Tag Archives: Sonia Farmer

Reading Room and Gallery XVlll

This page is for sharing links to things of interest around the internet. It’ll be sporadically updated; so, come back from time to time. For the previous reading rooms (1, 11, 111, 1v, v, v1 , v11, v111, 1x, x, x1, x11, x111, x1v, xv, xvi, xvii), click the links or use the search feature to the right, to the right.

ON PUBLISHING

“#3 Not following guidelines.
Double check all guidelines before submitting to a magazine. Is there a word count requirement? Should your name be removed from the piece? Should your document be in Word, pdf, or rich text format? If it’s an email submission, do they want the document attached, or pasted into the body of the email? Do they accept simultaneous submissions? Don’t risk getting your piece being tossed out because you didn’t follow the rules.” – (here at Wadadli Pen I know this one well) – read the rest of the list of mistakes writers make when submitting.

CREATIVES ON CREATING

“My advice for young writers is to keep reading widely and for pleasure. And don’t get discouraged! So much of it is just mule-like persistence. That’s what I feel I learned this time around. There were many times when Swamplandia! failed and I had to pick it up and try and write it again. There were stories in my collection that were just duds, they’ve been voted off the island, and it was only because I had this material commitment to getting them out the door that I was willing to keep working at them. I really do think that’s the best advice—to keep at it.” – Karen Russell

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“An interesting insight into the process came when the pair considered how they had arrived at rather different descriptions for the location of the windmill-giants – Jull Costa has them ‘on that same plain’, whereas Bush situates them ‘in the nearby field’. It transpired that, rather than seeking a literal translation of the Spanish ‘en aquel campo’, each had pictured what they read the original to mean and then found a way to render the image in English.” – Ann Morgan on dueling translations of Don Quixote

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“Not only do I not see movies as I write, I can’t visualise, well, anything. At all. I don’t even dream in pictures. I have absolutely no concept of what it would be like to see things that no one else can see.” – Jo Eberhardt

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“It happens too often that beginning fiction writers fail to give their characters jobs or occupations. Weak stories by beginning writers often feature adults who are wealthy without any discernible means of income or who perform the indiscernibly ambiguous task of “work.” Characters are described as working each day, but the reader is never told what they do or how their daily jobs affect them or their interactions with others. Characters do not earn money; they simply have it. There are no bills, no expenses, and, of course, no financial struggles.” – Amina Gautier

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“So here you have a man at the beach, but he can’t enjoy it; he has to sit, because of his paranoia, with his back to the water, sitting in a chair; he wears a Hawaiian shirt but there’s a bullet proof vest under it; he likes a red wine spritzer but it tastes like Skittles which is very loaded…Trayvon Martin had a pack of Skittles.” – Rowan Ricardo Phillips, born in New York to Antiguan parents, reflecting on his poem News from the Muse of Not Guilty after a reading of the poem, from his collection Heaven, on CBC Radio.

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“You start from building this world with their rules, and then you just follow logic in order to come up with the rest of the details. So once you have this simple fact that you’re treating couples in a certain way and single people in another way—and there’s a bit of a concept that this is almost like a prison drama or something, at least in the first half of the film—then you pick up on those things and you borrow things from other kinds of situations … We tried to get into the heads of people that would be in charge and what they would come up with.” – Greek director Yorgos Lanthimos on the making of his film The Lobster

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Writing other…Mary Robinette Kowal provides some insight to culturally sensitive approaches to doing so.

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“The second thing is reminding myself: You don’t have to write anything that you’re not deeply interested in. Every time I remember this, it’s a relief and a surprise.” – Rita Mae Reese on curing the affliction of not-writing.

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“I use traditional women’s techniques, such as sewing, beading and applique. I incorporate found objects in my work; they are clues towards understanding my story and that of women in general.” – Heather Doram

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“So much of what the filmmakers did in creating and then editing their work is what we writers strive for when polishing a manuscript: pinpoint the heart of the story and stay true to it, cut what can be lost, and always direct conflict and pacing.” – Therese Walsh and Kathleen Bolton w/ Elena Greene discuss The Lord of the Rings’ adaptation from book to film and what writers can learn from the choices the filmmakers made. It’s a five part series that begins, here.

