Tag Archives: writing

Reading Room and Gallery XVlll

This page is for sharing links to things of interest around the internet. It’ll be sporadically updated; so, come back from time to time. For the previous reading rooms (1, 11, 111, 1v, v, v1 , v11, v111, 1x, x, x1, x11, x111, x1v, xv, xvi, xvii), click the links or use the search feature to the right, to the right.

ON PUBLISHING

“#3 Not following guidelines.
Double check all guidelines before submitting to a magazine. Is there a word count requirement? Should your name be removed from the piece? Should your document be in Word, pdf, or rich text format? If it’s an email submission, do they want the document attached, or pasted into the body of the email? Do they accept simultaneous submissions? Don’t risk getting your piece being tossed out because you didn’t follow the rules.” – (here at Wadadli Pen I know this one well) – read the rest of the list of mistakes writers make when submitting.

CREATIVES ON CREATING

“An interesting insight into the process came when the pair considered how they had arrived at rather different descriptions for the location of the windmill-giants – Jull Costa has them ‘on that same plain’, whereas Bush situates them ‘in the nearby field’. It transpired that, rather than seeking a literal translation of the Spanish ‘en aquel campo’, each had pictured what they read the original to mean and then found a way to render the image in English.” – Ann Morgan on dueling translations of Don Quixote

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“Not only do I not see movies as I write, I can’t visualise, well, anything. At all. I don’t even dream in pictures. I have absolutely no concept of what it would be like to see things that no one else can see.” – Jo Eberhardt

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“It happens too often that beginning fiction writers fail to give their characters jobs or occupations. Weak stories by beginning writers often feature adults who are wealthy without any discernible means of income or who perform the indiscernibly ambiguous task of “work.” Characters are described as working each day, but the reader is never told what they do or how their daily jobs affect them or their interactions with others. Characters do not earn money; they simply have it. There are no bills, no expenses, and, of course, no financial struggles.” – Amina Gautier

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“So here you have a man at the beach, but he can’t enjoy it; he has to sit, because of his paranoia, with his back to the water, sitting in a chair; he wears a Hawaiian shirt but there’s a bullet proof vest under it; he likes a red wine spritzer but it tastes like Skittles which is very loaded…Trayvon Martin had a pack of Skittles.” – Rowan Ricardo Phillips, born in New York to Antiguan parents, reflecting on his poem News from the Muse of Not Guilty after a reading of the poem, from his collection Heaven, on CBC Radio.

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“You start from building this world with their rules, and then you just follow logic in order to come up with the rest of the details. So once you have this simple fact that you’re treating couples in a certain way and single people in another way—and there’s a bit of a concept that this is almost like a prison drama or something, at least in the first half of the film—then you pick up on those things and you borrow things from other kinds of situations … We tried to get into the heads of people that would be in charge and what they would come up with.” – Greek director Yorgos Lanthimos on the making of his film The Lobster

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Writing other…Mary Robinette Kowal provides some insight to culturally sensitive approaches to doing so.

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“The second thing is reminding myself: You don’t have to write anything that you’re not deeply interested in. Every time I remember this, it’s a relief and a surprise.” – Rita Mae Reese on curing the affliction of not-writing.

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“I use traditional women’s techniques, such as sewing, beading and applique. I incorporate found objects in my work; they are clues towards understanding my story and that of women in general.” – Heather Doram

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“So much of what the filmmakers did in creating and then editing their work is what we writers strive for when polishing a manuscript: pinpoint the heart of the story and stay true to it, cut what can be lost, and always direct conflict and pacing.” – Therese Walsh and Kathleen Bolton w/ Elena Greene discuss The Lord of the Rings’ adaptation from book to film and what writers can learn from the choices the filmmakers made. It’s a five part series that begins, here.

