Tag Archives: Tawhida Tanya Evanson

Carib Lit Plus (Early to Mid January 2022)

A reminder that the process with these Carib Lit Plus Caribbean arts bulletins is to do a front and back half of the month, updating as time allows as new information comes in; so, come back, or, if looking for an earlier installment, use the search window. (in brackets, as much as I can remember, I’ll add a note re how I sourced the information – it is understood that this is the original sourcing and additional research would have been done by me to build the information shared here).

Happy New Year! And let’s hope it truly is happy.

Milestones

Celebrated St. Lucian poet Kendel Hippolyte, named as you’ll see below as the person tapped to deliver the Sir Derek Walcott memorial lecture during poet laureates’ week, is being feted for another reason this January – a birthday milestone. Hippolyte turned 70 (three score and 10) on January 9th 2022.

Wadadli Pen’s Joanne C. Hillhouse who also celebrated her remarkably non-milestone birthday this month, January 5th, is pictured with Kendel HIpplyte at their first meeting, at the Congrès International des écrivains de la Caraïbe in 2013.

“Kendel Hippolyte was once described as “perhaps the outstanding Caribbean poet of his generation.” Besides being honored with the St. Lucia Gold Medal of Merit for his contribution to the arts, he joins Derek Walcott, Vladimir Lucien, and Canisia Lubrin as one of only four St. Lucians to win an OCM Bocas Prize, the English-speaking Caribbean’s most prestigious literary award. Note, however, Hippolyte won the poetry prize, while the other three won both the poetry and overall prize.”

Click here to read three poems by fellow Lucian poet John Robert Lee dedicated to Hippolyte on this occasion. (Source – Jako Productions)

Farewells

Antigua and Barbuda media veteran and Rastafari elder King Frank I has been laid to rest in an official state-funded funeral held at the Sir Vivian Richards national stadium.

There were five pages of coverage of the funeral in the Daily Observer including reporting of performance of Farewell to a King by the Nyabinghi Theocracy Order. Francis was credited for activism that has led to Rastafari being more integrated into society. Frank I’s children Jomo Hunte St. Rose, and daughters Malaika and Denise Francis, the latter also a media worker, paid tribute to their dearly departed dad. Denise invoked her father’s well known sign off: “We know Jah will continue to guide, continue to keep fit, and to always be a good sport.” Read that full article here:

In an article in the subsequent issue, head of the Reparations Support Commission, of which King Frank I was a part, Dorbrene O’Marde, is said to have indicated that the Commission will be seeking some way to honour him. “We have lost an example of steadfast commitment to a cause…we have lost a proud proclaimer of the fact that although he was not born in Africa, Africa was born in him…” O’Marde was quoted as saying, during the ceremony, of his friend of more than 60 years. Read in full:

(Source – Daily Observer newspaper)

Events

The Sir Derek Walcott Memorial Lecture (mentioned immediately below) is only one of a full week of activities which began on January 10th 2022 in celebration of Nobel Laureates Week in St. Lucia. The Windward island has two such Laureates – Walcott for Literature and Sir Arthur Lewis for Economics. The full listing of activities can be found here. (Source – Jako Productions)

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Bocas Award winning St. Lucian playwright and poet Kendel Hippolyte will deliver this year’s Derek Walcott Memorial Lecture January 18th 2022.

Read about him here.

Tune in online at
Facebook: @NobelLaureateFestivalSaintLuciaFacebook
Youtube: @cdfsaintluciaNTN
Flow Channel 122UWITV
Flow Channel 105

(Source – Facebook)

Accolades

Antiguan-Canadian writer Tanya Evanson’s Book of Wings has been named to the 2022 Canada Reads long list. Read about it here. (Source – Author’s facebook)

It has also been added to Antiguans and Barbudans Awarded.

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This round up of 2021 book prize winners includes several Caribbean writers: namely, Barbadian Cherie Jones, a finalist for the Woman’s Prize for Fiction for How the One-Armed Sister Sweeps Her House; and Jamaican Maisy Card, a finalist for the Art Seidenbaum Award for First Fiction, part of the Los Angeles Time Book prize, for These Ghosts are Family. (Source – email)

Publication News

Jamaican Poet Laureate Olive Senior’s Hurricane Watch: New and Collected Poems lands at the end of January 2022. From Carcanet.

(Source – Twitter)

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You know that Wadadli Pen team member Floree Williams Whyte’s latest book dropped in December and she features in the first CREATIVE SPACE of 2022.

