Tag Archives: new book

Carib Lit Plus (Mid to Late August 2020)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back.

Readings

Carnival Hangover, a short story by Joanne C. Hillhouse, was excerpted as part of advocacy group Intersect (intersect.anu) ‘Carnival Bodies’ instagram series. This and other excerpted stories will be published on the Intersect website when it goes live in September/October 2020.

Events

Caribbean authors Curdella Forbes, Lauren Francis-Sharma, Marlon James, Claudia Rankine, and likely others I’m missing (with apologies for any omissions) are included in the line-up of the September 28th to October 5th 2020 Brooklyn Book Festival. It will be as virtual as everything this year of pandemics and protests 2020. Catch all the action here.

Books

Darlene Beazer-Parker’s Summertime Fun, published in 2020, has been added to our lists of Antiguan and Barbudan Writings and Antigua and Barbuda Children’s Literature. Partial summary: “Darlene Beazer-Parker celebrates the island home where she grew up in this children’s book filled with beautiful photographs. The story starts with a bright blazing sun and children running down to swim in the Codrington lagoon to cool off. There, they are free to play all day. Some children learn how to swim while others watch quietly in the shade. Jumping from a wharf or the side of a boat, the children become fast friends. Swimming styles may differ, but they all celebrate being together in such a beautiful place. At the end of the day, the children plant mangrove seedlings to preserve their lagoon for future children. They go home wishing summer will never end. Join the author as she looks back on an idyllic summer in Barbuda where anything seems possible.”

Earlier this summer, Caribbean Reads Publishing announced the publication of The Fight for Belle Vue and The Field of Power by St. Lucian Travis Weekes. Per a Caribbean Reads release, “Family feuds, forbidden romance, political corruption, colonialism, racism, and magic are some of the themes packed into these plays. The plays are set in St. Lucia and reflect the cultural landscape of the Caribbean.” Funding for the project was provided by the UWI St. Augustine Campus Research and Publication Fund Committee. Copies available in Trinidad as of August 2020 and the book is available in kindle and paperback at various outlets across the Caribbean and beyond.

Bocas 

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Jhohadli

Over at my personal author blog, the two regularly updated series are Blogger on Books and CREATIVE SPACE. Be sure to check them out. I’m still talking about To Shoot Hard Labour but turning fresh soil.

As with all content on Wadadli Pen, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure/Perdida! Una Aventura en el Mar Caribe, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Carib Plus Lit News (late November 2019)

Since I decided to start this news round-up, it’s all I can do to keep up. Sorry for the things I missed. Here’s some news (some not so new anymore).

Death

Antigua and Barbuda mourns the passing of Vaughn Walter Mbe, a cultural actor and longtime Culture Director and former Carnival chair, who passed unexpectedly. Walter, son of the country’s second premier and national hero Sir George Walter, who himself ran for elected office in 1999, was assigned to lead prep for Antigua and Barbuda’s hosting of CARIFESTA 2021, and reportedly collapsed on the job. The self-styled ‘de Vagabond’ (Vagga for short) is, also, remembered in the larger public consciousness as a broadly comedic personality known for catchphrases like “you haffu come man, you haffu come”. He has acted in a number of plays and other stage (e.g. calypso) presentations, plus local films. Walter who was also a certified marriage officer and event (weddings) planner, was set to retire from public service after his stint with CARIFESTA. I couldn’t find a listing of Walter’s performance credits but I will share one from memory. When, in 2007, the Rick James Theatre Ensemble undertook to tell the story of Antigua and Barbuda, Our Country, Walter took on the role of the man referred to as the Father of the Nation. Incidentally, this man Sir V. C. Bird Sr. was also his father’s greatest political rival (and vice versa) during the pitched battles of the late 1960s to late 1970s  – arguably the most contentious time in modern Antiguan-Barbudan politics. The accuracy and authenticity he brought to the moment of delivering one of Bird’s rallying speeches was one of the highlights of the play.