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A long form interview on the arts is a rare thing, especially in a Caribbean print publication, so kudos to Jamaica’s Observer for this series of poetry month features, this one spotlighting American Tim Tomlinson, co-founder of the New York Writers’ Workshop, in conversation with Jamaican-American poet and artist Jacqueline Bishop. Tomlinson’s book Yolanda, an Oral History in Verse, is focused on the Phillipines but his connection to the Caribbean – his time spent visiting and diving in various islands and countries but most especially the Bahamas is explored as well. Essentially, this interview is about both his journeying as a person and how that has informed his writing, how he creates, generally, and specifically in the case of Yolanda. W/thanks to Jacqueline Bishop for sharing, here have a slow as you sipping your iced tea kind of read:

Tim Tomlinson 1Tim Tomlinson 2Tim Tomlinson 3

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“That was one of those magic moments. That came out pretty much whole cloth. Every now and then you ride the tiger. Most days the tiger rides me, but every now and then I ride the tiger. That’s my favorite chapter in the book. The opening chapter of The Given Day is another example. It’s my favorite chapter in The Given Day. It was written in two nights. It was rewritten extensively for prose, but it just came out.” – Dennis Lehane

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“When I closed my eyes, I could smell flue-cured tobacco. I could feel the hot sun beating down on me. I could hear the southern accent of a teacher whose voice reminded me of poetry.” – Shannon Hitchcock on the inspiration for her book Ruby Lee & Me

VISUAL ART

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Technically this is musical and literary art (lyrics) shared via a visual medium but that’s not the point. RIP, Prince.

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“Nature is completely indifferent to the human endeavours whether they are good, evil, otherwise, whatever.” – Lori Landey and Beth Harris discussing Joseph Mallard William Turner’s Slave Ship

NON FICTION

“How many times over the years
I have explained
This.
Celie and her “prettier” sister Nettie
are practically identical.
They might be twins.
But Life has forced on Celie
all the hardships
Nettie mostly avoids…” – Is Celie actually Ugly? By Alice Walker

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“Why, I asked my brother, did you like the film so much? So many messages. Look at the title. Everyone has problems underneath. Just because you are smart doesn’t mean u can work everything out yourself.” – Sejal Shah writing on Ordinary People

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“You must read to develop a deeper understanding of literary elements, such as character arc, subtext, voice, and narrative distance.” – Chuck Sambuchino in his article The Pros and Cons of getting a Creative Writing MFA at Writer’s Digest

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Kei Miller’s essay in this BBC piece resonates with me – it’s truthful and thoughtful and bold as so much of his writing is even when speaking of his tentativeness writing the issue of race -how our whiteness and blackness mediate our interactions. That said, I feel that same prickle of disagreement I feel stir in me whenever a black person, black writer (especially if they’re from colonized or formerly colonized places like I am) say, I didn’t know I was black until… because it’s not my truth (my blackness didn’t limit my sense of possibility but the reality is that, like class and other things, our blackness or shades of blackness was and remains a way of separating ourselves from ourselves) even in the predominantly black places I have lived (including Kei’s Jamaica). The Caribbean is not insulated from these issues, though they are not as starkly or sharply or consistently experienced in whiter places like the US and UK. Beyond my own experiences (some touched on in my February 2016 Essence article Mirror Mirror and issues of colourism/shade-ism explored in my book Musical Youth), this fairly recent memory comes to mind: being in a roomful of children of different shades of black, in a public child-friendly space, right here on our predominantly black island, only to have another adult, call out to one of the children, “black boy, black boy” with a tone and cadence that suggested “bad boy, bad boy” and to have him look up, in full acceptance of this (internalizing it). My aside aside, give the audio clip a listen; it’s a really engaging and touching reflection from one of the Caribbean’s best.

INTERVIEWS

“A writer always benefits from being a kind of outsider. That is why I try not to belong to anything too much. [Alienation] makes you an insider-outsider . . . sharpens [your] sense of observation. You look at things with detached eyes. Even some words. Pondering these English words with your Creole eyes. . . . There always is a sort of dialogue going on [within] most artists anyway. They just soak things in that they ultimately try to reproduce some other way. I think having this dual lens has been very helpful.” – Edwidge Dandicat

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“Grounded in the realities of our history and geography, but unbounded in their imaginative possibilities” – Philip Sander describing the work of Nalo Hopkinson jumped out at me as the very thing I’ve been trying to define when I speak of a Caribbean aesthetic as a criterion for (but not a limitation of) Wadadli Pen submissions.