(Source – Me)

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There were seven book publications out of St. Lucia in 2021, according to Jako Productions. “These included two memoirs (My Journey, and You Left Me Broken), two commentaries on St. Lucian Art and culture (The Reign of Terra, and Dance Footprints), a children’s book (The Reunion: The adventures of Froggy-T & Bunnie), a book of poetry (Ear to My Thoughts), and a commentary on St. Lucian politics (No Man’s Land: A Political Introspection of St. Lucia). Added to this list is Scream, a murder mystery novel by McDonald Dixon, a leading St. Lucian poet and novelist, to be launched this month.” (Jako Productions). The post also singled out multi-award winning St. Lucian poet Canisia Lubrin for commendation. (Source – Jako email)

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The latest issue of Moko: Caribbean Arts and Letters has landed. Issue 20’s theme is Thanksgiving and it includes as its cover image ‘Daylight’ by Stefan Rampersad/Alexander Phoenyx, part of the Trinidad and Tobago artist’s Caribe Arch series.

Poets featured in the issue are Jason Allen-Paisant, Fawzia Muradali Kane, and Edythe Rodriguez. The issue includes reviews of Celeste Mohammed’s Pleasantview, Shara McCallum’s No Ruined Stone, Lisa Allen-Agostini’s The Bread the Devil Knead, Bermudan poet Nancy Anne Miller’s contribution to Moko’s One Poem One Poet series. The fiction consists of winners of the Brooklyn Caribbean Literary Festival short fiction prize of 2021 Patrice Grell Yursik (Daughter 4) and Akhim Alexis (The Wailers); and new stories in the “sky islands” speculative fiction universe curated by Fabrice Guerrier including his own ‘Magic Mangoes’, alongside ‘Ixie and Izzy‘ by Joanne C. Hillhouse (she, of Wadadli Pen and Antigua and Barbuda) and ‘Rock, Feather, Shell’ by Celeste Rita Baker. The issue is edited by Andre Bagoo. (Source – twitter)

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As part of its mission, non-profit The Antigua and Barbuda Humane Society has released a colouring book, All Creatures Great and Small, as part of its mission to create a more animal-friendly environment by promoting care. The assembly and printing of the books was funded by King’s Casino Antigua. The Amatos family, meanwhile, donated boxes of crayons, among other items, to be paired with the books. The books are intended for distribution to pre and primary schools; and some are on sale in the Humane Society’s merchandise shop. For more information on this initiative and to donate towards future initiatives, call 268-461-4957. (Source – the Daily Observer newspaper)

Site Updates

Writers continue to be added to the Antiguan and Barbudan Writers (+Artists) on the Web, the Antiguan and Barbudan Fiction and Antiguan and Barbudan Writing, and the Caribbean Writers Online data bases. An addition too to Reading Room and Gallery 42 and the Opportunities page. The addition of a new Antigua and Barbuda Literary Works Reviewed. (Source – me)

Shout Outs

To the Brooklyn Caribbean Literary Festival BCLF Cocoa Pod on Apple podcasts. Congrats to them on the continued growth which has included, in addition to the popular literary festival, the short fiction story contests named for acclaimed writer Elizabeth Nunez, and now this podcast described as “a Caribbean storytelling experience in which writers of Caribbean heritage narrate their own stories. …rich with the rhythm, pitch and intonation of the one who wrote it.” We are informed, re the BCLF initiatives for writers (the festival, podcast, and interviews), that they are open to receiving author press kits/bios/links and, also, review copies or ARCs (new releases). 

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To Rebel Women Lit which while counting votes for the Caribbean Readers Awards, to be announced January 9th 2022 after voting closed at the end of 2021, has concurrently announced its Book Club Reading List for the year. The list is not exclusively Caribbean but includes Caribbean reads like Things I have Withheld by Kei Miller, Cereus Blooms at Night by Shani Mootoo, Skin Folk by Nalo Hopkinson, and The Dreaming by Andre Bagoo. (Source – RWL email)

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To my Jhohadli blog and specifically this round up post of recent publications and more. (Source – me)

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To New Caribbean Voices, a podcast on spotify, hosted by Malika Booker. It includes interviews with and readings by contemporary Caribbean authors. (Source – JR Lee email)

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To the Wadadli Music Scene blog, a project of jazz musicians Khadijah Simon and Foster Joseph, both of Antigua and Barbuda. The goal is to document stories related to Antigua and Barbuda’s music history. (Source – Foster Joseph who was interviewed in 2021 for CREATIVE SPACE)

Opportunities

Two Wadadli Pen team members, Barbara A. Arrindell and Joanne C. Hillhouse went on ABS TV on January 12th 2022 to discuss creative writing. Watch here.