Appointment

On the heels of an adversarial Carnival season, in which the Eastern Caribbean Collective Organization (ECCO) was at loggerheads with local event promoters over artist royalties, the copyright management organization has designated an Antigua-Barbuda director in the person of Vaughan Skerritt. Skerritt works in the industry as copy writer and producer,  and was a member of Antigua and Barbuda’s premier hip hop group back in the day – Da Rock 1761.

Awardees

The Antigua and Barbuda Independence honours list included two members of the arts community, musical arranger Jagger Martin and songwriter Rupert ‘Littleman’ Pelle, as well as educators Dr. Edris Bird, first and former resident tutor of the UWI Open Campus, and Glendina Jacobs, among others. Congratulations to them all.

Marlon James, Jamaican and former Booker prize winner, was a finalist for the National Book Awards in the US where he lives, thanks to his latest epic novel Black Leopard Red Wolf.

Congrats due as well to Dionne Brand, winner of the 2019 Toronto Book Award (and $10,000 CDN) for Theory. The awards are now in their 45th year and are intended to honour books of literary merit that are evocative of Toronto. Brand is originally from Trinidad and Tobago.

Jamaican writer Olive Senior, also Canada-based, won the Matt Cohen at the annual Writers’ Trust Awards in Toronto, celebrating her body of work.


She is pictured here in Antigua (with local author/Wadadli Pen founder-coordinator Joanne C. Hillhouse -i.e. me) after attending the Alliougana book fest in Montserrat. We go back to 1995 when, as I have related more than once, I did my first writing workshop at the University of Miami, the Caribbean Fiction Writers Summer Institute, which Olive facilitated. It was during that workshop that I began work on my first book The Boy from Willow Bend. Senior was by then already a Commonwealth award winning writer for her book 1989’s Arrival of the Snake-Woman and Other Stories.

Finally, shout out to the Antigua and Barbuda delegation to the Caribbean Secondary Schools’ Drama Festival. They cleaned up, returning home with awards for production, original script (historical drama, The Long Walk by Zahra Airall), directing (Airall), set design, sound, lighting, actress (Khadelia Williams), and best overall contingent. Her production The Forgotten previously won the main prize at the CSSDF in 2015. Without missing a beat Airall is planning at this writing a staging of Eve Ensler’s Vagina Monologues which she originally brought to Antigua and Barbuda as part of Women of Antigua in 2008.

Repping Books

Antigua and Barbuda’s Best of Books bookstore, a Wadadli Pen patron and partner, won representative of the year from UK publisher Collins alongside Jamaica and Belize.

 

Young Composers

Antiguan and Barbudan Brianna Georges, 16, was a finalist for the Commonwealth International Composition Award. Georges is a former member of the prize winning Antigua Girls High School pan orchestra. The Antigua State College student reportedly wants to be both a forensic scientist and professional musician. Khadijah Simon is also a finalist, also from Wadadli. She is still a student at AGHS, where she serves as the choir’s pianist and as a musician at the Spring Gardens Moravian Church. Another Antiguan and Barbudan Erienne Peters, also had a highly recommended entry. The Composition Award’s stated purpose is to promote composition around the world and give young composers the skills they’ll need to further their careers. This is its first year.

Film Arts Awards (Local)