***

“Shorter doesn’t mean faster or easier! Short story writing is a very different art from that of the novel, from pacing to character development. So for a novelist, it can actually take longer and be more of a stretch to try her hand at writing a short story. A rewarding challenge, certainly, but definitely a challenge.” – Lauren Willig

***

“I remember myself as a young child, my mother had books inside here, and one of them dealt with the Haitian Revolution. I was ever so proud of Toussaint L’Ouverture. I was just proud. I mean, there he was, sitting in the same book with Napoleon and all of these other great men. So, for me, the Haitian Revolution was very significant. I don’t know how it is in popular memory, because right now everybody’s sorry for the Haitians—and “sorry for” in the sense of, “We’re better off” or “They can wear our old clothes.” So I don’t know about it in the popular memory. But certainly historically, Haiti served to frighten late-eighteenth- and nineteenth-century governments. Frightening them, and as a matter of fact, had them even more repressive towards their black enslaved workers because their fear of Haiti was so strong. So, I don’t know that it has popular resonances, but certainly for nineteenth-century politics, it did.” – Erna Brodber interview at SX Salon, a Small Axe Literary Platform

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“What’s interesting to me is that of the women who have read this, every single one thinks that it is absolutely sexy and totally horny. Then I was like, ‘oh, so this is erotica’. And I was reminded again that erotica does not need to be explicit. And, of course, what is erotic and what we find sexy and will respond to viscerally in that way is entirely subjective.” – Leone Ross

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“The fiction writer in me likes gaps in stories because I can jump into that gap and try to suggest something.” – Marlon James’ Vogue interview

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“There’s a place for everything…” – says Barbados’ Shakirah Bourne in this NIFCA interview:

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“To move past the ugly parts of history, you have to acknowledge them, on all sides, and this is what I think historical fiction can do so well: show how we got from there to here, but told through characters who see themselves not as history but as completely modern.” – Andrea Mullaney, author of The Ghost Marriage, 2012 Commonwealth Short Story winner for Canada and Europe

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“The area where I spent my childhood years was surrounded my trees, and always seemed just on the edge of wilderness. That area has changed so much, but there is still that space in my imagination that’s the same…” – Danielle Boodoo Fortune, Woman of Colour interview

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“What I’m trying to bring out is the power of words themselves, the power and musicality of words.” – Clifton Joseph

***

“Reading was such a sanctuary when I was a teenager, I wanted to see if I could tell a Jamaican story, a Caribbean story, that would interest even an urban teenager.” – Diana McCaulay re her new book Gone to Drift

FICTION

“In April of 1945, after facing only minimal resistance, Rhett was part of the Allied force that liberated a concentration camp named for the beech forests that surrounded it. The day was damp and overcast, with a heavy ground mist that sometimes hid the heaped bodies and sometimes revealed them. Living skeletons stood at the fences and outside the crematoriums, staring at the Americans. Some were horribly burned by white phosphorous.” – Cookie Jar by Stephen King

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“In death, we live far more richly than we do in life. Our lives are pale shadows in which we are preoccupied with the business of living. It is in death that we take on nuance and colour. We seep through the floorboards of houses, spread out and nestle there. We whistle through windows, ruffle curtains and inhabit the minds and memories of others. We take on a resonance that only memory provides. We become deities. We become ancestors.” – from Ayanna Gillian Lloyd’s Walking in Lapeyrouse

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“There was no rebuttal. She ended the call. From the decanter on side board, she poured herself a drink. The rum quelled the chill in her stomach — a chill reminiscent of rain-fly wings brushing against her skin. Where did they find him? They were hunting him for so long. Did he put up a fight? Errol had a point: There was really no need for her to kill him herself. But she wanted to.” – H. K. Williams’ Celeste in Moko

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“They’ve taken you, in the rolling melody of their steps and song, to the river Aripo inside the forest, and when they sit and beckon you to come join them, their feet, you notice, are not as they’re supposed to be. It’s a peculiar thing to miss, really, backwards feet. You sense that your own feet have been treading air when they come into contact once again with the marshy forest floor. You look back into the bush where you think you came from, and you want to go home.”- Wenmimareba Klobah Collins

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Edwidge Dandicat reads and discusses Jamaica Kincaid’s Girl and her own Wingless. And here’s Girl, so you can read along.