Both are offering workshops. See flyers below.

(Source – me)

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The Catapult Creative Arts grant is back. The COVID-19 relief programme for Caribbean artists saw funds paid out for residencies, salons, and other arts activities. The new application cycle opens January 3rd 2022 closes January 14th 2022. Apply here. And, yes, you can apply again even if you are a past grant recipient. (Source – Repeating Islands)

Remember to check Opportunities Too for this and other arts opportunities with pending deadlines.

News

As I blogged recently 2019 Independence fashion show winner Nicoya Henry has yet to receive her government promised scholarship to study in Trinidad. My thoughts expressed in this CREATIVE SPACE Coda. (Source – me)

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Antiguan and Barbudan author Joan Underwood has been delivering live tips from her book Manager’s First Aid Kit on the Mornin’ Barbados show since October 2021. The four month stint was every Wednesday, each episode focus on a challenge covered in a chapter of the book and offering up practical challenges and solutions. See episodes missed in this playlist from Underwood’s YouTube channel. (Source – Underwood email)

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Antigua and Barbuda’s Cultural Industries Mapping Project announced in November 2021 that it received 430 responses to its survey.

The company chosen to create the National Cultural Information System/Cultural Portal is COMPUSULT LTD. Keep track here. (Source – Facebook)

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Antigua and Barbuda has a new culture minister. Michael Browne, the former minister of education whose cabinet appointment was withdrawn while he fought a charge which shall not be named, is to be re-appointed, having beat the charge, but under a different portfolio. Darryl Matthew who added education to culture and sports after Browne’s dis-appointment, is the outgoing minister of culture. Actually, it’s called creative industries these days, more fully creative industries and innovation – under which falls culture, carnival, independence, the one nation concert, V. C. Bird celebrations, visual arts, graphic arts, decorative arts, performing arts, musical arts, happiness and unity, innovatiion, and the UNOPS. This is according to an article in the Daily Observer. No specific reference to literary arts but google says UNOPS is the United Nations Office of Project Services. (Source – Daily Observer newspaper)

As with all content on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, The Jungle Outside, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. You can also subscribe to the site to keep up with future updates. Thanks.

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Antigua and Barbuda Literary Works Reviewed XIII

This picks up where the previous installments of Antigua and Barbuda Literary Works Reviewed pages left off (use the search feature to the right to dig them up). As with those earlier pages, it features reviews about A & B writings that I come across as I dig through my archives or surf the web. You’re welcome to send any credible/professional reviews that you come across as well. They’re not in any particular order, I just add them as I add them; some will be old, some will be new. It’s all shared in an effort to underscore, emphasize, and insist on Antigua and Barbuda’s presence in the Caribbean literary canon.

“I was immediately struck not only by Miss Hillhouse’s exceptional story telling skills but also by the urgency of the story’s themes and their relevance to Caribbean social discourse.  Through the story’s protagonist… Hillhouse indicts the Antiguan society in general …even as she points to the psychological damage that Amelia has suffered due to her father’s abandonment of the family. As a reader from Belize, a small Anglo-Caribbean country much like Antigua and Barbuda, I was impressed by the manner in which Hillhouse has been able to capture an essential Caribbeanness through both her themes and the use of Antiguan Creole. In fact, as a lecturer in the English Department at the University of Belize, I felt compelled to introduce my students to Hillhouse’s writings last semester. My Women in Literature class studied ‘Amelia’ and wrote some wonderful essays from a variety of critical perspectives.”  – Ivory Kelly, lecturer, University of Belize; author Point of Order (re ‘Amelia at Devil’s Bridge’ in Pepperpot: Best New Stories from the Caribbean)

“A beautifully written story about a mother’s strength. Highly recommend reading.” – Hannah Sandoval, author of Arcamira (on ‘The Other Daughter’ in Adda)

“Antigua’s Joanne C. Hillhouse is a powerful, honest voice in the genre of West Indian fiction…There is integrity to Joanne’s work. Obvious is the ‘writer’s ear’ for effective characterization and narrative that stays true to Caribbean island experience.” – Barbara Jacobs-Small, editor, Island Where magazine (2004)