Did you know that Antigua and Barbuda had two film festivals this Independence season? Well, it did. I’m sorry to have missed both (the Motion Picture Association of Antigua and Barbuda’s International Film Festival back after a hiatus, the last one was held in 2012, and the first time Wadadli Short Film Festival led by off-island folks with Antiguan-Barbudan roots) – as not only a film lover but as someone who served as associate producer on Antigua and Barbuda’s first feature length film (The Sweetest Mango) and production manager on its second (No Seed), both written by D. Gisele Isaac, and as a writer and arts advocate. Especially though as someone who likes to see the arts thrive and the work of our artists and art producers celebrated. So congrats to the women in film recognized by the MPAA’s festival – Heather Doram, artist and former Culture Director, who cameod in The Sweetest Mango, starred in No Seed, and who has featured in a number of local productions on stage (Sweet Lady, When a Woman Moans), on TV (Paradise View, Keeping it Real), and on film (Maisie and Em film shorts) among other activities since the early 2000s; Julie Hewlett who has appeared in a number of UK TV series (e.g. East Enders and Turks and Caicos per her IMDB) and who was among the main supporting cast of The Sweetest Mango and is forthcoming in HAMA’s Deep Blue, in addition to teaching and facilitating workshops; and Mitzi Allen, a TV and radio producer, also independent producer of Antigua and Barbuda’s main feature films and TV shows (movies The Sweetest Mango, No Seed, Diablesse, The Skin, TV series Paradise View, and any number of commercial productions, and informational or edutainment programmes e.g. Pet Playhouse, Let’s Talk) as co-founder and co-director of HAMA. Also recognized, Sandie de Freitas who is Canada-based (not sure there’s a direct Antigua-Barbuda connection, the article cited was light on information, but she is festival director and founder for Commffest community film festival in Toronto). The Wadadli Short Film Festival is Antigua-Barbuda based but counts the wider Eastern Caribbean/Caribbean community as its constituency, and UK-based personnel as its principals, and its inaugural awards reflected that with best film going to London-based director Jordan Pitt’s Coffee, best OECS film going to French filmmaker Alain Bidard’s The Flight , and best music video going to Hard Knaxx’s Life in Paradise. See the full list of finalists and short list from 130 submissions. Speaking of Antiguans and Barbudans in film, the Peter Pan inspired Wendy, by critically-acclaimed Beast of the Southern Wilds’ director Benh Zeitlin includes local locations and children (notably Yashwa Mack).

 

Antiguan and Barbudan author  included in the line-up for the Sharjah International Book Fair

More here. And here.

New Books

Not all the new books – just the ones that came across my attention to this writing – including The A to Z of Caribbean Art which is due in early December (no Antiguan-Barbudan artists that I could see); Una Marson by Lisa Tomlinson (fifth in the University of the West Indies press Caribbean Biography series, spotlighting the Jamaican poet, dramatist, broadcaster, and advocate and curator of Caribbean literary arts – Media Release_Una Marson); the latest historical novel by ex-pat writer Apple Gibley’s US Virgin Islands historical novels (Transfer, which just came in the mail along with her earlier work Fireburn, courtesy of the author for review – hopefully I can finish reading them quickly enough to donate them to the Wadadli Pen challenge prize package); a memoir and/or biography by  Antigua and Barbuda’s former PM Sir Lester Bird (The Comeback Kid); US-based Jamaican writer and Howard University professor Curdella Forbes (A Tall History of Sugar); several social studies text and workbooks by local educator Anthea S. Thomas who wrote them initially to fill a material gap in her classroom and landed a publishing deal; and a new anthology, Winning Words, out of Barbados spotlighting winning pieces from the National Independence Festival Creative Arts writing competition.

Finally, on December 1st 2019, Haitian American writer M. J. Fievre drops her latest book – ‘Happy, Okay?’. The Florida-based writer’s book is sub-titled “Poems about Anxiety, Depression, Hope, Survival”. A recent press release described it as “an exhilarating exploration of depression, anxiety, grief, and loss”. It is, according to the release, meant for people living with mental illness and those closest to them. Edwidge Dandicat, another famed Haitian-American writer endorsed the book: “‘Happy, Okay?’ is a beautifully written meditation filled with poignant and lyrical meditations of the joys, pains, and complications of life and the daily struggle to survive, create, and love.” Here’s the press release in full: Fievre_Press Kit

Speaking of books

Sandals knows what’s up. Books makes good gifts. I do hope some Caribbean and Antiguan and Barbudan books are in the mix.

As with all content on Wadadli Pen, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure/Perdida! Una Aventura en el Mar Caribe, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Carib Plus Lit News (Late August 2019)