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“My wife is happiest on Sunday afternoon, when I leave the house. We have been married five years – too soon for us to take pleasure in each other’s absence.” – from Radio Story by Anushka Jasraj – Commonwealth Short Story winner for Asia

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“After years of working like a dog, clawing his way to fame and fortune—forfeiting family in the process—Desiree and the people of the island had broken down his mighty reserve and rewarded him with passion, friendship and the happiest times he’d ever experienced. He loved living in a place where everyone was aware of who he was, but not impressed or intimidated by what he had done. He admired the lack of social divides, that the Chief Minister played dominoes with ‘The People’, and that his best friend and “liming partner” was her cousin, and his Captain.” – Trudy Nixon’s Anguilla Boat Race, part of Akashic’s Mondays are Murder series

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Mary Akers said about ‘Viewing Medusa’ after it had been posted at The Good Men Project: “For all you writers out there, this story’s publication is a testament to persistence. It won the Mary Mackey Short Story Prize, it was the story I submitted for my successful Bread Loaf waiter application, but for ten years, I tried unsuccessfully to get it published. I submitted it to 101 journals, 100 of whom rejected it before Matthew Salesses believed in it and brought it out into the world.” Here’s an excerpt from the story:  “I found myself unable to look away as she slurped her soup, dipping the pieces of dasheen in the broth and sucking them dry after each dip. When the soursop was served, she peeled away the bumpy green skin and slurped the fruit into her mouth, rolling it around until the smooth brown seeds were free, spitting them onto her plate. Soursop juice ran down her wrists and dripped off her elbows to the floor. I thought of Miss Connie, later, on her hands and knees, wiping up the stickiness while shaking her head at the lack of manners displayed by scientists.” – the voice/point of view and descriptions work well together to create a clear picture of the part of Dominica in which the story (which feels less fiction and more here’s how it happened) is set – the beauty and ruggedness in the landscape and the character of the people as compared with the visiting (presumably white) scientists, to create as well a certain mood of foreboding, and to suck the reader in…even if it spits that reader out the other end with questions, or rather one lingering question: so wait, she nar go do nutten? – Read the whole of Viewing Medusa here.

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“The fuel tank was empty. He’d collapsed from sunstroke and dehydration. He’d been raving incoherently. When he finally recovered he’d lost all memory of where he’d left his men. A Lysander was sent out to look for them but nothing was ever found. The unforgiving maw of the Sahara had simply swallowed them up.” – Bully Beef and Biscuits by Guy Carter – this was the 2015 winner of the Mogford Prize for Food & Drink Writing

POETRY

“No one sees my tears
wafting through the branch clusters
weeping airy patterns into the jungle silence.” – from Mangrove Armour by April Roach in Moko

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“We read menacing messages in the scowls
of passers-by. Some circle around,
mark the territory with treads of footprints,
count down days to our departure.” – Camp by Althea Romeo-Mark in Moko

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“…crushed lemongrass
overcooked tourist flesh sizzling in the noonday sun
barnacled, rusted boats off Devonshire Dock
my neighbour’s garbage ripped open by feral cats
overpriced perfume – from Trimingham’s, I think
‘mountain fresh’ detergent scent of laundry drying on the line
frying fish and sun-ripened fish guts
Baygon and stale beer
overripe cherries
Limacol and sweat..” – from Kim Dismont Robinson’s Scents of Bermuda: Or, All De Smells That Accosted My Nose One Day When Ahs Ridin My Bike From My Momma’s House on Norf Shore To My House in Smif’s Parish

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‘In the roaring of the wolves the doctor said “Do you feel tenderness”
She was touching me’ – Niina Pollari, sharing and discussing her poem Do You Feel Tenderness

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“There’ve always been Sunday mornings like this,
when God became young again
and looking back you see
that childhood was a Sunday morning.” – Kendel Hippolyte (Sunday) – be sure to also check out the Dunstan St. Omer Red Madonna that accompanies the poem.

BLOG

“I think I had a very different vision of myself when I was young, and definitely thought I’d have a family and be a loving parent by now. Instead I’ve birthed books” – Zetta Elliott

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“Neglected authors fascinate me. While the particulars for their disregard may vary over time and from culture to culture, one thing remains constant: their perseverance despite official recognition. Such is the case of Eliot Bliss, a ‘white, Creole, and lesbian’ Jamaican novelist and poet whose collected poems have been resurrected by Michela A. Calderaro in Spring Evenings in Sterling Street.” Geoffrey Philp

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“Getting to the place in yourself that is beyond influence is the radical edge.” – Brooke Warner

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“…exploring a new space is a thing of wonder and an entirely individual experience…” – Sonia Farmer, blogging her Fresh Milk residency in Barbados

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The Jhohadli Summer Youth Writing Project: A Space for Young Antiguans and Barbudans to Get Creative

Talked a bit about the Jhohadli Summer Youth Writing Project on Observer Radio ( @Observer Media ) this week. Thanks to Darren Matthew Ward and Amar Spencer.