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A long form interview on the arts is a rare thing, especially in a Caribbean print publication, so kudos to Jamaica’s Observer for this series of poetry month features, this one spotlighting American Tim Tomlinson, co-founder of the New York Writers’ Workshop, in conversation with Jamaican-American poet and artist Jacqueline Bishop. Tomlinson’s book Yolanda, an Oral History in Verse, is focused on the Phillipines but his connection to the Caribbean – his time spent visiting and diving in various islands and countries but most especially the Bahamas is explored as well. Essentially, this interview is about both his journeying as a person and how that has informed his writing, how he creates, generally, and specifically in the case of Yolanda. W/thanks to Jacqueline Bishop for sharing, here have a slow as you sipping your iced tea kind of read:

Tim Tomlinson 1Tim Tomlinson 2Tim Tomlinson 3

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“That was one of those magic moments. That came out pretty much whole cloth. Every now and then you ride the tiger. Most days the tiger rides me, but every now and then I ride the tiger. That’s my favorite chapter in the book. The opening chapter of The Given Day is another example. It’s my favorite chapter in The Given Day. It was written in two nights. It was rewritten extensively for prose, but it just came out.” – Dennis Lehane

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“When I closed my eyes, I could smell flue-cured tobacco. I could feel the hot sun beating down on me. I could hear the southern accent of a teacher whose voice reminded me of poetry.” – Shannon Hitchcock on the inspiration for her book Ruby Lee & Me

VISUAL ART

Online gallery of Netherlands artist Marijke Buurlage.

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Technically this is musical and literary art (lyrics) shared via a visual medium but that’s not the point. RIP, Prince.

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“Nature is completely indifferent to the human endeavours whether they are good, evil, otherwise, whatever.” – Lori Landey and Beth Harris discussing Joseph Mallard William Turner’s Slave Ship

NON FICTION

“How many times over the years
I have explained
This.
Celie and her “prettier” sister Nettie
are practically identical.
They might be twins.
But Life has forced on Celie
all the hardships
Nettie mostly avoids…” – Is Celie actually Ugly? By Alice Walker

***

“Why, I asked my brother, did you like the film so much? So many messages. Look at the title. Everyone has problems underneath. Just because you are smart doesn’t mean u can work everything out yourself.” – Sejal Shah writing on Ordinary People

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“You must read to develop a deeper understanding of literary elements, such as character arc, subtext, voice, and narrative distance.” – Chuck Sambuchino in his article The Pros and Cons of getting a Creative Writing MFA at Writer’s Digest

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Kei Miller’s essay in this BBC piece resonates with me – it’s truthful and thoughtful and bold as so much of his writing is even when speaking of his tentativeness writing the issue of race -how our whiteness and blackness mediate our interactions. That said, I feel that same prickle of disagreement I feel stir in me whenever a black person, black writer (especially if they’re from colonized or formerly colonized places like I am) say, I didn’t know I was black until… because it’s not my truth (my blackness didn’t limit my sense of possibility but the reality is that, like class and other things, our blackness or shades of blackness was and remains a way of separating ourselves from ourselves) even in the predominantly black places I have lived (including Kei’s Jamaica). The Caribbean is not insulated from these issues, though they are not as starkly or sharply or consistently experienced in whiter places like the US and UK. Beyond my own experiences (some touched on in my February 2016 Essence article Mirror Mirror and issues of colourism/shade-ism explored in my book Musical Youth), this fairly recent memory comes to mind: being in a roomful of children of different shades of black, in a public child-friendly space, right here on our predominantly black island, only to have another adult, call out to one of the children, “black boy, black boy” with a tone and cadence that suggested “bad boy, bad boy” and to have him look up, in full acceptance of this (internalizing it). My aside aside, give the audio clip a listen; it’s a really engaging and touching reflection from one of the Caribbean’s best.

INTERVIEWS

“A writer always benefits from being a kind of outsider. That is why I try not to belong to anything too much. [Alienation] makes you an insider-outsider . . . sharpens [your] sense of observation. You look at things with detached eyes. Even some words. Pondering these English words with your Creole eyes. . . . There always is a sort of dialogue going on [within] most artists anyway. They just soak things in that they ultimately try to reproduce some other way. I think having this dual lens has been very helpful.” – Edwidge Dandicat

***

“Grounded in the realities of our history and geography, but unbounded in their imaginative possibilities” – Philip Sander describing the work of Nalo Hopkinson jumped out at me as the very thing I’ve been trying to define when I speak of a Caribbean aesthetic as a criterion for (but not a limitation of) Wadadli Pen submissions.

***

“Shorter doesn’t mean faster or easier! Short story writing is a very different art from that of the novel, from pacing to character development. So for a novelist, it can actually take longer and be more of a stretch to try her hand at writing a short story. A rewarding challenge, certainly, but definitely a challenge.” – Lauren Willig

***

“I remember myself as a young child, my mother had books inside here, and one of them dealt with the Haitian Revolution. I was ever so proud of Toussaint L’Ouverture. I was just proud. I mean, there he was, sitting in the same book with Napoleon and all of these other great men. So, for me, the Haitian Revolution was very significant. I don’t know how it is in popular memory, because right now everybody’s sorry for the Haitians—and “sorry for” in the sense of, “We’re better off” or “They can wear our old clothes.” So I don’t know about it in the popular memory. But certainly historically, Haiti served to frighten late-eighteenth- and nineteenth-century governments. Frightening them, and as a matter of fact, had them even more repressive towards their black enslaved workers because their fear of Haiti was so strong. So, I don’t know that it has popular resonances, but certainly for nineteenth-century politics, it did.” – Erna Brodber interview at SX Salon, a Small Axe Literary Platform

