Tag Archives: young adult literature

On Bill Burt, the Burt Award (for Caribbean Literature), and the 18 teen/young adult Caribbean fiction titles it produced

Burt-Award-winners-book-covers

Home Homethe beast of kukuyoThe Art of White RosesThe-Dark-of-the-SeaMy-Fishy-StepmomA-Dark-Iris

The-Unmarked-Girl-Jeanelle-Frontin

You may not know the name Bill Burt. After all, he was a Canadian commodities broker. But you may know some of the titles above (all Code Burt award titles from the Caribbean). That seal on all but the newest of the pictured titles (This year’s titles are not yet published but the original edition of the winning 2019 title The Unmarked Girl is pictured) is the Oprah’s Book Club seal of teen/young adult Caribbean literature, that little edge, that extra endorsement to help them stand out and perhaps be picked up. It is an endorsement. It indicates that these titles have been tapped by writers, editors, and other literary professionals from the Caribbean and elsewhere who served as judges (refreshed every year), as being among the best new writing from the region in the teen/young adult genre.  It is Bill Burt putting a ring on it.

Accepting Burt Award trophy

That’s Bill Burt, left, above presenting me (Joanne C. Hillhouse) with the first runner up trophy for the inaugural Caribbean Code Burt award, for my then unpublished manuscript Musical Youth, at the 2014 Bocas literary festival in Trinidad.

A trophy. The most substantial single cheque of my creative writing career to that point. An opportunity to be published and to select the publishing house I would be working with from among several options in the Caribbean. A guaranteed order of the books. That was my prize. It was an amazing boost at the time.

Musical Youth and all of the pictured books benefited from someone, who, with the funds he made through this stock market investments, helped amplify stories from typically marginalized communities of which the Caribbean was only one.

Winners ...and #MusicalYouths in their own right ... members of the AGHS winning cast from the secondary schools drama festival collecting copies of Musical Youth.
(above and below, me presenting copies of Musical Youth at local schools)Musical Youth copies 2014 3

The Burt Award, named for Bill Burt and administered by CODE, a Canadian non-profit, stimulated the production of teen/young adult fiction specific to communities whose voices are not often heard in the vast publishing world. He presented the first Burt Award (for teen/young adult African literature), in Tanzania in 2009. The programme subsequently expanded to Ghana, Ethiopia, Kenya, Canada (specifically among First Nations, Inuit, and Metis people), and the Caribbean.

The initial guaranteed order of the winning books was/is distributed to teens and young adults through individuals and institutions that work with youth. If you appreciate that funding is a major hindrance for working artists and for independent publishers, you will appreciate how significant this prize is; if you can appreciate that this was about producing books teens and young adults in the region would WANT to read, you would see how impactful this prize was or could be.

I entered that first year (October 2013 submission deadline), after they had adjusted initial proposed guidelines to accept unpublished manuscripts. I had to print, bind, and FedEx the manuscript from Antigua to Trinidad. I believe the guidelines were adjusted the following year to allow for online submissions but submissions had to be professionally bound in 2013. It wasn’t cheap but it was one of those invest in yourself moments and it was worth it because, thanks in great part to this programme, the book that manuscript birthed, Musical Youth, placed with Caribbean Reads publishing, out of St. Kitts, has become one of my best performing books. I can’t imagine Musical Youth even existing in a Burt-less world, especially given that two weeks out from the deadline I started writing something to submit (which is not the advised way to approach competitions of this nature but is the way this book came to be). Future Burt finalist Shakirah Bourne (of Barbados) who wrote her title (My Fishy Stepmom) in less than a month, blogged recently about how this bit of foolhardiness on my part inspired her (after some disappointments that made her consider not submitting at all):

“Five months later, on October 7th 2017, Antiguan author, Joanne Hillhouse shared the invitation to submit to the 2018 CODE Burt Award on Facebook. Initially I dismissed it. The deadline was October 31st, 24 days later. But Joanne is an amazing blogger and so I checked out her post ‘The BURT Blog – Memories to Keep and a Trophy’ and was amazed to read that she wrote her award-winning book Musical Youth in less than two weeks!”

When I heard this year ahead of the announcement of the last Burt finalists at the Bocas lit fest which administered the prize regionally, that this would be the last year, I wrote back to them “Congrats to the shortlisted writers. Sorry to hear it’s coming to an end. Sorry as well to learn (as I just did in this email) of the passing of Bill Burt. He did a great thing.”