I’ll add only that I’m here situated in Antigua, a writer and a media person, interested in working with young writers or with young people (and adults, my adult writing workshops, like Ah-nuld, will be back) in general who want to improve their literary skills or just carve a space in their lives to flex/exercise their literary muscles. We are all works in progress and I continue to work on my own as well, participating in writing workshops and retreats when I’m able. You don’t realize how draining life can be on your creativity until you’re in a space, if only for an hour that is just about the creativity.

Darren asked me during our interview about the future of the arts (in Antigua and Barbuda) and (despite the intimations by some that I am effectively in a dying industry and the sense, certainly in our space where it is not prioritized) all I can say is go back to earliest civilization, there has been a creative spark, through all the changes over millennia, there has been a creative spark, on the plantations where oppressors worked overtime to stamp out my ancestors’ humanity, there was a creative spark, there will be as long as there are humans trying to interact with or make sense of their world, as long as there is a living, breathing soul inside of us, a creative spark. We create because we are.

As a freelance writer, in a space with limited (very limited) support for the creative arts, I try to find ways to not only do what I do, share my own work but work with others. When I started Wadadli Pen, best known as an annual arts Challenge it aspired and aspires to be more than a competition. As a voluntary project with zero resources of its own, the Challenge is primarily what I’ve been able to do with it. But one thing the challenge reveals each year is the spark of potential in so many of our young people and young writers, there only to be stoked and encouraged.

Through the Jhohadli Writing Project, my own professional writing services, I hope to play a more developmental role, allowing people to pay where they can and/or businesses and individuals to support someone else in the journey, where they are able and willing. It’s not something I can do for free, but I do want it to be accessible which is one of the reasons that I invite sponsorship so that I can offer spaces to promising writers who don’t have the ability to pay. That’s where I am with this.

Appreciated the opportunity to share more.

And as usual thinking about a million other things I should have said (such as the obvious connection between this arts programme and the kind of programme the kids in #MusicalYouth were involved with). Musical Youth is my latest book and my publisher CaribbeanReads will probably want to ring my ear for not plugging it…or Best of Books which was so gracious for spotlighting the book as its teen summer read. Glad I got to get a word in on the reading challenge put on by my two primary voluntary projects the Cushion Club and Wadadli Pen (supported with book discounts by Best of Books and Cindy’s Bookstore…shout out as well to Map Shop which helped us compile the reading list).

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Fish Outta Water, Oh Gad!, and Musical Youth). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about WadadliPen and my books. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. And using any creative work without crediting the creator will open you up to legal action. Respect copyright.

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Adapting

student writing workshop 2workshop 2workshop 3That’s what I think of when I look at these pictures from my Saturday afternoon session at Anguilla Lit Fest alongside Yona Deshommes of Atria. It was a fun session of letting the imagination run wild, really wild, as we nudged the participants, all very creative young people, in to imagining their own stories. It’s a reminder that when creating, or for that matter just being, you allow yourself to feel free to fly or fail or flounder when you don’t feel like your choices, your actions or inactions, your very words are being scrutinized, and found wanting. Drop other elements into the water and judgment is … inevitable. But in that moment around that table, we tried to make them feel free to imagine, because in that space there was no right or wrong, just the next sentence.

As with all content (words, images, other) on wadadlipen.wordpress.com, except otherwise noted, this is written by Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight,  Fish Outta Water, Oh Gad!, and Musical Youth). All Rights Reserved. If you enjoyed it, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about WadadliPen and my books. You can also subscribe to and/or follow the site to keep up with future updates. Thanks. And remember while linking and sharing the links, referencing and excerpting, with credit, are okay, lifting whole content (articles,  images, other) from the site without asking is not cool. And using any creative work without crediting the creator will open you up to legal action. Respect copyright.

See my other blogs related to the Anguilla Lit Fest here, here, and here.

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Opportunities Too

It was getting a bit busy so I decided to start fresh. However, I recommend visiting the original page for publisher, contest, award, project etc. information and for some tips/advice on submitting/applying. This includes information re protecting your work – links to articles like this one. I won’t repeat it all here but it’s still relevant.

This page will be dedicated to upcoming deadlines and fresh content will be added (and stale content removed) as time goes on. Fair warning, I’ll be going for some of these as well. More important still: I try to do research before posting and do so in good faith; still, I can’t vouch for all these. So remember do your own due dilligence; also read the submission and/or application guidelines carefully.