CARIFESTA

Antigua and Barbuda met up with the rest of the Caribbean in Trinidad for CARIFESTA (the largest showcase of its kind for Caribbean talent) – and, in case you didn’t know, Antigua and Barbuda is the venue for the next CARIFESTA (in 2021). I have very few details but I  got the image of the passing of the baton from the last venue to the next (via proxys Trinidad and Tobago’s Culture and Arts Minister Nyan Gadsby-Dolly and Antigua and Barbuda’s Minister responsible for Culture, National Festivals and the Arts, Daryll Matthew) from the Antigua and Barbuda CARIFESTA facebook page and  believe you can link up  there for things related to AnB and CARIFESTA as plans evolve. You already know my thoughts and that of some other writers in our community on the (non/under/limited) presence of Antigua and Barbuda literary arts in CARIFESTA over the years, and Mark Brown – one of Antigua and Barbuda’s top artists – expressed concern re the (lack of) visibility of visual arts at this year’s event as well on his social media. Granted, there’s a bit of the grass is greener dynamic at play as well as I’ve seen countries which do better on arts generally weigh in with similar complaints via social media; and from the images and videos generally Trinidad and Tobago and the participating countries put on a good show. I’ve tried to share what I could on my social media (because I still support Antigua-Barbuda, and Antigua-Barbuda arts every time, notwithstanding my criticisms [or my haterade/grudgefulness/badmindedness, for those who choose to see said criticisms that way]) – highlights like the Antigua and Barbuda delegation enthusiastically singing Burning Flames ‘Swinging Engine’ in the opening parade (minus the “in she gear box” part), and Hell’s Gate performing a medley of tunes by one of our Big Three calypsonians, Swallow, with infectious youthful enthusiasm. I know a number of our soca stars – Ricardo Drue, Menace, CP, Tizzy – performed, as did the national youth choir, and, I believe, the Antigua Dance Academy (founder of which, Veronica Yearwood, I spotted in some of the images). Shout out to our community of artists, always! And, a personal note, shout out to TnT writer and illustrator of my children’s picture book Lost! A Caribbean Sea Adventure who presented our book during a session with children and shared on social media – so that I had a small presence there, in spirit. Pardon any oversights in the mentions – it’s not intentional. To that point…I note that a film I worked on as associate producer HAMAfilms The Sweetest Mango, Antigua and Barbuda’s first feature length film (released 2001) also showed – for the record, as you know from our data base/s we are all about the record here at Wadadli Pen, and because I’ve caught this error in a few reports, the film was produced by Howard and Mitzi Allen, directed by Howard Allen, but written by D. Gisele Isaac (both this and HAMA’s second film, No Seed, on which I served as production manager, were written by D. Gisele Isaac, who before her current life in politics also penned the boundary shifting book Considering Venus, not to mention being a founding partner of the Wadadli Youth Pen Prize). The record is important. And, for the record, I wish the hosting of CARIFESTA in Antigua and Barbuda well. Someone posted wondering if they would expect full participation from the artists who have been overlooked CARIFESTA after CARIFESTA (the 2019 edition was the 14th iteration, going all the way back to the 1970s); and they well might…and I venture that for the love of the arts, our artists will show up; still, it is cynical to expect support from the artists in an environment where support for the artists has been so lacking. Hopefully, the road to CARIFESTA will include some reflection and a renaissance that embraces all forms of artistic expression.

Art Conversation

I wrote before about the Rooted at Home and Abroad exhibition at the national museum featuring the works of Zucan Bandele and Walter J. Parker. The exhibition will run to the end of August. Meanwhile, last Friday (August 23rd 2019), the exhibitors invited the community in for a conversation around the art being displayed. Curator Mali Olatunji (who was fine arts photographer at the Museum of Modern Art in New York for more than 20 years) also spoke about some of his own art (e.g. the dirty beauty of the polluted sea at sunset) and about other art made in Antigua and Barbuda. And as he showed works by Frank Agard (copper and brass craftsman whose displayed work was an image of the St. John’s Cathedral) and Freeston Wright (an image of his work on canvas – a scene from earlier Antigua), I couldn’t help lamenting, again, the lack of a national art gallery (as a repository of Antigua and Barbuda’s art past and present, a creative space to encourage new artistic expressions, and a showcase with potential commercial value). Too often we find ourselves rediscovering what should never have been lost and not recognizing, embracing, celebrating, and encouraging what is.  A space for discussions like this. One young girl stood and spoke about her own art, and about what she saw in Parker’s art, and in some ways a connection she saw between them: “I totally get that he would make these beautiful things and not be caught up in exposing them.” Yes, among the things discussed was why the artist makes art, and how we interpret art – with attendees noting that sometimes the artist’s intention is clear and sometimes “the persons who look at it will get different interpretations” (Olatunji). Bandele spoke about his masks series and about the African deities he had captured on canvas – the former, poetic pieces inviting the viewer to look in to the head of the masquerader and the latter embodiments of goddesses like Yemojah (Mami Wata) who has dominion over the water. The works of the two exhibitors – Bandele and the deceased Parker whose paintings were of people in different poses and scenarios, all colourfully masked – seemed to be in conversation with each other.