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“What’s interesting to me is that of the women who have read this, every single one thinks that it is absolutely sexy and totally horny. Then I was like, ‘oh, so this is erotica’. And I was reminded again that erotica does not need to be explicit. And, of course, what is erotic and what we find sexy and will respond to viscerally in that way is entirely subjective.” – Leone Ross

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“The fiction writer in me likes gaps in stories because I can jump into that gap and try to suggest something.” – Marlon James’ Vogue interview

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“There’s a place for everything…” – says Barbados’ Shakirah Bourne in this NIFCA interview:

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“To move past the ugly parts of history, you have to acknowledge them, on all sides, and this is what I think historical fiction can do so well: show how we got from there to here, but told through characters who see themselves not as history but as completely modern.” – Andrea Mullaney, author of The Ghost Marriage, 2012 Commonwealth Short Story winner for Canada and Europe

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“The area where I spent my childhood years was surrounded my trees, and always seemed just on the edge of wilderness. That area has changed so much, but there is still that space in my imagination that’s the same…” – Danielle Boodoo Fortune, Woman of Colour interview

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“What I’m trying to bring out is the power of words themselves, the power and musicality of words.” – Clifton Joseph

***

“Reading was such a sanctuary when I was a teenager, I wanted to see if I could tell a Jamaican story, a Caribbean story, that would interest even an urban teenager.” – Diana McCaulay re her new book Gone to Drift

FICTION

“In April of 1945, after facing only minimal resistance, Rhett was part of the Allied force that liberated a concentration camp named for the beech forests that surrounded it. The day was damp and overcast, with a heavy ground mist that sometimes hid the heaped bodies and sometimes revealed them. Living skeletons stood at the fences and outside the crematoriums, staring at the Americans. Some were horribly burned by white phosphorous.” – Cookie Jar by Stephen King

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“In death, we live far more richly than we do in life. Our lives are pale shadows in which we are preoccupied with the business of living. It is in death that we take on nuance and colour. We seep through the floorboards of houses, spread out and nestle there. We whistle through windows, ruffle curtains and inhabit the minds and memories of others. We take on a resonance that only memory provides. We become deities. We become ancestors.” – from Ayanna Gillian Lloyd’s Walking in Lapeyrouse

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“There was no rebuttal. She ended the call. From the decanter on side board, she poured herself a drink. The rum quelled the chill in her stomach — a chill reminiscent of rain-fly wings brushing against her skin. Where did they find him? They were hunting him for so long. Did he put up a fight? Errol had a point: There was really no need for her to kill him herself. But she wanted to.” – H. K. Williams’ Celeste in Moko

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“They’ve taken you, in the rolling melody of their steps and song, to the river Aripo inside the forest, and when they sit and beckon you to come join them, their feet, you notice, are not as they’re supposed to be. It’s a peculiar thing to miss, really, backwards feet. You sense that your own feet have been treading air when they come into contact once again with the marshy forest floor. You look back into the bush where you think you came from, and you want to go home.”- Wenmimareba Klobah Collins

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Edwidge Dandicat reads and discusses Jamaica Kincaid’s Girl and her own Wingless. And here’s Girl, so you can read along.

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“My wife is happiest on Sunday afternoon, when I leave the house. We have been married five years – too soon for us to take pleasure in each other’s absence.” – from Radio Story by Anushka Jasraj – Commonwealth Short Story winner for Asia

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“After years of working like a dog, clawing his way to fame and fortune—forfeiting family in the process—Desiree and the people of the island had broken down his mighty reserve and rewarded him with passion, friendship and the happiest times he’d ever experienced. He loved living in a place where everyone was aware of who he was, but not impressed or intimidated by what he had done. He admired the lack of social divides, that the Chief Minister played dominoes with ‘The People’, and that his best friend and “liming partner” was her cousin, and his Captain.” – Trudy Nixon’s Anguilla Boat Race, part of Akashic’s Mondays are Murder series

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Mary Akers said about ‘Viewing Medusa’ after it had been posted at The Good Men Project: “For all you writers out there, this story’s publication is a testament to persistence. It won the Mary Mackey Short Story Prize, it was the story I submitted for my successful Bread Loaf waiter application, but for ten years, I tried unsuccessfully to get it published. I submitted it to 101 journals, 100 of whom rejected it before Matthew Salesses believed in it and brought it out into the world.” Here’s an excerpt from the story:  “I found myself unable to look away as she slurped her soup, dipping the pieces of dasheen in the broth and sucking them dry after each dip. When the soursop was served, she peeled away the bumpy green skin and slurped the fruit into her mouth, rolling it around until the smooth brown seeds were free, spitting them onto her plate. Soursop juice ran down her wrists and dripped off her elbows to the floor. I thought of Miss Connie, later, on her hands and knees, wiping up the stickiness while shaking her head at the lack of manners displayed by scientists.” – the voice/point of view and descriptions work well together to create a clear picture of the part of Dominica in which the story (which feels less fiction and more here’s how it happened) is set – the beauty and ruggedness in the landscape and the character of the people as compared with the visiting (presumably white) scientists, to create as well a certain mood of foreboding, and to suck the reader in…even if it spits that reader out the other end with questions, or rather one lingering question: so wait, she nar go do nutten? – Read the whole of Viewing Medusa here.