ON DEADLINE

May 30th 2016 – Book Smugglers seeking speculative fiction novellas – even if you miss this deadline (a distinct possibility cutting it so close) this one could definitely get the creative juices flowing (it did me; had me digging up an old piece in progress I hadn’t touched in the years since I’d started it – actually two – and writing 1300 fresh pages in about an hour in the world of one of them …and not the one I expected either…don’t know if it will go anywhere but it was interesting and fun stepping in to that world again…will keep going until it says stop). Peep the details and see if it gets you going. I know some of you are sitting on some things.

May 31st 2016 – the One Story submission cycle is actually September 1st to May 31st; so if you don’t have anything for this cycle, you can start working on the next. They’re seeking literary fiction between 3,000 and 8,000 words – any style, any subject; but make it good because you only get one shot. They pay US$500 and 25 contributor copies for first serial North American rights, with all other rights reverting to the author on publication. Stories must be previously unpublished – this includes online publication, though stories published in print outside of the US will be considered. Other details here.

May 31st 2016 noon (CEST) – Paris time- (please pay attention to this; I once missed this deadline because of the time of day I submitted) – the International Fund for  the Promotion of Culture’s call for project proposals is open to all individuals particularly artists and creators; public bodies with particular responsibility for the promotion of culture and artistic creation; and non-governmental organizations (NGOs) and non-profit private bodies whose objectives are in conformity with those of the Fund and whose activities contribute to the promotion of culture and artistic creation. Priority is given to projects submitted by young creators aged 18 to 30 years and to projects aimed at benefitting youth.  Eligible projects include (a) the production of cultural and artistic works; and (b) the organization of cultural and artistic events of national, regional and/or international scope contributing to the establishment of culture and development strategies and programmes. Go here for more info. Read the Frequently Asked Questions [FAQs] before applying. Direct any other questions to infoifpc@unesco.org

May 31st 2016 – Small Axe Literary Competition: fiction and poetry. Read more.

May 31st 2016 – Sonnet Writing Competition. Read more.

May 31st 2016 – a Shelfie challenge! Yes, you read that right. The Book Studio 16 Shelfie Contest wants you to film yourself in front of your bookshelf talking about the books and other items on your books shelf and why you love them so. You’ll be featured on their youtube and could win up to 10 new HarperCollins titles. You must be at least 14 and resident in the US to enter. They need to open that up, am I right? Anyway, I’m sure someone reading this fits the criteria – bonus if you have a copy of one of my books on your shelf and can show it some love in your shelfie (there’s no prize for that just my whole hearted appreciation). Read more.

May 31st 2016 – Call from the Arch and Bruce Foundation for full-length works (dramas, comedies, musicals, screenplays) concerning lesbian, gay, bisexual, transgender, or genderqueer life and based on, or directly inspired by, a historical person, culture, work of art, or event. No entry fee; US$3,000 main prize. Read more.

June 1st 2016 – Gladstone’s Library Writer in Residence application deadline. Entrants must submit a one page CV/biography, a copy of the book they would like the judges to consider, a 250 word statement about their take on (re)defining ‘liberal values’ and 250 words on the work that they plan to do at the Library as well as their idea for an evening event and day masterclass. Read more.

June 3rd to 4th 2016 – This is not a writing challenge; it’s a mobile app challenge. 12976859_947995965318654_4730163529406842778_oStill creative, right? Check it out.

June 6th 2016 – The Commonword Children’s Diversity Writing Prize welcomes submissions from unpublished children’s authors whose writing embraces ethnic diversity either through their own ethnicity and culture and/or in their writing. Read more.

June 15th 2016 – The Bakwin Award honors full-length prose work (novel, short story collection, or memoir) by an author who is a woman. The winner will receive a $1,000 honorarium, and the winning book will be published by Carolina Wren Press. Read more.

June 21st 2016 – Troubadour International Poetry Prize. Read more

June 30th 2016 – Autumn House Press non-fiction contest; the winner will receive publication of a full length manuscript and US$2,500. Read more.