CARNIVAL WRAP

Speaking of Art conversations there are one or two stories from the Antigua Carnival season that ought not be purely seasonal – a few really – but I’m just going to drop a couple. One has to do with panorama which was adjudged a success despite a too drawn out show and the absence of one of Antigua and Barbuda’s top bands, Halcyon due to lack of sponsorship (so Babu told me when I asked him on Carnival Tuesday – as Halcyon was in the parade). I heard a media report in which when it was pointed out to our PM that the band, Halcyon, had given lack of funds as the reason for their non-participation he jested that they were just running scared. Winning band Hell’s Gate is from the PM’s community so this response was likely some of that ages old rivalry between the seasoned bands and their respective communities, no harm no foul. The rest of the comment though, that a couple of other bands had checked him for funds and Halcyon could have done the same misses the point though in my opinion that arts development is continuous, that the arts developers need systems put in place to access philanthropy, investment, and/or sponsorship – that one of the top bands bowing out due to lack of any of these is …not a good look. even as we compliment not only the winners but the growing youth participation in pan – even as we remember that not too long ago pan was all but gone from the Carnival line-up and its resurgence is owed in great part to the pan fraternity and to the advocacy and attention given to it in Culture during the tenure of culture officer Barbara Mason. This is not my area of arts, obviously, so maybe I’m missing something, but those are some of my general observations. As for the other issue that will likely continue to bubble, copyright and use of artists’ work, stay tuned, I guess.

(Source of newspaper clippings: Daily Observer Antigua)

Pengereng

‘“Pengereng” is a Belize Kriol word for the noise made when something, especially a metallic object, falls to the floor. Figuratively, it refers to a great disturbance or upheaval. Hence, the title of my new book of short stories in which each protagonist experiences a life upheaval that forces him or her to make extremely difficult choices.

Kriol activist Silvaana Udz describes the book as a “ground-breaking” publication as it includes the first major work of fiction written entirely in the standard Belize Kriol spelling system. The 74-page collection contains two relatively long stories, one of which is presented in both English and Kriol, plus an essay in which I discuss why Kriol should be used more extensively by Belizean writers and should be made Belize’s second official language alongside English.’ – Belizean writer Ivory Kelly is fresh from representing her country at CARIFESTA (August 2019) in Trinidad. Shortly before that she debuted her latest book, Pengereng. Click here to read more about it.

(Ivory, right, 2014 in Glasgow at the Aye! Write lit fest – where we met)

Rocket Mama Set to Rock the Literary World

One of our favourites on the track is Jamaican sprinter Shelley Ann Fraser Pryce – long known as the pocket rocket for her diminutive size and the way she breaks out of the blocks like a bullet. The multi-Olympic gold medalist has not let motherhood slow her down and is preparing to drop a children’s book this September.

(source of newspaper clippings: Daily Observer Antigua)

Other new book announcements include: the second edition of my teen/young adult novel Musical Youth, former Caribbean media association president and TnT columnist Wesley Gibbings second collection, Passages, and Escape by former Wadadli Pen finalist Rilys Adams (to be uploaded to the data base of Antigua and Barbuda writings as soon as I get the time – but teasing the cover here for now).

 

 

 

 

 

RIPs

The literary world was still reeling from the passing of our mother of modern African American literature, Nobel Prize Winning African American author Toni Morrison (Beloved, The Bluest Eye, Tar Baby, Sula, Paradise, Jazz, and other classic works including my personal favourite Song of Solomon) when Barbadian-American writer Paule Marshall passed as well. She won’t get as much press but the author of Praisesong for the Widow, Browngirl Brownstones, and other classic Caribbean works is a giant in her own right.

