Tag Archives: tips

Wadadli Pen Work-shop

Why create a Wadadli Pen workshop page to link in Resources and Database? After all, that page already links to Resources and other posts with overlap, like the Reading Room and Gallery series (which often includes ‘creatives on creating’ and Opportunities and Opportunities Too. Yes to all that but also sometimes I come upon content that is really about the practice of writing, and the organizational gremlin in my head decided that that needed a space as well. Come here when you want to just exercise (flex your writing muscles, as I like to say). If you want more guided practice and/or feedback, look in to writing groups (you can even form your own) or worskhops like those offered privately by members of Team Wadadli Pen Barbara Arrindell and Joanne C. Hillhouse.

Joanne’s workshops have sometimes had guest presenters like publisher-editor-writer Carol Mitchell, pictured leading a session in summer 2013 Joanne’s Jhohadli Summer Youth Writing Project.

Sometimes Wadadli Pen has even offered workshops usually facilitated by either Barbara or Joanne, in its past. Below left Joanne leads Wadadli Pen’s first workshop series in 2005 and right is a shot from a workshop series Joanne offered free to Wadadli Pen in 2021.

Tips and practices linked below are for free and for you to do in your own time, and may be useful for keeping your writing muscles healthy.

The Backspace Key – a quick reminder to write forward.

Editing notes – which is just as it says with self-editing tips and links especially.

It’s my 53rd birthday! have a party favor – this post on her blog by American fantasy writer Mary Robinette Kowal walks the reader through the creation of a story with insights to unearthing character motivation and direction, discourse around world building, and a link to the final published version of the story.

Jhohadli Writing Project Creative Writing Workshop Series (2018) – the Reading List – a post in which I list material used in the 2018 installations of my workshop series.

Mimic (A Writing Exercise) – this 2022 post feature my (Joanne’s) response to a prompt and invites you to try it and share if you wish.

On Writing by Stephen King – this Wadadli Pen post summarizes some main takeaways from the master of horror’s book on writing.

On writing dialogue – this 2013 Wadadli Pen post has tips and don’ts on writing dialogue.

Wadadli Pen Challenge Prompts – this Wadadli Pen post, from 2012, links a number of prompts to jump start new writing.

The Wedding Project (a prompt response) – this 2019 post features my (Joanne’s) response to a prompt and invites you to try it and share if you wish.

Workshop Space – this 2014 post is this site’s previous attempt at creating a Work-shop; it contains a mulitude of links to help you get writing.

Writer’s Toolbox – another reminder that this is not a new idea to the blog; links to information on writing, craft and business.

Writing with Mary Robinette Kowal – this Jhohadli post from 2022 features my (Joanne’s) participation in an online writing workshop, and invites you to participate if you wish.

As with all content on Wadadli Pen, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Musical Youth, With Grace, Lost! A Caribbean Sea Adventure, and The Jungle Outside). All Rights Reserved. Subscribe to the site to keep up with future updates. Thanks.

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Building a Reading Culture in the Classroom

Two summers ago, I read and fell in love with Donalyn Miller’s books, The Book Whisperer and Reading in the Wild. I felt passionate and invigorated to help build a love of reading in my 5th grade students. After reading incessantly, creating Donor’s Choose projects for more high interest books, adding in reading time to […]

via All the Feels: Creating a Classroom Community of Readers by Rachel Weidenhammer — Nerdy Book Club

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Publishing an EBook

Today, I welcome a guest blogger on a subject the mechanics of which I am still trying to wrap my mind around – epublishing. Thank God my publisher deals with that (certainly in the case of Oh Gad! which is available as a trade paperback, mass market paperback, and ebook. I hope to get there with the earlier books at some point). But Kimolisa is practically an expert at it by this stage. I asked her to share some tips with the blog’s readers, and here it is (all bolds are mine). Welcome, Kim, and congratulations on the release of She Wanted a Love Poem.

by Kimolisa Mings


I never really believed in myself or my work. To be honest, I never thought of my poetry as my work; it was something I did, I wrote poems. Although I have been writing poetry for over 20 years, it is within the last ten that I’ve shared my work. Be it through spoken word at local open mics or through my blog, Kim or Lisa.


It was because I never believed in my work that I never thought about being published in Literary Journals or even having a book of my poetry published.

It was by chance that I was looking through a person’s website that I noticed that they had a book available for purchase. I clicked on the link and it brought me to their eBook page in Smashwords. Looking through the Smashwords website, I recognized the possibility of producing an eBook that could be sold through different online stores.

No, I didn’t believe in my work enough to go through the process of approaching publishing houses to have my book published, but I could put in the hours to produce an eBook and put it up for sale. Unfortunately, it took me another two years before I published my first eBook, Martine, and another two years before I published my second, She Wanted A Love Poem.