June 30th 2016 (and every year) -The University of Pittsburgh Press announces the 2016 Drue Heinz Literature Prize for a collection of short fiction. The prize carries a cash award of $15,000 and publication by the University of Pittsburgh Press under its standard contract. It’s open to writers who have published a novel or a book-length collection of fiction with a reputable book publisher, or a minimum of three short stories or novellas in magazines or journals of national distribution. Digital-only publication and self-publication do not count toward this requirement. The award is open to writers in English, whether or not they are citizens of the United States. Eligible submissions include an unpublished manuscript of short stories; two or more novellas (a novella may comprise a maximum of 130 double-spaced typed pages); or a combination of one or more novellas and short stories. Novellas are only accepted as part of a larger collection. Manuscripts may be no fewer than 150 and no more than 300 typed pages. Prior publication of your manuscript as a whole in any format (including electronic) makes it ineligible. Stories or novellas previously published in magazines or journals or in book form as part of an anthology are eligible. Other details here.

June 30th 2016 (also December 15th 2016) – Dora Maar Fellowship – application details here.

July 15th 2016 – 5 p.m. BST – Wasafiri New Writing Prize – Submissions are welcome in three categories: Poetry, Fiction and Life Writing. Winners will receive £300 and their entries will be published in Wasafiri. Read more

July 15th 2016 – Rattle – The annual Rattle Poetry Prize offers $10,000 for a single poem to be published in the winter issue of the magazine. Ten finalists will also receive $200 each and publication, and be eligible for the $2,000 Readers’ Choice Award, to be selected by subscriber and entrant vote. Read more.

July 1st – 31st 2016 – VQR – publishes poetry, fiction, and non-fiction. Read more.

September 23rd 2016 – the Manchester Fiction Prize – £10,000 prize for the best short story of up to 2,500 words. Open internationally to new and established writers aged 16 or over (no upper age limit). Read more.

As with all content on Wadadli Pen, except otherwise noted, this is written by Antiguan and Barbudan writer Joanne C. Hillhouse (author of The Boy from Willow Bend, Dancing Nude in the Moonlight, Oh Gad!, Fish Outta Water, Musical Youth, Dancing Nude in the Moonlight 10th Anniversary Edition and Other Writings; also a freelance writer, editor, writing coach and workshop facilitator). Excerpting, reblogging, linking etc. is fine, but PLEASE do not lift ANY content (images or text) wholesale from this site without asking first and crediting the creator of that work and/or copyright holder. All Rights Reserved. If you like the content here follow or recommend the blog, also, check out my page on Amazon, WordPress, and/or Facebook, and help spread the word about Wadadli Pen and my books. Thank you.

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CODE SPONSORED TEEN AND ADULT WORKSHOPS SET FOR ANTIGUA IN NOVEMBER

Get on it quick. Registration deadline is November 11th 2014.

Here are the details re the teen workshop:

The workshop is offered as part of CODE’s Burt Award for Caribbean Literature, which aims to provide Caribbean youth with access to books they will enjoy and want to read. Through the Award’s book purchase and distribution program, a minimum of 1,200 copies of each winning title is donated every year to Caribbean youth through schools, libraries and community organizations. Workshop participants will have the option of adding their school to the distribution list for free copies of the 2014 winners.

DETAILS OF TEEN WORKSHOP: Caribbean workshops_Nov2014_teens

Here are the details of the workshop targeted at adults…interested in writing teen content:

Offered as part of CODE’s Burt Award for Caribbean Literature — which aims to provide Caribbean youth with access to books they will enjoy and want to read — the workshops are intended to help emerging or established writers of books for teens or young adults develop their skills, deepen their understanding of writing strategies appropriate for this age group, and encourage them to submit their work for consideration for the Award.

DETAILS OF ADULT WORKSHOP: Caribbean workshops_Nov2014_adults

I’ve been lobbying CODE to locate one of these workshops in Antigua and Barbuda since I first learned about them so, yay, for this. And looking forward to the opportunity to facilitate. In other me and CODE news, my book – you know the one that placed second for the Burt Award – Musical Youth – yeah, that one, it’s dropping soon. And I couldn’t be happier. I’m planning a reading event with CODE for the Friday before the workshops so you’ll be able to get a teaser of the book. Looking forward to all of it. Here’s the cover,  with art work by Antigua and Barbuda’s own Glenroy Aaron. Sweet, right?

MUSICAL_YOUTH_Nov1

 

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Writer’s Toolbox

I’ll be putting stuff here that covers both the craft and the business of writing.

The Business of ‘Selling International Rights’ by Moira Allen is a must-read for any freelance writer.

A Craft post – Gayle Gonsalves on Character.

Also check the workshop links on the site and the business links.

Re the Business and the Craft of writing, don’t forget to use the search feature to the right, to look up some ‘opportunities’.