Participants in the 2016 BIM Lit Fest: front row, left to right, Olive Senior, A-dZiko Gegele, Selma James, Prime Minister Freundel Stuart, Tanya Shirley, and Evan Marshall (son of Paule Marshall who was there to collect a lifetime achievement award on her behalf). Middle row, left to right, me (Joanne C. Hillhouse), Mrs. Foster, and Esther Phillips; back row, Cecil Foster, Bernice McFadden, and Mervyn Morris.

Paule Marshall with her award from BIM.

As we mourn their deaths, we celebrate their lives and their words which have enriched, uplifted, revealed our lives.

If I missed any big news or commentary, apologies, this is just a labour of love.

As with all content on Wadadli Pen, except otherwise noted, this is written by Wadadli Pen founder and coordinator Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Musical Youth, With Grace, and Lost! A Caribbean Sea Adventure which has a Spanish language edition). All Rights Reserved. If you enjoyed it, check out http://jhohadli.wordpress.com Please note that, except otherwise noted, images on this site also need to be cleared if you wish to use them for any purpose. Thanks.

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Congrats, Kim

Happy Pub Week! to Antiguan and Barbudan author and friend to the page Kimolisa Mings whose latest book hit Amazon as an ebook this past week and will hit bookshelves (and print format), per her social media posts, in October 2018. Kim who publishes independently has become one of Antigua and Barbuda’s most prolific – by our count this is her 16th book – and her first, Martine, was published in 2012. This ambitious publishing entrepreneur, who guest posted about e-publishing here on Wadadli Pen in 2014, and ran a self-publishing workshop at the Antigua and Barbuda Public Library earlier in 2018,  indicated, also on social media, that she sees a micro-press to assist others in realizing their publishing dreams in her future.

There are several paths to publishing. Choose the one that works for you. Kim has.

ABOUT THE BOOK: Audra Kellman is found dead in a place that is said to be where demons cross over to the human world. Now Three People Want To Find The Killer. The head of an underground narcotic distribution ring. The CEO of an influential group of companies. And a reluctant private investigator who is more interested in finding out the true identity of the person who hired him than finding out who killed the innocent woman execution style. As D’Angelo Marshall, a private investigator who walks on the razor edge of the law, investigates the case he finds himself caught up in a web of secrets. And the case takes him in a new direction that would change his life forever. Now caught in the Black Widow’s Web, will D’Angelo fight his way free… will he want to? A private investigator murder mystery set 50 years in the future on the small Caribbean island of Redonda.

For more publishing and related resources remember to check our Resources page.

See our Fiction page and the parent page of Antiguan and Barbudan Writing for listing of Kim’s new book and other additions, and while you’re here also check out updates to our Playwriting and Screenwriting page as well as our Non-Fiction page. Oh, hop over to my other blog, if you have the time, for my review of another new-ish book by someone from Antigua, Clarice C. Clarke’s Hidden Secrets of St. Croix.

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight 10th Anniversary Edition and Other Writings,  Oh Gad!, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about WadadliPen and my books. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. Respect copyright.

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Happy Pub Season to Bernice L. McFadden

Dope African-American sister with Bajan ties whom I actually met when we jointly facilitated a workshop at the BIM Lit Fest in 2016 in Barbados. The Image Award winning author and Professor (in one of my favourite cities, New Orleans) continues to do dope things, and one of them is the release of her latest book Praisesong for the Butterflies. Interesting (and unfamiliar) topic. Let her explain:

Shout out to the African American Literary Club which continues to amp up authors of colour.

We’ve covered Bernice here on the site before in Reading Room and Gallery 20 (Interviews section where she’s talking about her last publication The Book of Harlan).  Wadadli Pen participants received copies of McFadden’s Glorious back in 2016; thanks, to Pamela Arthurton. I’ve only read one of her books so far, though, and that was Sugar, which I also reviewed here on the blog. Look forward to reading more. Congrats, Bernice.