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“The fuel tank was empty. He’d collapsed from sunstroke and dehydration. He’d been raving incoherently. When he finally recovered he’d lost all memory of where he’d left his men. A Lysander was sent out to look for them but nothing was ever found. The unforgiving maw of the Sahara had simply swallowed them up.” – Bully Beef and Biscuits by Guy Carter – this was the 2015 winner of the Mogford Prize for Food & Drink Writing

POETRY

“In Trinidad, everyone knows

the Pitch Lake but few have been

few have seen the dark and strange

surface, the vast dirt a mind of its own:

asphalt lake as constant as change.” – from La Brea. Read that and other poems by Andre Bagoo in Moko.

***

“No one sees my tears
wafting through the branch clusters
weeping airy patterns into the jungle silence.” – from Mangrove Armour by April Roach in Moko

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“We read menacing messages in the scowls
of passers-by. Some circle around,
mark the territory with treads of footprints,
count down days to our departure.” – Camp by Althea Romeo-Mark in Moko

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“…crushed lemongrass
overcooked tourist flesh sizzling in the noonday sun
barnacled, rusted boats off Devonshire Dock
my neighbour’s garbage ripped open by feral cats
overpriced perfume – from Trimingham’s, I think
‘mountain fresh’ detergent scent of laundry drying on the line
frying fish and sun-ripened fish guts
Baygon and stale beer
overripe cherries
Limacol and sweat..” – from Kim Dismont Robinson’s Scents of Bermuda: Or, All De Smells That Accosted My Nose One Day When Ahs Ridin My Bike From My Momma’s House on Norf Shore To My House in Smif’s Parish

***

‘In the roaring of the wolves the doctor said “Do you feel tenderness”
She was touching me’ – Niina Pollari, sharing and discussing her poem Do You Feel Tenderness

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“There’ve always been Sunday mornings like this,
when God became young again
and looking back you see
that childhood was a Sunday morning.” – Kendel Hippolyte (Sunday) – be sure to also check out the Dunstan St. Omer Red Madonna that accompanies the poem.

BLOG

“I think I had a very different vision of myself when I was young, and definitely thought I’d have a family and be a loving parent by now. Instead I’ve birthed books” – Zetta Elliott

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“Neglected authors fascinate me. While the particulars for their disregard may vary over time and from culture to culture, one thing remains constant: their perseverance despite official recognition. Such is the case of Eliot Bliss, a ‘white, Creole, and lesbian’ Jamaican novelist and poet whose collected poems have been resurrected by Michela A. Calderaro in Spring Evenings in Sterling Street.” Geoffrey Philp

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“Getting to the place in yourself that is beyond influence is the radical edge.” – Brooke Warner

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“…exploring a new space is a thing of wonder and an entirely individual experience…” – Sonia Farmer, blogging her Fresh Milk residency in Barbados

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Filed under A & B Lit News Plus, A & B WRITINGS, Caribbean Plus Lit News, Links We Love, Literary Gallery, The Business, Wadadli Pen News, Workshop

Reading Room and Gallery

UPDATE! The Gallery is now closed. Continue reading at Reading Room and Gallery II, Reading Room and Gallery III, and Reading Room and Gallery IV.

DISCLAIMER: By definition, you’ll be linking to third party sites from these Links-We-Love pages. Linked sites are not, however, reviewed or controlled by Wadadli Pen (the blog, the Wadadli Youth Pen Prize nor coordinator/blogger Joanne C. Hillhouse); and Wadadli Pen (the blog, the Wadadli Youth Pen Prize and coordinator/blogger Joanne C. Hillhouse) disclaims any responsibility or liability relating to any linked sites and does not assume any responsibility for their contents. In other words, enter at your own risk.

Here you’ll find stories, interviews, reviews, poems; you name it…a totally subjective showcase of (mostly) Caribbean written (sometimes visual and audio visual) pieces that I (Joanne) have either personally appreciated or which have been recommended (and approved) for posting/linking. If you’re looking for the winning Wadadli Pen stories (and I hope you are!), click on ‘Categories’ and go to the respective year for ‘2004 Winners’, ‘2005 Winners’, ‘2006 Winners’, ‘2010 Winners’, 2011 winners… You can also see the Best of Wadadli Pen special issue at Anansesem which has the added feature of audio dramatizations of some of the stories.