I have a lot of links about my craft and my experience in the business. And here’s a link to my business of freelancing.

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It pays to Experiment, It’s essential to dream

“That’s when the hand fell out. Goldine stared. It was just a hand—innocent looking, really, brown with black hairs, manicured nails, bruised knuckles, and a Rolex.” – from The Cat has Claws by Joanne C. Hillhouse

I just came across this noir piece I wrote and can’t remember if I’d shared it here. It’s an example that proves the headline of this blog posting (It pays to experiment…). I’d read but never written noir before. I decided to try my hand at it (because, why not) and what I wrote was picked for publication in Akashic’s Mondays are Murder Series.

More recently, there’s the fairytale With Grace, which I wrote when I was trying to work through some very negative feelings which I decided to channel into this very positive medium, sort of a way of turning that frown upside down I guess. Fairytales, of course, we know sometimes have dark origins and deal with some what could be the stuff of nightmares but, in the fairytale world, they all lived happily ever after, and with that certainty we can get through the bad stuff. The world doesn’t work like it does in children’s stories, of course, but good things can come out of challenges. And out of the challenge that led me to write With Grace came a story I love very much, I really do, because the fairytale form was an interesting and stimulating challenge for me and I also enjoyed colouring outside of the lines a little bit.  I was encouraged when I shared it with the participants near the end of my Jhohadli Summer Youth Writing Project last summer and they gave it the same treatment we’d been giving, with my guidance, every story they themselves had shared. They critiqued it.

What they thought worked… “very descriptive …the song was good …effective use or irony…good manipulation of the stereotype(s)…good  (haunting) ending…”

What they thought needed work… “(character’s name withheld) interesting but the introduction was abrupt …need more description of (character name withheld), her back story and what she looks like … some explanation of (plot point withheld)…”

Sidenote: one of my nieces was in that workshop and, though I thought she knew, I think it finally hit her that this is what I do, write stories, because she came up to me afterwards and said with a kind of curious wonder in her voice, “Auntie Joanne, you wrote that…?”

Anyway, I listened to the feedback and the story evolved. More happy news, the story was an honourable mention in the Desi Writers Lounge 2014 short story contest and they’ve contacted me about including it in a forthcoming publication.

“This story came ever so close to making it to the top three. With Grace combines feelings of love, hate, greed and generosity to weave a powerful narrative that is magical in spirit and human in character. Hillhouse is an accomplished writer and her elegant prose shines through in this story.” – DWL on their website, re With Grace

This is in addition to my still very early hope of turning it into a children’s picture book. Yeah, looks like the bug has well and truly bit after Fish Outta Water. UPDATE! In 2015, I signed a contract with a children’s book publisher for Grace!

Right now, I’m reviewing edit notes for my forthcoming young adult novel, Musical Youth. By now, you’ve probably heard the story of my 11th hour decision to go for the Burt Award and the story that evolved from that. I’d written stories that have been marketed to the Young Adult market before – The Boy from Willow Bend and Dancing Nude in the Moonlight were originally part of Macmillan’s schooner series for the teen and young adult market, but they weren’t written, I’ve said time and again for that market; they were just written. With Musical Youth, I was keenly aware of audience during the writing, which is unusual for me, because for me its story first, audience second. But somehow during the writing these blended in my mind, I was writing about teens, I was writing for teens. And I was taking a leap. Look how it turned out:

“Musical Youth is a beautifully crafted novel with the leitmotiv of music running throughout it. This is a powerful and credible story of young love between two likeable heroes. The characters’ gradual exploration and growing knowledge of each other is reminiscent of the way a novice would learn how to play a new musical instrument and slowly get better at it with practice. The use of musical images and the regular musical rhythm that reverberates throughout the text will delight young adult readers.” – from the website of CODE, sponsor of the BURT award

second prize for the Burt Award and (once I get past this editing hump) hopefully in short order a book that will become a favourite among young adult readers from the Caribbean…and maybe beyond. A girl can dream. UPDATE! The book’s out and readers are responding.

A recent dreaming spot during the Emerge wellness retreat (https://www.facebook.com/ECaribbeanWomen) ...because I need a picture for this post and why not this one.

A recent dreaming spot during the Emerge wellness retreat (https://www.facebook.com/ECaribbeanWomen) …because I need a picture for this post and why not this one.

The moral of the story , I think, is try new things, in life and in writing; you never know…

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