The three reviews immediately above and others can be read on Jhohadli

“Evanson writes Book of Wings in poetic vignettes, and her language brings the reader straight into the protagonist’s mind as she navigates her tumultuous heart. Evanson’s skill with poetry perfectly captures the protagonist’s journey of discovery and spiritual fulfillment because of how well her words make one reflect inwards.” – Canthius on Tawhida Tanya Evanson’s Book of Wings

“As much as Book of Wings is an engaging story of psychic transformation, it is also deeply rooted in sensorial experience, which saves it from slipping into the vagueness or loftiness that can sometimes hamper tales of spiritual awakening.” – Montreal Review of Books on Tawhida Tanya Evanson’s Book of Wings

“Tawhida Tanya Evanson’s first novel is a stunning testament to how the grief of heartbreak can bring us back to who we are. …Book of Wings is written in hyper-lucid vignettes only a poet of the highest order could master. …Book of Wings is grounded in astonishing turns of phrase. The fruit of experiences are so painful and profound they require deep reflection to reveal all the facets of meaning. Evanson operates as inflictor of wounds and healer, student and teacher. Book of Wings is more than a novel – it is a catalogue of revelation and redemption, surrender and solitude, a companion for those who choose to confront their own broken hearts. The author unravels the memory of her protagonist’s wounds, so we have the courage to heal ours.” – Quill & Quire on Tawhida Tanya Evanson’s Book of Wings

“I am so happy to have read her books because her stories are pure fun.” – theinfinitelimitsoflove.com on Rilzy Adams’ Go Deep

“If you love novellas, with a lot of heat and the feel-good factor, this is one you should try….This is the first book I read by Rilzy Adams, but it will not be the last. This was a very well written, very hot story that was not in any way limited by its length….If you like very hot reads with low stakes conflict, I truly recommend it.” – Scorchingbookreviews.com on Rilzy Adams’ Go Deep

“An all-time favorite book and one of the winners of The Ripped Bodice Award for Excellence in Romance Fiction, this little novella is simply wonderful.” – Bookriot.com on Rilzy Adams’ Go Deep

“Systemic racism, the Black Lives Matter movement, the ongoing critique of police brutality and abuses of power—they loom large. In “Violins” the poet concludes, “We are all in prison. / This is the lesson of the twenty-first century.” This is not just a Foucaultian notion of the machinations of state power, or of Bentham’s panoptic, all-seeing surveillance structures. It is an allusion to the disproportionate rates of incarceration of Black males. All races are implicated in such a world.” – Andre Bagoo for The Rumpus on Rowan Ricardo Phillips’ Living Weapon

“I had NPR on in the fall and I heard a poem called “Violins” read by Rowan Ricardo Phillips. I loved the sound of it. Words are repeated and then rhymed and off-rhymed: the verse links sounds and concepts, combines jarring images and language. The poem ends with a date: 1916, and it expresses a bold vision of the 20th century. It’s the best poem in Phillips’s new collection, Living Weapon. It begins “He never saw a violin. / But he saw a lifetime of violence.” Right away Phillips makes this unlikely association of violins and violence — a surprising but apt comment on our current era’s juxtaposition of white privilege and Black Lives Matter.” – Poetry Review: The Verse of Rowan Ricardo Phillips — Let’s Get Weaponized? by Ed Meek

‘But this preoccupation with meta-definition is not entirely self-referential. It’s difficult, at times, to turn a page in Living Weapon without bumping into a familiar face: Elizabeth Bishop arrives just pages after W. H. Auden; Orpheus seems to pop up every 10 pages or so; and, in “Who is Less than a Vapor?,” Phillips offers a loose reinterpretation of a passage of John Donne’s prose — which he calls not “quite a found poem or an erasure” but rather “language in the crux of being instrument, weapon, and tool all at once.”’ – “Stronger Than Steel”: On Rowan Ricardo Phillips’s Living Weapon by Will Brewbaker in the Los Angeles Book Review

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“The author excels as a storyteller, providing highly informative glimpses into the history, social life, and linguistic landscape of the island of Antigua… is adept at capturing and reproducing the various language registers of Antigua and Barbuda. The dialogue in Antiguan and Barbudan dialect therefore has a higher degree of authenticity. Hol’ de Line and Other Stories has the advantage of appealing to old and young readers and offers Antiguans and Barbudans the opportunity to see what their society was years ago, its history, customs, language and food.” – Bernadette Farquhar on Mary Geo Quinn’s Hol’ de Line and Other Stories in The Antigua and Barbuda Review of Books, Volume 12, Summer 2019

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