POEMS

http://tonguesoftheocean.org/2011/02/over-hawkins-hill/ – hard to believe this writer is only 13; some interesting insights and beautifully rendered language here.

http://afrobeatjournal.org/en/Issue_2_Spring_2011/1/129/Debris-Poetry-Jamaica-Marcia-Douglas.htm – From Afro Beat Journal, Debris by Marcia Douglas, a British born, Jamaican writer, who reportedly teaches in the US. We are a migratory people, aren’t we; kind of like the juice bag she writes about that still floats somewhere in the sea.

http://tonguesoftheocean.org/2011/08/the-magic-mirror-tempts-lilys-white-daughter-1951 – a literary mash-up of Snow White and racial politics. Very interesting.

http://www.anansesem.com/2011/10/earths-water.html – imagery, personification…nature comes alive in this one by Summer Edward.

http://www.nyu.edu/calabash/vol5no1/0501042.pdf – literary shout outs aplenty suffuse this lively poem (When I Die by Ann-Margaret Lim).

http://www.poetryfoundation.org/poetrymagazine/poem/179809 – A little hip action: Hip-Hop Ghazal by Patricia Smith.

http://www.online-literature.com/frost/748 – Nothing Gold Can Stay; love love this poem…and can relate to/understand it better now as a 30 something than I did when I first heard Pony Boy say it in one of my fav movies a a kid The Outsiders …years later I actually visited Frost Farm (Aside: visited Little Women  author Louisa May Alcott house that summer, too :-)) – Summer ’08, walked a good road that summer, which calls to mind another Frost favourite, The Road Not Taken.

http://oldpoetry.com/opoem/7126-William-Shakespeare-Sonnet-116—Let-me-not-to-the-marriage-of-true-minds— a favourite from the English bard, Shakespeare.

http://www.youtube.com/watch?v=JqOqo50LSZ0&feature=related – Maya. Enough said.

http://www.bartleby.com/126/52.html – ‘When I have fears that I may cease to be’ by another personal favourite John Keats.

http://ananseseminfo.blogspot.com/2010/12/sugarcane-dance.html – I just love how this feels. Summer Edward’s Sugar Cane Dance at Anansesem, a site for Caribbean children’s literature.

http://www.nyu.edu/calabash/vol4no2/0402115.pdf – Mervyn Morris (my writing mentor during my UWI days) says so much with such few words in this endearing piece.

http://tonguesoftheocean.org/2010/04/liberian-curfew/ – This poem set in war torn Liberia and written by Antiguan, Althea Romeo-Mark has been described as “powerful”, “touching”, and “strong”.

http://tonguesoftheocean.org/2010/12/chameleon-thoughts – Danielle Boodoo Fortune is a relatively new discovery (first heard her read in 2008) who’s quickly become an old favourite. Here’s an example of why. Here’s another example: Evening in the Room Built from Words.

http://tonguesoftheocean.org/2009/03/the-joy-of-planting-banana-suckers-in-your-own-land – The Joy of Planting Suckers in Your Own Land; of the compulsion to grow things (a plantain, a child, a nation, an idea…)

http://tonguesoftheocean.org/2010/06/1-o-clock-mass  – ‘1 o’clock mass’ – the line that jumps out at me from this “do nations unite or do they divide”.

http://tonguesoftheocean.org/2010/08/sip-an-talk – a related piece (borders, immigration and themes of that nature) by Angelique Nixon.

http://tonguesoftheocean.org/2010/06/what-you-cryin-for -The causes and symptoms of crime take centre stage in this piece ‘What you Crying for?’ by Anku Sa Ra, well complemented by the Stevie Burrows image entitled, appropriately, ‘Crime’. Tongues of the Ocean is a multi-media site and this is one of the postings that have, in addition to the written, an aural presentation of the work.

http://tonguesoftheocean.org/2009/11/wheelbarrow-woman – Readers describe this Lynn Sweeting poem which challenges readers to “love up your own self fearlessly” as “refreshing and candid”.

http://www.nyu.edu/calabash/vol4no2/0402128.pdf – Delores Gauntlett’s Pocomania appeared in Volume 4 Number 2 in the Spring 2007 issue of Calabash.

http://tonguesoftheocean.org/2010/03/marassa-jumeaux/ – Geoffery Philp’s perspective on Haiti had an interesting “angle” on things. And for those who think Anansi is always up to no good for no good reason, check out his ‘Anancy Song’ here

http://tonguesoftheocean.org/current/ – This leads to Xan-Xi Bethel’s ‘Sister, Love’, a poignant piece on Haiti, complemented by Lindsay Braynan’s touching image ‘Help a Sistah Out, Man’.