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Lost! A Caribbean Sea Adventure, Musical Youth and With Grace). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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New Book from Marlon James

James book

From EW.com re America-based Jamaican writer Marlon James’ follow-up to his redefining, multi-award winning A Brief History of Seven Killings (p.s. read my review here) which followed on  the critically acclaimed The Book of Night Women (read my review of that here) and John Crow’s Devil (which I haven’t yet read):

‘Here at EW, we’ve been eagerly anticipating Marlon James’ epic new fantasy series Dark Star, which he describes as an “African Game of Thrones.” At long last, we have some news to report: The first book, Black Leopard, Red Wolf has a release date, as well as a tantalizing story line.

Here’s the official synopsis: “Tracker is known far and wide for his skills as a hunter: ‘He has a nose,’ people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy. The band is a hodgepodge, full of unusual characters with secrets of their own, including a shape-shifting man-animal known as Leopard.’

– The synopsis sounds more Lord of the Rings and less Game of Thrones to me but READ THE FULL ARTICLE HERE and get as stoked as other fans of fantasy and James fans anticipating his take on fantasy are.

My favourite bit is this bit of writerly insight:

‘“I really believe you should write the books you want to read,” James tells EW of Black Leopard, Red Wolf. “And the fantasy nerd in me would have given an eye tooth to geek out on a sword and sorcery book with people like me in it. But to write this book I had to unlearn everything — about how language works, character works, story works, even how truth works. The trade-off is that I also ended up with Werehyenas, children made of air and dust, and vampires who have no problem hunting you in broad daylight.”’

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Oh Gad!, Musical Youth, With Grace, and Lost! A Caribbean Sea Adventure). All Rights Reserved. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. Respect copyright.

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New Book Selfie

My new book Musical Youth is here in Antigua - it's been on Amazon in kindle and paperback form since earlier this month. I've got a reading at 7 p.m. on Friday 21st November 2014 at the Best of Books...and I'm excited to report that I'm going to be sharing the spotlight with some of the 2014 Wadadli Pen Challenge winners.

My new book Musical Youth is here in Antigua – it’s been on Amazon in kindle and paperback form since earlier this month. I’ve got a reading at 7 p.m. on Friday 21st November 2014 at the Best of Books…and I’m excited to report that I’m going to be sharing the spotlight with some of the 2014 Wadadli Pen Challenge winners.

WIN_20141119_164553 WIN_20141119_164548

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Lee Launches New Book

“Have not yet got into the poem you sent but the first look is v/impressive and Quite some length!  Makes me want to ask you about yr religious Damascus, if i may put it that way.  in writing somewhere? or perhaps you’ve nvr specifically shared it?” –
This excerpt from an email to me from Kamau Brathwaite is the genesis of my new publication ‘Sighting and other poems of faith.’
That query in Kamau’s email got me thinking and I got a notepad and made some notes towards a prose ‘spiritual autobiography’, tracing my journey to a practising Christian faith.
At some point, in all this rumination, the idea came to gather my poems dealing specifically with faith from my published collections and some new, unpublished work. It did not take long to put a manuscript together since most of my poems are on my computer.

This is an excerpt from the blog of St. Lucian writer John Robert Lee explaining the genesis of his new collection Sighting and Other Poems of Faith. Read the full thing at his blog Mahanaim Notes.

Lee is part of the Wadadli Pen online family in that his bibliography of Caribbean books and writers is still among the most popular features on the site.

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Journeying

So, I’m trying not to sweat my presentation for the Association of Caribbean Women Writers and Scholars International Conference but (who am I kidding), I’m sweating it a little bit. Trying to pull my ideas together…preparation beats nerves every time, right. Meanwhile, lots of positive energy encouraged…oh and check out the line up of featured writers/artists. I’m humbled (and did I mention nervous as hell) to be among them.

Also look out for Oh Gad! (so excited and nervous about it’s release, as well…this ride is such a roller coaster) but so far so good…and still on track to hit the market in April 2012.

Like I posted on my facebook page recently, I’ll do my best to keep up… and remember to breathe.

Joanne C. Hillhouse, with much gratitude for all the support and encouragement.

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