That’s why I’m writing this because Bill Burt did a great thing and we need more people within and without the region to replicate this kind of philanthropy – in fact, one of my dreams for Wadadli Pen is that someday it has the resources to support a writer now and again in the region or maybe even the sub-region, maybe just Antigua and Barbuda, for completion of a project – just give them a financial break for a bit so that they can focus on creating. It’s the kind of help I need and as with Wadadli Pen itself, started because of a void in my experience of anything to nurture and showcase the literary arts in Antigua and Barbuda, I want to be in a position someday to support other artists in the ways that I don’t feel supported today.

Bill Burt’s life at least from his 40s onwards (I think) is a reminder that there is great value in giving if you can, where you see the gaps, simply because it needs to be done.

I know this is running long but I wanted to run through the books and some developments (re the authors’ professional trajectory) certainly in the Caribbean since winning the Burt award. Starting with 2019 (via bocaslitfest) and working back to the inaugural year, 2014, with the hope that you will consider purchasing (sharing, reviewing, recommending) these specifically Caribbean books, which wouldn’t exist as they do (as exciting new titles from Caribbean publishers for the teen/young adult market) without Bill Burt.

The Burt Award will not be accepting submissions from 2020 on; it will be interesting to see if any philanthropic entity steps in to the gap.

2019 titles:
Winning title – The-Unmarked-Girl-Jeanelle-FrontinThe Unmarked Girl by Jeanelle Frontin (Trinidad and Tobago), published by Mark Made Group Ltd (which is a Caribbean-based company providing arts and entertainment services of which publishing is only one component) – a quick google suggests that Frontin submitted the first of three ebooks in her YaraStar trilogy; self-published, according to Looptt (which suggests to me that Mark Made is not a traditional publisher but either a vanity or hybrid, paid for their services by the author). That book (already awash with five star reviews on Amazon) and the entire series just got a boost.

The Accidental Prize by Tamika Gibson (Trinidad and Tobago) – Tamika, a returning finalist, submitted a manuscript which puts this in the to-be-published category. Gibson, also a 2016 finalist for Dreams Beyond the Shore, published by Jamaica’s Blue Banyan Books, and named one of 2017’s best contemporary teen reads by Kirkus, said, “What’s phenomenal about the Burt Award is that it’s a direct path to getting your books into the hands of readers. Entering the competition has freed me to focus on writing the best novel that I can, without having to worry too much about the business aspects that come after the book is finished.”

Daylight Come by Diana McCaulay (Jamaica), also a manuscript – Diana is also a previous winner for 2015’s Gone to Drift which has since had an American edition published (2016) with Harper Collins after its initial release with Dominica’s Papillote Press. McCaulay was already an award winning and critically acclaimed author and activist when she first triumphed at Burt and hasn’t missed a step with another non-Burt book published in 2017 (her fourth novel) and Daylight Come forthcoming with, I believe, Peepal Tree press (which is UK based but publishes primarily Caribbean fiction and has been a favourite of the main Bocas prize).

2018 titles:
Winning title – The-Dark-of-the-SeaThe Dark of the Sea by Imam Baksh (Guyana) – also a repeat winner this is his second previously unpublished manuscript to find a home with Jamaica’s Blue Banyan Books after 2015 Burt title Children of the Spider which was published in 2016.  He explains in this linked article how the increased visibility positions him to do more to boost literature in his country even as he continues to work on his next novel and embraces opportunities to travel and present his work (most recently featured at the Edinburgh literary festival)

My Fishy Stepmom by Shakirah Bourne (Barbados) – manuscript, the Caribbean edition since published by Blouse and Skirt which is an imprint within Blue Banyan. Bourne is an independent filmmaker and self-published author now with a literary agent (I mention that this is the Caribbean edition of the book for just this reason as she also landed the book with an international agent right around the time it was shortlisted for the prize, as she blogs here). For her, there are loads of emerging opportunities (of which being a featured presenter at the 2019 Edinburgh festival is only one).