http://tonguesoftheocean.org/2010/07/walcott-in-nassau – Walcott in Nassau; very effective analogy.

http://www.kipling.org.uk/poems_if.htm – If.

http://oldpoetry.com/opoem/show/119806-Edna-St–Vincent-Millay-To-A-Friend-Estranged-From-Me – Actually discovered this as a teen in my much-dog-eared (translation: much loved) copy of Stephanie Tolan’s The Last of Eden. Love the imagery in the first verse, especially and the sense of loss and longing it evokes.

http://imani.wordpress.com/2007/05/13/for-my-mother-may-i-inherit-half-her-strength/ & http://www.tfl.gov.uk/tfl/corporate/projectsandschemes/artmusicdesign/poems/poem.asp?ID=161 – two faves by Jamaica’s Lorna Goodison

http://sheeralmshouse.blogspot.com/2010/07/no-more-smalling-up-of-me.html – ‘No More Smalling up of Me’ by Jean Wilson

SHORT STORIES

If you’ve been to the Blogger on Books recently, you may remember my mini-review of American writer Will Allison’s What You Have Left. Here’s an excerpt from that very book. ALSO, you’ll remember me raving about Nigerian Chimamanda Ngozi Adichie’s The Thing Around Your Neck; I just came across one of my favourite stories from the book. So, read.

http://www.munyori.com/novioletbulawayo.html – a story by Zimbabwe-American writer Noviolet Bulawayo.

http://dloc.com/AA00000079/00009/19j – Pamela Mordecai’s Cold Comfort is all kinds of funny.

http://ananseseminfo.blogspot.com/2011/05/sun-moon-darkness-rain-and-heart.html – A Caribbean folk tale from Anansesem.

http://ananseseminfo.blogspot.com/2010/12/beaumont-and-moonflower.html – A children’s story; perhaps a bit of inspiration given Wadadli Pen’s 2011 theme.

http://visitstsomewhere.blogspot.com/ – The St. Somewhere Journal features new writings from across the Caribbean. Among your blogger’s faves in the Autumn 2010 issue are Kittian writer Carol Mitchell’s ‘Kept Promises’ on Page 4 and Trinidadian Shakira Bourne’s ‘Crossing Over’ on Page 6. While you’re there, check out my story ‘Somebody!’ on Page 30 and my essay ‘On Writing’ on Page 37.

http://tonguesoftheocean.org/2009/10/the-rain/ – This “delightful but dark” Christi Cartwright story was hailed by readers for its “vivid imagery”.

http://tonguesoftheocean.org/2010/03/landscape-without-horizon/ – “Brilliant”, “vivid”, “beautiful” are a few of the words that have been used to describe this short story by Bahamaian, Sonia Farmer.

http://tonguesoftheocean.org/2010/05/when-coffee-time-come/ – Randall Baker’s ‘When Coffee Time Comes’ was credited for its “great characterization”.

http://ananseseminfo.blogspot.com/2010/12/yohan.html – Check out this imaginative children’s piece by Antiguan author Floree Williams.

http://www.munyori.com/miriamshumba.html – Straight out of Africa and yet familiar to all.

NON FICTION

This Jamaican children’s author asks ‘who are we writing for?’

I remember watching a group of kids at the national Youth Rally recently (Nov. 2011) chat and walk about during the Antigua and Barbuda National Anthem remembering how we couldn’t even twitch to scratch our nose singing the anthem every morning on the grounds of Holy Family School. How times have changed. It’s for this reason that I found the article ‘Tales out of School: Singing the National Anthem Word Perfect’ by Mary Quinn   to be at once sobering and amusing.

I’ll be the first to admit, I have my reservations about self-published material; while I appreciate the frustrations of the traditional route, and the desire to bypass them (been there, done that), there’s a part of me that believes the hurdles help ensure that what’s turned out is the best it can be – in terms of physical quality of the product and the quality of the content (stumbling over basic grammatical errors, plot gaps, character inconsistencies or other things that should have been caught and refined in editing takes away from the reading experience). That said, I’ve read poor material from the traditional route and really good self-published works (usually where the writer exercises the patience and good sense to invest in editing). So, with self-publishing more accessible than ever, as you consider the best route for your literary baby, I’m happy to share this article balancing both arguments while ultimately making a pro self-publishing case (in specific instances). Incidentally, the site is the online home of Bahamian writer Nicolette Bethel where there are other interesting postings on a range of topics.

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This is just one of the interesting points made in Susan Lowes’ article on Social Relations in Antigua in the 1940s: “In fact, it was by traversing this terrain that young people often came to know their “class.” Thus a young man would suddenly find that he was not allowed inside the gate of a close school friend, and realize that he was socially unacceptable to his friend’s parents. Or men who were good friends nevertheless did not visit each other inside their houses; those who reported that they were “very close” often got no further than the veranda. Women, as keepers of the indoors, controlled the most intimate types of socialization, ranging from house visits to marriage. Men, in contrast, socialized outdoors, on the streets and playing fields, in rum shops and clubs, arenas where they were less constrained by indoor standards of respectability. It was by and large the women who policed the distinctions of social class: who knew, and cared about, the genealogies, who determined who their children could socialize with inside the house and who had to remain an “outdoors” friend, and so on.”