The truth is it doesn’t really take two years to publish an eBook. In fact, it is up to you on how quickly you take your book from manuscript to eBook. It all depends on the amount of time you dedicate to getting the following done,

  1. Write – Don’t worry about perfect grammar, spelling or even if the plot makes sense, just get the story out of your head and down on paper or on your computer.
  2. Edit – First go over your draft and clean up the obvious errors and trust me there will be errors. You have a choice of letting the draft sit a while before you look at it again or you send it off to an editor, proofreader or beta readers. It is advised to get an editor like Joanne because they are viewing the draft with new eyes and they will see errors and discrepancies that you would not have noticed. Be patient, take what they say on board, and remember that the first draft is like a block of marble and between you and your editor, you will create a David.
  3. Choose Distribution Channels – Depending on what platform you are publishing your eBook, you will have to format your eBook to their specifications. There are many platforms to choose, from Amazon’s Kindle Direct Publishing to Apple’s iBooks to Barnes & Nobles’ Nook to Smashwords. Personally, I chose Smashwords because it distributes to other online eBook sellers including Nook and iBooks and I chose Amazon’s Kindle Direct Publishing (KDP) because Smashwords does not distribute to Amazon.
  4. Format – Depending on your platform of choice, you would format accordingly. Each channel will have its own formatting guide lines. For Smashwords, there is a free Style Guide found here, if you follow the guide to the letter, it will guarantee you distribution to the other online stores. When it comes to formatting for Amazon’s KDP, I have not found one specific style guide, but through Google, you can find websites, PDF’s and eBooks on how to format for Kindle.
  5. Cover Art – Once again follow the instructions of the Style guides, but keep in mind that the cover art should look attractive when viewed as a thumbnail. No matter how much we would like to deny it, we do judge a book by its cover. Your artwork should be clean and convey your story without giving it away. Your Title and your name should be clear and readable when viewed as a thumbnail, no fancy font. With eBooks, you will be submitting a Jpeg file, ensure it is the right size in accordance with the platform’s specifications.
  6. Upload – The websites will take you through the process of uploading your content and your cover art. It will take from a few hours to a couple of days before the eBook will be available for purchase as it will be vetted electronically and/or by a person. In some cases, you will have to make some changes to your content or your cover art.
  7. Review your eBook – With Smashwords, you will be able to download your eBook to see how it looks in the different formats. With Amazon’s KDP, you can view your eBook using the online Kindle reader and you can view it in the various versions of the Kindle. In both cases you can always go back and change the font size or change misspellings and the like and upload again.
  8. Price your eBook – This is one of the steps in the uploading process. In Smashwords, you can set the price to free. Unfortunately, the lowest price you can set in Amazon’s KDP is $0.99. This will eventually become free when Amazon sees the book is available elsewhere for free. You can visit either platform to see how much royalty you receive from the sale of the book, this can vary from 35% to 70%.
  9. Market your eBook – Let everyone and their mother know you have an eBook. There are many ways to let the world know about your masterpiece, be it through your social media network, sending out press releases, doing guest posts on other blogs. Google is your friend when it comes to searching for ways to promote your book. Keep in mind, it is a marathon, not a sprint and it may take years before people come across your book. Some say the best way to market your book is to write another book. The more books you have out there the more likely someone will come across one and be interested enough to read more of your work.

Now that you see how easy or how hard it is to publish an eBook, you should consider the pros and the cons of self publishing eBooks to see if it is the right fit for you.

The pros of self publishing an eBook include

– getting your book out there to readers;

– it is relatively easy to publish;

– you can build a readership;

– you choose what the final product looks like.

– you can make changes relatively quickly

The cons of self publishing an eBook include,

– you having to do most of the work, writing, editing or finding an editor, doing the cover art or finding some one do the the cover art, formatting or finding someone to format the book, publishing;

– because of the ease to entry, the marketplace is crowded and you have to work extra hard to be noticed;

– you might not see any or much money in the first year;

– you might get bad reviews

As eReaders and tablets with eReader capabilities become part of our day to day lives, I plan to keep publishing eBooks. This time around I won’t wait two years between publishing the ebooks. It’s my aim to publish three ebooks a year, some will be stories and some will be collections of poems. There is a lot of support and information online from KBoards, a forum for Kindle to podcasts like Rocking Self Publishing and The Creative Penn and as I mentioned Google is a friend when it comes to specific information.

Is self publishing for everyone? No, but if you are willing to put in the long hours and the hard work, if you are determined to share your work with the world and if you really want to make a living from your work, anything is possible. You just have to believe.