A Dark Iris by Elizabeth J. Jones (Bermuda) – manuscript, since published by Blouse and Skirt (Blue Banyan Books). You’ll see Tanya Batson-Savage’s Blouse and Skirt and/or Blue Banyan Books on this list a number of times as it has published more Burt Caribbean titles than any other imprint. Specifically, The Dark of the Sea and Children of the Spider by Imam Baksh, My Fishy Stepmom by Shakirah Bourne, The Beast of Kukuyo by Kevin Jared Hosein, Girlcott by Florenz Webbe Maxwell, Dreams Beyond the Shore by Tamika Gibson, Dancing in the Rain by Lynn Joseph, and the very first Burt Caribbean winning title All Over Again by A-dZiko Simba Gegele. This means that this independent Caribbean publisher’s list has grown by almost 10 (maybe more by the time this year’s winning books are published) because of this prize’s investment in the region and in the process new voices from across the region (Guyana, Barbados, Trinidad and Tobago, Bermuda, and Jamaica just from this list alone) are being either heard or amplified. I have had the opportunity to work with Blue Banyan as an editor of one of the named books and can attest to how seriously Tanya takes the job of shepherding these books in to the marketplace.

2017 titles:
Winning title – The Art of White RosesThe Art of White Roses by Viviana Prado-Nunez (Puerto Rico) – this previously self-published novel was described by Kirkus as “An emotional coming-of-age story posed against the backdrop of the Cuban revolution.” It is one of three Burt titles issued by Dominica’s Papillote Press. What’s interesting to me is that Papillote, while not publishing Dominican books exclusively, had, certainly in my mind, been branded as a distinctively Dominican press (a press primarily concerned with stories out of Dominica) – with the publication of three Burt books out of Jamaica, Trinidad, and Puerto Rico in a short three year span, it emphatically broadened its brand to include the wider Caribbean.

Home Home by Lisa Allen-Agostini (Trinidad and Tobago) – this too is a Papillote book. I actually couldn’t find a lot from Lisa re the publication of the book but she did say this about its genesis on her blog: “The manuscript I first wrote a decade ago and rewrote while in hell in an airport in Suriname in 2016 is now being published as Home Home by Papillote Press, after being named third place in the CODE Burt Awards for Caribbean Literature in 2017. We’re hoping to do a launch at the 2018 NGC Bocas Lit Fest.

Yay!!!”

For a manuscript 10 years in the making, I suspect that “Yay!!!” is only the half of it. And that’s the other thing, some of us write new things, some find a home finally for that manuscript gathering dust because of an industry that makes very little room for voices like ours. ETA: Home Home has landed a deal with Delacorte (Penguin) for release of a US edition due in 2020.

The Beast of Kukuyo by Kevin Jared Hosein (Trinidad and Tobago) – Kevin was actually on quite a roll (with several Commonwealth short story wins, Bocas long listing)  when he placed in Burt so perhaps for him this didn’t change much but it certainly added to his coffers and his publishing credits.

2016 titles:
Winner – Dreams Beyond the Shore Dreams-Beyond-the-Shore-front-lr-190x300by Tamika Gibson (Trinidad and Tobago)

Girlcott by Florenz Webbe Maxwell (Bermuda) – who, per this article, dreamed of being a writer since her days reading the Bobbsey Twins and then of working in publishing, then a librarian only to find that she couldn’t work as a librarian in Bermuda because of segregation. With this book, the first dream is fully realized and she finally gets to tell the little known tale of segregation in Bermuda – and telling our under-told and unknown stories in a way that can enlighten generation now about the past is not a small thing. This is just one review I came across on booktube which contrasts segregation in the US and in Bermuda via Girlcott, indicating that this is a book primed for social studies discussion.
Beautifully Bookish Bethany, who seems to be American, said “(Girlcott is) super interesting… because I actually had never heard anything about Bermuda during the civil rights era… this is from an indie publisher but I really recommend it.”

The Protectors’ Pledge by Danielle Y C Mclean – published by Caribbean Reads
It’s worth noting here that one of the interesting elements of the Burt titles is that they underscore that the Caribbean story is not one thing; we write in different genres of different times and different futures, we have lore that is primed for exploration and expansion, and imaginations not constrained by the perceived tropes of Caribbean literature. There are many other non teen/young adult books that do this of course but if you’re looking for your teen reader you can find romance, adventure, crime, fantasy, coming of age, history, and so much more; just google them (I haven’t linked every book because I don’t feel like linking to Amazon but I have linked to the reviews I’ve written of the ones I’ve read).

2015 titles:
Winner – children of the spider 001Children of the Spider by Imam Baksh (Guyana) – Anansi as you’ve never seen…ze?

Gone to Drift by Diana McCaulay (Jamaica) – a book that draws on the author’s career in environmental advocacy as it weaves a tight rescue tale.