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http://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story.html – This is not a written piece but rather a piece on the power of writing and the danger of a single story. It’s one of the more circulated TED talks on the net, featuring Nigerian writer Chimamanda Adichie, author of Purple Hibiscus, Half of a Yellow Sun, and The Thing Around her Neck – which I read and reviewed in the Blogger on Books. On the strength of the latter book and the TED talk – which I can relate to so much as a girl from the Caribbean – she’s a new favourite of mine.

http://www.thereviewreview.net/publishing-tips/what-editors-want-must-read-writers-submitti – Submitting to literary journals? Read this first.

http://accordingtohoyt.com/2011/08/30/you-say-editing-i-say-proofreading – The importance of editing.

http://www.shewrites.com/profiles/blogs/the-criticism-that-changed-my – It may not feel like it at the time but constructive criticism helps us grow as writers.

http://ananseseminfo.blogspot.com/2011/05/writing-up-storm.html – tips for unlocking the literary imagination among students.

http://www.guidetoliteraryagents.com/blog/7+Things+Ive+Learned+So+Far+By+Danica+Davidson.aspx – What aspiring writers need to know.

http://www.365antigua.com/cms/content/news-community-marcella-andre-commentary-haiti-march-27-2011 – I can FEEL Haiti in this piece.

http://summeredward.blogspot.com/2010/06/caribbean-picture-books-importance-of.html – Interesting piece on illustrations for Caribbean children’s literature; perhaps particularly interesting to me given that it ties in with our effort in 2011 to generate art to support the Caribbean children’s literature themed word entries for Wadadli Pen.

http://www.poetryfoundation.org/harriet/2007/03/poetry-terrors/ – On the writer and the blank page (by Kwame Dawes)

http://tonguesoftheocean.org/2010/02/me-writing/ – On writing (by Trinidadian Paul Hadden).

http://www.candw.ag/~jardinea/ffhtm/ff971219.htm – The late Tim Hector putting into perspective the writing and life of (one of my favourites) the late Martin Carter.

http://tonguesoftheocean.org/waves-and-murmurs/senior-lecture/ – Olive Senior, former winner of the Commonwealth Writers Prize, was actually my workshop leader when I attended the Caribbean Fiction Writers Summer Institute at the University of Miami back in 1995. Here she speaks at the Bahamas Writers Summer Institute in 2010 on ‘Writing and the Politics of Imagination in Small Spaces’. It’s a lengthy but interesting read.

INTERVIEWS

An interview with the always outspoken Dr. Carolyn Cooper, whom I personally remember as one of my favourite professors at the University of the West Indies.

“I find that in order to write your characters well, you have to be a little bit in love with them, even the ones that aren’t lovable at all.” – from Nalo Hopkinson’s 5 Minute Interview on Date with a Book.

“There was an idea I wouldn’t have been able to conceive of [the narrator] Precious’s life unless I had lived it,” said Push writer Sapphire. Push, some of you may know is the book that birthed the academy award winning film, Precious. Read her full comments on fact/fiction and assumptions/labelling here. This struck me because I’ve actually gotten a lot of the same assumptions (or questions) about my books – The Boy from Willow Bend, Dancing Nude in the Moonlight – that the stories were biographical when they are in fact fiction (and no more biographical than any other work of fiction, in fact less so I’d say). Never thought of it as racism though since most of the questioning came from my own community. Hm.

The Farming of Bones remains my favourite book by Edwidge Dandicat, one of my favourite contemporary writers. In this interview, she talks about the book (good reading).

This interview with Tiphanie Yanique is quite engaging and revealing, plus how many of us can say Maya Angelou read a poem of ours while we were still in high school.

http://maudnewton.com/blog/?p=9295 – as I post this, I haven’t yet read Marlon James’ books (though they’ve been recommended to me time and again, especially Book of Night Women) but I found this interview quite interesting. My favourite line comes in the section where he talks of his struggles writing a love scene: Someone once scared me by saying that love isn’t saying “I love you” but calling to say “did you eat?” (And then proceeded to ask me this for the next 6 months).    All that and he’s a Buffy fan; I think I’m going to have to book mark his blog (http://marlon-james.blogspot.com/index.html) and get to reading those books.

http://antiguaspeaks.com/news/?p=204 – Linisa George’s Brown Girl in the Ring – inspired by the children’s nursery rhyme and her experiences as a dark skinned sister growing up in a shade conscious society – is a staple of not only her When A Woman Moans productions but the local (i.e. Antiguan and Barbudan) performance poetry scene. In this article, she discusses the piece with her sister-friend and collaborator, ZIA.

http://sheroxlox.tumblr.com/post/1640248532/she-rox-tameka-jarvis-george– “Write from your heart. Write about your experiences good or bad. Everything in your life happens for a reason, so let those moments big or small be your inspiration to teach or help other people.” – excerpt from interview with Antiguan author of 2010 release Unexpected. Follow the link to read the rest.

http://www.nyu.edu/calabash/vol5no1/0501104.pdf – One of the interesting aspects of this Opal Palmer Adisa interview featured in Calabash was her insights on the Caribbean aesthetic.