Kimolisa Mings with Brooklyn poet laureate Tina Chang.

Kimolisa Mings with Brooklyn poet laureate Tina Chang.

Thanks, Kim. Like she said, to each his path; choose what’s right for you. Likely you’ll discover even more pros and cons than those listed here, and quite a bit of overlap as well as technology continues to transform the publishing industry. Some other publishing articles of interest on the site can be found here. For what it’s worth, self-published or traditionally published that demon of not being good enough is one a lot of writers wrestle with. If you want to go for opportunities in publishing, feel the fear and do it anyway. It takes some kind of daring to put your work out there, by whatever means.

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Fish Outta Water, and Oh Gad!). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about WadadliPen and my books. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. Respect copyright.

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Services Scoop

Don’t have a link so I decided  to type up some of this because I think those of us who are practicing artistes and the policy makers who at present do woefully little to support our efforts need to read it. Forgive my conceit in hoping that one or both of the above will stumble across my blog and give a … –JCH, Wadadli Pen blogger

From Strengthening the Caribbean’s Cultural Industries by Ramesh Chaittoo, International Trade Expert in Services Scoop, The Caribbean Trade in Services Magazine Annual Publication 2014


The creative industries in the region are a significant sector with substantial economic value.

Many cultural industry professionals will argue, however, that the sector has achieved some measure of export success in spite of governments, not because of them.

So, just how should the Caribbean approach creative entrepreneurial development and maximize on the sector’s economic value…

Establish and implement a concerted research and marketing programme targeted at specific national and other musical and performing arts festivals across Europe… funding can be made available for artistic exchanges with European countries under the EPA Protocol on Cultural cooperation.

[sidebar: please note that here at Wadadli Pen, I’ve created a list of literary festivals throughout the Caribbean and opportunities within and beyond the Caribbean related to literary programmes, markets, contests, and more – use the search feature at the top right of the page to find them]

Establish national endowment funds for the Arts to which the public and private sectors can contribute. There may also be need for a regional fund for CARICOM-wide collaborations and productions.

[sidebar: re those festivals and other ideas and initiatives, funding is often one of the biggest barriers, so the need for this can’t be emphasized enough]

Establish a Caribbean Entertainment Investment Fund of about US$20-25 million at concessional or subsidized rates of interest from which the private sector in CARICOM can access financing for commercially viable projects. This could also include public-private partnerships to build facilities and infrastructure for the creative sector and join ventures across CARICOM states and between foreign and regional companies…

Build new facilities and infrastructure for artistic performances and practice across the Caribbean Community.

[sidebar: and open the finally completed but yet unfurnished public library and make it a community space for the literary arts in Antigua and Barbuda… and consider converting one of our central historic buildings into a national art gallery while you’re at it]

To date, only Trinidad and Tobago has a major, specialized facilty for the performing arts. In the OECS there are no public facilities that are up to professional standards.

Convert and upgrade the irregular Caribbean Festival of the Arts (CARIFESTA) into a full-fledged professional entertainment trade show in the Cariibbean.

[sidebar: and make the selection process more transparent and inclusive on the national level…oh and as far as the literary arts go, assist the literary community in one of the first countries to mount a literary arts festival in a region where literary arts festivals have become quite popular to once again have a literary arts festival…by the way, you could easily insert jazz festival, performing arts festivals and other initiatives in which we’ve been a leader but not a followthrougher]

Establish national databases of artists and cultural entrepreneurs in all CARICOM countries which are updated on a continuous basis.

[sidebar: time consuming as it has been, I’ve tried to do as much for the literary arts here on this site through the listings of Antiguan and Barbudan writings and their various sub-genres, as well as the author links for those with an online presence]

Collect Market information and market opportunities, exchanges, funding for entertainers and other Caribbean artists involvement in trade missions, exhibitions etc. in the European Union, North America and Japan on a regular basis.

[sidebar: re literary arts – see Opportunities by searching this site]

National and/or regional entities need to help creative firms develop new short and medium-term strategies for creation, distribution and exploitation using digital technology and increasing international integration.

Provide training for financial institutions for the Caribbean on how to value intellectual assets (particularly copyright in music). Training in risk assessment for investment projects in the entertainment sector is also required especially since banks have no experience, apparent interest or understanding in lending to creative sector companies or individuals.

[sidebar: holler!]

Establish and strengthen training institutions for the entertainment sector, in particular, music and performing arts in countries in which they do not currently exist.

Establish creative business incubators.

Set up a regional initiative to promote the use of design and/or art in business to develop competitive edges, for example through “artist in residence” projects.”


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Filed under A & B Lit News Plus, Caribbean Plus Lit News, The Business