the response was good, and Oh Gad! had made its debut. Here are some highlights:
The event was held in the William Doo Auditorium at the University of Toronto; here is a partial of the audience.
She was mistress of ceremonies on this night but Wendy Brathwaite is Motion in Poetry every day of the week.
From the event programme:Wendy “Motion” Brathwaite is an award-winning poet, emcee and playwright. Motion spans the realms of music, theatre and spoken words, composing works for stage and screen. Lauded by NOW Magazine as a “multi-talented, truthful artist,” her published works include Motion in Poetry and 40 Dayz. Tune in to her latest words, sounds and drama at motionlive.com.
A phenomenal lady and our Consul General in Canada, Janil Greenaway.
Here she is again, welcoming everyone to what would prove to be an entertaining night.
D. Gisele Isaac, she wears many hats but she was there as author of Considering Venus, a reading which made the book feel as fresh as if it had come out yesterday and not, wow, 12 years ago.
From the event programme: Hon. D. Gisele Isaac-Arrindell is speaker of the House of Representatives in Antigua and Barbuda. She is the Executive Director of the Board of Education and a UWI Lecturer for the Cave Hill Undergraduate Programme at the Antigua State College. She is a graduate of St. John’s University, New York where she obtained an M.A. in Government & Politics with a concentration in International Relations. She has a B.Sc., summa cum laude, in Journalism with a concentration in Literature. She’s an active member of the Tyrells Roman Catholic congregation; President of the Professional Organisation for Women in Antigua & Barbuda (POWA). She writes a weekly column, “Agender,” in the Daily Observer newspaper. She was featured in “Women West Indies” TV documentary series, 2006. She’s the 2005 recipient of the CMA/PAHO National and Regional Award for “Best Feature in Health Journalism” and the 2004 recipient of the UNESCO award for contributions to literacy & literary arts. She’s a benefactor of the “Young Explorer Wadadli Youth Pen Prize” literary competition. She is author of Considering Venus, a novel, (Seaburn, NY, 1998). She is passionate about calypso music, reading, writing on social issues and watching Law & Order.
Jelani 'J-Wyze' Nias (and to his left Althea Prince) was one of my favourites of the evening.
From the event programme: Jelani “J Wyze” Nias is the quintessential hype man & emcee. Once a key member of the Soul Controllers, he has a radio background that includes 10 years as the dynamic voice of the Trauma Unit (Flow 93.5 fm) as well as stints in community & internet radio. J Wyze also has an unrelenting dedication to the community, which has earned him numerous awards including the “Arts Starts Upcoming Community Artist Award”, “Factor Demo Grant”, and “Toronto Arts Council Writers Grant”. Born to a jazz musician father who has toured North America, and Europe with greats like Toots and the Maytals, and a mother who still sings in an inspirational gospel choir, J-Wyze wanted to be an entertainer for as long as he could remember. After immigrating to Canada from Antigua via Bermuda in 1989 at the age of 12, J Wyze began performing at spoken word events in the mid 90s. He was winner of a Sears Drama Festival acting awards/scholarship, SLAM Poetry competition and is a published poet & writer.
From the event programme: Award winning author, Dr. Althea Prince teaches sociology at Ryerson University. During 2002 to 2005, she was Managing Editor of Canadian Scholars’ Press & Women’s Press. Her work in Community Education includes Creative Writing Workshops for youth in Antigua, and in Canada. In 2011, Dr. Prince served as ‘Writer-in-Residence’ at Newcomer Women’s Services, Toronto; and in September 2011, she was appointed Writer-in-Residence with the Toronto District School Board. Her awards include ‘The First Annual Award for Literary Excellence’ in 2007 from The Antigua and Barbuda International Literary Festival.
This was a treat, a live performance by Joy Lapps, including an original song befitting the occasion, the 30th anniversary of Antigua and Barbuda's Independence.
From the event programme: Joy Lapps began playing the steel pan in 1997 at Malvern’s Church of the Nativity under the direction of Vince Cato. As she realized her love for the instrument, her solo career soon came alive, earning her the title “Princess of Pan”. Her efficiency with the tenor pan and her diverse performance range have led to greataudience receptions, and flattering recognition from seasoned professional pannists. Joy performs primarily as a soloist and with her jazz trio, quartet or to an even larger musical ensemble. Joy has released three CDs of various gospel and Christmas songs. Thankful for the opportunity to record great songs written by other artists, Joy is currently focused on writing and arranging new music for her ensembles.
From the event programme: Joanne C. Hillhouse is the author of Oh Gad! – a novel scheduled for publication in 2012. A University of the West Indies graduate and international fellowship recipient to the Breadloaf Writers Conference at Middlebury College in Vermont, Hillhouse also participated in the Caribbean Fiction WritersSummer Institute at the University of Miami. There she began work on her first book, The Boy from WillowBend, which is on Antigua and Barbuda’s schools’ reading list. In addition to her second book, DancingNude in the Moonlight, Hillhouse has published in African, Caribbean, and American journals. She’s beenannounced as the 2011 recipient of the David Hough Literary Prize by the Caribbean Writer andpreviously won a UNESCO Honour award for her contribution to the literary arts in Antigua and Barbuda. That contribution includes her Wadadli Youth Pen Prize project –http://www.wadadlipen.wordpress.com. Joanne C. Hillhouse is a freelance writer and editor. For more visit http://www.jhohadli.com
For a comprehensive report on the Canada Independence anniversary celebrations; see this report.
to a White Boy Song debuts @ Summerworks 2011!
& Co-created by Mumbi Tindyebwa Otu
Written & Co-created
Choreographed & Co-created by Meryem Alaoui
Dancing to a White Boy Song features 3 actors, 3 stories and 3 art forms…a
multidisciplinary theatrical creation exploring the issues of youth,
immigration, culture and the tensions of ‘otherness’, told through the eyes,
voices, and bodies of 3 characters through poetry, movement and visual imagery.
Inspired by personal stories and experiences
of African youth, Dancing to a White Boy Song takes its audience through
a physical, emotional and mental journey exploring the metaphor of what it means
to “dance to the beat of the other”; how we come to define ourselves and relate
to one another in our diverse multicultural society.
Dancing to a White Boy Song is running from August 5-13, 2011 as part of the 2011
Friday August 5th @
Sunday August 7th @
Tuesday August 9th @
Thursday August 11th @
Friday August 12th @
Saturday August 13th
As a special offer, if you purchase 5 tickets
in advance, we will give a complimentary ticket as a thank you.
Simply purchase your tickets on-line at https://www.artsboxoffice.ca or in person at the Arts Box Office (located at Theatre Passe Muraille
16 Ryerson Avenue, One block North East of Bathurst & Queen) or by phone at
416-504-7529. Once purchased, e-mail our producer, firstname.lastname@example.org with your name and
the date you are attending, and your complimentary ticket will be available at
the box office on the night of the performance.