VISUAL ART

http://afrolicious.com/2011/08/16/the-missing-peace-is-beautiful – This is a short film, The Missing Peace, by Rachel Benjamin; it’s based on a story by Haitian-American writer Edwidge Dandicat.

http://www.youtube.com/watch?v=ymvk3HsocqQ – Motion in motion.

http://www.youtube.com/watch?v=C-DWLzbPmcQ – She Rox Lox – Zahra Airall’s rendering of locked women who are just beautiful.

http://tonguesoftheocean.org/2010/06/crime – This Steven Burrows piece calls to mind for me the Bob Marley song ‘Johnny Was’: “woman hold her head and cry, ’cause her son has been shot down in the street and die”…a commentary on the unsettling state of affairs on our streets and in our homes.

http://wn.com/UNICEF_oneminutesjr__Dear_Dad – This is a winning piece in a UNICEF competition by Antiguan Carlon Knight; it’s entitled ‘Dear Dad’ and is quite touching.

http://tonguesoftheocean.org/2010/06/help-a-sistah-out-man – This was posted on Tongues of the Ocean, the Bahamian-Caribbean multi-media arts journal. The artist is Lindsay Braynen.

…AND HERE’S SOME OF MY STUFF

Excerpt from Oh Gad! (my new book due in 2012)

Friday Night Fish Fry (fiction) @ Sea Breeze – http://www.liberiaseabreeze.com/joanne_c_hillhouse.html

After Glow (fiction) @ Tongues of the Ocean – http://tonguesoftheocean.org/2009/11/after-glow

How to Make Cassava Bread and Other Musings on Culture (non fiction) @ Antigua Stories – http://antiguastories.wordpress.com/food-2/food

At Calabash (non fiction) @ Caribbean Literary Salon – https://wadadlipen.wordpress.com/2010/09/20/at-calabash

Defining Moments (non fiction) @ Geoffrey Philp’s blog – http://geoffreyphilp.blogspot.com/2010/12/defining-momentsjoanne-c-hillhouse.html

Off the Map (non fiction) @ Signifying Guyana –

http://signifyinguyana.typepad.com/signifyin_guyana/2010/12/guest-post-writing-off-the-map-by-joanne-c-hillhouse.html  

What Calypso Taught Me About Writing (non fiction) @ Caribbean Literary Salon – http://caribbeanliterarysalon.ning.com/profiles/blogs/what-calypso-taught-me-about

At Sea (fiction) @ Munyori – http://www.munyori.com/joannehillhouse.html

Pushing Water Up Hill (non fiction) @ Caribbean Literary Salon – http://caribbeanliterarysalon.ning.com/profiles/blogs/pushing-water-up-hill-one

Wadadli Pen – Nurturing Another Generation of Antiguan and Barbudan Writers (non fiction) @ Summer Edward’s blog – http://summeredward.blogspot.com/2010/08/guest-post-by-joanne-c-hillhouse.html

Cold Paradise (fiction) @ Women Writers – http://www.womenwriters.net/aug08/fiction_poetry/Hillhouse_ColdParadise.htm

Somebody! (fiction) @ St. Somewhere – http://visitstsomewhere.blogspot.com

Reflections on Jamaca (non fiction) @ Caribbean Literary Salon – https://wadadlipen.wordpress.com/2010/09/19/reflections-on-jamaica

Portent (fiction) @ Women Writers – http://www.womenwriters.net/aug08/fiction_poetry/Hillhouse_Portent.htm

Philly Ramblings 8 (poetry) @ Ma Comère – http://dloc.com/AA00000079/00004/36j

Ghosts Laments (poetry) @ Small Axe – http://smallaxe.net/wordpress3/prose/2011/06/30/poem-by-joanne-hillhouse

Benediction before the Essence (poetry) @ Women Writers – http://www.womenwriters.net/aug08/fiction_poetry/hillhouse_poetry.html

Prospero’s Education, The Arrival, Da’s Calypso (3 poems) @ Calabash – http://www.nyu.edu/calabash/vol4no2

Interview @ Caribbean Literary Salon – http://caribbeanliterarysalon.ning.com/profiles/blogs/interview-with-joanne-c

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