Dancing in the Rain by Lynn Joseph (Trinidad and Tobago) – I haven’t read the published version of this one yet though it is on my book shelf but I did read it when it was a contender for the prize as I was a judge that year. And speaking of telling different stories, this was is not only a Caribbean story but is another story that can be added to the library of books (if such a thing exists) about the fallout from 9/11, existing as it does at the intersection of Caribbean and American life. It’s also about grief as Home Home is about depression, as such tackling the still fairly taboo issue of mental health. These books (the Burt books generally) go there and really should be read not just by Caribbean teens but beyond.

2014 titles:
Winner – all over again - cover FAW 05JUN2013All Over Again by A-dZiko Simba Gegele (Jamaica) who has recently been announced as a Musgrave medal recipient (the equivalent of national awards) for her contribution to the literary arts. She said in the  linked article, “We are still in the very early stages, but there are a lot of fantastic writers right here in Jamaica. Unfortunately, most of them get on a plane and leave in search of greater opportunities for income and exposure. With technology moving the way it is, the good thing is that that is not even necessary any more as we can stay here and enjoy the benefits of these markets. But at a certain level, our work has to be recognised, we need to be taken seriously and it must be recognised that behind every great movie, song, radio or television programme is a good writer.” No lies detected and the Burt award – in fact other Bocas prizes are among the very few opportunities for writer development and reward in the Caribbean. That’s another reason why it’s sad to see it go- especially before another Eastern Caribbean small island writer could come through.

Musical Youth by Joanne C. Hillhouse (Antigua and Barbuda) – that’s me (the previous Eastern Caribbean small island writer that came through) and I would be remiss if I didn’t speak a bit on the opportunities I’ve had to work with the Burt Award and/or Code since being short listed for this prize. I organized and facilitated a workshop in 2014 (in addition to assisting with distribution and promotion of all three Burt titles here in Antigua and Barbuda)

my gift1.jpg

presentation of Colleen Smith-Dennis’ Inner City Girl at Clare Hall Secondary school

Gift to Library

copies to the Public Library at the official launch of Musical Youth

; I was recruited as a judge for the 2015 Caribbean Burt prize; and I was hired in 2017 as a mentor for one of the finalists of the Burt Africa prize. Thanks to Caribbean Reads’ hustle, my book Musical Youth (added to the schools reading lists in Antigua and Barbuda in 2018 and to a reading list in Trinidad before that, with its second and hard cover editions published in 2019)

MUSICAL_YOUTH_Cover_FRONT_Final

new edition released 2019

continues to find new readers (I’ve personally presented it at readings in New York, St. Martin, Anguilla, St. Croix, Barbados, and here at home).

with Muntsa Plana Valls and Auntie Janice and the staff at one of three schools visited

after a school presentation in St. Croix

It has earned accolades from the likes of Oonya Kempadoo (author of Buxton Spice) who said, “I first recognized the weight of her work by the response of the teens to her book, Musical Youth , in the Grenada Community Library. It remains one of the most popular books with teens, despite their tendency to shun Caribbean literature when they have a choice because they are required to read it in schools.”

Inner City Girl by Colleen Smith-Dennis (Jamaica)

Bocas 5

Bocas Photo of finalists panel at the inaugural Code Burt award for Caribbean teen/young adult fiction (photo by Marlon James/original Bocas photographer)

If you’ve never heard of the Code Burt Award, I hope this post helps fill in the blanks and underscores the need for arts philanthropy. Per the Bocas press release announcing the wrapping up of the prize, “This unique literary award programme has inspired Caribbean writers to create fantastic stories; publishers have been supported to build young adult literature into their lists; teachers and librarians have been given fantastic resources; and young readers now have access to more books than ever before.”  I would say that we have always been telling fantastic stories and Burt gave us a platform to get them published while building the publishing infrastructure in the region and targeting the desired audience, ensuring that they, Caribbean teens, have stories they can relate to which also fire their imagination.

As with all content on Wadadli Pen, unless otherwise indicated, this is written by author and Wadadli Pen founder and coordinator Joanne C. Hillhouse. All rights reserved.

Leave a comment

Filed under A & B Lit News Plus, A & B WRITINGS, Caribbean Plus Lit News, Links We Love, Literary Gallery, The Business

Burt Award Workshops for Writers of Young Adult Literature‏

untitled

untitled2

Leave a comment

Filed under Caribbean Plus Lit News

New Award

UPDATED AUGUST 14T 2013. “Published books, previously self–‐published books, and unpublished manuscripts are now eligible for the Award. Eligible books and manuscripts can be submitted by publishers registered and operating in the Caribbean OR submitted by authors directly.” Good! This is how I think it should have been all along. See other updates.

 

UPDATED! May 31st 2013. So, news of opportunities for more Caribbean authors to shine and for more readers to discover their work is good news. I was aware of this award (see details below) before its launch as I was polled in detail for my perspective along with many others I’m sure. When it was officially announced, some of the questions I had lingered and so I thought I’d seek clarification on them from the people behind the award (or the person who had polled me for my perspective) and share the responses (or the portion of those that might be relevant or of interest) with other Caribbean writers. So here goes:

Q. If you have an unpublished manuscript or fresh manuscript with no publisher can that be submitted by the author?

A. After much discussion, we went with a publisher submitted process for all entries whether they be unpublished manuscripts or books. We ask this largely because of the guaranteed purchase. Because we buy and distribute up to 3000 copies of each winning title, we need to be sure that each title will in fact be published, and available in large quantities as soon as possible. We have found that with a publisher behind each submission we know that this is guaranteed. After some experimentation with other methods in the 4 year history of the Award, this is the process we have settled on in all countries with a Burt Award. The main, overriding goal of the Award is to ensure that the books make it into the hands of young readers.

Q. Why are unpublished manuscripts eligible but not self published books?
*This was follow to a concern I’d expressed during the polling that: self publishing is the only viable route for
a fair amount of Caribbean authors…[and] if the book is of a quality (quality is of the utmost important) I think it deserves fair consideration.

A. The needs of the guaranteed purchase also in part explains why we  have made self-published titles ineligible for the Award. Also, since the Award is also meant to encourage both writers AND support the growth of a robust local publishing industry, we have found this to be the best way to go. BUT, since the launch we’ve had lots of queries on this subject (!) so it is something we are looking into for future years of the Award. It seems many more quality works have come out in the Caribbean this way than we have seen anywhere else. (The self-publishing industry is doing much better here, producing higher quality books, than we’ve seen in Canada or Africa, for example). In the meantime, one thing I have been suggesting is for people with self-published works that are  otherwise eligible to approach local publishers who might, as a result of the Award, be interested in the work. Local publishers publishing more YA works by Caribbean authors would be an amazing outcome of the Award! We have a track record of success in that area with the Burt Award, most recently here in Canada where publishers are really taking notice.

Also…the CODE rep wanted to make clear that they have no hand in the selection of the winner –

I’ve also been making the following assurances to all people who contact me about the Award:  While I helped write the guidelines and so can offer advice on them, neither I or anyone at CODE will have any say in which books are submitted to or  deemed eligible by the jury. I won’t even know who submitted works until the jury is completely finished with their adjudication process… It’s important to me to make sure that everyone knows that the judging is a totally independent process.

Finally, I had a question about non-English translations published during the eligibility period of works previously published in English.

A.  All entries submitted must be in English. It is ok if the work is an English translation of a work originally written in another language, but the jury will only be able to accept English entries.

***

ORIGINAL POST

An exciting global initiative in Young Adult literature is coming to the Caribbean!

image001 (2)Launched at the NGC Bocas Lit Fest in Port of Spain, Trinidad and Tobago on April 27th, 2013, the Award, established by CODE with the generous support William (Bill) Burt and the Literary Prizes Foundation and in partnership with the Bocas Lit Fest, aims to celebrate the literary achievements of Caribbean authors while improving young readers’ access to books that are engaging and meaningful to them.

Part of a growing global initiative, the Burt Award for Caribbean Literature is an annual Award that will be given to three English-language literary works for Young Adults (aged 12 through 18) written by Caribbean authors. A First Prize of $10,000 CAD, a Second Prize of $7,000 CAD and a Third Prize of $5,000 CAD will be awarded to the winning authors. Publishers of winning titles will be awarded a guaranteed purchase of up to 3,000 copies.

Books published between 1 August 2011 and 22 August 2013 and eligible manuscripts must be received by the judging panel from publishers by 23 August 2013.

Winners will be announced at the NGC Bocas Lit Fest in Trinidad and Tobago in April 2014.

READ MORE

Leave a comment

Filed under Caribbean Plus Lit News, Links We Love, The Business